Sam Bradley
Wednesday, 22 January, 2025
The anonymous mass starting on fol. 103 is the "Missa Lalahe," based upon Isaac's song Lalahoho. This mass also appears in BasU 26a and b.
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
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| Shelfmark | Cod. mus. I 2° 47 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Measurements | 465 x 325 mm |
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| Contents | Contains 13 compositions, 5 from 4 composers, 8 are anonymous. |
Originally 229 folios. Copied by eight scribes: (1) ff. 2-8', 10-40'; (2) f. 41; (3) ff. 43-65; (4) ff. 66'-90'; (5) ff. 92-102, 103-112'; (6) ff. 114-162', 164-187', 189-215', 217-220; (7) ff. 220'-223'; (8) ff. 226-228'. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
F. 18 and f. 141 now fragmentary, but some music still visible
cardboard covered with pressed leather (for stamp see: KYRISS II, nr. 123, in addition to plates 247 and 248, Johannes Zoll, Nachfolger, Tübingen). The back is damaged; repaired in1938. Remains of metal clasps.
(1) crown; (2) ox head (GottH).
black void mensural
Modern foliation, 2-228 (ff. 1, 9, 42, 91, 113, 163, 188, 216, 224-225, 229 now missing).
One illuminated initial with floral border on f. 103; large inked initials on ff. 66'-90'; inked calligraphic initials on f. 227' and f. 228'.
paper
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10 Masses, 1 Agnus fragment, 1 Te Deum, 2 motets = 14 (all incomplete) (Brumel)-2, (Isaac)-1, (Josquin)-1, (Obrecht)-1, anon-9
218 paper folios of an original 229, 465 x 325. F. 18 and f. 141 now fragmentary, but some music still visible. Modern foliation, 2-228 (ff. 1, 9, 42, 91, 113, 163, 188, 216, 224-225, 229 now missing). Original covers of tooled leather over pasteboard, repaired in 1938, but still in poor condition; remnants of metal clasps. No index. Copied by eight scribes: (1) ff. 2-8', 10-40'; (2) f. 41; (3) ff. 43-65; (4) ff. 66'-90'; (5) ff. 92-102, 103-112'; (6) ff. 114-162', 164-187', 189-215', 217-220; (7) ff. 220'-223'; (8) ff. 226-228'. One illuminated initial with floral border on f. 103; large inked initials on ff. 66'-90'; inked calligraphic initials on f. 227' and f. 228'. Watermarks: (1) crown; (2) ox head (GottH).
Ca. 1507 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
The inventory could not be loaded.
‡ denotes primary source study
Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: III,xxiii-ff,[xl-xli]. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xli, 49, 80, 84. Notes: physical description; contents list (partial); concordances (partial).
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvii; II, xvii. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 165. Notes: contents list (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 81-2. Notes: physical description; contents list; concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 33, passim. Notes: physical description (partial); contents list; discussion.
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: V, ix-xvi. Notes: physical description; contents list (partial); concordances (partial).
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 34-5. Notes: physical description (partial); contents list.
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The anonymous mass starting on fol. 103 is the "Missa Lalahe," based upon Isaac's song Lalahoho. This mass also appears in BasU 26a and b.
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Missa on 103 identified as being the Missa Lalahe by Heinric Isaac
concordance: anon Mass on 141v in this book is the same mass as the anon. Missa Petite camusette in Munich 3154