D-Mbs Mus. MS 1536 (VIII)

Bayerische Staatsbibliothek, München (Munich), Germany

partbook: 1583

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 1536 (VIII)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 188 x 211 mm
Other Identifiers
  • CCM: MunBS 1536-5
  • olim (Former shelfmark): Lat. 16527b; MaiM 132
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 135 pieces from 61 composers
General Description

The eighth partbook from a set originally of eight volumes. Copied by two main scribes, probably monks at St. Zeno Augustinian monastery in Bad Reichenhall; several additional scribes. Most repertory apparently copied from RISM 1558/4, 1564/1-3, 1568/2-6, and prints of individual composers. 'Eximus Dei praesul' ( #clvii of 3rd series, dated 1582) dedicated to Wolfgang Neuhauser, abbot of St. Zeno Augustinian monastery 1562-92; 'Domine Dominus noster' (#cxxxiii of 3rd series) is for St. Zeno. Seven motets honour secular dignitaries, including Albrecht V, Duke of Bavaria; Alfonso II d'Este, Duke of Ferrara; several Holy Roman emperors; and several archdukes of Austria. Copied at St. Zeno Augustinian monastery in Bad Reichenhall (southern Bavaria). Transferred to Bayerische Staatsbibliothek in Munich during early 19th century.

DIAMM, 2017
Binding

T and B books have modern covers of marbled paper over cardboard; D, S, and 8 books have original covers of brown leather over boards, stamped with pictures of saints, monogram 'W.N.D.G.P.M.D.Z. [Wolfgang Neuhauser Dei Gratia Praepositus Monasterii Domini Zenonis] / 15.83,' and voice designation; remains of two leather straps and brass clasps.

DIAMM, 2017
Watermark

anchor in circle, with star.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staves in red ink

DIAMM, 2017
Foliation

Other numberings: Three repertorial series (8-voice, 7-voice, and 6-voice works, respectively), each with independent system of piece numbers: 8-voice works numbered [i]-cxx; 7-voice works numbered [i]-xxvi; 6-voice works numbered [i]-cxcvi (numbers '190-195' added by modern hand).

DIAMM, 2017
Foliation

Originally foliated in signatures, using letters on lower right rectos (most letters obliterated by later trimming); modern ink foliation in each book, sporadic, inconsistent, and inaccurate (some corrections in pencil by more recent hand).

DIAMM, 2017
Decoration

Inked calligraphic initials in red, blue, plum, and green; a few initials painted in red, blue, gold, silver, and green. Coloured ink used to decorate some text incipits.

DIAMM, 2017
Index

Original indices at beginning of each series of pieces in Tenor book give many attributions not found elsewhere in partbooks; pieces grouped by liturgical categories.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

VIII (Octava vox) is the only one of the part books that is complete.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Masses, 2 Magnificats, 2 Te Deums, 334 motets, 1 Latin secular piece = 342

Arcadelt-2, Bacchius-2, Beaulaigne-2, F. Bonardo-1, Buissons-13, Buus-1, Canis-1, Clemens non Papa-5, Clemens non Papa/(Manchicourt)-1, Cleve-8, Corteccia/(F. Bonardo)-1, Crecquillon-1, Crespel-1, Danckerts-1, Daser-1, Deiss-2, Dietrich [Sixtus Theodoricus]-1, Dressler-3, Duc-1, Ducis-1, Egedacher-2, A. Févin/(Craen/C. Festa/Josquin/Morales)-1 [2 voices added by Bruck], Figulus-1, Formellis-3, A. Gabrieli-2, A. Galli-2, Glein-1, Gombert-5, Greiffdinckhl-1, Guyot [Johannes Castiletus]-10, C. Hollander-9, Isaac-2, Jaquet of Mantua [Jachet]-1, Jaquet of Mantua/(Jacotin)-1, Josquin-3, Josquin/(M. Forestier)-1, Josquin/(Gombert)-2, Josquin-Guyot [Johannes Castilletus]-1, Josquin/(Mouton)-1, Kerle-1, La Court-3, Lafage-1, Lassus-73, Lassus/(Crecquillon)-1, Le Maistre-1, Lemlin-1, L. Loys-2, Lupi [Johannes Lupus]-1, Maessens-2, Mahu-1, Maillard-1, Manchicourt-1, Meiland-7, Morales-1, Mornable-1, Mouton-3, Mouton/(Josquin/Willaert)-1, Palestrina-6, Paminger-1, Peschin-1, Pevernage-3, Pfingstl-3, Phinot-6, Phinot/(Richafort/Verdelot)-1, Piéton-1, Pinchon [Johannes Pincton]-1, G. Ponte-1, Prenner-7, Regnart-5, (Reiner)-5, Riccio-6, Rivulo-5, S. Rossetti-1, S. Roy-1, Ruffo-7, Scandello-6, Scheiffler-1, Schwaiger-1, A. Schwartz-2, Senfl-3, (Sermisy)-1, Servin [Johannes Severinus; Servinus]-4, Syringus-1, Tonsor-1, Tonsor/(Kerle)-2, Torquet-1, Trehou-1, Utendal-4, Vaet-15, Vaet/(Corteccia)-1, Verdelot/(Gombert/Mouton)-1, Victoria-6, Vinders-1, Waelrant-1, Werrecore [Mathias Veronensis]-1, Wert-1, Wismes-1, Willaert-6, Zappler-1, anon-18

5 paper partbooks of an original 8 (D-393 folios, T-i + 412 + i, B-i + 364, S-348, 8-146), 188 x 211. Originally foliated in signatures, using letters on lower right rectos (most letters obliterated by later trimming); modern ink foliation in each book, sporadic, inconsistent, and inaccurate (some corrections in pencil by more recent hand). Three repertorial series (8-voice, 7-voice, and 6-voice works, respectively), each with independent system of piece numbers: 8-voice works numbered [i]-cxx; 7-voice works numbered [i]-xxvi; 6-voice works numbered [i]-cxcvi (numbers "190-195" added by modern hand). T and B books have modern covers of marbled paper over cardboard; D, S, and 8 books have original covers of brown leather over boards, stamped with pictures of saints, monogram "W.N.D.G.P.M.D.Z. [Wolfgang Neuhauser Dei Gratia Praepositus Monasterii Domini Zenonis] / 15.83," and voice designation; remains of two leather straps and brass clasps.

Original indices at beginning of each series of pieces in T book give many attributions not found elsewhere in partbooks; pieces grouped by liturgical categories. Copied by two main scribes, probably monks at St. Zeno Augustinian monastery in Bad Reichenhall; several additional scribes. Inked calligraphic initials in red, blue, plum, and green; a few initials painted in red, blue, gold, silver, and green. Staves in red ink; colored ink used to decorate some text incipits. Watermark: anchor in circle, with star.

Most repertory apparently copied from RISM 1558/4, 1564/1-3, 1568/2-6, and prints of individual composers. "Eximus Dei praesul" ( #clvii of 3rd series, dated 1582) dedicated to Wolfgang Neuhauser, abbot of St. Zeno Augustinian monastery 1562-92; "Domine Dominus noster" (#cxxxiii of 3rd series) is for St. Zeno. Seven motets honor secular dignitaries, including Albrecht V, Duke of Bavaria; Alfonso II d'Este, Duke of Ferrara; several Holy Roman emperors; and several archdukes of Austria.

1583 (date on covers). Copied at St. Zeno Augustinian monastery in Bad Reichenhall (southern Bavaria). Transferred to Bayerische Staatsbibliothek in Munich during early 19th century.

Vol 4

Composers: Change "Beaulaigne-2" to "Beaulaigue-2"; change "Cleve-8" to "Cleve-7, Cleve/(Baston)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Sanctificavit Dominus tabernaculum suum Christophorus Egedacher
Appears on: 1–1v
Genres: Motet
Source Attribution: Christophorus Egedacher
Voice: [no designation]
Languages: Latin
Voice Text: Sanctificavit dominus tabernaculum suum
1v–2 Confitebor tibi Domine in toto corde (8vv, LV189) Orlandus di Lassus
Appears on: 1v–2
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor tibi domine in toto corde
2v–3v Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum) Jodocus de Prato/[Gombert]
Appears on: 2v–3v
Genres: Motet
Source Attribution: Jodocus de Prato/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Lugebat David Absolon pius pater 14.7 II: Porro rex operuit caput suum
3v–4 Ecce quam bonum et quam jocundum habitare Anon. Anonymous
Appears on: 3v–4
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam jocundum habitare
4–4v Dixit Dominus Domino meo Sede a dextris meis (8vv) Orlandus di Lassus
Appears on: 4–4v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus domino meo sede a dextris
5–5v Deus misereatur nostri et benedicat nobis Orlandus di Lassus
Appears on: 5–5v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
5v–6 Levavi oculos meos in montes unde veniet Orlandus di Lassus
Appears on: 5v–6
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Levavi oculos meos in montes unde veniet
6–6v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Orlandus di Lassus
Appears on: 6–6v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: In convertendo dominus captivitatem Sÿon II: Convertere domine captivitatem nostram
6v–7 In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem -
Appears on: 6v–7
Genres: Motet
7–8 Respice propitius Domine super plebem tuam [C. Hollander]
Appears on: 7–8
Genres: Motet
Source Attribution: [C. Hollander]
Voice: [no designation]
Languages: Latin
Voice Text: Respice propitius domine super plebem tuam
8–8v Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Thomas Crequillon/[Clemens non Papa]
Appears on: 8–8v
Genres: Motet
Source Attribution: Thomas Crequillon/[Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in caelum et coram te II: Quanti mercenarii in domo patris
8v–9 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 8v–9
Genres: Motet
9–10 Cum invocarem In tribulatione dilatasti mihi Adrianus Willart [= Willaert]
Appears on: 9–10
Genres: Motet
Source Attribution: Adrianus Willart [= Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: [Cum invocarem] In tribulatione dilatasti mihi
10–11 Qui habitat in adjutorio In protectione Dei Anon. Anonymous
Appears on: 10–11
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Qui habitat in adiutorio] In protectione dei
11–13 Domine quid multiplicati sunt qui tribulant (2p. Ego dormivi et soporatus sum) Jacobus de Ponte
Appears on: 11–13
Genres: Motet
Source Attribution: Jacobus de Ponte
Voice: [no designation]
Languages: Latin
Voice Text: [Domine quid multiplicati] Multi insurgunt II: Ego dormivi et soporatus sum
General Note

2a pars has an extra Tertius Bassus voice, copied on rectos

13v Ecce nunc benedicite omnes servi Domini Anon. Anonymous
Appears on: 13v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Ecce nunc benedicite] Omnes servi domini
14–14v In te Domine speravi: In justitia tua libera me et eripe me Anon. Anonymous
Appears on: 14–14v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (In te domine speravi) In iustitia tua
14v–16 Inclina Domine aurem tuam et exaudi me [Gombert/Sermisy]
Appears on: 14v–16
Genres: Motet
Source Attribution: [Gombert/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem tuam et exaudi me
16v–17 Verbum bonum - 1a pars (of 2): Verbum bonum et suave personemus illud ave Johannes Mouton/[Lupus]
Appears on: 16v–17
Genres: Motet
Source Attribution: Johannes Mouton/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum bonum et suave personemus illud II: Ave solem genuisti ave prolem
17v–18 Verbum bonum - 2a pars (of 2): Ave solem genuisti ave prolem -
Appears on: 17v–18
Genres: Motet
18–19 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Manchicourt/[Clemens non Papa]
Appears on: 18–19
Genres: Motet
Source Attribution: Manchicourt/[Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Vidi speciosam sicut columbam ascendentem II: Que est ista que processit
19–19v Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora -
Appears on: 19–19v
Genres: Motet
20–20v O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera Jacobus Vaet
Appears on: 20–20v
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa domina excelsa super sÿdera II: Quod Eva tristis abstulit tu reddis
20v–21 O gloriosa domina - 2a pars (of 2): Quod Eva tristis abstulit tu reddis -
Appears on: 20v–21
Genres: Motet
21–22 Salva nos Christe - 1a pars (of 2): Salva nos Christe salvator per virtutem (= Vidi speciosam) Clemens non Papa/[Manchicourt]
Appears on: 21–22
Genres: Motet
Source Attribution: Clemens non Papa/[Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos Christe salvator per virtutem II: Dulce lignum dulces clavos [= Vidi speciosam sicut columbam]
22–22v Salva nos Christe - 2a pars (of 2): Dulce lignum dulces clavos (= Quae est ista) -
Appears on: 22–22v
Genres: Contrafactum, Motet
23–23v O crux splendidior - 1a pars (of 2): O crux splendidior Johannes Castiletus [= Guyot]
Appears on: 23–23v
Genres: Motet
Source Attribution: Johannes Castiletus [= Guyot]
Voice: [no designation]
Languages: Latin
Voice Text: O crux splendidior omnibus astris II: Crux et arbor dignissima in qua
24–24v O crux splendidior - 2a pars (of 2): Crux est arbor dignissima -
Appears on: 24–24v
Genres: Motet
25–25v Laetamini omnes in Domino et exultate Ghiselinus Danckerts
Appears on: 25–25v
Genres: Motet
Source Attribution: Ghiselinus Danckerts
Voice: [no designation]
Languages: Latin
Voice Text: Laetamini omnes in domino et exultate
26–26v Gaudent in caelis animae sanctorum Dominicus Phinot/[Richafort/Verdelot]
Appears on: 26–26v
Genres: Motet
Source Attribution: Dominicus Phinot/[Richafort/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent in caelis animae sanctorum
26v–27 Cantantibus organis Caecilia virgo Daniel Torquet
Appears on: 26v–27
Genres: Motet
Source Attribution: Daniel Torquet
Voice: [no designation]
Languages: Latin
Voice Text: Cantantibus organis Caecilia virgo
27v–28 Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus Moralis/[Crecquillon]
Appears on: 27v–28
Genres: Motet
Source Attribution: Moralis/[Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Andreas Christi famulus dignus deo II: Videns Andreas crucem cum gaudio
28–28v Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus -
Appears on: 28–28v
Genres: Motet
28v–29v Jam non dicam vos servos sed amicos (8vv) Dominicus Phinot
Appears on: 28v–29v
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos sed amicos
29v–30v Ecce nunc benedicite Dominum omnes servi Domini Anthonius Mornable
Appears on: 29v–30v
Genres: Motet
Source Attribution: Anthonius Mornable
Voice: [no designation]
Languages: Latin
Voice Text: Ecce nunc benedicite domino omnes servi
30v–31 Da pacem Domine in diebus nostris Stephanus Machu [= Mahu]
Appears on: 30v–31
Genres: Motet
Source Attribution: Stephanus Machu [= Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
3132 Videns Dominus flentes sorores Lazari Bartholomeus Beaulaigacus [= Beaulaigue]
Appears on: 3132
Genres: Motet
Source Attribution: Bartholomeus Beaulaigacus [= Beaulaigue]
Voice: [no designation]
Languages: Latin
Voice Text: Videns dominus flentes sorores Lazari
32–33 Pater noster qui es in caelis Andreas Schwarz Francus
Appears on: 32–33
Genres: Motet
Source Attribution: Andreas Schwarz Francus
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis
33–34 Pater noster qui es in caelis (8vv) Jacobus Arcadet
Appears on: 33–34
Genres: Motet, Pater noster
Source Attribution: Jacobus Arcadet
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in caelis
34–35 O pater immensa cuius bonitate foventur Johannes Crespel
Appears on: 34–35
Genres: Motet
Source Attribution: Johannes Crespel
Voice: [no designation]
Languages: Latin
Voice Text: O pater immensa cuius bonitate foventur
35–35v Domine Deus caeli et terrae intuere Johannes de Bachi [= Bacchius]
Appears on: 35–35v
Genres: Motet
Source Attribution: Johannes de Bachi [= Bacchius]
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus caeli et terrae intuere
35v–36v Dies est laetitiae in ortu regali Anon. Anonymous
Appears on: 35v–36v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Dies est laetitiae in ortu regali
36v–38 In principio erat verbum et verbum erat (2p. Fuit homo missus à deo cui nomen) Mathias Veronensis [= Werrecore]
Appears on: 36v–38
Genres: Motet
Source Attribution: Mathias Veronensis [= Werrecore]
Voice: [no designation]
Languages: Latin
Voice Text: In principio erat verbum et verbum erat II: Fuit homo missus à deo cui nomen
38 Tecum principium in die virtutis tuae Anon. Anonymous
Appears on: 38
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tecum principium in die virtutis tuae
38v–39 O quam magnum mysterium et admirabile Georgius Pfingstl
Appears on: 38v–39
Genres: Motet
Source Attribution: Georgius Pfingstl
Voice: [no designation]
Languages: Latin
Voice Text: O quam magnum mysterium et admirabile
39–40 Noe noe exultemus et laetemur quia natus Anthonius Scandellus
Appears on: 39–40
Genres: Motet
Source Attribution: Anthonius Scandellus
Voice: [no designation]
Languages: Latin
Voice Text: Noe noe exultemus et laetemur quia natus
40–40v Grates nunc omnes reddamus Domino deo Laurentius Lemblin
Appears on: 40–40v
Genres: Motet
Source Attribution: Laurentius Lemblin
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes reddamus domino deo
40v–41 Hodie nobis de caelo pax vera descendit Bartholomus Beiaulagiue
Appears on: 40v–41
Genres: Motet
Source Attribution: Bartholomus Beiaulagiue
Voice: [no designation]
Languages: Latin
Voice Text: Hodie nobis de caelo pax vera descendit
41–42 Christus ab aethero pacem demittit Olÿmpo Anon. Anonymous
Appears on: 41–42
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Christus ab aethero pacem demittit Olÿmpo
42v–43 Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria Philippus Verdelot/[Gombert/Mouton]
Appears on: 42v–43
Genres: Motet
Source Attribution: Philippus Verdelot/[Gombert/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Inviolata integra et casta es Maria II: Post partum virgo inviolata III: Beata es Maria virgo quae sola
43–43v Inviolata integra et casta es - 2a pars (of 2): Nostra ut pura pectora fuit -
Appears on: 43–43v
Genres: Motet
43v–44 Inviolata integra et casta es - 3a pars (of 2): O regina o Maria (or, Beata es Maria virgo) -
Appears on: 43v–44
Genres: Motet
44–44v Nesciens mater virgo virum peperit Johannes Mouton
Appears on: 44–44v
Genres: Motet
Source Attribution: Johannes Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Nesciens mater virgo virum peperit
44v–46 Salve celeberrima mater Dei vivi salve (2p. Haec est illa castissima et sanctorum) Johannes Lupus [= Lupi]
Appears on: 44v–46
Genres: Motet
Source Attribution: Johannes Lupus [= Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Salve celeberrima mater dei vivi salve II: Haec est illa castissima et sanctorum
46–47 Postquam consummati essent dies octo Jacobus Vaet
Appears on: 46–47
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Postquam consummati essent dies octo
47–48 Quem vidistis pastores dicite annunciate Franciscus Bonardus
Appears on: 47–48
Genres: Motet
Source Attribution: Franciscus Bonardus
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores dicite annunciate
48–48v Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere Guolfgangus Figulus
Appears on: 48–48v
Genres: Motet
Source Attribution: Guolfgangus Figulus
Voice: [no designation]
Languages: Latin
Voice Text: Bonum est homini uxorem non tangere II: Honorabile igitur inter omnes
48v–49v Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes -
Appears on: 48v–49v
Genres: Motet
49v–51 Dixit Dominus Deus non est bonum hominem (2p. Dixitque Adam hoc nunc os ex ossibus) Matheus le Meistre
Appears on: 49v–51
Genres: Motet
Source Attribution: Matheus le Meistre
Voice: [no designation]
Languages: Latin
Voice Text: Dixit dominus deus non est bonum hominem II: Dixitque Adam hoc nunc os ex ossibus
51v–53 Christus resurgens a mortuis stetit in medio (2p. Surrexit Dominus de sepulchro) Christianus Hollander
Appears on: 51v–53
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens à mortuis stetit in medio II: Surrexit dominus de sepulchro
53–54 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Josquinus/[Gombert]
Appears on: 53–54
Genres: Motet
Source Attribution: Josquinus/[Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 = Lugabat David Absalom pius pater
54–54v Tanto tempore vobiscum sum et non cognovistis (8vv) Dominicus Phinot
Appears on: 54–54v
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
54v–55 Veni sancte spiritus reple tuorum corda (8vv) [M120] Ludovicus Senflius
Appears on: 54v–55
Genres: Motet, Veni sancte spiritus
Source Attribution: Ludovicus Senflius
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
55–56 Sic Deus dilexit mundum ut filium suum Augustinus Zappler
Appears on: 55–56
Genres: Motet
Source Attribution: Augustinus Zappler
Voice: [no designation]
Languages: Latin
Voice Text: Sic deus dilexit mundum ut filium suum
56v–57 Sancta Trinitas unus Deus miserere nobis (8vv) Dominicus Phinot
Appears on: 56v–57
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen domini benedictum ex hoc
57–57v Sancta Trinitas unus Deus miserere nobis (8vv) Jachet [of Mantua]/[Jacotin]
Appears on: 57–57v
Genres: Motet
Source Attribution: Jachet [of Mantua]/[Jacotin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum ex hoc
57v–58 Gloria tibi trinitas aequalis una Deitas Franciscus de Rivulo
Appears on: 57v–58
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Gloria tibi trinitas aequalis una deitas
58–58v O sacrum convivium in quo Christus sumitur (8vv) Dominicus Phinot
Appears on: 58–58v
Genres: Motet
Source Attribution: Dominicus Phinot
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
58v–59 Descendit angelus Domini ad Zachariam dicens Franciscus de Rivulo
Appears on: 58v–59
Genres: Motet
Source Attribution: Franciscus de Rivulo
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam
59–60 Deduc me Domine in via tua ingrediar Anon. Anonymous
Appears on: 59–60
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Deduc me domine in via tua ingrediar
60–61 Ego sum resurrectio et vita qui credit (8vv) Michael Desbuissons [= Buissons]
Appears on: 60–61
Genres: Motet
Source Attribution: Michael Desbuissons [= Buissons]
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum resurrectio et vita qui credit
61–61v Scio quod redemptor meus vivit [C. Hollander]
Appears on: 61–61v
Genres: Motet
Source Attribution: [C. Hollander]
Voice: [no designation]
Languages: Latin
Voice Text: Scio quod redemptor meus vivit
61v–62v Stellata caeli templi quis incolet rex Johannes Severinus
Appears on: 61v–62v
Genres: Motet
Source Attribution: Johannes Severinus
Voice: [no designation]
Languages: Latin
Voice Text: Stellata caeli templi quis incolet rex
62v–64v Princeps stelliferis altior orbibus vitae (2p. Illis nequitiae praemia sint suae; 3p. Laus rerum Domino qui precibus meis) Johannes Severinus
Appears on: 62v–64v
Genres: Motet
Source Attribution: Johannes Severinus
Voice: [no designation]
Languages: Latin
Voice Text: Princeps stelliferis altior orbibus vitae II: Illis nequitiae praemia sint suae III: Laus rerum domino qui praecibus meis
64v–65v Exultet coniubilando deo nostra concio (2p. Gloriam Christo canamus nostro) Johannes Mouton
Appears on: 64v–65v
Genres: Motet
Source Attribution: Johannes Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Exultet coniubilando deo nostra concio II: Gloriam Christo canamus nostro
65v–66v Miser qui amat cupitque quod non est Jacobus Vaet
Appears on: 65v–66v
Genres: Motet
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Miser qui amat cupitque quod non est
66v–67v Ingredere felicissimis auspiciis urbem Jacobus Vaet/[Corteccia]
Appears on: 66v–67v
Genres: Motet
Source Attribution: Jacobus Vaet/[Corteccia]
Voice: [no designation]
Languages: Latin
Voice Text: Ingredere faelicissimis auspiciis urbem
67v–68 Laeta quid nunc tantum anima mea? Franc: de Cortectia/[F. Bonardo]
Appears on: 67v–68
Genres: Motet
Source Attribution: Franc: de Cortectia/[F. Bonardo]
Voice: [no designation]
Languages: Latin
Voice Text: Laeta quid nunc tantum anima mea?
68–69v Imperium Augusti sit felix quo duce (2p. Sint quoque felices nati gaudet) Anthonius Scandellus
Appears on: 68–69v
Genres: Motet
Source Attribution: Anthonius Scandellus
Voice: [no designation]
Languages: Latin
Voice Text: Imperium Augusti sit faelix quo duce II: Sint quoque faelices nati gaudet
69v–70v Casta novenarum jacet aula sub acta sororum Christianus Hollander
Appears on: 69v–70v
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: Casta novenarum iacet aula sub acta
70v–71 Austria virtutes - 1a pars (of 3): Austria virtutes aquilas augustaque signa Christianus Hollander
Appears on: 70v–71
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: Austria virtutes aquilas augustaque ligna
71–71v Aedite Caesareo - 1a pars (of 2): Aedite Caesareo Boiorum sanguine princeps Bavariae gentis spes Orlandus di Lassus
Appears on: 71–71v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Aedite Caesareo Boiorum sanguine princeps II: Obscura sub nocte micans ut Cÿnthia
71v–72 Aedite Caesareo - 2a pars (of 2): Obscura sub nocte micans -
Appears on: 71v–72
Genres: Motet
72–73 Vinum bonum et suave nunquam bibi Orlandus di Lassus
Appears on: 72–73
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Vinum bonum et suave nunquam bibi
73–74 Jam lucis orto sydere ergo bene erimus (2p. Qui ponit aquam in falerno) Orlandus di Lassus
Appears on: 73–74
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Jam lucis orto sÿdere ergo bene erimus II: Qui ponit aquam in falerno
74–75 Vocem iocunditatis annunciate et audiatur (2p. Ecce ducem nostram Franciscum) Georgius Peschin
Appears on: 74–75
Genres: Motet
Source Attribution: Georgius Peschin
Voice: [no designation]
Languages: Latin
Voice Text: Vocem iocunditatis annunciate et audiatur II: Ecce ducem nostram Franciscum
75–76 Quo properas facunde nepos Atlantis Orlandus di Lassus
Appears on: 75–76
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Quo properas facunde nepos Atlantis
76–76v Ecce quam bonum et quam jocundum habitare Gallus Dreslerus
Appears on: 76–76v
Genres: Motet
Source Attribution: Gallus Dreslerus
Voice: [no designation]
Languages: Latin
Voice Text: Ecce quam bonum et quam iucundum
77–77v Deus qui Susannam de falso illato crimine (8vv) Georgius Schwaiger
Appears on: 77–77v
Genres: Motet
Source Attribution: Georgius Schwaiger
Voice: [no designation]
Languages: Latin
Voice Text: Deus qui Susannam de falso illato crimine
77v–78v Ave Maria gratia plena Dominus tecum (8vv) Thomas Ludovicus de Victoria
Appears on: 77v–78v
Genres: Ave Maria, Motet
Source Attribution: Thomas Ludovicus de Victoria
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum
78v–79v Virgini laudes canimus Mariae ut Deus (2p. Inexhausti; 3p. Quis ferae nimbis; 4p. Ecce quam pulchra; 5p. O graves nostri; 6p. Quis dabit laetam) Thomas Ludovicus [de Victoria]
Appears on: 78v–79v
Genres: Motet
Source Attribution: Thomas Ludovicus [de Victoria]
Voice: [no designation]
Languages: Latin
Voice Text: Virgini laudes canimus Mariae ut deus
79v–80 Levita Laurentius bonum opus operatus est Theodorus Riccius
Appears on: 79v–80
Genres: Motet
Source Attribution: Theodorus Riccius
Voice: [no designation]
Languages: Latin
Voice Text: Levita Laurentius bonum opus operatus est
80–81 Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur) Theodorus Riccius
Appears on: 80–81
Genres: Motet
Source Attribution: Theodorus Riccius
Voice: [no designation]
Languages: Latin
Voice Text: Angelus autem domini descendit de caelo II: Erat autem aspectus eius sicut fulgur
81–82 Psalle caelica modulis turba quae recipis (2p. Ergo fac stabile sit regni aeterne) Theodorus Riccius
Appears on: 81–82
Genres: Motet
Source Attribution: Theodorus Riccius
Voice: [no designation]
Languages: Latin
Voice Text: Psalle caelica modulis turba quae recipis II: Ergo fac stabile sit regni aeterne
82–84 Simile est regnum caelorum decem virginibus (2p. Novissime vero veniunt et reliquae) [Cleve]
Appears on: 82–84
Genres: Motet
Source Attribution: [Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Simile est regnum caelorum decem virginibus II: Novissime vero veniunt et reliquae
84–85 Jubilate Deo omnis terra servite Domino (8vv) Alexander Utendal
Appears on: 84–85
Genres: Motet
Source Attribution: Alexander Utendal
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra servite domino
85–86 Erravi sicut ovis quae periit require (2p. Delicta juventutis meae et ignorantias) (8vv) Johannes de Cleve
Appears on: 85–86
Genres: Motet
Source Attribution: Johannes de Cleve
Voice: [no designation]
Languages: Latin
Voice Text: Erravi sicut ovis quae periit require II: Delicta iuventutis meae et ignorantias
86–86v Inclina Domine aurem tuam ad me (8vv) Alexander Uttendal
Appears on: 86–86v
Genres: Motet
Source Attribution: Alexander Uttendal
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem tuam ad me
86v–87v Nunc autem fratres deponite et vos omnia Johannes de Cleve
Appears on: 86v–87v
Genres: Motet
Source Attribution: Johannes de Cleve
Voice: [no designation]
Languages: Latin
Voice Text: Nunc autem fratres deponite et vos omnia
87v–88 Veni maxime dux et imperator Romani Johannes de Cleve
Appears on: 87v–88
Genres: Motet
Source Attribution: Johannes de Cleve
Voice: [no designation]
Languages: Latin
Voice Text: Veni maxime dux et imperator Romani
88–89 In illo tempore accesserunt ad Jesum (2p. Non legistis quia qui fecit hominem; 3p. Propter hoc dimittet homo patrem) Johannes de Cleve
Appears on: 88–89
Genres: Motet
Source Attribution: Johannes de Cleve
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore accesserunt ad Jhesum II: Non legistis quia qui fecit hominem III: Propter hoc dimittet homo patrem
89v–91 Descendit de caelis missus ab arce (2p. Tanquam sponsus Dominus procedens) Johannes Castiletus [= Guyot]
Appears on: 89v–91
Genres: Motet
Source Attribution: Johannes Castiletus [= Guyot]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit de caelis missus ab arce II: Tanquam sponsus dominus procedens
91–92 Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus Johannes Castiletus
Appears on: 91–92
Genres: Motet
Source Attribution: Johannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: Haec est dies quam fecit dominus II: Cito euntes dicite discipulis eius
92–92v Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 92–92v
Genres: Motet
92v–94 Ascendo ad patrem meum et patrem vestrum (2p. Dominus quidem Jesus postquam locutus) Johannes Castiletus
Appears on: 92v–94
Genres: Motet
Source Attribution: Johannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum et patrem vestrum II: Dominus quidem Jesus postquam
94–94v Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda Johannes Castiletus
Appears on: 94–94v
Genres: Motet, Veni sancte spiritus
Source Attribution: Johannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda II: Emitte spiritum tuum et creabuntur
94v–95 Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur -
Appears on: 94v–95
Genres: Motet, Veni sancte spiritus
95v–97v Quicunque manducaverit panem alleluia (2p. Probet autem seipsum homo et sic) Johannes Castiletus
Appears on: 95v–97v
Genres: Motet
Source Attribution: Johannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: Quicunque manducaverit panem alleluia II: Probet autem seipsum homo et sic
97v–99v Carole ter felix qui tanti es nominis (2p. Marte animo cunctos vincas; 3p. Austriadum nomen virtus laudesque) Johannes Castiletus
Appears on: 97v–99v
Genres: Motet
Source Attribution: Johannes Castiletus
Voice: [no designation]
Languages: Latin
Voice Text: Carole ter faelix qui tanti es nominis II: Marte animo cunctos vincas III: Austriadum nomen virtus laudesque
99v–100v Cesaris ad bustum qui dux Alfonse Heinricus de la Court
Appears on: 99v–100v
Genres: Motet
Source Attribution: Heinricus de la Court
Voice: [no designation]
Languages: Latin
Voice Text: Cesaris ad bustum qui dux Alfonse
100v–102 Arma manusque Dei Caesar veneranda potestas (2p. Nam tua si igniferum possint insignia) Guilhelmus Formellis
Appears on: 100v–102
Genres: Motet
Source Attribution: Guilhelmus Formellis
Voice: [no designation]
Languages: Latin
Voice Text: Arma manusque dei Caesar veneranda potestas II: Nam tua si igniferum possint insignia
102–103 Lucida ceu fulvo resplendet gemma sub orbe (2p. Ut decus Austriacae domui invictissime) Andreas Gabrielis
Appears on: 102–103
Genres: Motet
Source Attribution: Andreas Gabrielis
Voice: [no designation]
Languages: Latin
Voice Text: Lucida ceu fulvo resplendet gemma sub orbe II: Ut decus Austriacae domui invictissime
103v–105 Deus misereatur nostri et benedicat nobis (12vv) Andreas Gabrielis
Appears on: 103v–105
Genres: Motet
Source Attribution: Andreas Gabrielis
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri et benedicat nobis
Layout

2 voice parts copied, on facing pages of each opening

105v–107 Ego flos campi et lilium convalium Michael Desbuissons
Appears on: 105v–107
Genres: Motet
Source Attribution: Michael Desbuissons
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi et lilium convalium
Layout

2 voice parts copied, on facing pages of each opening

107v–110 Benedicta es caelorum regina et mundi (12vv arrangement) 23.13 [2p. Per illud ave prolatum -- only present in Sexta] 3p. Nunc mater exora natum) Josquinus de Pres et Johannes Castilletus [= Guyot]
Appears on: 107v–110
Genres: Motet
Source Attribution: Josquinus de Pres et Johannes Castilletus [= Guyot]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina et mundi (12v arrangement by Guyot of original 6v Josquin setting) 23.13 [II: Per illud ave prolatum] (Pars II not present in extant partbooks) III: Nunc mater exora natum
Layout

2 voice parts copied, on facing pages of each opening

110v–111 Hoc est preceptum meum ut diligatis Vincentius Ruffus
Appears on: 110v–111
Genres: Motet
Source Attribution: Vincentius Ruffus
Voice: [no designation]
Languages: Latin
Voice Text: Hoc est preceptum meum ut diligatis
111v–117 Consolamini popule meus dicit Deus Stephanus Rosettus [= Rossetti]
Appears on: 111v–117
Genres: Hymn
Source Attribution: Stephanus Rosettus [= Rossetti]
Voice: [no designation]
Languages: Latin
Voice Text: Consolamini popule meus [dicit deus]
Layout

2 voice parts copied, on facing pages of each opening. Music for 4 verses written in 4 staves, each running across consecutive openings (i.e. first verse is in the top stave of each page, second verse in the second stave of each page, etc).

117v–118 Dixit Martha ad Jesum Domine si fuisses Orlandus di Lassus
Appears on: 117v–118
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Dixit Martha ad Jhesum domine si fuisses
118–118v Laudate Dominum omnes gentes (12vv) Orlandus di Lassus
Appears on: 118–118v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes laudate eum
118v–119 Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit Johannes Petralosius Praenestinus [= Palestrina]
Appears on: 118v–119
Genres: Motet
Source Attribution: Johannes Petralosius Praenestinus [= Palestrina]
Voice: [no designation]
Languages: Latin
Voice Text: Surge illuminare Hierusalem quia venit lumen
119v Hodie Christus natus est noe noe noe Johannes Petralosius Praenestinus
Appears on: 119v
Genres: Motet
Source Attribution: Johannes Petralosius Praenestinus
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est noe noe noe
120–120v Veni sancte spiritus et emitte caelitus Johannes Petralosius Praenestinus
Appears on: 120–120v
Genres: Motet, Veni sancte spiritus
Source Attribution: Johannes Petralosius Praenestinus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus
120v–121 Lauda Sion salvatorem lauda ducem Johannes Petralosius Praenestinus
Appears on: 120v–121
Genres: Motet
Source Attribution: Johannes Petralosius Praenestinus
Voice: [no designation]
Languages: Latin
Voice Text: Lauda Sion salvatorem lauda ducem
121 Ave regina caelorum (2p. Ave domina angelorum; 3p. Salve radix sancta) Johannes Petralosius Praenestinus
Appears on: 121
Genres: Motet
Source Attribution: Johannes Petralosius Praenestinus
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina caelorum ave domina angelorum
121v–122 Jubilate Deo omnis terra servite Domino Johannes Petralosius Praenestinus
Appears on: 121v–122
Genres: Motet
Source Attribution: Johannes Petralosius Praenestinus
Voice: [no designation]
Languages: Latin
Voice Text: Jubilate deo omnis terra servite domino
122–122v Michael archangelus praepositus paradisi (2p. Archangele Dei Michael nuntius summi) Christophorus Egedacher
Appears on: 122–122v
Genres: Motet
Source Attribution: Christophorus Egedacher
Voice: [no designation]
Languages: Latin
Voice Text: Michael archangelus praepositus paradisi II: Archangele dei Michael nuncius summi
123–127v Missa Sancta trinitas (8vv) KGCSA Anon. Anonymous
Appears on: 123–127v
Genres: Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Sancta trinitas
128–134v Missa Ego flos campi (7vv) KGCSA Jacobus Syringus
Appears on: 128–134v
Genres: Mass Ordinary
Source Attribution: Jacobus Syringus
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Ego flos campi
134v–136 Salve regina (VIII - 8vv) Jacobus Vaet
Appears on: 134v–136
Genres: Motet, Salve Regina
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jesum benedictum fructum ventris IV: O pia
136–138 Magnificat Tertii Toni: Et exultavit [K.781] [Figulus]
Appears on: 136–138
Genres: BVM, Canticle, Magnificat
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat Tertii toni: Et exultavit spiritus meus
138–139v Magnificat octavi toni: Anima mea Anthonius Scandellus
Appears on: 138–139v
Genres: BVM, Canticle, Magnificat
Source Attribution: Anthonius Scandellus
Voice: [no designation]
Languages: Latin
Voice Text: (Magnificat) Octavi toni: Et exultavit spiritus meus
139v–143 Missa Ave Maria KGCSA Georgius Greiffdinckhl
Appears on: 139v–143
Genres: Mass Ordinary
Source Attribution: Georgius Greiffdinckhl
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Ave Maria
143v–144v Salve regina (VII - 8vv) Jacobus Vaet
Appears on: 143v–144v
Genres: Motet, Salve Regina
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Ad te suspiramus gementes et flentes III: Et Jhesum benedictum fructum ventris IV: O pia
144v–146 Te Deum laudamus Jacobus Vaet
Appears on: 144v–146
Genres: Liturgical work, Te Deum
Source Attribution: Jacobus Vaet
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus te dominum confitemur
146v [blank staves] Orlandus di Lassus -

[blank staves]

Appears on: 146v
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Laudate pueri dominum laudate nomen
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Bacchius, Johannes de (–ca. 1557)
Beaulaigue, Bartholomaeus (Barthelemy)
Bonardo Perissone, Francisco
Buissons, Michael Charles des (fl. 1560–70)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Corteccia, (Pier) Francesco
Court, Henry de la
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Danckerts, Ghiselin
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Du Pont, Jacques
Egedacher, Christoph
Figulus, Wolfgang (ca. 1525–1589)
Formellis, Wilhelmus (ca. 1541–1582)
Gabrieli, Andrea (ca. 1532–1585)
Gombert, Nicolas (ca. 1495–ca. 1560)
Greiffdinckhl, Georgius
Guyot (Castileti), Jean
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Jacotin, Jacques (1445–1529)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Lemlin, Lorenz (ca. 1495–ca. 1549)
Lupi, Johannes (ca. 1506–1539)
Mahu, Stephan
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Mornable, Antoine
Mouton, Jean (ca. 1459–1522)
Palestrina, Giovanni Pierluigi da (1525–1594)
Peschin, Gregor
Pfingstl, Georgius
Phinot, Dominique
Riccio, Teodoro
Richafort, Jean (ca. 1480–ca. 1550)
Rivulo, Franziscus de
Rossetto, Stefano
Ruffo, Vincenzo (ca. 1508–1587)
Scandello, Antonio
Schwaiger, Georg
Schwartz, Andreas
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Severino, Giulio
Syringus, Jacobus
Torquet, Daniel
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Verdelot, Philippe (ca. 1480–ca. 1532)
Victoria, Tomas Luis de (1548–1611)
Vitoria, Pedro de
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
Zappler, Augustinus
Composition Composers (? Uncertain) Folios / Pages
Aedite Caesareo - 1a pars (of 2): Aedite Caesareo Boiorum sanguine princeps Bavariae gentis spes 71–71v
Aedite Caesareo - 2a pars (of 2): Obscura sub nocte micans 71v–72
Andreas Christi famulus - 1a pars (of 2): Andreas Christi famulus 27v–28
Andreas Christi famulus - 2a pars (of 2): Dilexit Andream Dominus 28–28v
Angelus autem Domini descendit de caelo (2p. Erat autem aspectus eius sicut fulgur) 80–81
Arma manusque Dei Caesar veneranda potestas (2p. Nam tua si igniferum possint insignia) 100v–102
Ascendo ad patrem meum et patrem vestrum (2p. Dominus quidem Jesus postquam locutus) 92v–94
Austria virtutes - 1a pars (of 3): Austria virtutes aquilas augustaque signa 70v–71
Ave Maria gratia plena Dominus tecum (8vv) 77v–78v
Ave regina caelorum (2p. Ave domina angelorum; 3p. Salve radix sancta) 121
Benedicta es caelorum regina et mundi (12vv arrangement) 23.13 [2p. Per illud ave prolatum -- only present in Sexta] 3p. Nunc mater exora natum) 107v–110
Bonum est homini - 1a pars (of 2): Bonum est homini uxorem non tangere 48–48v
Bonum est homini - 2a pars (of 2): Honorabile igitur inter omnes 48v–49v
Cantantibus organis Caecilia virgo 26v–27
Carole ter felix qui tanti es nominis (2p. Marte animo cunctos vincas; 3p. Austriadum nomen virtus laudesque) 97v–99v
Casta novenarum jacet aula sub acta sororum 69v–70v
Cesaris ad bustum qui dux Alfonse 99v–100v
Christus ab aethero pacem demittit Olÿmpo Anonymous 41–42
Christus resurgens a mortuis stetit in medio (2p. Surrexit Dominus de sepulchro) 51v–53
Confitebor tibi Domine in toto corde (8vv, LV189) 1v–2
Consolamini popule meus dicit Deus 111v–117
Cum invocarem In tribulatione dilatasti mihi 9–10
Da pacem Domine in diebus nostris 30v–31
Deduc me Domine in via tua ingrediar Anonymous 59–60
Descendit angelus Domini ad Zachariam dicens 58v–59
Descendit de caelis missus ab arce (2p. Tanquam sponsus Dominus procedens) 89v–91
Deus misereatur nostri et benedicat nobis 5–5v
Deus misereatur nostri et benedicat nobis (12vv) 103v–105
Deus qui Susannam de falso illato crimine (8vv) 77–77v
Dies est laetitiae in ortu regali Anonymous 35v–36v
Dixit Dominus Deus non est bonum hominem (2p. Dixitque Adam hoc nunc os ex ossibus) 49v–51
Dixit Dominus Domino meo Sede a dextris meis (8vv) 4–4v
Dixit Martha ad Jesum Domine si fuisses 117v–118
Domine Deus caeli et terrae intuere 35–35v
Domine quid multiplicati sunt qui tribulant (2p. Ego dormivi et soporatus sum) 11–13
Ecce nunc benedicite Dominum omnes servi Domini 29v–30v
Ecce nunc benedicite omnes servi Domini Anonymous 13v
Ecce quam bonum et quam jocundum habitare Anonymous 3v–4
Ecce quam bonum et quam jocundum habitare 76–76v
Ego flos campi et lilium convalium 105v–107
Ego sum resurrectio et vita qui credit (8vv) 60–61
Erravi sicut ovis quae periit require (2p. Delicta juventutis meae et ignorantias) (8vv) 85–86
Exultet coniubilando deo nostra concio (2p. Gloriam Christo canamus nostro) 64v–65v
Gaudent in caelis animae sanctorum 26–26v
Gloria tibi trinitas aequalis una Deitas 57v–58
Grates nunc omnes reddamus Domino deo 40–40v
Haec est dies - 1a pars (of 2): Haec est dies quam fecit Dominus 91–92
Haec est dies - 2a pars (of 2): Cito euntes dicite discipulis eius 92–92v
Hoc est preceptum meum ut diligatis 110v–111
Hodie Christus natus est noe noe noe 119v
Hodie nobis de caelo pax vera descendit 40v–41
Imperium Augusti sit felix quo duce (2p. Sint quoque felices nati gaudet) 68–69v
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 6–6v
In convertendo Dominus - 2a pars (of 2): Convertere Domine captivitatem 6v–7
In illo tempore accesserunt ad Jesum (2p. Non legistis quia qui fecit hominem; 3p. Propter hoc dimittet homo patrem) 88–89
In principio erat verbum et verbum erat (2p. Fuit homo missus à deo cui nomen) 36v–38
In te Domine speravi: In justitia tua libera me et eripe me Anonymous 14–14v
Inclina Domine aurem tuam ad me (8vv) 86–86v
Inclina Domine aurem tuam et exaudi me 14v–16
Ingredere felicissimis auspiciis urbem 66v–67v
Inviolata integra et casta es - 1a pars (of 2): Inviolata integra et casta es Maria 42v–43
Inviolata integra et casta es - 2a pars (of 2): Nostra ut pura pectora fuit 43–43v
Inviolata integra et casta es - 3a pars (of 2): O regina o Maria (or, Beata es Maria virgo) 43v–44
Jam lucis orto sydere ergo bene erimus (2p. Qui ponit aquam in falerno) 73–74
Jam non dicam vos servos sed amicos (8vv) 28v–29v
Jubilate Deo omnis terra servite Domino 121v–122
Jubilate Deo omnis terra servite Domino (8vv) 84–85
Laeta quid nunc tantum anima mea? 67v–68
Laetamini omnes in Domino et exultate 25–25v
Lauda Sion salvatorem lauda ducem 120v–121
Laudate Dominum omnes gentes (12vv) 118–118v
Levavi oculos meos in montes unde veniet 5v–6
Levita Laurentius bonum opus operatus est 79v–80
Lucida ceu fulvo resplendet gemma sub orbe (2p. Ut decus Austriacae domui invictissime) 102–103
Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum) 2v–3v
Magnificat octavi toni: Anima mea 138–139v
Magnificat Tertii Toni: Et exultavit [K.781] 136–138
Michael archangelus praepositus paradisi (2p. Archangele Dei Michael nuntius summi) 122–122v
Miser qui amat cupitque quod non est 65v–66v
Missa Ave Maria KGCSA 139v–143
Missa Ego flos campi (7vv) KGCSA 128–134v
Missa Sancta trinitas (8vv) KGCSA Anonymous 123–127v
Nesciens mater virgo virum peperit 44–44v
Noe noe exultemus et laetemur quia natus 39–40
Nunc autem fratres deponite et vos omnia 86v–87v
O crux splendidior - 1a pars (of 2): O crux splendidior 23–23v
O crux splendidior - 2a pars (of 2): Crux est arbor dignissima 24–24v
O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera 20–20v
O gloriosa domina - 2a pars (of 2): Quod Eva tristis abstulit tu reddis 20v–21
O pater immensa cuius bonitate foventur 34–35
O quam magnum mysterium et admirabile 38v–39
O sacrum convivium in quo Christus sumitur (8vv) 58–58v
Pater noster qui es in caelis 32–33
Pater noster qui es in caelis (8vv) 33–34
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 8–8v
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 8v–9
Postquam consummati essent dies octo 46–47
Princeps stelliferis altior orbibus vitae (2p. Illis nequitiae praemia sint suae; 3p. Laus rerum Domino qui precibus meis) 62v–64v
Psalle caelica modulis turba quae recipis (2p. Ergo fac stabile sit regni aeterne) 81–82
Quem vidistis pastores dicite annunciate 47–48
Qui habitat in adjutorio In protectione Dei Anonymous 10–11
Quicunque manducaverit panem alleluia (2p. Probet autem seipsum homo et sic) 95v–97v
Quo properas facunde nepos Atlantis 75–76
Respice propitius Domine super plebem tuam 7–8
Salva nos Christe - 1a pars (of 2): Salva nos Christe salvator per virtutem (= Vidi speciosam) 21–22
Salva nos Christe - 2a pars (of 2): Dulce lignum dulces clavos (= Quae est ista) 22–22v
Salve celeberrima mater Dei vivi salve (2p. Haec est illa castissima et sanctorum) 44v–46
Salve regina (VII - 8vv) 143v–144v
Salve regina (VIII - 8vv) 134v–136
Sancta Trinitas unus Deus miserere nobis (8vv) 56v–57
Sancta Trinitas unus Deus miserere nobis (8vv) 57–57v
Sanctificavit Dominus tabernaculum suum 1–1v
Scio quod redemptor meus vivit 61–61v
Sic Deus dilexit mundum ut filium suum 55–56
Simile est regnum caelorum decem virginibus (2p. Novissime vero veniunt et reliquae) 82–84
Stellata caeli templi quis incolet rex 61v–62v
Surge illuminare (8vv) - 1a pars (of 2): Surge illuminare Jerusalem quia venit 118v–119
Tanto tempore vobiscum sum et non cognovistis (8vv) 54–54v
Te Deum laudamus 144v–146
Tecum principium in die virtutis tuae Anonymous 38
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 53–54
Veni maxime dux et imperator Romani 87v–88
Veni sancte spiritus (8vv) - 1a pars (of 2): Veni sancte spiritus reple tuorum corda 94–94v
Veni sancte spiritus (8vv) - 2a pars (of 2): Emitte spiritum tuum et creabuntur 94v–95
Veni sancte spiritus et emitte caelitus 120–120v
Veni sancte spiritus reple tuorum corda (8vv) [M120] 54v–55
Verbum bonum - 1a pars (of 2): Verbum bonum et suave personemus illud ave 16v–17
Verbum bonum - 2a pars (of 2): Ave solem genuisti ave prolem 17v–18
Videns Dominus flentes sorores Lazari 3132
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem 18–19
Vidi speciosam - 2a pars (of 2): Quae est ista quae processit quasi aurora 19–19v
Vinum bonum et suave nunquam bibi 72–73
Virgini laudes canimus Mariae ut Deus (2p. Inexhausti; 3p. Quis ferae nimbis; 4p. Ecce quam pulchra; 5p. O graves nostri; 6p. Quis dabit laetam) 78v–79v
Vocem iocunditatis annunciate et audiatur (2p. Ecce ducem nostram Franciscum) 74–75

Set: Mus. MS 1536

Type: Partbooks

No images available

D-Mbs Mus. MS 1536 (B)

No images available

D-Mbs Mus. MS 1536 (C)

No images available

D-Mbs Mus. MS 1536 (T)

No images available

D-Mbs Mus. MS 1536 (VI)

No images available

D-Mbs Mus. MS 1536 (VIII)

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen.  Munich. Pages: 101-21.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 169-71,254-7,297,301.

Dunning, Albert. 1969. Die Staatsmotette 1480-1555.  Utrecht. Pages: 111-6, 317-21, 335, 343.

Lockwood, Lewis Henry. 1959. The Counter-Reformation and the Sacred Music of Vincenzo Ruffa. Princeton University, Unpublished Ph.D. dissertation. Pages: 319-21, 366-71.

Smijers, Albert (editor). 1921. Werken van Josquin des Prez: Klaagliederen op den Dood van Josquin.  Amsterdam. Pages: vi-vii, 1-3.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 95-7.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description