NL-EINrhc Schepenbank Helmond, toegangsnummer 15240, inventarisnummer 3788

Regionaal Historisch Centrum, Eindhoven, Netherlands

c.1400

Archive Regionaal Historisch Centrum, Eindhoven, Netherlands (NL-EINrhc)
Shelfmark Schepenbank Helmond, toegangsnummer 15240, inventarisnummer 3788
Image Availability DIAMM does not have images of this source.
Other Identifiers
  • olim (Former shelfmark): Rechterlijk Archief Helmond 1396-1810, Inv. no. 215
Notations
  • stroke
Provenance
  • France
Contents Contains 1 composition from 1 composer.
General Description

Contains several song parts in stroke notation. These were discovered in April 1996 by Godfried Groenen. On fol. 97v, there is an untexted tenor identified by Michael Scott Asato Cuthbert in 2015 as Donatus's "Je porte amiablement" with variations especially at the beginning. The ms was moved, with contents of the Gemeentearchief Helmond, to Eindhoven before 2013.

DIAMM, 2017
DIAMM Note

This manuscript contains several song parts in stroke notation. These were discovered in April 1996 by Godfried Groenen. On fol. 97v, there is the untexted tenor of 'Esperance qui en mon cuer'.

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
97v Je porte mi eblement / gi porte mie bramant - -
Cascia, Donato da (fl. c1350)

Je porte mi eblement / gi porte mie bramant

Cascia, Donato da (fl. c1350)
Appears on: 97v
Genres: Italian secular
Voice: [no designation]
Languages: none
Voice Text: textless [= Esperance qui en mon cuer]
General Note

Tenor only in stroke notation on f. 97v. Michael Scott Asato Cuthbert identified the tenor in 2015 as Donatus's "Je porte amiablement" with variations especially at the beginning.
Composer Compositions
Cascia, Donato da (c1350)
Composition Composers (? Uncertain) Folios / Pages
Je porte mi eblement / gi porte mie bramant
Cascia, Donato da (fl. c1350)
97v

‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Haggh, Barbara H. 1997. The Helmond Manuscript. Music fragments and manuscripts in the Low Countries; Alta capella; Music printing in Antwerp and Europe in the 16th century: colloquium proceedings, Alden Biezen 23.06.1995, Alden Biezen 24.06.1995, Antwerpen 23-25.08.1995 , Yearbook of the Alamire Foundation, vol. 2. edited by Barbara H. Haggh, 39-41. Leuven: Alamire. Pages: esp. 39 onwards. Notes: (facsimiles on p. 40).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Michael Cuthbert

Tuesday, 4 November, 2025

The manuscript was transferred to Eindhoven (at least before September 2013). Updated shelfmark & archive info. [Note: Information about the contents of the registers of the manuscript are online at www.archieven.nl but the music has not been digitized.] Corrected identification of the tenor at 97v, identified by Michael Scott Asato Cuthbert in 2015 as Donatus's "Je porte amiablement" with variations especially at the beginning.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; DIAMM Note