D-B MS Mus. 30075 [Tenor 2]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: First half of 17th century

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 30075 [Tenor 2]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	180 x 155 mm
Other Identifiers	CCM: BerlDS 30075 olim (Former shelfmark): Ms. acc. 4193
Notations	black void mensural
Relationships	Fischhof, Joseph (owner) Preussische Staatsbibliothek (owner)
External Authorities	RISM Online (sources/455026006)
Provenance	Bavaria, Germany
Contents	17 pieces from 6 composers

General Description

A Tenor II partbook from a set originally of eight volumes. Copied by one main scribe and several additional scribes. Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

DIAMM, 2017

Extent

D1 - 4ff, D2 - 43ff, A - 44ff, T2 - 16ff

DIAMM, 2022

Binding

Rebound in modern covers of marbled paper over cardboard

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-27; other pieces unnumbered.

DIAMM, 2017

Foliation

Modern pencil foliation in each book.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 1 Passion, 26 motets, 1 Latin/German sacred piece, 4 German sacred pieces = 33

G. Baglioni-1, G. Gabrieli-1, Händl-6, Lassus-9, P. Philips [Petri Philippi Angli]-2, Phinot-2, (Schede)-1, Stefanini-1, Vulpius-2, Walliser-3, anon-5

4 paper partbooks of an original 8? (D1-i + 4 + i folios, D2-i + 43 + i, A-i + 44 + i, T2-i + 16 + i), 180 x 155. Only 4 folios of DI book remain. Modern pencil foliation in each book. Original ink numbering of pieces, 1-27; other pieces unnumbered. Rebound in modern covers of marbled paper over cardboard. No index. Copied by one main scribe and several additional scribes. No initials or decoration.

Early 17th century (date 1612 in manuscript). Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–2v	Deus misereatur nostri et benedicat nobis	Orland: di Lassus	Lassus, Orlande de (ca. 1532–1594)
Deus misereatur nostri et benedicat nobis Lassus, Orlande de (ca. 1532–1594) Appears on: 2–2v Genres: Motet Source Attribution: Orland: di Lassus
3–3v	Confitebor tibi Domine in toto corde (8vv, LV189)	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Confitebor tibi Domine in toto corde (8vv, LV189) Lassus, Orlande de (ca. 1532–1594) Appears on: 3–3v Genres: Motet Source Attribution: Orland: Di Lassus
4–5	Laudate pueri Dominum laudate nomen	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Laudate pueri Dominum laudate nomen Lassus, Orlande de (ca. 1532–1594) Appears on: 4–5 Genres: Motet Source Attribution: Orland: Di Lassus
5–5v	Decantabat populus Israel alleluia (7vv)	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 5–5v Genres: Motet Source Attribution: Orland: Di Lassus
5v–6v	Jam non dicam vos servos sed amicos (8vv)	Dominicus Phinot	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 5v–6v Genres: Motet Source Attribution: Dominicus Phinot
6v–7	In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Orlandus Di Lassus	Lassus, Orlande de (ca. 1532–1594)
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Lassus, Orlande de (ca. 1532–1594) Appears on: 6v–7 Genres: Motet Source Attribution: Orlandus Di Lassus
7–7v	In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem	-	Lassus, Orlande de (ca. 1532–1594)
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem Lassus, Orlande de (ca. 1532–1594) Appears on: 7–7v Genres: Motet
8–8v	Sancta Trinitas unus Deus miserere nobis (8vv)	Dominicus Phinot	Phinot, Dominique
Sancta Trinitas unus Deus miserere nobis (8vv) Phinot, Dominique Appears on: 8–8v Genres: Motet Source Attribution: Dominicus Phinot
8v–9	Laus et perennis gloria Deo patri et filio (8vv)	Jacobus Handel	Handl (Gallus), Jacobus (1550–1591)
Laus et perennis gloria Deo patri et filio (8vv) Handl (Gallus), Jacobus (1550–1591) Appears on: 8v–9 Genres: Motet Source Attribution: Jacobus Handel
9–9v	Veni Domine et noli tardare	Jacobus Handel	Handl (Gallus), Jacobus (1550–1591)
Veni Domine et noli tardare Handl (Gallus), Jacobus (1550–1591) Appears on: 9–9v Genres: Motet Source Attribution: Jacobus Handel
9v–10	Duo seraphim clamabant alter ad alterum	Handel	Handl (Gallus), Jacobus (1550–1591)
Duo seraphim clamabant alter ad alterum Handl (Gallus), Jacobus (1550–1591) Appears on: 9v–10 Genres: Motet Source Attribution: Handel
10v–11	Veniet tempus in quo salvabitur populus	Handel	Handl (Gallus), Jacobus (1550–1591)
Veniet tempus in quo salvabitur populus Handl (Gallus), Jacobus (1550–1591) Appears on: 10v–11 Genres: Motet Source Attribution: Handel
11v–12	Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua	Handel	Handl (Gallus), Jacobus (1550–1591)
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Handl (Gallus), Jacobus (1550–1591) Appears on: 11v–12 Genres: Motet Source Attribution: Handel
12v–13	Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi	-	Handl (Gallus), Jacobus (1550–1591)
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi Handl (Gallus), Jacobus (1550–1591) Appears on: 12v–13 Genres: Motet
13–13v	Ardens est cor meum (8vv)	Johan Baptista Steffanini	Stefanini, Giovanni Battista
Ardens est cor meum (8vv) Stefanini, Giovanni Battista Appears on: 13–13v Genres: Motet Source Attribution: Johan Baptista Steffanini General Note The Altus part from Coro 2
14–14v	Ego sum qui sum	Johan: Gabriel	Gabrieli, Giovanni (ca. 1554–1612)
Ego sum qui sum Gabrieli, Giovanni (ca. 1554–1612) Appears on: 14–14v Genres: Motet Source Attribution: Johan: Gabriel General Note The Altus part from Coro 2
15v–16 (in T only)	Orbis omnes incolae	-	Anonymous
Orbis omnes incolae Anonymous Appears on: 15v–16 (in T only) Genres: Motet General Note a Bassus part, though in the T2 book. Only copied in this book, though other parts were presumably in some of the lost books

Composer	Compositions
Anonymous	Orbis omnes incolae – 15v–16 (in T only)
Gabrieli, Giovanni (ca. 1554–1612)	Ego sum qui sum – 14–14v
Handl (Gallus), Jacobus (1550–1591)	Duo seraphim clamabant alter ad alterum – 9v–10 Laus et perennis gloria Deo patri et filio (8vv) – 8v–9 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua – 11v–12 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi – 12v–13 Veni Domine et noli tardare – 9–9v Veniet tempus in quo salvabitur populus – 10v–11
Lassus, Orlande de (ca. 1532–1594)	Confitebor tibi Domine in toto corde (8vv, LV189) – 3–3v Decantabat populus Israel alleluia (7vv) – 5–5v Deus misereatur nostri et benedicat nobis – 2–2v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion – 6v–7 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem – 7–7v Laudate pueri Dominum laudate nomen – 4–5
Phinot, Dominique	Jam non dicam vos servos sed amicos (8vv) – 5v–6v Sancta Trinitas unus Deus miserere nobis (8vv) – 8–8v
Stefanini, Giovanni Battista	Ardens est cor meum (8vv) – 13–13v

Composition	Composers (? Uncertain)	Folios / Pages
Ardens est cor meum (8vv)	Stefanini, Giovanni Battista	13–13v
Confitebor tibi Domine in toto corde (8vv, LV189)	Lassus, Orlande de (ca. 1532–1594)	3–3v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	5–5v
Deus misereatur nostri et benedicat nobis	Lassus, Orlande de (ca. 1532–1594)	2–2v
Duo seraphim clamabant alter ad alterum	Handl (Gallus), Jacobus (1550–1591)	9v–10
Ego sum qui sum	Gabrieli, Giovanni (ca. 1554–1612)	14–14v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Lassus, Orlande de (ca. 1532–1594)	6v–7
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem	Lassus, Orlande de (ca. 1532–1594)	7–7v
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	5v–6v
Laudate pueri Dominum laudate nomen	Lassus, Orlande de (ca. 1532–1594)	4–5
Laus et perennis gloria Deo patri et filio (8vv)	Handl (Gallus), Jacobus (1550–1591)	8v–9
Orbis omnes incolae	Anonymous	15v–16 (in T only)
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua	Handl (Gallus), Jacobus (1550–1591)	11v–12
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi	Handl (Gallus), Jacobus (1550–1591)	12v–13
Sancta Trinitas unus Deus miserere nobis (8vv)	Phinot, Dominique	8–8v
Veni Domine et noli tardare	Handl (Gallus), Jacobus (1550–1591)	9–9v
Veniet tempus in quo salvabitur populus	Handl (Gallus), Jacobus (1550–1591)	10v–11

Set: MS Mus. 30075

Type: Partbooks

No images available

D-B MS Mus. 30075 [Altus]

No images available

D-B MS Mus. 30075 [Discantus 1]

No images available

D-B MS Mus. 30075 [Discantus 2]

No images available

D-B MS Mus. 30075 [Tenor 2]

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv-xvi. Notes: contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note