D-Z Mu 1466-1621 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Late 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 1466-1621 [Bassus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 338 x 205 mm
Other Identifiers
  • CCM: ZwiR 74/1
  • Other catalogues/source: VollBM [see bibliography] 11
  • olim (Former shelfmark): MS 74,1
  • olim (Former shelfmark): MS LXXIV,1
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents Contains 249 compositions, 237 from 68 composers, 12 are anonymous.
General Description

A Bassus partbook from a set of six volumes. Copied by Johann Stolle (VollBM), cantor at Church of St. Mary, Zwickau 1591-1604; Stolle also wrote ZwiR 100/5 (MüselS) and other ZwiR manuscripts not within scope of this catalogue. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Extent

64 leaves

DIAMM, 2017
Physical Description

The books were not originally labelled with part names; when bound, Quintus & Discantus parts for many pieces were mixed up & bound in the wrong volume. Quintus also incomplete.

DIAMM, 2022
Binding

Original covers of grey paper, inscribed with voice designations

DIAMM, 2017
Watermark

(1) eagle; (2) man in moon? (also found in ZwiR 32/33 and ZwiR 100/5) neither in Briquet

DIAMM, 2017
Foliation

New pencil foliation on lower right rectos of D book; no foliation in other books.

DIAMM, 2017
Decoration

A few red or black inked initials in plain block style at end of each book; no other decoration

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original ink numbering of pieces, 1-156.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 148 motets, 1 Latin/German sacred piece, 6 German sacred pieces = 156

Arcadelt/(Verdelot)-1, P. Avenarius-1, Bacchius-1, Baccusi-1, Besuzio-1, Beutel-1, Buissons-2, Burck-3, Canis-1, Caussin-1, Clavius-2, Clemens non Papa-12 + 1?, Clemens non Papa/(Crec-quillon)-1, C. Copus-1, Crecquillon-2, Daser-1, (Deiss)-1, Feys-1, Freundt [Cornelius Bonamicus]-1, A. Gabrieli-1, A. Galli -1, G. Guami-1, Händl-10, (Harnisch/J. Sigfrid)-1, Hassler-12, S. Hollander/(C. Hollander)-1, Josquin-1, Josquin/(Senfl)-1, Kerle-1, Kerle/(Tonsor)-1, Lange-1, Lassus [Orlandus]-31, Lechner-2, J. Louys-1, Maillard-1, Maillard/(Tye)-1, Mancinus-1, (Marazzi)-1, Massaini-1, Meiland-1, Meloni-1, (Merulo)-1, Philippe de Monte-2, (Morales)-1, Nanino-1, Palestrina-3, Paminger-1, Phinot-4, (Regnart)-1, Richafort/(Caen/Lupus)-1, Rivulo-1, Scandello-1, Schede-1, Schröter-1, Stolle-3, Tonsor-2, Tribiolo-1, Utendal-2, (Vaet)-1, Verdelot/(Richafort)-1, Walter-2, Wert-5, Wert/(Lassus)-1, Zaphelius-1, anon-9

6 paper partbooks (D-71 folios, ATB-72 folios each, Q.-62, S-32), 338 x 205. New pencil foliation on lower right rectos of D book; no foliation in other books. Original ink numbering of pieces, 1-156. Original covers of gray paper, inscribed with voice designations. No index. Copied by Johann Stolle (VollBM), cantor at Church of St. Mary, Zwickau 1591-1604; Stolle also wrote ZwiR 100/5 (MüselS) and other ZwiR manuscripts not within scope of this catalogue. A few red or black inked initials in plain block style at end of each book; no other decoration. Watermarks (neither in Briquet): (1) eagle; (2) man in moon? (also found in ZwiR 32/33 and ZwiR 100/5).

Late 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X.  Kassel, Basel, Tours, and London. Pages: 345-6. Notes: contents list (partial); incipits (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347-8, 350-1,466,521-2,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 661,692,764-5. Notes: contents list (partial); concordances (partial); incipits (partial).

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 194,479-80,550. Notes: contents list (partial); concordances (partial); incipits (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,262,279,361-2. Notes: contents list (partial); concordances (partial).

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae, vol. 59.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,xii.xiv IV,xv-xvi. Notes: contents list (partial); concordances (partial).

Musei, Albrecht. 1970. Der Mitteldeutsche Kantor und Hofkapellmeister Johann Stolle (um 1566 bis 1614): Leben und Schaffen. Mitteldeutsche Forschungen, vol. 61.  Cologne. Pages: 59-87, 151-2, Tafel VI. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1.  Kassel and Basel. Pages: 35, 37-8,44,46 [sometimes erroneously referred to as MS 84]. Notes: contents list (partial); concordances (partial).

Riedel, Johannes. 1951. Leisen Formulae: Their Polyphonic Settings in the Renaissance and Reformation. University of Southern California, Unpublished Ph.D. dissertation. Pages: 32,74,453ff,682,910-25. Notes: physical description (partial); contents list (partial); transcriptions (partial); mention of MS; discussion.

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, 26: . Pages: 20-8. Notes: physical description (partial); contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Surface Note