D-B MS Mus. 30075 [Altus]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: First half of 17th century

Archive	Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark	MS Mus. 30075 [Altus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	180 x 155 mm
Other Identifiers	CCM: BerlDS 30075 olim (Former shelfmark): Ms. acc. 4193
Notations	black void mensural
Relationships	Fischhof, Joseph (owner) Preussische Staatsbibliothek (owner)
External Authorities	RISM Online (sources/455026006)
Provenance	Bavaria, Germany
Contents	51 pieces from 11 composers

General Description

An Altus partbook from a set originally of eight volumes. Copied by one main scribe and several additional scribes. Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

DIAMM, 2017

Extent

D1 - 4ff, D2 - 43ff, A - 44ff, T2 - 16ff

DIAMM, 2022

Binding

Rebound in modern covers of marbled paper over cardboard

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern pencil foliation in each book.

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-27; other pieces unnumbered.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 1 Passion, 26 motets, 1 Latin/German sacred piece, 4 German sacred pieces = 33

G. Baglioni-1, G. Gabrieli-1, Händl-6, Lassus-9, P. Philips [Petri Philippi Angli]-2, Phinot-2, (Schede)-1, Stefanini-1, Vulpius-2, Walliser-3, anon-5

4 paper partbooks of an original 8? (D1-i + 4 + i folios, D2-i + 43 + i, A-i + 44 + i, T2-i + 16 + i), 180 x 155. Only 4 folios of DI book remain. Modern pencil foliation in each book. Original ink numbering of pieces, 1-27; other pieces unnumbered. Rebound in modern covers of marbled paper over cardboard. No index. Copied by one main scribe and several additional scribes. No initials or decoration.

Early 17th century (date 1612 in manuscript). Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–7v	Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum	Jacob Handl	Handl (Gallus), Jacobus (1550–1591)
Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum Handl (Gallus), Jacobus (1550–1591) Appears on: 2–7v Genres: Liturgical work, Motet, Passion Source Attribution: Jacob Handl
2–7v	Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Handl (Gallus), Jacobus (1550–1591)
Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus Handl (Gallus), Jacobus (1550–1591) Appears on: 2–7v Genres: Motet
2–7v	Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte	-	Handl (Gallus), Jacobus (1550–1591)
Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte Handl (Gallus), Jacobus (1550–1591) Appears on: 2–7v Genres: Motet
8–10	Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum	Orland:	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Lassus, Orlande de (ca. 1532–1594) Appears on: 8–10 Genres: Motet Source Attribution: Orland:
8–10	Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae Lassus, Orlande de (ca. 1532–1594) Appears on: 8–10 Genres: Motet
8–10	Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet Lassus, Orlande de (ca. 1532–1594) Appears on: 8–10 Genres: Motet
8–10	Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi Lassus, Orlande de (ca. 1532–1594) Appears on: 8–10 Genres: Motet General Note Unclear whether 4a pars is copied into the ms
10v–11	Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo	Orland:	Lassus, Orlande de (ca. 1532–1594)
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo Lassus, Orlande de (ca. 1532–1594) Appears on: 10v–11 Genres: Motet Source Attribution: Orland:
11–11v	Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino	-	Lassus, Orlande de (ca. 1532–1594)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino Lassus, Orlande de (ca. 1532–1594) Appears on: 11–11v Genres: Motet
11v–14v	Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem	Orlandus Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem Lassus, Orlande de (ca. 1532–1594) Appears on: 11v–14v Genres: Motet Source Attribution: Orlandus Di Lassus
11v–14v	Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam	-	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam Lassus, Orlande de (ca. 1532–1594) Appears on: 11v–14v Genres: Motet
11v–14v	Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	-	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum Lassus, Orlande de (ca. 1532–1594) Appears on: 11v–14v Genres: Motet
11v–14v	Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	-	Lassus, Orlande de (ca. 1532–1594)
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini Lassus, Orlande de (ca. 1532–1594) Appears on: 11v–14v Genres: Motet
15–15v	Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort	(anon)	Schede, Paul Melissus
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort Schede, Paul Melissus Appears on: 15–15v Genres: Motet Source Attribution: (anon) General Note 2a pars apparently not copied; the various sections are grouped into 2 partes in this ms
15–15v	Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist	-	Schede, Paul Melissus
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist Schede, Paul Melissus Appears on: 15–15v Genres: Motet
15–15v	Erhalt unns herr - 4a pars (of 6): Verleih uns frieden	-	Schede, Paul Melissus
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden Schede, Paul Melissus Appears on: 15–15v Genres: Motet
15–15v	Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten]	-	Schede, Paul Melissus
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] Schede, Paul Melissus Appears on: 15–15v Genres: Motet
15–15v	Erhalt unns herr - 6a pars (of 6): Amen	-	Schede, Paul Melissus
Erhalt unns herr - 6a pars (of 6): Amen Schede, Paul Melissus Appears on: 15–15v Genres: Motet
17–17v	Deus misereatur nostri et benedicat nobis	Orland: di Lassus	Lassus, Orlande de (ca. 1532–1594)
Deus misereatur nostri et benedicat nobis Lassus, Orlande de (ca. 1532–1594) Appears on: 17–17v Genres: Motet Source Attribution: Orland: di Lassus
18–18v	Confitebor tibi Domine in toto corde (8vv, LV189)	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Confitebor tibi Domine in toto corde (8vv, LV189) Lassus, Orlande de (ca. 1532–1594) Appears on: 18–18v Genres: Motet Source Attribution: Orland: Di Lassus
19–20	Laudate pueri Dominum laudate nomen	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Laudate pueri Dominum laudate nomen Lassus, Orlande de (ca. 1532–1594) Appears on: 19–20 Genres: Motet Source Attribution: Orland: Di Lassus
20–20v	Decantabat populus Israel alleluia (7vv)	Orland: Di Lassus	Lassus, Orlande de (ca. 1532–1594)
Decantabat populus Israel alleluia (7vv) Lassus, Orlande de (ca. 1532–1594) Appears on: 20–20v Genres: Motet Source Attribution: Orland: Di Lassus
21–22	Jam non dicam vos servos sed amicos (8vv)	Dominicus Phinot	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: 21–22 Genres: Motet Source Attribution: Dominicus Phinot
22–22v	In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Orlandus Di Lassus	Lassus, Orlande de (ca. 1532–1594)
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Lassus, Orlande de (ca. 1532–1594) Appears on: 22–22v Genres: Motet Source Attribution: Orlandus Di Lassus
22v–23	In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem	-	Lassus, Orlande de (ca. 1532–1594)
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem Lassus, Orlande de (ca. 1532–1594) Appears on: 22v–23 Genres: Motet
23v–24	Sancta Trinitas unus Deus miserere nobis (8vv)	Dominicus Phinot	Phinot, Dominique
Sancta Trinitas unus Deus miserere nobis (8vv) Phinot, Dominique Appears on: 23v–24 Genres: Motet Source Attribution: Dominicus Phinot
24v	Laus et perennis gloria Deo patri et filio (8vv)	Jacobus Handel	Handl (Gallus), Jacobus (1550–1591)
Laus et perennis gloria Deo patri et filio (8vv) Handl (Gallus), Jacobus (1550–1591) Appears on: 24v Genres: Motet Source Attribution: Jacobus Handel
25–25v	Veni Domine et noli tardare	Jacobus Handel	Handl (Gallus), Jacobus (1550–1591)
Veni Domine et noli tardare Handl (Gallus), Jacobus (1550–1591) Appears on: 25–25v Genres: Motet Source Attribution: Jacobus Handel
25v–26	Duo seraphim clamabant alter ad alterum	Handel	Handl (Gallus), Jacobus (1550–1591)
Duo seraphim clamabant alter ad alterum Handl (Gallus), Jacobus (1550–1591) Appears on: 25v–26 Genres: Motet Source Attribution: Handel
26–27	Veniet tempus in quo salvabitur populus	Handel	Handl (Gallus), Jacobus (1550–1591)
Veniet tempus in quo salvabitur populus Handl (Gallus), Jacobus (1550–1591) Appears on: 26–27 Genres: Motet Source Attribution: Handel
27–27v	Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua	Handel	Handl (Gallus), Jacobus (1550–1591)
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Handl (Gallus), Jacobus (1550–1591) Appears on: 27–27v Genres: Motet Source Attribution: Handel
28–28v	Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi	-	Handl (Gallus), Jacobus (1550–1591)
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi Handl (Gallus), Jacobus (1550–1591) Appears on: 28–28v Genres: Motet
28v–30v	Missa Cum turba: Kyrie	Vulpii	Vulpius, Melchior (ca. 1570–1615)
Missa Cum turba: Kyrie Vulpius, Melchior (ca. 1570–1615) Appears on: 28v–30v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Vulpii
28v–30v	Missa Cum turba: Gloria	-	Vulpius, Melchior (ca. 1570–1615)
Missa Cum turba: Gloria Vulpius, Melchior (ca. 1570–1615) Appears on: 28v–30v Genres: Gloria (et in terra pax), Mass Ordinary
31	Oculi omnium (5vv)	-	Anonymous
Oculi omnium (5vv) Anonymous Appears on: 31 Genres: Motet
31–31v	Pater noster (5vv)	-	Anonymous
Pater noster (5vv) Anonymous Appears on: 31–31v Genres: Motet
31v	Domine Deus pater caelestis (5vv)	-	Anonymous
Domine Deus pater caelestis (5vv) Anonymous Appears on: 31v Genres: Motet
32–32v	Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus	-	Anonymous
Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus Anonymous Appears on: 32–32v Genres: Motet
32v	Gratias agimus tibi Domine Deus	-	Anonymous
Gratias agimus tibi Domine Deus Anonymous Appears on: 32v Genres: Motet
32v–33v	Germinavit radix Jesse, orta est stella ex Jacob (7vv)	-	Anonymous
Germinavit radix Jesse, orta est stella ex Jacob (7vv) Anonymous Appears on: 32v–33v Genres: Motet
33v–34v	Modo veniet dominator Dominus (5vv)	Petri Philippi Angli	Philips, Peter (ca. 1560–1628)
Modo veniet dominator Dominus (5vv) Philips, Peter (ca. 1560–1628) Appears on: 33v–34v Genres: Motet Source Attribution: Petri Philippi Angli
34v–35	O beatum et sacrosanctum diem (5vv)	Petri Philippi Angli	Philips, Peter (ca. 1560–1628)
O beatum et sacrosanctum diem (5vv) Philips, Peter (ca. 1560–1628) Appears on: 34v–35 Genres: Motet Source Attribution: Petri Philippi Angli
35v–36	Ardens est cor meum (8vv)	Johan Baptista Steffanini	Stefanini, Giovanni Battista
Ardens est cor meum (8vv) Stefanini, Giovanni Battista Appears on: 35v–36 Genres: Motet Source Attribution: Johan Baptista Steffanini
36–37	Ego sum qui sum	Johan: Gabriel	Gabrieli, Giovanni (ca. 1554–1612)
Ego sum qui sum Gabrieli, Giovanni (ca. 1554–1612) Appears on: 36–37 Genres: Motet Source Attribution: Johan: Gabriel
37–37v	Alleluia surrexit Christus	Hieronymi Ballioni Mediolanentis	Baglioni, Girolamo (1575–1608)
Alleluia surrexit Christus Baglioni, Girolamo (1575–1608) Appears on: 37–37v Genres: Motet Source Attribution: Hieronymi Ballioni Mediolanentis
37v–38v	Ad te levavi animam meam	-	Anonymous
Ad te levavi animam meam Anonymous Appears on: 37v–38v Genres: Motet
38v–39	Nun komm der Heiden Heiland	Christoph: Thom: Walliser	Walliser, Christoph Thomas (1568–1648)
Nun komm der Heiden Heiland Walliser, Christoph Thomas (1568–1648) Appears on: 38v–39 Genres: Motet Source Attribution: Christoph: Thom: Walliser
39v–40	Der Tag der ist so freudenreich	Christoph: Thom: Walliser	Walliser, Christoph Thomas (1568–1648)
Der Tag der ist so freudenreich Walliser, Christoph Thomas (1568–1648) Appears on: 39v–40 Genres: Motet Source Attribution: Christoph: Thom: Walliser
40v–41	Sei Lob und Ehr' mit hohem Preis	Christoph: Thom: Walliser	Walliser, Christoph Thomas (1568–1648)
Sei Lob und Ehr' mit hohem Preis Walliser, Christoph Thomas (1568–1648) Appears on: 40v–41 Genres: Motet Source Attribution: Christoph: Thom: Walliser
43	Maria b'sucht Elisabeth	-	Anonymous
Maria b'sucht Elisabeth Anonymous Appears on: 43 Genres: Motet
43v–44v	Laudate Dominum quoniam bonum (5vv)	Melch: Vulpius	Vulpius, Melchior (ca. 1570–1615)
Laudate Dominum quoniam bonum (5vv) Vulpius, Melchior (ca. 1570–1615) Appears on: 43v–44v Genres: Motet Source Attribution: Melch: Vulpius

Composer	Compositions
Anonymous	Ad te levavi animam meam – 37v–38v Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus – 32–32v Domine Deus pater caelestis (5vv) – 31v Germinavit radix Jesse, orta est stella ex Jacob (7vv) – 32v–33v Gratias agimus tibi Domine Deus – 32v Maria b'sucht Elisabeth – 43 Oculi omnium (5vv) – 31 Pater noster (5vv) – 31–31v
Baglioni, Girolamo (1575–1608)	Alleluia surrexit Christus – 37–37v
Gabrieli, Giovanni (ca. 1554–1612)	Ego sum qui sum – 36–37
Handl (Gallus), Jacobus (1550–1591)	Duo seraphim clamabant alter ad alterum – 25v–26 Laus et perennis gloria Deo patri et filio (8vv) – 24v Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum – 2–7v Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus – 2–7v Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte – 2–7v Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua – 27–27v Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi – 28–28v Veni Domine et noli tardare – 25–25v Veniet tempus in quo salvabitur populus – 26–27
Lassus, Orlande de (ca. 1532–1594)	Confitebor tibi Domine in toto corde (8vv, LV189) – 18–18v Decantabat populus Israel alleluia (7vv) – 20–20v Deus misereatur nostri et benedicat nobis – 17–17v Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo – 10v–11 Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino – 11–11v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion – 22–22v In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem – 22v–23 Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum – 8–10 Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae – 8–10 Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet – 8–10 Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi – 8–10 Laudate pueri Dominum laudate nomen – 19–20 Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem – 11v–14v Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam – 11v–14v Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum – 11v–14v Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini – 11v–14v
Philips, Peter (ca. 1560–1628)	Modo veniet dominator Dominus (5vv) – 33v–34v O beatum et sacrosanctum diem (5vv) – 34v–35
Phinot, Dominique	Jam non dicam vos servos sed amicos (8vv) – 21–22 Sancta Trinitas unus Deus miserere nobis (8vv) – 23v–24
Schede, Paul Melissus	Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort – 15–15v Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist – 15–15v Erhalt unns herr - 4a pars (of 6): Verleih uns frieden – 15–15v Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] – 15–15v Erhalt unns herr - 6a pars (of 6): Amen – 15–15v
Stefanini, Giovanni Battista	Ardens est cor meum (8vv) – 35v–36
Vulpius, Melchior (ca. 1570–1615)	Laudate Dominum quoniam bonum (5vv) – 43v–44v Missa Cum turba: Gloria – 28v–30v Missa Cum turba: Kyrie – 28v–30v
Walliser, Christoph Thomas (1568–1648)	Der Tag der ist so freudenreich – 39v–40 Nun komm der Heiden Heiland – 38v–39 Sei Lob und Ehr' mit hohem Preis – 40v–41

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi animam meam	Anonymous	37v–38v
Alleluia surrexit Christus	Baglioni, Girolamo (1575–1608)	37–37v
Ardens est cor meum (8vv)	Stefanini, Giovanni Battista	35v–36
Confitebor tibi Domine in toto corde (8vv, LV189)	Lassus, Orlande de (ca. 1532–1594)	18–18v
Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus	Anonymous	32–32v
Decantabat populus Israel alleluia (7vv)	Lassus, Orlande de (ca. 1532–1594)	20–20v
Der Tag der ist so freudenreich	Walliser, Christoph Thomas (1568–1648)	39v–40
Deus misereatur nostri et benedicat nobis	Lassus, Orlande de (ca. 1532–1594)	17–17v
Domine Deus pater caelestis (5vv)	Anonymous	31v
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo	Lassus, Orlande de (ca. 1532–1594)	10v–11
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino	Lassus, Orlande de (ca. 1532–1594)	11–11v
Duo seraphim clamabant alter ad alterum	Handl (Gallus), Jacobus (1550–1591)	25v–26
Ego sum qui sum	Gabrieli, Giovanni (ca. 1554–1612)	36–37
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort	Schede, Paul Melissus	15–15v
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist	Schede, Paul Melissus	15–15v
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden	Schede, Paul Melissus	15–15v
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten]	Schede, Paul Melissus	15–15v
Erhalt unns herr - 6a pars (of 6): Amen	Schede, Paul Melissus	15–15v
Germinavit radix Jesse, orta est stella ex Jacob (7vv)	Anonymous	32v–33v
Gratias agimus tibi Domine Deus	Anonymous	32v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Lassus, Orlande de (ca. 1532–1594)	22–22v
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem	Lassus, Orlande de (ca. 1532–1594)	22v–23
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	21–22
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum	Lassus, Orlande de (ca. 1532–1594)	8–10
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae	Lassus, Orlande de (ca. 1532–1594)	8–10
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet	Lassus, Orlande de (ca. 1532–1594)	8–10
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi	Lassus, Orlande de (ca. 1532–1594)	8–10
Laudate Dominum quoniam bonum (5vv)	Vulpius, Melchior (ca. 1570–1615)	43v–44v
Laudate pueri Dominum laudate nomen	Lassus, Orlande de (ca. 1532–1594)	19–20
Laus et perennis gloria Deo patri et filio (8vv)	Handl (Gallus), Jacobus (1550–1591)	24v
Maria b'sucht Elisabeth	Anonymous	43
Missa Cum turba: Gloria	Vulpius, Melchior (ca. 1570–1615)	28v–30v
Missa Cum turba: Kyrie	Vulpius, Melchior (ca. 1570–1615)	28v–30v
Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem	Lassus, Orlande de (ca. 1532–1594)	11v–14v
Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam	Lassus, Orlande de (ca. 1532–1594)	11v–14v
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum	Lassus, Orlande de (ca. 1532–1594)	11v–14v
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini	Lassus, Orlande de (ca. 1532–1594)	11v–14v
Modo veniet dominator Dominus (5vv)	Philips, Peter (ca. 1560–1628)	33v–34v
Nun komm der Heiden Heiland	Walliser, Christoph Thomas (1568–1648)	38v–39
O beatum et sacrosanctum diem (5vv)	Philips, Peter (ca. 1560–1628)	34v–35
Oculi omnium (5vv)	Anonymous	31
Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum	Handl (Gallus), Jacobus (1550–1591)	2–7v
Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus	Handl (Gallus), Jacobus (1550–1591)	2–7v
Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte	Handl (Gallus), Jacobus (1550–1591)	2–7v
Pater noster (5vv)	Anonymous	31–31v
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua	Handl (Gallus), Jacobus (1550–1591)	27–27v
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi	Handl (Gallus), Jacobus (1550–1591)	28–28v
Sancta Trinitas unus Deus miserere nobis (8vv)	Phinot, Dominique	23v–24
Sei Lob und Ehr' mit hohem Preis	Walliser, Christoph Thomas (1568–1648)	40v–41
Veni Domine et noli tardare	Handl (Gallus), Jacobus (1550–1591)	25–25v
Veniet tempus in quo salvabitur populus	Handl (Gallus), Jacobus (1550–1591)	26–27

Set: MS Mus. 30075

Type: Partbooks

No images available

D-B MS Mus. 30075 [Altus]

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D-B MS Mus. 30075 [Discantus 1]

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D-B MS Mus. 30075 [Discantus 2]

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D-B MS Mus. 30075 [Tenor 2]

‡ denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv-xvi. Notes: contents list (partial); concordances (partial).

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Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note