GB-LI Lincoln MS 52

Cathedral Archive, Lincoln, England

fragment: first half 14th century

Archive Cathedral Archive, Lincoln, England (GB-LI)
Shelfmark Lincoln MS 52
Surface Parchment
Numbering System None
Format portrait
Measurements now c. 280 x 210 (leaf) and c. 210 x 25 (strips). Originally at least 370 x c. 235 mm
Other Identifiers
  • RISM: s.xiv 1/2
  • olim (Former shelfmark): (A.6.3)
Notations
  • English Ars nova
  • mensural
Relationships
Provenance
  • England
Contents 3 pieces from 1 composers
Notation
  1. English ars nova notation; 2. cut circle with signum rotundum; 3. English ternary breve-semibreve.
DIAMM, 2017
Ruling

16mm red

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM Supplement: 2 fols. (fragmentary; formed from one part-leaf and twelve strips marked A, C, D, F, G, I, K, L, M centre, N, IN, FR). Parchment. Now c. 280 x 210 mm (leaf) and c. 210 x c. 25 mm (strips); leaves originally at least 370 x c. 235 mm. Written space c. 305 x 191-195 mm. Ruling: thirteen freely-ruled red five-line staves, (15-18 mm); frame-rules with double verticals, text guides, and ruled indentations (c. 18 mm) for two-stave initials at the head of each page. Collation: a bifolium from the centre of a gathering, possibly from the beginning of an alphabetically arranged motet book. Script: a good gothica textualis formata. Notation: English Ars nova in 1; circle-stem, with signum rotundum in 2; English ternary breve-semibreve in 3. The underlay of 2 is possibly corrected on fol. 2. Decoration: cues entered for major initials (not supplied); flourished pen-work capitals at the beginning of the text (fols. Iv, 2), and penwork faces sketched in red on blank staves (fol. 2).

Written in England. Used to form the quire-guards and the two rear flyleaves (formerly fols. 233-234) of MS 52, a copy on paper and parchment of Odo of Cheriton, Sermones super Evangelia Dominicales, s. xv 1/2. Three other flyleaves (formerly fols. 1, 231-232) were drawn from an English Collectar, s. xii in.; one quire guard was cut from the head of a leaf from a manuscript of English verse in an Anglicana hand, s. xiv ex. The present binding incorporates medieval wooden boards, probably contemporary with the manuscript (cf. the clasp marks and grooves for sewing-bands); the book was re-backed s. xix and re-bound in 1977, when the music fragments were removed and reconstructed as fols. 1-2. Strip G, which supplies some note-stems for the opening of the triplum of 2, was omitted from the description and facsimile (p. 140) in Rankin. "Jhe ... -morda jocundo' written at foot of fol. 2, s. xvi. Owned: Lincoln Cathedral by c. 1675; 'D. 30' in Wren's catalogue of the Cathedral's books (LI, MS 250).

NOTES ON CONTENTS

1 Two voices of four; end lost. 2 End of top voice lost; ed. Rankin, pp. 144-148; T carries plainsong Alleluia V. Assumpta est Maria (GS, pi. 195). 3 Two (Mot and a T part) of probably four voices. On St Augustine.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

strips r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
strips r Ave prolem parienti - Anonymous
Appears on: strips r
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Ave prolem parienti

Voice: [no designation]
Languages: none
Clef: c4
Layout

parts

strips v–2 Astra transcendit hodie / Astrorum celcitudinem / Alleluia. Assumpta est Maria - Anonymous
Appears on: strips v–2
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c5
Voice Text: [A]Strorum celcitudinem

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [A]Stra transcendit hodie

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Alleluya. V. Assumpta est Maria
Layout

parts

2v untexted - Anonymous

untexted

Anonymous
Appears on: 2v
Genres: Alleluia, textless
Voice: [no designation]
Languages: none
Clef: c4

Voice: [no designation]
Languages: none
Clef: c1
General Note

On St Augustine

Layout

parts

Item Bibliography

Rankin, Susan K. 1989. The Music of the Medieval Liturgical Drama in France and England. 2 vols. New York and London: Garland. Pages: fig. 8.

Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Astra transcendit hodie / Astrorum celcitudinem / Alleluia. Assumpta est Maria Anonymous strips v–2
Ave prolem parienti Anonymous strips r
untexted Anonymous 2v

Images © Dean and Chapter of Lincoln, by kind permission of the Dean and Chapter of Lincoln and Lincoln Cathedral Library

denotes primary source study

Thomson, Rodney. None. Catalogue of the Manuscripts of Lincoln Cathedral Chapter Library. Pages: 36-7.

Lefferts, Peter M. 1986. The Motet in England in the Fourteenth Century. UMI studies in Musicology.  Ann Arbor. Pages: 256-258.

Bowers, Roger, and Andrew B Wathey. 1983. New Sources of English Fourteenth- and Fifteenth-Century Polyphony. Early Music History, 123-73. Pages: 137-153.

Woolley. 1927. Catalogue of the Manuscripts of Lincoln Cathedral Library. Pages: 26.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description