D-Sl Cod. mus. I 2° 47

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: 1507

Archive Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark Cod. mus. I 2° 47
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 465 x 325 mm
Other Identifiers
  • olim (Former shelfmark): MS Musica folio I 47
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 13 pieces from 5 composers
General Description

Originally 229 folios. Copied by eight scribes: (1) ff. 2-8', 10-40'; (2) f. 41; (3) ff. 43-65; (4) ff. 66'-90'; (5) ff. 92-102, 103-112'; (6) ff. 114-162', 164-187', 189-215', 217-220; (7) ff. 220'-223'; (8) ff. 226-228'. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Clytus Gottwald, 1974.
Physical Description

F. 18 and f. 141 now fragmentary, but some music still visible

DIAMM, 2019
Binding

cardboard covered with pressed leather (for stamp see: KYRISS II, nr. 123, in addition to plates 247 and 248, Johannes Zoll, Nachfolger, Tübingen). The back is damaged; repaired in1938. Remains of metal clasps.

Clytus Gottwald, 1974.
Watermark

(1) crown; (2) ox head (GottH).

DIAMM, 2019
Notation

black void mensural

Clytus Gottwald, 1974.
Foliation

Modern foliation, 2-228 (ff. 1, 9, 42, 91, 113, 163, 188, 216, 224-225, 229 now missing).

DIAMM, 2019
Decoration

One illuminated initial with floral border on f. 103; large inked initials on ff. 66'-90'; inked calligraphic initials on f. 227' and f. 228'.

DIAMM, 2019
Surface

paper

Clytus Gottwald, 1974.
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Masses, 1 Agnus fragment, 1 Te Deum, 2 motets = 14 (all incomplete) (Brumel)-2, (Isaac)-1, (Josquin)-1, (Obrecht)-1, anon-9

218 paper folios of an original 229, 465 x 325. F. 18 and f. 141 now fragmentary, but some music still visible. Modern foliation, 2-228 (ff. 1, 9, 42, 91, 113, 163, 188, 216, 224-225, 229 now missing). Original covers of tooled leather over pasteboard, repaired in 1938, but still in poor condition; remnants of metal clasps. No index. Copied by eight scribes: (1) ff. 2-8', 10-40'; (2) f. 41; (3) ff. 43-65; (4) ff. 66'-90'; (5) ff. 92-102, 103-112'; (6) ff. 114-162', 164-187', 189-215', 217-220; (7) ff. 220'-223'; (8) ff. 226-228'. One illuminated initial with floral border on f. 103; large inked initials on ff. 66'-90'; inked calligraphic initials on f. 227' and f. 228'. Watermarks: (1) crown; (2) ox head (GottH).

Ca. 1507 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–18 Missa Advenisti desiderabilis - Anonymous

Missa Advenisti desiderabilis

Anonymous
Appears on: 2–18
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Advenisti desiderabilis
18v–41 Missa Christi virgo dilectissima - Anonymous

Missa Christi virgo dilectissima

Anonymous
Appears on: 18v–41
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Christi virgo dilectissima
43–65 Missa Te Deum laudamus - Anonymous

Missa Te Deum laudamus

Anonymous
Appears on: 43–65
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Te deum laudamus
66v–75 Missa Sine nomine (4vv) -
Brumel, Antoine (ca. 1460–ca. 1513)

Missa Sine nomine (4vv)

Brumel, Antoine (ca. 1460–ca. 1513)
Appears on: 66v–75
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Sine nomine
75v–90v Missa L'homme armé sexti toni 6.2 -
Despres, Josquin (ca. 1450–1521)

Missa L'homme armé sexti toni 6.2

Despres, Josquin (ca. 1450–1521)
Appears on: 75v–90v
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa L'homme armé sexti toni 6.2
92–102 Te Deum laudamus [K.535] - Anonymous

Te Deum laudamus [K.535]

Anonymous
Appears on: 92–102
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
103–112v Missa Lalahe -
Isaac, Heinrich (ca. 1450–1517)

Missa Lalahe

Isaac, Heinrich (ca. 1450–1517)
Appears on: 103–112v
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa
114–141 Missa Ut re mi fa sol la -
Brumel, Antoine (ca. 1460–ca. 1513)

Missa Ut re mi fa sol la

Brumel, Antoine (ca. 1460–ca. 1513)
Appears on: 114–141
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa super Ut re mi fa sol la
141v–162v Missa Petite camusette - Anonymous

Missa Petite camusette

Anonymous
Appears on: 141v–162v
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Missa
164–187 Missa - Anonymous

Missa

Anonymous
Appears on: 164–187
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa
189–220 Missa Sancto Martino -
Obrecht, Jacobus (ca. 1457–1505)

Missa Sancto Martino

Obrecht, Jacobus (ca. 1457–1505)
Appears on: 189–220
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Missa de Sancto Martino
220v–223v Sacerdotem martinum - Anonymous

Sacerdotem martinum

Anonymous
Appears on: 220v–223v
Genres: Liturgical work
Voice: [no designation]
Languages: Latin
Voice Text: Sacerdotem martinum
225–227v [Salve regina] Vita dulcedo - Anonymous

[Salve regina] Vita dulcedo

Anonymous
Appears on: 225–227v
Genres: Motet, Salve Regina
Voice: [no designation]
Languages: Latin
Voice Text: Vita dulcedo (Salve regina)
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Isaac, Heinrich (ca. 1450–1517)
Obrecht, Jacobus (ca. 1457–1505)
Composition Composers (? Uncertain) Folios / Pages
[Salve regina] Vita dulcedo Anonymous 225–227v
Missa Anonymous 164–187
Missa Advenisti desiderabilis Anonymous 2–18
Missa Christi virgo dilectissima Anonymous 18v–41
Missa L'homme armé sexti toni 6.2
Despres, Josquin (ca. 1450–1521)
75v–90v
Missa Lalahe
Isaac, Heinrich (ca. 1450–1517)
103–112v
Missa Petite camusette Anonymous 141v–162v
Missa Sancto Martino
Obrecht, Jacobus (ca. 1457–1505)
189–220
Missa Sine nomine (4vv)
Brumel, Antoine (ca. 1460–ca. 1513)
66v–75
Missa Te Deum laudamus Anonymous 43–65
Missa Ut re mi fa sol la
Brumel, Antoine (ca. 1460–ca. 1513)
114–141
Sacerdotem martinum Anonymous 220v–223v
Te Deum laudamus [K.535] Anonymous 92–102

‡ denotes primary source study

Maas, Chris J (editor). 1983-. New Obrecht Edition.  Utrecht. Pages: III,xxiii-ff,[xl-xli]. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I, xli, 49, 80, 84. Notes: physical description; contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvii; II, xvii. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 165. Notes: contents list (partial); incipits (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 81-2. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen.  Tübingen. Pages: 33, passim. Notes: physical description (partial); contents list; discussion.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen.  Amsterdam. Pages: V, ix-xvi. Notes: physical description; contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 34-5. Notes: physical description (partial); contents list.

Public Comments

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Sam Bradley

Wednesday, 22 January, 2025

The anonymous mass starting on fol. 103 is the "Missa Lalahe," based upon Isaac's song Lalahoho. This mass also appears in BasU 26a and b.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Sam Bradley

Wednesday, 22 January, 2025

Missa on 103 identified as being the Missa Lalahe by Heinric Isaac

Sam Bradley

Friday, 7 May, 2021

concordance: anon Mass on 141v in this book is the same mass as the anon. Missa Petite camusette in Munich 3154