| Archive | Bodleian Library, Oxford, England (GB-Ob) |
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| Shelfmark | MSS Eng. th. b. 1-2 |
| Image Availability | DIAMM does not have images of this source. |
| Numbering System | None |
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| Provenance |
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| Contents | 1 pieces from 1 composers |
Two volumes of theological and historical collections in defence of Roman Catholicism, consisting of glosses on verses of the New Testament, extracts from theological works, and accounts of contemporary events concerning recusants, arranged alphabetically under 93 headings called books. Copied on one page is a 4-part setting of the text 'Haec est dies, domini gautiamus et laetemur in ea', ascribed to 'Byrd' (Morehen believes the attribution to be incorrect). Copied by Thomas Jollet (pseudonym), a Catholic convert, and a layman with Northamptonshire connections.
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| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| [-] | Haec est dies domini gaudeamus et laetemur in ea | - | |
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Appears on:
[-]
Genres:
Motet
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| Composer | Compositions |
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| Byrd, William (ca. 1540–1623) |
| Composition | Composers (? Uncertain) | Folios / Pages |
|---|---|---|
| Haec est dies domini gaudeamus et laetemur in ea | [-] |
‡ denotes primary source study
Shell, A. 2007. Oral culture and Catholicism in early modern England. Cambridge University Press. Pages: 125 & fn 29.
Kilroy, Gerard. 2005. Edmund Campion: memory and transcription. Ashgate Publishing Ltd. Pages: 21.
Monson, Craig. 1997. Byrd, the Catholics, and the Motet: The Hearing. Reopened. Hearing the Motet, edited by Craig Monson, 348-74. Oxford. Pages: partic. fn 25.
Morehen, John. 1996. Is "Byrd's" Haec a Faec? Early Music Review, 8-9.
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