D-Z Mu 1441-1489 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Late 16th century (date [15]90 in manuscript).

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 1441-1489 [Altus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 335 x 195-205 mm
Other Identifiers
  • CCM: ZwiR 94/1
  • Other catalogues/source: VollBM [see bibliography] 9
  • olim (Former shelfmark): MS 94,1
  • olim (Former shelfmark): MS XCIV,1
Notations
  • black void mensural
Provenance
  • Zwickau? Saxony, Germany
Contents 39 pieces from 18 composers
General Description

An Altus partbook. Copied by several scribes. Of east central German origin; possibly copied in Zwickau.

DIAMM, 2017
Extent

i + 25 (the first 22 pieces are missing)

DIAMM, 2017
Binding

Modern covers of green cardboard.

DIAMM, 2017
Watermark

resembles Briquet #2008

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern stamped foliation in A book, 45-70, includes front flyleaf; modern pencil foliation in T book, 1-41

DIAMM, 2017
Decoration

Black or red inked initials; red rubrics.

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original numbering of pieces in two series, 1-19 + 1-13 (several errors and inconsistencies; some pieces at end of each series not numbered).

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie-Gloria pair, 1 Kyrie, 1 Gloria, 13 Mass Proper sections, 3 office hymns, 1 processional hymn, 24 motets, 5 German sacred pieces = 49

(Alder/Senfl)-1, (Breitengraser)-1, Clemens non Papa [CNP]-2, (Crecquillon)-1, (Figulus)-1, (Guyot)-1, (Hähnel)-4, Händl-3, (C. Hollander/S. Hollander)-1, (Isaac)-2, (Isaac/Obrecht)-1, (Josquin)-1, Josquin/(Gombert)-1, (Josquin/Lebrun/Richafort)-1, Lassus [Orlandus]-1, Pavernagel-1, Poetiscus-1, (Senfl)-1, Stoltzer -6, anon-18

2 paper partbooks (A-i + 25 folios, T-i + 41 + i), 335 x 195-205. Modern stamped foliation in A book, 45-70, includes front flyleaf; modern pencil foliation in T book, 1-41. Original numbering of pieces in two series, 1-19 + 1-13 (several errors and inconsistencies; some pieces at end of each series not numbered). Modern covers of green cardboard. No index. Copied by several scribes. Black or red inked initials; red rubrics. Watermark resembles Briquet #2008.

Late 16th century (date [15]90 in manuscript). Of east central German origin; possibly copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Nunc angelorum gloria hominibus replenduit - Anonymous
Appears on: 1
Genres: Motet
1v Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius -
Appears on: 1v
Genres: Motet
2 Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem -
Appears on: 2
Genres: Motet
2v–3 Da Jacob das Kleid ansah mit großem Schmerzen -
Appears on: 2v–3
Genres: Motet
3–3v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus -
Appears on: 3–3v
Genres: Motet
3v–4 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Appears on: 3v–4
Genres: Motet
5 Alleluia. Emitte spiritum tuum et creabuntur - Anonymous
Appears on: 5
Genres: Alleluia, Motet
5–6 Veni sancte spiritus et emitte caelitus - Anonymous
Appears on: 5–6
Genres: Motet, Veni sancte spiritus
6v Laban und Bethuel sprachen das kompt von Herren Sebast. Poetiscus
Appears on: 6v
Genres: Sacred Song
Source Attribution: Sebast. Poetiscus
7 Quae est ista quae ascendit sicut aurora Jacob Handl
Appears on: 7
Genres: Motet
Source Attribution: Jacob Handl
7–7v Surge propera amica mea (8vv) -
Appears on: 7–7v
Genres: Motet
7v–8 Isti sunt triumphatores et amici Dei -
Appears on: 7v–8
Genres: Motet
8v Hort ir liebsten kinderlein spricht - Anonymous
Appears on: 8v
Genres: Song
9–9v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Josquinus
Appears on: 9–9v
Genres: Motet
Source Attribution: Josquinus
9v–10 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) -
Appears on: 9v–10
Genres: Alleluia, Motet
10 Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda -
Appears on: 10
Genres: Motet, Veni sancte spiritus
10v Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur -
Appears on: 10v
Genres: Motet, Veni sancte spiritus
10v–11 Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes Orlandus
Appears on: 10v–11
Genres: Motet
Source Attribution: Orlandus
11–11v Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 11–11v
Genres: Motet
12–12v Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena -
Appears on: 12–12v
Genres: Motet
12v–13 Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum -
Appears on: 12v–13
Genres: Motet
13v–14 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Thomae Creqsonis; CNP (= Clemens), added by another hand
Appears on: 13v–14
Genres: Motet
Source Attribution: Thomae Creqsonis; CNP (= Clemens), added by another hand
14v–15 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 14v–15
Genres: Motet
15v–16 Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis -
Appears on: 15v–16
Genres: Motet
16–16v Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 16–16v
Genres: Motet
16v Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 16v
Genres: Alleluia
16v–17 Ps. 116: Laudate Dominum omnes gentes - Anonymous
Appears on: 16v–17
Genres: Psalm
17–18 Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me -
Appears on: 17–18
Genres: Introit
18–18v Alleluia. Pascha nostrum immolatus est -
Appears on: 18–18v
Genres: Alleluia, Motet
18v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden -
Appears on: 18v
Genres: Hymn
19 Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden -
Appears on: 19
Genres: Hymn
19v Victimae paschali - 3a pars (of 3): Credendum est magis -
Appears on: 19v
Genres: Hymn
19v–20v In exitu Israel de Aegypto -
Appears on: 19v–20v
Genres: Psalm
20v Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo - Anonymous
Appears on: 20v
Genres: Motet
21 Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia mundi - Anonymous
Appears on: 21
Genres: Motet
21–21v Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia - Anonymous
Appears on: 21–21v
Genres: Motet
21v–22v Missa Paschale: Kyrie -
Appears on: 21v–22v
Genres: Kyrie eleison, Mass Ordinary
22v–23 Summi triumphum regis prosequamur laude Qui caeli qui terrae regis sceptra - Anonymous
Appears on: 22v–23
Genres: Motet
23–23v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] -
Appears on: 23–23v
Genres: Introit
Composer Compositions
Alder, Cosmas (1500–1550)
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Galliculus, Johannes
Gombert, Nicolas (ca. 1495–ca. 1560)
Guyot (Castileti), Jean
Handl (Gallus), Jacobus (1550–1591)
Hollander, Christian
Hollander, Sebastian
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Poetiscus, Sebastian
Richafort, Jean (ca. 1480–ca. 1550)
Senfl, Ludwig (ca. 1486–ca. 1543)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
Alleluia Anonymous 16v
Alleluia. Emitte spiritum tuum et creabuntur Anonymous 5
Alleluia. Pascha nostrum immolatus est 18–18v
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 15v–16
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 16–16v
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes 10v–11
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 11–11v
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 1v
Cum inducerent puerum - 2a pars (of 2): Senex puerum portabat puer autem 2
Da Jacob das Kleid ansah mit großem Schmerzen 2v–3
Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena 12–12v
Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum 12v–13
Hort ir liebsten kinderlein spricht Anonymous 8v
In exitu Israel de Aegypto 19v–20v
Isti sunt triumphatores et amici Dei 7v–8
Laban und Bethuel sprachen das kompt von Herren 6v
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 13v–14
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 14v–15
Missa Paschale: Kyrie 21v–22v
Nunc angelorum gloria hominibus replenduit Anonymous 1
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 3–3v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 3v–4
Ps. 116: Laudate Dominum omnes gentes Anonymous 16v–17
Quae est ista quae ascendit sicut aurora 7
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me 17–18
Salve festa dies - 1a pars (of 3): Salve festa dies toto venerabilis aevo Anonymous 20v
Salve festa dies - 2a pars (of 3): Ecce renascentis testatur gratia mundi Anonymous 21
Salve festa dies - 3a pars (of 3): Namque triumphanti post tristia Anonymous 21–21v
Summi triumphum regis prosequamur laude Qui caeli qui terrae regis sceptra Anonymous 22v–23
Surge propera amica mea (8vv) 7–7v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 9–9v
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 9v–10
Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda 10
Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur 10v
Veni sancte spiritus et emitte caelitus Anonymous 5–6
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden 18v
Victimae paschali - 2a pars (of 3): Dic nobis Maria / Christ ist erstanden 19
Victimae paschali - 3a pars (of 3): Credendum est magis 19v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 23–23v

Set: MS 94,1

Type: Partbooks

No images available

D-Z Mu 1441-1489 [Altus]

No images available

D-Z Mu 1441-1489 [Tenor]

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 53, 58. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 481,817. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 342-3,599-601,689-91,740-1,783,786. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I,262,363. Notes: physical description (partial); contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 295,303. Notes: contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 169,172ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II,295, 334. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931.  Wiesbaden and Graz. Pages: LXV,137. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, 85,90-2 XCIX, xi, 91, 93. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VII, vi-xi. Notes: physical description (partial); contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 16. Notes: physical description (partial); contents list (partial).

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Monday, 23 January, 2017

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