A history of England by Henry of Huntingdon from the Norman invasion to the time of Henry II, Ailred of Rievaulx's history of king David of Scotland, various Papal bulls, a letter of king Henry III in the 48th year of his reign, etc., from the Abbey of Ramsey. Originally two separate volumes at least. A motet has been added on f. 164v-165, on what was doubtless a blank page, identical with the lower three voices of Montpellier 29v-37. Notation and script are neat and typical of the period c. 1300.
GB-Lbl Cotton Vespasian A. xviii
British Library, London, England
Codex (complete), miscellany, with added polyphony: 4th quarter 13th century
| Archive | British Library, London, England (GB-Lbl) |
|---|---|
| Shelfmark | Cotton Vespasian A. xviii |
| Surface | Other |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 215 x 152 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Binding
typical of the Cotton manuscripts (see Cotton Fragment 29); 18th century
Notation
English mensural notation: constant alternation between longs and rhombs; longs are frequently surmounted by one or two dots. The double long has a line through the middle which protrudes vertically each side of the note.
Ruling
1 five and 12 red four-line staves on f. 164v; 10 four and 2 red five-line staves on f. 165
Foliation
164v-165
Foliation
A medieval foliation, starting 'fo. primo' at f. 87 t.r.r. and continuing to f. 142. A 17th or 18th century ink foliation at t.r.r; is not altogether correct and starts at f. 3 of the modern pencil foliation at t.r.r.
Index
contents are listed f. 2-2v
Surface
Parchment; paper (flyleaves)
RISM Description
RISM B/IV 1: A 13th century parchment manuscript from the Abbey of Ramsey meas. 215 x 152 mm. and containing 167 folios, not including several blank pages in the course of the volume. In addition, there are four blank paper folios each end of the codex serving as flyleaves. The 18th century binding is typical of the Cotton manuscripts (see Cotton Fragment 29 above). The 17th or 18th century ink foliation at t.r.r. is not altogether correct and starts at f. 3 of the modern pencil foliation at t.r.r. A medieval foliation, starting "fo. primo" at f. 87 t.r.r. and continuing to f. 142, indicates that the codex was originally two separate volumes at least. The contents are listed f. 2-2v, and include a history of England by Henry of Huntingdon from the Norman invasion to the time of Henry II, Ailred of Rievaulx's history of king David of Scotland, various Papal bulls, a letter of king Henry III in the 48th year of his reign, etc. Music is added on f. 164v-165, on what was doubtless a blank page originally, in clear English mensural notation. There is constant alternation between longs and rhombs, and the longs are frequently surmounted by one or two dots. The double long has a line through the middle which protrudes vertically each side of the note. Notation and script are neat and typical of the period c. 1300. Red four or five-line staves are employed as follows: 1 five and 12 four-line staves on f. 164v, and 10 four and 2 five-line staves on f. 165. The one motet written down is identical with the lower three voices of Mo 15.
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165
The inventory could not be loaded.
‡ denotes primary source study
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-II, no. 23 (facsimile and transcription after Mo); IV, 256.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 199, 276f.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 384.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, no. 10 (facsimile and transcription after Ba); III, 64.
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Joseph Mason
Wednesday, 4 October, 2023
added note to indicate that quadruplum is omitted
Elizabeth Eva Leach
Wednesday, 14 November, 2018
Reference to Mo changed using foliation to avoid confusion with variant numbering systems; concordances fixed in database so that they appear on the composition information.
Elizabeth Eva Leach
Friday, 29 June, 2018
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Contents Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description