D-Rp A. R. 863-870 (Q)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1572-9

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A. R. 863-870 (Q)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None / Unknown
Measurements 148 x 214 mm
Other Identifiers
  • CCM: RegB 863-70
Notations
  • Hufnagel
  • black void mensural
  • chant notation
Copyists
Relationships
Provenance
Contents 46 pieces from 26 composers
General Description

A Quintus partbook from a set of five volumes, each of which is composite of several originally separate fascicles later bound together. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; 'Domine ad adiuvandum' setting at beginning of DATB books is later addition by a different hand. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017
Binding

Original covers of parchment over cardboard, with leather ties

DIAMM, 2017
Watermark

coat of arms of city of Regensburg (resembles Briquet #1142-4).

DIAMM, 2017
Notation

chant notation, including some Hufnagel notation; remaining contents in black void mensural

DIAMM, 2017
Ruling

Staff height 19.

DIAMM, 2017
Foliation

No foliation or pagination

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces in several series, 1-17 + 1-5 + 1-11 + 1-2 + [l]-2 (several pieces unnumbered).

DIAMM, 2017
Decoration

Painted red initials, most in Gothic style, a few in plain block or calligraphic style.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 psalms with corresponding monophonie antiphons, 9 hymns, 2 Passions, 31 motets = 46

Buus-1, Clemens non Papa-1, Hellinck [Lupus]-1, Isaac-1, Ivo de Vento-1, Jaquet of Mantua [Jachet]-1, Josquin-2, Kerle-1, La Court-2, Lassus-3, Lupino-2, Obrecht/(Longaval/Venture)-1, Paminger-4, Regnart-3, Rein-1, Resinarius-1, Schwaiger-1, Senfl-3, Souliaert-1, Stoltzer-1, Vaet-1, Willaert-1, anon-12

5 paper partbooks (D-136 folios, A-149, T-140, B-135, Q-31), 148 x 214. Each partbook is composite of several originally separate fascicles later bound together. New pencil foliation, 1-136, in D book; no foliation or pagination in other books. Original ink numbering of pieces in several series, 1-17 + 1-5 + 1-11 + 1-2 + [l]-2 (several pieces unnumbered). Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: "I. Cantionale de tempore quadragesimali / II. Mutetae de eodem / III. Cantionale de Coena Domini / IV. Mutetae de Coena Domini / V. Summa Passionis Christi sdm. Johannem / No. 6." No index.

Psalm/antiphon settings copied in chant notation, including some Hufnagel notation; remaining contents in white mensural notation. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. "Domine ad adiuvandum" setting at beginning of DATB books is later addition by a different hand. Staff height 19. Painted red initials, most in Gothic style, a few in plain block or calligraphic style. Watermark is coat of arms of city of Regensburg (resembles Briquet #1142-4).

1572-9 (dates in manuscript). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v Domine ad adjuvandum me festina gloria [A. Neander]
Appears on: 2v
Genres: Motet
Source Attribution: [A. Neander]
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina
3 Domine ad adjuvandum me festina gloria Anon. Anonymous
Appears on: 3
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvan[dum] me festina
3v–5 Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 3v in D book Anon. Anonymous
Appears on: 3v–5
Genres: Antiphon, Chant, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 42: (Judica me deus et discerne) Quia tu es deus fortitudo mea (Chant intonation for antiphon "Sana domine" at top of f. 3v in D book)
5v–6v Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 5v in D book Anon. Anonymous
Appears on: 5v–6v
Genres: Antiphon, Chant, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 123: Nisi dominus ipse esset in nobis (Chant intonation for antiphon "Deus meus eripe me" at top of f. 5v in D book)
7–7v Christe qui lux es et dies noctis Thomas Stoltzer
Appears on: 7–7v
Genres: Motet
Source Attribution: Thomas Stoltzer
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis
8–9 Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli Henrichus Isaac
Appears on: 8–9
Genres: Doxology, Motet
Source Attribution: Henrichus Isaac
Voice: [no designation]
Languages: Latin
Voice Text: [Christe qui lux es et dies noctis] 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli
10–12 Ante diem festum paschae sciens Jesus II: Venit ad Petrum dicit ei Simon Leonartus Paminger
Appears on: 10–12
Genres: Motet
Source Attribution: Leonartus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Ante diem festum paschae sciens Jesus II: Venit ad Petrum dicit ei Simon
12v–15 O vos omnes qui transitis per viam II: Ecce vidimus eum despectum L. Pam. [= Paminger]
Appears on: 12v–15
Genres: Motet
Source Attribution: L. Pam. [= Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis per viam II: Ecce vidimus eum despectum
15v–17 Nos autem gloriari oportet in cruce II: In quo est salus et vita L.P. [= Paminger]
Appears on: 15v–17
Genres: Motet
Source Attribution: L.P. [= Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Nos autem gloriari oportet in cruce II: In quo est salus et vita
17–18 Ante sex dies solennis paschae quia venit L.P.
Appears on: 17–18
Genres: Motet
Source Attribution: L.P.
Voice: [no designation]
Languages: Latin
Voice Text: Ante sex dies solennis paschae quia venit
18v–22 Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) Ludovicus Senfel
Appears on: 18v–22
Genres: Motet
Source Attribution: Ludovicus Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Collegerunt pontifices et Pharisaei II: Unus autem ex ipsis Caiphas nomine
22v–23v Peccantem me quotidie et non me poenitentem Orlandus di Lassus
Appears on: 22v–23v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non me poenitentem
24–27 Filiae Jerusalem nolite flere super me (2p. Tunc incipient dicere montibus) Clemens non Papa
Appears on: 24–27
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Filiae Jerusalem nolite flere super me II: Tunc incipient dicere montibus
27v–30 In pace in idipsum dormam et requiescam II: Si dedero somnum oculis meis III: Dormiam et requiescam C. Rein
Appears on: 27v–30
Genres: Motet
Source Attribution: C. Rein
Voice: [no designation]
Languages: Latin
Voice Text: In pace in idipsum dormam et requiescam II: Si dedero somnum oculis meis III: Dormiam et requiescam
30v–35 Christe qui lux es et dies noctis [M15] Lud. Senfel
Appears on: 30v–35
Genres: Motet
Source Attribution: Lud. Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Christe qui lux es et dies noctis
35v–41 Qui habitat 18.7 (2p. Non accedat ad te malum) Josquin de Prees
Appears on: 35v–41
Genres: Motet
Source Attribution: Josquin de Prees
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum
41v–42v Tristis est anima mea usque ad mortem Orlandus di Lassus
Appears on: 41v–42v
Genres: Motet
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea usque ad mortem
43–44 Requiem (4vv) (I): iii. Gradual, Si ambulavero in medio tribulationis Orlandus di Lassus
Appears on: 43–44
Genres: Gradual, Requiem
Source Attribution: Orlandus di Lassus
Voice: [no designation]
Languages: Latin
Voice Text: Si ambulavero in medio tribulationis
44v–45 O vos omnes qui transitis per viam Jacobus Regnart
Appears on: 44v–45
Genres: Motet
Source Attribution: Jacobus Regnart
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis per viam
45v–47 Peccantem me quotidie et non me poenitentem II: Commissa mea pavesco et ante te Jacobus Regnart
Appears on: 45v–47
Genres: Motet
Source Attribution: Jacobus Regnart
Voice: [no designation]
Languages: Latin
Voice Text: Peccantem me quotidie et non me poenitentem II: Commissa mea pavesco et ante te
47v–49 Circumdederunt me viri mendaces sine causa II: Quoniam tribulatio proxima est Henricus de la Court
Appears on: 47v–49
Genres: Motet
Source Attribution: Henricus de la Court
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me viri mendaces sine causa II: Quoniam tribulatio proxima est
49v–53 Domine non secundum peccata nostra II: Domine ne memineris iniquitatem III: Adjuva nos Deus salutaris noster Henricus de la Court
Appears on: 49v–53
Genres: Motet
Source Attribution: Henricus de la Court
Voice: [no designation]
Languages: Latin
Voice Text: Domine non secundum peccata nostra II: Domine ne memineris iniquitatem III: Adiuva nos deus salutaris noster
52v–53v Ad te Domine levavi animam meam Jacobus Regnart
Appears on: 52v–53v
Genres: Motet
Source Attribution: Jacobus Regnart
Voice: [no designation]
Languages: Latin
Voice Text: Ad te domine levavi animam meam
58v–59 Domine ad adjuvandum me festina gloria Anon. Anonymous
Appears on: 58v–59
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine ad adiuvandum me festina
59v–61 Ps. 110: Confitebor tibi Domine in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 59v in D book Anon. Anonymous
Appears on: 59v–61
Genres: Antiphon, Chant, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 110: (Confitebor [tibi] domine in toto corde) Magna opera domini exquisita (Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 59v in D book)
61v–63 Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 61v in D book Anon. Anonymous
Appears on: 61v–63
Genres: Antiphon, Chant, Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 147: (Lauda Hierusalem dominum) Quoniam confortavit seras portarum (Chant intonation for antiphon "O sacrum convivium" at top of f. 61v in D book)
63v–64 Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur Josquin
Appears on: 63v–64
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Pange lingua gloriosi corporis mysterium 22.2 5 Tantum ergo sacramentum veneremur
64v–65 Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur cernui Anon. Anonymous
Appears on: 64v–65
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur cernui
65–65v Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens Anon. Anonymous
Appears on: 65–65v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens
66–66v Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur cernui 6 Genitori genitoque laus et jubilatio Anon. Anonymous
Appears on: 66–66v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Pange lingua gloriosi corporis mysterium] 5 Tantum ergo sacramentum veneremur cernui 6 Genitori genitoque laus et iubilatio
67–68 O quam suavis est Domine Spiritus tuus Anon. Anonymous
Appears on: 67–68
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (O quam suavis est domine) Spiritus tuus
72–75v Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus Adrianus Vuillart
Appears on: 72–75v
Genres: Motet
Source Attribution: Adrianus Vuillart
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit coenam magnam et misit II: Christus vere noster cibus Christus
76–76v O sacrum convivium in quo Christus sumitur Franciscus Lupino
Appears on: 76–76v
Genres: Motet
Source Attribution: Franciscus Lupino
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
77–79 Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) Jachet [of Mantua]
Appears on: 77–79
Genres: Motet
Source Attribution: Jachet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Fratres ego enim accepi a domino II: Similiter et calicem postquam
79v–81v Ave salus mundi verbum patris hostia (2p. O salutaris hostia quae caeli pandis) Jacob Vaedt
Appears on: 79v–81v
Genres: Motet
Source Attribution: Jacob Vaedt
Voice: [no designation]
Languages: Latin
Voice Text: Ave salus mundi verbum patris hostia II: O salutaris hostia quae coeli pandis
82–84 Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) Lupus [Hellinck]
Appears on: 82–84
Genres: Motet
Source Attribution: Lupus [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
84v–86v Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum Ivo de Vento
Appears on: 84v–86v
Genres: Motet
Source Attribution: Ivo de Vento
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
87–91 Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum Carolus Souliart
Appears on: 87–91
Genres: Motet
Source Attribution: Carolus Souliart
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus contra dominum
91v–95 Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit Jaques Buus
Appears on: 91v–95
Genres: Motet
Source Attribution: Jaques Buus
Voice: [no designation]
Languages: Latin
Voice Text: Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit
95–97v Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam Franciscus Lupino
Appears on: 95–97v
Genres: Motet
Source Attribution: Franciscus Lupino
Voice: [no designation]
Languages: Latin
Voice Text: Ego sum panis vivus qui de coelo descendi II: Accepit Jesus calicem postquam
97v–100 Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) Ludovicus Senfel
Appears on: 97v–100
Genres: Motet
Source Attribution: Ludovicus Senfel
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit cenam magnam et misit II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum
100–103 Coenantibus illis accepit Jesus panem (2p. Dixerunt viri tabernaculi mei) Georgius Schvuaiger
Appears on: 100–103
Genres: Motet
Source Attribution: Georgius Schvuaiger
Voice: [no designation]
Languages: Latin
Voice Text: Coenantibus illis accepit Jesus panem II: Dixerunt viri tabernaculi mei
106–111 Ad caenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi Domine qui surrexi Jacobus de Kerle
Appears on: 106–111
Genres: Motet
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: Ad coenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi domine qui surrexi
111v–115 Jesu nostra redemtio amor et desiderium 2 Quae te vicit clementia ut ferres 3 Inferni claustra penetrans tuos 4 Ipsa te cogit pietas ut mala nostra 5 Tu esto nostrum gaudium qui es futurus [Kerle]
Appears on: 111v–115
Genres: Motet
Source Attribution: [Kerle]
Voice: [no designation]
Languages: Latin
Voice Text: Jesu nostra redemtio amor et desiderium 2 Quae te vicit clementia ut ferres 3 Inferni claustra penetrans tuos 4 Ipsa te cogit pietas ut mala nostra 5 Tu esto nostrum gaudium qui es futurus
121–128 St. John Passion: Mortem Domini annunciabitis donec veniet II: Cohors ergo et tribunus et ministri III: Exivit ergo Pilatus ad eos foras IV: Apprehendit ergo Pilatus Jesum V: Erat autem titulus causae scriptus Baldasar Resinarius
Appears on: 121–128
Genres: Liturgical work, Passion
Source Attribution: Baldasar Resinarius
Voice: [no designation]
Languages: Latin
Voice Text: [St. John Passion]: Mortem domini annunciabitis donec veniet II: Cohors ergo et tribunus et ministri III: Exivit ergo Pilatus ad eos foras IV: Apprehendit ergo Pilatus Jesum V: Erat autem titulus causae scriptus
128v–135v Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) Jacobus Obrecht/[Longaval/Venture]
Appears on: 128v–135v
Genres: Liturgical work, Passion
Source Attribution: Jacobus Obrecht/[Longaval/Venture]
Voice: [no designation]
Languages: Latin
Voice Text: Passio Domini nostri Jesu Christi secundum Matthaeum II: Apprehendit ergo eum Pilatus III: Orabat autem Jesus pro crucifigentibus
Composer Compositions
Anonymous
Buus, Jacques
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Court, Henry de la
Despres, Josquin (ca. 1450–1521)
Hellinck, Lupus (ca. 1494–1541)
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Longueval, Antoine de (fl. 1498-1525)
Lupino, Francesco
Mantua, Jacquet de (1483–1559)
Neander, Alexius (ca. 1560–ca. 1605)
Obrecht, Jacobus (ca. 1457–1505)
Paminger, Leonhard (1495–1567)
Regnart, Jacob (ca. 1540–1599)
Rein, Conrad (ca. 1475–1522)
Resinarius, Balthasar
Schwaiger, Georg
Senfl, Ludwig (ca. 1486–ca. 1543)
Soullart, Carolus
Stoltzer, Thomas (ca. 1480–1526)
Vaet, Jacobus (ca. 1529–ca. 1567)
Vento, Ivo de
Venture, Johannes a la (fl. c1500)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ad caenam agni providi et stolis albis 2 Cuius corpus sanctissimum in ara crucis 3 Protecti paschae vespere à devastante 4 Jam pascha nostrum Christus est 5 O vere digna hostia per quam fracta 6 Cum surgit Christus tumulo victor 7 Quaesumus autor omnium in hoc paschali 8 Gloria tibi Domine qui surrexi 106–111
Ad te Domine levavi animam meam 52v–53v
Ante diem festum paschae sciens Jesus II: Venit ad Petrum dicit ei Simon 10–12
Ante sex dies solennis paschae quia venit 17–18
Ave salus mundi verbum patris hostia (2p. O salutaris hostia quae caeli pandis) 79v–81v
Christe qui lux es et dies noctis 7–7v
Christe qui lux es et dies noctis 5 Defensor noster aspice insidiantes 7 Deo patri sit gloria eiusque soli 8–9
Christe qui lux es et dies noctis [M15] 30v–35
Circumdederunt me viri mendaces sine causa II: Quoniam tribulatio proxima est 47v–49
Coenantibus illis accepit Jesus panem (2p. Dixerunt viri tabernaculi mei) 100–103
Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) 18v–22
Domine ad adjuvandum me festina gloria 2v
Domine ad adjuvandum me festina gloria Anonymous 3
Domine ad adjuvandum me festina gloria Anonymous 58v–59
Domine non secundum peccata nostra II: Domine ne memineris iniquitatem III: Adjuva nos Deus salutaris noster 49v–53
Ego sum panis vivus qui de caelo descendi II: Accepit Jesus calicem postquam 95–97v
Filiae Jerusalem nolite flere super me (2p. Tunc incipient dicere montibus) 24–27
Fratres ego enim accepi a Domino (2p. Similiter et calicem postquam) 77–79
Homo quidam fecit caenam II: Quia parata sunt omnibus firmiter III: Venite comedite panem meum (P97, 4vv) 97v–100
Homo quidam fecit caenam magnam et misit II: Christus vere noster cibus Christus 72–75v
In pace in idipsum dormam et requiescam II: Si dedero somnum oculis meis III: Dormiam et requiescam 27v–30
Jesu nostra redemtio amor et desiderium 2 Quae te vicit clementia ut ferres 3 Inferni claustra penetrans tuos 4 Ipsa te cogit pietas ut mala nostra 5 Tu esto nostrum gaudium qui es futurus 111v–115
Nos autem gloriari oportet in cruce II: In quo est salus et vita 15v–17
O quam suavis est Domine Spiritus tuus Anonymous 67–68
O sacrum convivium in quo Christus sumitur 76–76v
O vos omnes qui transitis per viam 44v–45
O vos omnes qui transitis per viam II: Ecce vidimus eum despectum 12v–15
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 3 In suprema nocte coenae recumbens Anonymous 65–65v
Pange lingua gloriosi corporis mysterium 2 Nobis natus nobis datus ex intacta 5 Tantum ergo sacramentum veneremur cernui Anonymous 64v–65
Pange lingua gloriosi corporis mysterium 22.2 Tantum ergo sacramentum veneremur 63v–64
Pange lingua gloriosi corporis mysterium 5 Tantum ergo sacramentum veneremur cernui 6 Genitori genitoque laus et jubilatio Anonymous 66–66v
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) 82–84
Panis quem ego dabo caro mea est II: Locutus est populus ad Dominum 84v–86v
Panis quem ego dabo caro mea est II: Locutus est populus contra Dominum 87–91
Passio Domini nostri Jesu Christi secundum Matthaeum (2p. Apprehendit ergo eum Pilatus; 3p. Orabat autem Jesus pro crucifigantibus) 128v–135v
Peccantem me quotidie et non me poenitentem 22v–23v
Peccantem me quotidie et non me poenitentem II: Commissa mea pavesco et ante te 45v–47
Ps. 110: Confitebor tibi Domine in toto corde Magna opera Domini exquisita Chant intonation for antiphon "Escam dedit timentibus se" at top of f. 59v in D book Anonymous 59v–61
Ps. 123: Nisi Dominus ipse esset in nobis Chant intonation for antiphon "Deus meus eripe me" at top of f. 5v in D book Anonymous 5v–6v
Ps. 147: Lauda Jerusalem Dominum Quoniam confortavit seras portarum Chant intonation for antiphon "O sacrum convivium" at top of f. 61v in D book Anonymous 61v–63
Ps. 42: Judica me Deus et discerne Quia tu es Deus fortitudo mea Chant intonation for antiphon "Sana Domine" at top of f. 3v in D book Anonymous 3v–5
Qui habitat 18.7 (2p. Non accedat ad te malum) 35v–41
Qui manducat meam carnem et bibit II: Qui manducat meam carnem et bibit 91v–95
Requiem (4vv) (I): iii. Gradual, Si ambulavero in medio tribulationis 43–44
St. John Passion: Mortem Domini annunciabitis donec veniet II: Cohors ergo et tribunus et ministri III: Exivit ergo Pilatus ad eos foras IV: Apprehendit ergo Pilatus Jesum V: Erat autem titulus causae scriptus 121–128
Tristis est anima mea usque ad mortem 41v–42v

Set: A. R. 863-870

Type: Partbooks

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D-Rp A. R. 863-870 (A)

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D-Rp A. R. 863-870 (B)

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D-Rp A. R. 863-870 (D)

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D-Rp A. R. 863-870 (Q)

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D-Rp A. R. 863-870 (T)

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description