D-Z Mus. 73 (S)

Ratsschulbibliothek, Zwickau, Germany

partbook: Mid 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mus. 73 (S)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Measurements	168-76 x 188-96 mm
Other Identifiers	CCM: ZwiR 73(6) Other catalogues/source: VollBM [see bibliography] 4 olim (Former shelfmark): MS 69.1.62 Alternative names: MS LXXIII (S)
Notations	black void mensural
Copyists	Schalreuter, Jodocus (1486–1550) Music Neumeyster, Georg Music
Relationships	Schalreuter, Jodocus (1486–1550) (owner) Neumeyster, Georg (owner) Schalreuter, Paul and Nicolaus (owner) Zwickau Ratsschulbibliothek (owner)
External Authorities	RISM Online (sources/220031990)
Provenance	Magdeburg or Wittenberg? Bavaria, Germany
Contents	20 pieces from 8 composers

General Description

A Sextus partbook from a set of six volumes. Each book is organised systematically in two main sections (psalms and responsories), each in turn grouped into pieces in 4vv, 5vv, and 6vv. These six series are each numbered - see below. Sections of blank folios separate each series of pieces.

Copied mostly by Jodocus Schalreuter, who is named in dedicatory inscriptions at beginning of all but the Quintus and Sextus books. Slightly later additions by two other scribes; first wrote Series I, #40-43, Series III, #9-11, and Series V, #28; second, probably Georg Neumeyster, wrote Series I, #44, Series II, #20, and Series IV, #36. Probably copied in Magdeburg or Wittenberg (SteudeU).

Original owner and main scribe was Jodocus Schalreuter (ca. 1486-1550), active at Church of St. Mary or Church of St. Catherine in Zwickau until his banishment in 1547, resulting from his continued allegiance to the deposed Elector of Saxony, Johann Friedrich I; ZwiR 73 probably copied during period of Schalreuter's exile (SteudeU). Manuscript inherited by Schalreuter's sons, Paul and Nicolaus, in 1550. Later in same year, Schalreuter sons gave manuscript to Georg Neumeyster, former pupil of Jodocus Schalreuter, in Wittenberg; presented by Neumeyster to Zwickau Ratsschulbibliothek in 1553.

DIAMM, 2017

Extent

100ff (mostly blank)

DIAMM, 2022

Binding

Original covers of brown leather (restored in 1973), tooled with ornamental designs; modern spines, metal clasps.

DIAMM, 2017

Watermark

generally resembles Briquet #1076-8.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces in six series—I: 1-44; II: 1-20; III: 1-11; IV: 1-36; V: 1-28; VI: I

DIAMM, 2017

Foliation

Modern foliation; no original foliation.

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Te Deums, 125 motets, 11 German sacred pieces, 1 Latin secular piece = 140

M. Agricola-1, Alder-1, (Alder/Senfl)-1, (Arcadelt)-1, Arnoldt-1, Arthopius-2, Bergkholtz-1, Bochus-1, Braetel-11, Breitengraser -22, (Bruck/Sermisy)-1, Burckstaller-1, S. Cellarius-2, (Clemens non Papa)-1, Crocauer-1, Eckel-2, Finck-4, Förster/(Hähnel)-1, Hähnel [Ioannes Galliculus]/(Förster)-1, Haugk-4, Heugel-1, (Jaquet of Mantua)-2, (Jonckers)-1, (Josquin)-2, Josquin/(Appen-zeller)-1, Kropstein-1, Lapicida-1, Maessens-1, (Maessens/Mou-ton)-1, Mahu-4, J. Molitor-1, (Morales)-1, Musa-1, Othmayr-4, Pöpel-2, Rabe-5, Reusch-3, Schockler-1, Senfl-12, (Sermisy)-2, Stoltzer-12, Stoltzer/(Brunn)-1, Verdelot/(Hellinck/Senfl)-1, (Walter)-1, (Wannenmacher)-1, anon-17

6 paper partbooks (D-i + 187 + i folios, A-196, T-192, B-195, Q-143, S-98), 168-76 x 188-96. No original foliation. Original ink numbering of pieces in six series—I: 1-44; II: 1-20; III: 1-11; IV: 1-36; V: 1-28; VI: 1. In each book, sections of blank folios separate each series of pieces; many folios in Q book and most folios in S book blank. Original covers of brown leather (restored in 1973), tooled with ornamental designs; modern spines, metal clasps. No index. Copied mostly by Jodocus Schalreuter (see below), named in dedicatory inscriptions at beginning of DATB books; Schalreuter also wrote UtreH s.s. (EldH). Slightly later additions by two other scribes; first wrote Series I, #40-43, Series III, #9-11, and Series V, #28; second wrote Series I, #44, Series II, #20, and Series IV, #36. No initials or decoration. Watermark generally resembles Briquet #1076-8.

Mid 16th century; dates from 1530 to 1548 in manuscript are dates of composition rather than copying (HoffD). Probably copied in Magdeburg or Wittenberg (SteudeU). Original owner and main scribe was Jodocus Schalreuter (ca. 1486-1550), active at Church of St. Mary or Church of St. Catherine in Zwickau until his banishment in 1547, resulting from his continued allegiance to the deposed Elector of Saxony, Johann Friedrich I; ZwiR 73 probably copied during period of Schalreuter's exile (SteudeU). Manuscript inherited by Schalreuter's sons, Paul and Nicolaus, in 1550. Later in same year, Schalreuter's sons gave manuscript to Georg Neumeyster, former pupil of Jodocus Schalreuter, in Wittenberg; presented by Neumeyster to Zwickau Ratsschulbibliothek in 1553.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–(start of section III)	Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis	-	Anonymous
Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis Anonymous Appears on: 1–(start of section III) Genres: Motet
1	Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum	-	Anonymous
Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum Anonymous Appears on: 1 Genres: Motet
1	Circumdederunt me gemitus mortis dolores	-	Anonymous
Circumdederunt me gemitus mortis dolores Anonymous Appears on: 1 Genres: Motet
1	Circumdederunt me / Christus mortuus est 19.1	-	Despres, Josquin (ca. 1450–1521)
Circumdederunt me / Christus mortuus est 19.1 Despres, Josquin (ca. 1450–1521) Appears on: 1 Genres: Motet
1v	Circumdederunt me / Sic Deus dilexit mundum 20.13	-	Despres, Josquin (ca. 1450–1521)
Circumdederunt me / Sic Deus dilexit mundum 20.13 Despres, Josquin (ca. 1450–1521) Appears on: 1v Genres: Motet
1v–2	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	-	Morales, Cristóbal de (ca. 1500–1553)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales, Cristóbal de (ca. 1500–1553) Appears on: 1v–2 Genres: Motet
2–2v	Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	-	Morales, Cristóbal de (ca. 1500–1553)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales, Cristóbal de (ca. 1500–1553) Appears on: 2–2v Genres: Motet
2v–3	Candida virginitas - 1a pars (of 2): Candida virginitas	-	Arcadelt, Jacques (ca. 1507–1568)
Candida virginitas - 1a pars (of 2): Candida virginitas Arcadelt, Jacques (ca. 1507–1568) Appears on: 2v–3 Genres: Motet
3	Candida virginitas - 2a pars (of 2): Que meruit Dominum	-	Arcadelt, Jacques (ca. 1507–1568)
Candida virginitas - 2a pars (of 2): Que meruit Dominum Arcadelt, Jacques (ca. 1507–1568) Appears on: 3 Genres: Motet
3v	Sic Deus dilexit mundum ut filium suum	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Sic Deus dilexit mundum ut filium suum Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 3v Genres: Motet
3v–4	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae	-	Anonymous
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae Anonymous Appears on: 3v–4 Genres: Motet
4v–5	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	-	Anonymous
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Anonymous Appears on: 4v–5 Genres: Motet
6–6v	Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Appears on: 6–6v Genres: Motet
6v–7	Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich Stoltzer, Thomas (ca. 1480–1526) Appears on: 6v–7 Genres: Motet
7–7v	Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	-	Stoltzer, Thomas (ca. 1480–1526)
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott Stoltzer, Thomas (ca. 1480–1526) Appears on: 7–7v Genres: Motet
8	Tecum principium in die virtutis tuae	-	Anonymous
Tecum principium in die virtutis tuae Anonymous Appears on: 8 Genres: Motet
8v	Sponsa Christi nil sibi gloriosus putat	-	Othmayr, Caspar
Sponsa Christi nil sibi gloriosus putat Othmayr, Caspar Appears on: 8v Genres: Motet
47–(start of section VI)	Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit	-	Bratel, Ulrich
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit Bratel, Ulrich Appears on: 47–(start of section VI) Genres: Motet
47	Verbum caro - 2a pars (of 3): Plenum gratia et veritate	-	Bratel, Ulrich
Verbum caro - 2a pars (of 3): Plenum gratia et veritate Bratel, Ulrich Appears on: 47 Genres: Motet
47	Verbum caro - 3a pars (of 3): In principio erat verbum et verbum	-	Bratel, Ulrich
Verbum caro - 3a pars (of 3): In principio erat verbum et verbum Bratel, Ulrich Appears on: 47 Genres: Motet

Composer	Compositions
Anonymous	Circumdederunt me gemitus mortis dolores – 1 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae – 3v–4 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 4v–5 Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis – 1–(start of section III) Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum – 1 Tecum principium in die virtutis tuae – 8
Arcadelt, Jacques (ca. 1507–1568)	Candida virginitas - 1a pars (of 2): Candida virginitas – 2v–3 Candida virginitas - 2a pars (of 2): Que meruit Dominum – 3
Bratel, Ulrich	Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit – 47–(start of section VI) Verbum caro - 2a pars (of 3): Plenum gratia et veritate – 47 Verbum caro - 3a pars (of 3): In principio erat verbum et verbum – 47
Despres, Josquin (ca. 1450–1521)	Circumdederunt me / Christus mortuus est 19.1 – 1 Circumdederunt me / Sic Deus dilexit mundum 20.13 – 1v
Morales, Cristóbal de (ca. 1500–1553)	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant – 1v–2 Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet – 2–2v
Othmayr, Caspar	Sponsa Christi nil sibi gloriosus putat – 8v
Senfl, Ludwig (ca. 1486–ca. 1543)	Sic Deus dilexit mundum ut filium suum – 3v
Stoltzer, Thomas (ca. 1480–1526)	Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich – 6–6v Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich – 6v–7 Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott – 7–7v

Composition	Composers (? Uncertain)	Folios / Pages
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Morales, Cristóbal de (ca. 1500–1553)	1v–2
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	Morales, Cristóbal de (ca. 1500–1553)	2–2v
Candida virginitas - 1a pars (of 2): Candida virginitas	Arcadelt, Jacques (ca. 1507–1568)	2v–3
Candida virginitas - 2a pars (of 2): Que meruit Dominum	Arcadelt, Jacques (ca. 1507–1568)	3
Circumdederunt me / Christus mortuus est 19.1	Despres, Josquin (ca. 1450–1521)	1
Circumdederunt me / Sic Deus dilexit mundum 20.13	Despres, Josquin (ca. 1450–1521)	1v
Circumdederunt me gemitus mortis dolores	Anonymous	1
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudivit vocem orationis meae	Anonymous	3v–4
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Anonymous	4v–5
Dixit Dominus - 1a pars (of 2): Dixit Dominus Domino meo Sede a dextris meis	Anonymous	1–(start of section III)
Dixit Dominus - 2a pars (of 2): Juravit Dominus et non penitebit eum	Anonymous	1
Herr, neige deine Ohren - 1a pars (of 3): Herr, neige deine Ohren und erhöre mich	Stoltzer, Thomas (ca. 1480–1526)	6–6v
Herr, neige deine Ohren - 2a pars (of 3): Herr, es ist dir kein gleich	Stoltzer, Thomas (ca. 1480–1526)	6v–7
Herr, neige deine Ohren - 3a pars (of 3): Ich dank dir, Herr, mein Gott	Stoltzer, Thomas (ca. 1480–1526)	7–7v
Sic Deus dilexit mundum ut filium suum	Senfl, Ludwig (ca. 1486–ca. 1543)	3v
Sponsa Christi nil sibi gloriosus putat	Othmayr, Caspar	8v
Tecum principium in die virtutis tuae	Anonymous	8
Verbum caro - 1a pars (of 3): Verbum caro factum est et habitavit	Bratel, Ulrich	47–(start of section VI)
Verbum caro - 2a pars (of 3): Plenum gratia et veritate	Bratel, Ulrich	47
Verbum caro - 3a pars (of 3): In principio erat verbum et verbum	Bratel, Ulrich	47

Set: MS LXXIII

Type: Partbooks

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‡ denotes primary source study

Moorefield, Arthur Albert. None. An Introduction to Johannes Galliculus. Musicological Studies. Brooklyn. Pages: 64-5, 139. Notes: contents list (partial); mention of MS; discussion.

Just, Martin. 1998. Die Schalreuter-Handschrift ZwickauR 73. Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert, 179-92. Wiesbaden.

Elders, Willem. 1981. Ein handschriftlicher 'Liber Psalmorum' aus der deutschen Überlieferung. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen. Munich. Notes: physical description (partial); contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 336-7,349-50,369,816. Notes: contents list (partial); concordances (partial).

Steude, Wolfram. 1978. Untersuchungen zur mitteldeutschen Musiküberlieferung und Musikpflege im 16. Jahrhundert. Leipzig. Pages: 29-32, passim. Notes: contents list (partial); mention of MS; discussion.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 341,621,633-4,731,786. Notes: contents list (partial); concordances (partial); incipits (partial).

Thompson, Glenda Goss. 1975. Benedictus Appenzeller: Maître de la Chapelle to Mary of Hungary and Chansonnier. University of North Carolina, Unpublished Ph.D. dissertation. Pages: 543-4. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,141,152ff. Notes: mention of MS; contents list (partial); concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 13-7. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 128,137,140-2, 145-56,277,285-9,308-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 150-1. Notes: physical description (partial); mention of MS; discussion.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 175. Notes: contents list (partial); incipits (partial).

Moorefield, Arthur Albert. 1965. The Music of Johannes Galliculus and Its Function in the Early Lutheran Liturgy. University of California at Los Angeles, Unpublished Ph.D. dissertation. Pages: I,88-9,187,214. Notes: contents list (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 169, 175-83, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 67-9. Notes: mention of MS; contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1961. Datierungsprobleme bei Kompositionen in deutschen Musikhandschriften des 16. Jahrhunderts. Festschrift Helmuth Osthoff zum 65. Geburtstage, 47-60. Tutzing. Pages: 52. Notes: contents list (partial); mention of MS; discussion.

Seiffert, Max (editor). 1957-61. Denkmäler Deutscher Tonkunst. Leipzig, 1892-1931. Wiesbaden and Graz. Pages: LXV, 70-4, 143, 145. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Schröder, Inge-Maria. 1954. Die Responsorien-vertonungen des Balthasar Resinarius. Kassel. Pages: 51-2. Notes: mention of MS; contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel. Kassel and Basel. Pages: 30,40,64. Notes: contents list (partial); concordances (partial).

Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 132-3. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI, 1594-6. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: VI,95,99. Notes: mention of MS; contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XIII, 116, 121 XXII,ix,85ff XXVI, 126-8,154,163-4 LXVI.viii, 14-21,174ff. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 171-3. Notes: physical description; mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XXIV, xxxv, 149-60. Notes: contents list (partial); transcription (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 4-14. Notes: physical description (partial); contents list; incipits (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description