D-B MS Mus. 30075 [Discantus 2]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: First half of 17th century

Archive Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark MS Mus. 30075 [Discantus 2]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 180 x 155 mm
Other Identifiers
  • CCM: BerlDS 30075
  • olim (Former shelfmark): Ms. acc. 4193
Notations
  • black void mensural
Relationships
External Authorities
Provenance
  • Bavaria, Germany
Contents 52 pieces from 11 composers
General Description

A Discantus II partbook from a set originally of eight volumes. Copied by one main scribe and several additional scribes. Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

DIAMM, 2017
Extent

D1 - 4ff, D2 - 43ff, A - 44ff, T2 - 16ff

DIAMM, 2022
Binding

Rebound in modern covers of marbled paper over cardboard

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

first half of 17th century; date 1612 in D2, 1657 in A.

DIAMM, 2022
Foliation

Other numberings: Original ink numbering of pieces, 1-27; other pieces unnumbered.

DIAMM, 2017
Foliation

Modern pencil foliation in each book.

DIAMM, 2017
Decoration

No initials or decoration.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 1 Passion, 26 motets, 1 Latin/German sacred piece, 4 German sacred pieces = 33

G. Baglioni-1, G. Gabrieli-1, Händl-6, Lassus-9, P. Philips [Petri Philippi Angli]-2, Phinot-2, (Schede)-1, Stefanini-1, Vulpius-2, Walliser-3, anon-5

4 paper partbooks of an original 8? (D1-i + 4 + i folios, D2-i + 43 + i, A-i + 44 + i, T2-i + 16 + i), 180 x 155. Only 4 folios of DI book remain. Modern pencil foliation in each book. Original ink numbering of pieces, 1-27; other pieces unnumbered. Rebound in modern covers of marbled paper over cardboard. No index. Copied by one main scribe and several additional scribes. No initials or decoration.

Early 17th century (date 1612 in manuscript). Of German origin. Acquired by former Preussische Staatsbibliothek in Berlin from Joseph Fischhof, of Vienna, in 1859; incorporated in present library following World War II.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–7v Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum Jacob Handl
Appears on: 2–7v
Genres: Liturgical work, Motet, Passion
Source Attribution: Jacob Handl
2–7v Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 2–7v
Genres: Motet
2–7v Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte -
Appears on: 2–7v
Genres: Motet
8–10v Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orland:
Appears on: 8–10v
Genres: Motet
Source Attribution: Orland:
8–10v Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae -
Appears on: 8–10v
Genres: Motet
8–10v Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet -
Appears on: 8–10v
Genres: Motet
8–10v Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi -
Appears on: 8–10v
Genres: Motet
General Note

Not clear whether 4a pars is omitted?

10–10v Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo Orland:
Appears on: 10–10v
Genres: Motet
Source Attribution: Orland:
11–11v Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino -
Appears on: 11–11v
Genres: Motet
12–14v Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem Orlandus Di Lassus
Appears on: 12–14v
Genres: Motet
Source Attribution: Orlandus Di Lassus
12–14v Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam -
Appears on: 12–14v
Genres: Motet
12–14v Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum -
Appears on: 12–14v
Genres: Motet
12–14v Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini -
Appears on: 12–14v
Genres: Motet
14v–15v Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort -
Appears on: 14v–15v
Genres: Motet
14v–15v Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist -
Appears on: 14v–15v
Genres: Motet
General Note

2a pars apparently not copied; the various sections are grouped into 2 partes in this ms

14v–15v Erhalt unns herr - 4a pars (of 6): Verleih uns frieden -
Appears on: 14v–15v
Genres: Motet
14v–15v Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] -
Appears on: 14v–15v
Genres: Motet
14v–15v Erhalt unns herr - 6a pars (of 6): Amen -
Appears on: 14v–15v
Genres: Motet
16v–17v Deus misereatur nostri et benedicat nobis Orland: di Lassus
Appears on: 16v–17v
Genres: Motet
Source Attribution: Orland: di Lassus
17v–18 Confitebor tibi Domine in toto corde (8vv, LV189) Orland: di Lassus
Appears on: 17v–18
Genres: Motet
Source Attribution: Orland: di Lassus
18v–19v Laudate pueri Dominum laudate nomen Orland: di Lassus
Appears on: 18v–19v
Genres: Motet
Source Attribution: Orland: di Lassus
19v–20 Decantabat populus Israel alleluia (7vv) Orland: di Lassus
Appears on: 19v–20
Genres: Motet
Source Attribution: Orland: di Lassus
20v–21 Jam non dicam vos servos sed amicos (8vv) Dominicus Phinot
Appears on: 20v–21
Genres: Motet
Source Attribution: Dominicus Phinot
21v–22 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandus di Lassus
Appears on: 21v–22
Genres: Motet
Source Attribution: Orlandus di Lassus
22–22v In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 22–22v
Genres: Motet
22v–23 Sancta Trinitas unus Deus miserere nobis (8vv) Dominicus Phinot
Appears on: 22v–23
Genres: Motet
Source Attribution: Dominicus Phinot
23v Laus et perennis gloria Deo patri et filio (8vv) Jacobus Handel
Appears on: 23v
Genres: Motet
Source Attribution: Jacobus Handel
23v–24 Veni Domine et noli tardare Jacobus Handel
Appears on: 23v–24
Genres: Motet
Source Attribution: Jacobus Handel
24v–25 Duo seraphim clamabant alter ad alterum Handel
Appears on: 24v–25
Genres: Motet
Source Attribution: Handel
25v–26 Veniet tempus in quo salvabitur populus Handel
Appears on: 25v–26
Genres: Motet
Source Attribution: Handel
26v–27 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Handel
Appears on: 26v–27
Genres: Motet
Source Attribution: Handel
27v–28 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 27v–28
Genres: Motet
28v–30 Missa Cum turba: Kyrie Vulpii
Appears on: 28v–30
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Vulpii
38v–30 Missa Cum turba: Gloria -
Appears on: 38v–30
Genres: Gloria (et in terra pax), Mass Ordinary
30v Oculi omnium (5vv) - Anonymous

Oculi omnium (5vv)

Anonymous
Appears on: 30v
Genres: Motet
30v–31 Pater noster (5vv) - Anonymous

Pater noster (5vv)

Anonymous
Appears on: 30v–31
Genres: Motet
31v Domine Deus pater caelestis (5vv) - Anonymous
Appears on: 31v
Genres: Motet
31v–32 Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus - Anonymous
Appears on: 31v–32
Genres: Motet
32–32v Gratias agimus tibi Domine Deus - Anonymous
Appears on: 32–32v
Genres: Motet
32v–33v Germinavit radix Jesse, orta est stella ex Jacob (7vv) - Anonymous
Appears on: 32v–33v
Genres: Motet
33v–34 Modo veniet dominator Dominus (5vv) Petri Philippi Angli
Appears on: 33v–34
Genres: Motet
Source Attribution: Petri Philippi Angli
34–35 O beatum et sacrosanctum diem (5vv) Petri Philippi Angli
Appears on: 34–35
Genres: Motet
Source Attribution: Petri Philippi Angli
35–35v Ardens est cor meum (8vv) Johan Baptista Steffanini
Appears on: 35–35v
Genres: Motet
Source Attribution: Johan Baptista Steffanini
36–36v Ego sum qui sum Johan: Gabriel
Appears on: 36–36v
Genres: Motet
Source Attribution: Johan: Gabriel
36v–37 Alleluia surrexit Christus Hieronymi Ballioni Mediolanentis
Appears on: 36v–37
Genres: Motet
Source Attribution: Hieronymi Ballioni Mediolanentis
37v–38 Ad te levavi animam meam - Anonymous
Appears on: 37v–38
Genres: Motet
38v–39 Nun komm der Heiden Heiland Christoph: Thom: Walliser
Appears on: 38v–39
Genres: Motet
Source Attribution: Christoph: Thom: Walliser
39v–40 Der Tag der ist so freudenreich Christoph: Thom: Walliser
Appears on: 39v–40
Genres: Motet
Source Attribution: Christoph: Thom: Walliser
40v–41 Sei Lob und Ehr' mit hohem Preis Christoph: Thom: Walliser
Appears on: 40v–41
Genres: Motet
Source Attribution: Christoph: Thom: Walliser
41v untexted - Anonymous

untexted

Anonymous
Appears on: 41v
Genres: textless
General Note

A large ink-stain has obliterated the title and some of the music

42v Maria b'sucht Elisabeth - Anonymous
Appears on: 42v
Genres: Motet
43v Laudate Dominum quoniam bonum (5vv) Melch: Vulpius
Appears on: 43v
Genres: Motet
Source Attribution: Melch: Vulpius
General Note

incomplete

Composer Compositions
Anonymous
Baglioni, Girolamo (1575–1608)
Gabrieli, Giovanni (ca. 1554–1612)
Handl (Gallus), Jacobus (1550–1591)
Lassus, Orlande de (ca. 1532–1594)
Philips, Peter (ca. 1560–1628)
Phinot, Dominique
Schede, Paul Melissus
Stefanini, Giovanni Battista
Vulpius, Melchior (ca. 1570–1615)
Walliser, Christoph Thomas (1568–1648)
Composition Composers (? Uncertain) Folios / Pages
Ad te levavi animam meam Anonymous 37v–38
Alleluia surrexit Christus 36v–37
Ardens est cor meum (8vv) 35–35v
Confitebor tibi Domine in toto corde (8vv, LV189) 17v–18
Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus Anonymous 31v–32
Decantabat populus Israel alleluia (7vv) 19v–20
Der Tag der ist so freudenreich 39v–40
Deus misereatur nostri et benedicat nobis 16v–17v
Domine Deus pater caelestis (5vv) Anonymous 31v
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo 10–10v
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino 11–11v
Duo seraphim clamabant alter ad alterum 24v–25
Ego sum qui sum 36–36v
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort 14v–15v
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist 14v–15v
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden 14v–15v
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] 14v–15v
Erhalt unns herr - 6a pars (of 6): Amen 14v–15v
Germinavit radix Jesse, orta est stella ex Jacob (7vv) Anonymous 32v–33v
Gratias agimus tibi Domine Deus Anonymous 32–32v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 21v–22
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 22–22v
Jam non dicam vos servos sed amicos (8vv) 20v–21
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 8–10v
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae 8–10v
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet 8–10v
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi 8–10v
Laudate Dominum quoniam bonum (5vv) 43v
Laudate pueri Dominum laudate nomen 18v–19v
Laus et perennis gloria Deo patri et filio (8vv) 23v
Maria b'sucht Elisabeth Anonymous 42v
Missa Cum turba: Gloria 38v–30
Missa Cum turba: Kyrie 28v–30
Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem 12–14v
Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam 12–14v
Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum 12–14v
Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini 12–14v
Modo veniet dominator Dominus (5vv) 33v–34
Nun komm der Heiden Heiland 38v–39
O beatum et sacrosanctum diem (5vv) 34–35
Oculi omnium (5vv) Anonymous 30v
Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum 2–7v
Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus 2–7v
Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte 2–7v
Pater noster (5vv) Anonymous 30v–31
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 26v–27
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 27v–28
Sancta Trinitas unus Deus miserere nobis (8vv) 22v–23
Sei Lob und Ehr' mit hohem Preis 40v–41
untexted Anonymous 41v
Veni Domine et noli tardare 23v–24
Veniet tempus in quo salvabitur populus 25v–26

Set: MS Mus. 30075

Type: Partbooks

No images available

D-B MS Mus. 30075 [Altus]

No images available

D-B MS Mus. 30075 [Discantus 1]

No images available

D-B MS Mus. 30075 [Discantus 2]

No images available

D-B MS Mus. 30075 [Tenor 2]

denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe.  München.

Höfler, Janez (editor). 1972-. Dominici Phinot: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xv-xvi. Notes: contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note