Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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2–7v | Passio domini - 1a pars (of 3): Passio domini nostri Jesu Christi secundum Mattheum | Jacob Handl | |
Appears on:
2–7v
Genres:
Liturgical work, Motet, Passion
Source Attribution:
Jacob Handl
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2–7v | Passio domini - 2a pars (of 3): Apprehendit ergo eum Pilatus | - | |
Appears on:
2–7v
Genres:
Motet
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2–7v | Passio domini - 3a pars (of 3): Orabat autem Jesus Pater dimitte | - | |
Appears on:
2–7v
Genres:
Motet
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8–10v | Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum | Orland: | |
Appears on:
8–10v
Genres:
Motet
Source Attribution:
Orland:
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8–10v | Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae | - | |
Appears on:
8–10v
Genres:
Motet
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8–10v | Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet | - | |
Appears on:
8–10v
Genres:
Motet
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8–10v | Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi | - | |
Appears on:
8–10v
Genres:
Motet
General NoteNot clear whether 4a pars is omitted? |
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10–10v | Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo | Orland: | |
Appears on:
10–10v
Genres:
Motet
Source Attribution:
Orland:
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11–11v | Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino | - | |
Appears on:
11–11v
Genres:
Motet
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12–14v | Missus est angelus Gabriel - 1a pars (of 4): Missus est angelus Gabriel à Deo in civitatem | Orlandus Di Lassus | |
Appears on:
12–14v
Genres:
Motet
Source Attribution:
Orlandus Di Lassus
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12–14v | Missus est angelus Gabriel - 2a pars (of 4): Ne timeas Maria invenisti enim gratiam | - | |
Appears on:
12–14v
Genres:
Motet
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12–14v | Missus est angelus Gabriel - 3a pars (of 4): Dixit autem Maria ad angelum | - | |
Appears on:
12–14v
Genres:
Motet
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12–14v | Missus est angelus Gabriel - 4a pars (of 4): Dixit autem Maria ecce ancilla Domini | - | |
Appears on:
12–14v
Genres:
Motet
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14v–15v | Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort | - | |
Appears on:
14v–15v
Genres:
Motet
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14v–15v | Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist | - | |
Appears on:
14v–15v
Genres:
Motet
General Note2a pars apparently not copied; the various sections are grouped into 2 partes in this ms |
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14v–15v | Erhalt unns herr - 4a pars (of 6): Verleih uns frieden | - | |
Appears on:
14v–15v
Genres:
Motet
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14v–15v | Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] | - | |
Appears on:
14v–15v
Genres:
Motet
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14v–15v | Erhalt unns herr - 6a pars (of 6): Amen | - | |
Appears on:
14v–15v
Genres:
Motet
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16v–17v | Deus misereatur nostri et benedicat nobis | Orland: di Lassus | |
Appears on:
16v–17v
Genres:
Motet
Source Attribution:
Orland: di Lassus
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17v–18 | Confitebor tibi Domine in toto corde (8vv, LV189) | Orland: di Lassus | |
Appears on:
17v–18
Genres:
Motet
Source Attribution:
Orland: di Lassus
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18v–19v | Laudate pueri Dominum laudate nomen | Orland: di Lassus | |
Appears on:
18v–19v
Genres:
Motet
Source Attribution:
Orland: di Lassus
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19v–20 | Decantabat populus Israel alleluia (7vv) | Orland: di Lassus | |
Appears on:
19v–20
Genres:
Motet
Source Attribution:
Orland: di Lassus
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20v–21 | Jam non dicam vos servos sed amicos (8vv) | Dominicus Phinot | |
Appears on:
20v–21
Genres:
Motet
Source Attribution:
Dominicus Phinot
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21v–22 | In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion | Orlandus di Lassus | |
Appears on:
21v–22
Genres:
Motet
Source Attribution:
Orlandus di Lassus
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22–22v | In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem | - | |
Appears on:
22–22v
Genres:
Motet
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22v–23 | Sancta Trinitas unus Deus miserere nobis (8vv) | Dominicus Phinot | |
Appears on:
22v–23
Genres:
Motet
Source Attribution:
Dominicus Phinot
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23v | Laus et perennis gloria Deo patri et filio (8vv) | Jacobus Handel | |
Appears on:
23v
Genres:
Motet
Source Attribution:
Jacobus Handel
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23v–24 | Veni Domine et noli tardare | Jacobus Handel | |
Appears on:
23v–24
Genres:
Motet
Source Attribution:
Jacobus Handel
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24v–25 | Duo seraphim clamabant alter ad alterum | Handel | |
Appears on:
24v–25
Genres:
Motet
Source Attribution:
Handel
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25v–26 | Veniet tempus in quo salvabitur populus | Handel | |
Appears on:
25v–26
Genres:
Motet
Source Attribution:
Handel
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26v–27 | Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua | Handel | |
Appears on:
26v–27
Genres:
Motet
Source Attribution:
Handel
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27v–28 | Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi | - | |
Appears on:
27v–28
Genres:
Motet
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28v–30 | Missa Cum turba: Kyrie | Vulpii | |
Appears on:
28v–30
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
Vulpii
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38v–30 | Missa Cum turba: Gloria | - | |
Appears on:
38v–30
Genres:
Gloria (et in terra pax), Mass Ordinary
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30v | Oculi omnium (5vv) | - | Anonymous |
Oculi omnium (5vv)Anonymous
Appears on:
30v
Genres:
Motet
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30v–31 | Pater noster (5vv) | - | Anonymous |
Pater noster (5vv)Anonymous
Appears on:
30v–31
Genres:
Motet
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31v | Domine Deus pater caelestis (5vv) | - | Anonymous |
Domine Deus pater caelestis (5vv)Anonymous
Appears on:
31v
Genres:
Motet
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31v–32 | Confitemini Domino quoniam bonus quoniam in saeculum misericordia ejus | - | Anonymous |
Appears on:
31v–32
Genres:
Motet
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32–32v | Gratias agimus tibi Domine Deus | - | Anonymous |
Gratias agimus tibi Domine DeusAnonymous
Appears on:
32–32v
Genres:
Motet
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32v–33v | Germinavit radix Jesse, orta est stella ex Jacob (7vv) | - | Anonymous |
Appears on:
32v–33v
Genres:
Motet
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33v–34 | Modo veniet dominator Dominus (5vv) | Petri Philippi Angli | |
Appears on:
33v–34
Genres:
Motet
Source Attribution:
Petri Philippi Angli
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34–35 | O beatum et sacrosanctum diem (5vv) | Petri Philippi Angli | |
Appears on:
34–35
Genres:
Motet
Source Attribution:
Petri Philippi Angli
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35–35v | Ardens est cor meum (8vv) | Johan Baptista Steffanini | |
Appears on:
35–35v
Genres:
Motet
Source Attribution:
Johan Baptista Steffanini
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36–36v | Ego sum qui sum | Johan: Gabriel | |
Appears on:
36–36v
Genres:
Motet
Source Attribution:
Johan: Gabriel
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36v–37 | Alleluia surrexit Christus | Hieronymi Ballioni Mediolanentis | |
Appears on:
36v–37
Genres:
Motet
Source Attribution:
Hieronymi Ballioni Mediolanentis
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37v–38 | Ad te levavi animam meam | - | Anonymous |
Ad te levavi animam meamAnonymous
Appears on:
37v–38
Genres:
Motet
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38v–39 | Nun komm der Heiden Heiland | Christoph: Thom: Walliser | |
Appears on:
38v–39
Genres:
Motet
Source Attribution:
Christoph: Thom: Walliser
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39v–40 | Der Tag der ist so freudenreich | Christoph: Thom: Walliser | |
Appears on:
39v–40
Genres:
Motet
Source Attribution:
Christoph: Thom: Walliser
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40v–41 | Sei Lob und Ehr' mit hohem Preis | Christoph: Thom: Walliser | |
Appears on:
40v–41
Genres:
Motet
Source Attribution:
Christoph: Thom: Walliser
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41v | untexted | - | Anonymous |
untextedAnonymous
Appears on:
41v
Genres:
textless
General NoteA large ink-stain has obliterated the title and some of the music |
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42v | Maria b'sucht Elisabeth | - | Anonymous |
Maria b'sucht ElisabethAnonymous
Appears on:
42v
Genres:
Motet
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43v | Laudate Dominum quoniam bonum (5vv) | Melch: Vulpius | |
Appears on:
43v
Genres:
Motet
Source Attribution:
Melch: Vulpius
General Noteincomplete |