D-Z 69.2.55 [Vagans (T2)]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.55 [Vagans (T2)]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 211 x 165 mm
Other Identifiers
  • CCM: ZwiR 34/35
  • Other catalogues/source: VollBM [see bibliography] 20; 483
  • olim (Former shelfmark): MS 34,35
  • olim (Former shelfmark): MS XXXIV,35
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 15 pieces from 6 composers
General Description

A Vagans (Tenor II) partbook from a set originally of six volumes. Main scribe was Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; two additional scribes. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Binding

Original leather(?) covers now missing from all books.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces in red ink, 1-7 + modern numbering of pieces, 8-10

DIAMM, 2017
Decoration

Attributions, some headings, and some words of text in red ink; no other decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 motets, 1 German sacred piece = 10

(Clemens non Papa)-2, Freundt-1, (D. Köler)-1, (Senfl)-1, Walter [I.W.]/(Verdelot)-1, anon-4

5 paper partbooks of an original 6 (D2-31 folios, A-23, T1-31, T2-25, B-31), 211 x 165. New pencil foliation in each book. Original numbering of pieces in red ink, 1-7 + modern numbering of pieces, 8-10. Blank folios, or blank staves only—D2: 1', 14-31'; A: 1', 20'-23'; T1: 1'-2', 18-31'; T2: 8-25'; B: 1', 17-31'. Original leather(?) covers now missing from all books. No index. Main scribe was Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (see general index for other manuscripts copied by the same scribe); two additional scribes. Attributions, some headings, and some words of text in red ink; no other decoration.

Second half of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 1
Genres: Motet
1 Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 2a pars (of 8): Hodie Deus homo factus est

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 1
Genres: Motet
1v Haec est dies - 3a pars (of 8): Id quod fuit permansit -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 3a pars (of 8): Id quod fuit permansit

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 1v
Genres: Motet
1v Haec est dies - 4a pars (of 8): Hodie deus homo factus -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 4a pars (of 8): Hodie deus homo factus

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 1v
Genres: Motet
2 Haec est dies - 5a pars (of 8): Et quod non erat assumpsit -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 5a pars (of 8): Et quod non erat assumpsit

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 2
Genres: Motet
2 Haec est dies - 6a pars (of 8): Hodie deus homo factus -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 6a pars (of 8): Hodie deus homo factus

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 2
Genres: Motet
2v Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 2v
Genres: Motet
2v Haec est dies - 8a pars (of 8): Gloria tibi Domine -
Senfl, Ludwig (ca. 1486–ca. 1543)

Haec est dies - 8a pars (of 8): Gloria tibi Domine

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 2v
Genres: Motet
3v–4 Eile Gott mich - 1a pars (of 2): Eile Gott mich zu erretten -
Köler, David (ca. 1532–1565)

Eile Gott mich - 1a pars (of 2): Eile Gott mich zu erretten

Köler, David (ca. 1532–1565)
Appears on: 3v–4
Genres: Motet
4v–5 Eile Gott mich - 2a pars (of 2): Freuen und fröhlich müssen sein -
Köler, David (ca. 1532–1565)

Eile Gott mich - 2a pars (of 2): Freuen und fröhlich müssen sein

Köler, David (ca. 1532–1565)
Appears on: 4v–5
Genres: Motet
5–6v Consurgat quaesumus Domine (2p. Mitte angelum) - Anonymous

Consurgat quaesumus Domine (2p. Mitte angelum)

Anonymous
Appears on: 5–6v
Genres: Motet
6v–7v Deus qui sedes super thronum (6vv - additional voices not by Walter) -
Walter, Johann (1496–1570) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)

Deus qui sedes super thronum (6vv - additional voices not by Walter)

Walter, Johann (1496–1570) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Appears on: 6v–7v
Genres: Motet
8v–9 Agnus redemit oves - 1a pars (of 3): Agnus redemit oves -
Freundt, Cornelius (1535–1591)

Agnus redemit oves - 1a pars (of 3): Agnus redemit oves

Freundt, Cornelius (1535–1591)
Appears on: 8v–9
Genres: Motet
9–9v Agnus redemit oves - 2a pars (of 3): Dic nobis Maria, quid vidisti in via -
Freundt, Cornelius (1535–1591)

Agnus redemit oves - 2a pars (of 3): Dic nobis Maria, quid vidisti in via

Freundt, Cornelius (1535–1591)
Appears on: 9–9v
Genres: Motet
10 Agnus redemit oves - 3a pars (of 3): Credendum est magis soli Mariae -
Freundt, Cornelius (1535–1591)

Agnus redemit oves - 3a pars (of 3): Credendum est magis soli Mariae

Freundt, Cornelius (1535–1591)
Appears on: 10
Genres: Motet
Composer Compositions
Anonymous
Freundt, Cornelius (1535–1591)
Köler, David (ca. 1532–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Agnus redemit oves - 1a pars (of 3): Agnus redemit oves
Freundt, Cornelius (1535–1591)
8v–9
Agnus redemit oves - 2a pars (of 3): Dic nobis Maria, quid vidisti in via
Freundt, Cornelius (1535–1591)
9–9v
Agnus redemit oves - 3a pars (of 3): Credendum est magis soli Mariae
Freundt, Cornelius (1535–1591)
10
Consurgat quaesumus Domine (2p. Mitte angelum) Anonymous 5–6v
Deus qui sedes super thronum (6vv - additional voices not by Walter)
Walter, Johann (1496–1570) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
6v–7v
Eile Gott mich - 1a pars (of 2): Eile Gott mich zu erretten
Köler, David (ca. 1532–1565)
3v–4
Eile Gott mich - 2a pars (of 2): Freuen und fröhlich müssen sein
Köler, David (ca. 1532–1565)
4v–5
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus
Senfl, Ludwig (ca. 1486–ca. 1543)
1
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est
Senfl, Ludwig (ca. 1486–ca. 1543)
1
Haec est dies - 3a pars (of 8): Id quod fuit permansit
Senfl, Ludwig (ca. 1486–ca. 1543)
1v
Haec est dies - 4a pars (of 8): Hodie deus homo factus
Senfl, Ludwig (ca. 1486–ca. 1543)
1v
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit
Senfl, Ludwig (ca. 1486–ca. 1543)
2
Haec est dies - 6a pars (of 8): Hodie deus homo factus
Senfl, Ludwig (ca. 1486–ca. 1543)
2
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis
Senfl, Ludwig (ca. 1486–ca. 1543)
2v
Haec est dies - 8a pars (of 8): Gloria tibi Domine
Senfl, Ludwig (ca. 1486–ca. 1543)
2v

Set: D-Z MS Mus. 34,35

Type: Partbooks

No images available

D-Z 69.2.55 [Altus]

No images available

D-Z 69.2.55 [Bassus]

No images available

D-Z 69.2.55 [Discantus 2]

No images available

D-Z 69.2.55 [Tenor]

No images available

D-Z 69.2.55 [Vagans (T2)]

‡ denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 46-7. Notes: contents list (partial); concordances (partial).

Orf, Wolfgang. 1977. Die Musikhandschriften Thomaskirche Mss. 49/50 und 51 in der Universitätsbibliothek Leipzig. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 109. Notes: contents list (partial); concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 282,309. Notes: physical description (partial); contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 280-l. Notes: contents list (partial); concordances (partial); incipits (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXXI.iv. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 40,190. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note