A-Wn Mus.Hs. 18746 (Altus/Contratenor)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

partbook: 16th century (1523)

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 18746 (Altus/Contratenor)
Surface Paper
Numbering System Foliation
Measurements 180 x 245 mm
Other Identifiers
  • CCM: VienNB Mus. 18746
  • olim (Former shelfmark): A.N.35. H.14
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
  • Brussels/Mechlin, Netherlands
Contents 61 pieces from 14 composers
General Description

An Altus partbook from a set of five volumes. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books), though music attributed to Netherlands court scribe C' - who may be Alamire (KellBP). Warmington (KellmanTO) attributes some of the copying to scribe P. All pieces have text incipits or titles only. Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Oscar Verhaar, 2014
Binding

Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers

Oscar Verhaar, 2014
Watermark

(1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113)

Oscar Verhaar, 2014
Notation

black void mensural

Oscar Verhaar, 2014
Ruling

Staff height 15

Oscar Verhaar, 2014
Foliation

Modern pencil foliation in each book.

Oscar Verhaar, 2014
Decoration

No initials or decoration

Oscar Verhaar, 2014
Surface

paper

Oscar Verhaar, 2014
DIAMM Note

Four pieces attributed to Josquin on stylistic grounds by BenthEW: Sans vous veoir, Saillies avant, Dame donuer, Consideres mes incessantes plaintes

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 motets, 1 motet-chanson, 51 French secular pieces, 1 textless piece with title "Cantus de anglia" = 56

(Appenzeller/Verdelot)-1, (Bauldeweyn/Grefinger)-1, Brumel-1, (Josquin)-7 + 4?,* (Josquin/La Rue)-2, La Rue-2, Lebrun-1, (Mouton)-1, (Prioris)-1, (Richafort)-1, (Richafort/Werrecore)-1, (Stokhem)-1, anon-32

*Four pieces attributed to Josquin on stylistic grounds by BenthEW.

5 paper partbooks (D-63 folios, A-68, T1-57, T2-63, B-62), 180 x 245. Modern pencil foliation in each book. Original covers of white parchment inscribed with voice designations; red leather bands fasten folios to covers. No index. Copied by Netherlands court scribe Petrus Alamire (whose signature appears in T1 and T2 books) and Netherlands court scribe C' (KellBP); see general index for other manuscripts copied by the same scribes. Staff height 15. No initials or decoration. Watermarks: (1) Gothic letter "P" surmounted by four-petalled flower (see Briquet #8652 for approximate pattern); (2) Gothic letter "C" (resembles Briquet #8113). All pieces have text incipits or titles only.

1523 (date in manuscript). Copied in Brussels/Mechlin; belongs to Netherlands court complex (KellJ). Sent to Raimund Fugger the Elder (1489-1535), of Augsburg. Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

7v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–7 [blank pages] - -

[blank pages]

Appears on: 1–7
7v–8 Cent mille regrets me poursuivent sans cesse 29.1 [Josquin/La Rue]
Appears on: 7v–8
Genres: Chanson
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: French
Voice Text: Cent mille regretz [me poursuivent sans cesse] 29.1
8v–9 Plusieurs regrets qui sur la terre 29.21 [Josquin]
Appears on: 8v–9
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Plusours regretz [= Plusieurs regretz qui sur la terre sont] 29.21
9v–10 Je n'ai regrets Anon. Anonymous

Je n'ai regrets

Anonymous
Appears on: 9v–10
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jen ay regretz [= Je n'ay regretz]
10–10v Deuil et ennuy souci regrets et paine Anon. Anonymous
Appears on: 10–10v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Deueil et ennuy [soucy regretz et paine]
11–11v On a mal dit de mon amy Anon. Anonymous
Appears on: 11–11v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: On a mal dit de mon amy
11v–12 En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden [Bauldeweyn/Grefinger]
Appears on: 11v–12
Genres: Chanson, Contrafactum
Source Attribution: [Bauldeweyn/Grefinger]
Voice: [no designation]
Languages: French
Voice Text: En doleur en tritresse [= En douleur en tristesse languiray-je tousjours]
12v–13 Je mi complain de mon ami qui me souloit 29.10 [Josquin]
Appears on: 12v–13
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Je mi complain [de mon amy qui me souloit] 29.10
13v–14 J'ai mis mon ceur en un lieu seullement Anon. Anonymous
Appears on: 13v–14
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jay mis mon ceur [en ung lieu seullement]
14v–15 Cueur endurci plus dure que piere Anon. Anonymous
Appears on: 14v–15
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ceuer en durchi [= Cueur endurci plus dure que piere]
15–15v Sans vous veoir Anon.
Appears on: 15–15v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Sans vous veoir

Item Bibliography

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.

15v–16v Adieu comment Anon.
Appears on: 15v–16v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Adieu commant
16v–18 Saillies avant (2p. 'Residuum') Anon.
Appears on: 16v–18
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Saillies avant

Item Bibliography

Kempster, William (editor). 2022. Pierre de la Rue: a 'complete' performing edition. https://pierredelaruescores787ad8.webflow.io/(Accessed: 16-12-2023). Notes: attributed to La Rue on stylistic grounds.

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 21-29. Notes: attributed to Josquin on stylistic grounds by BenthEW.

18–18v Incessamment mon pouvre coeur lamente 29.9 [Josquin/La Rue]
Appears on: 18–18v
Genres: Chanson
Source Attribution: [Josquin/La Rue]
Voice: [no designation]
Languages: French
Voice Text: Incessament [mon povre cueur lamente] 29.9
19 Je suis nuyt et iour Anon. Anonymous
Appears on: 19
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Je suis nuyt et iour
19v–20 Sans vous veoir Anon.
Appears on: 19v–20
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Sans vous veoir
20–20v Garde le tret / Au retret Anon. Anonymous
Appears on: 20–20v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Garde le tret
20v–21 D'un autre aimer mon coeur s'abesseroit / Cela sans plus Lebrun
Appears on: 20v–21
Genres: Chanson
Source Attribution: Lebrun
Voice: [no designation]
Languages: French
Voice Text: Dung aultre aymer/Cela sans plus
21v–22 D'un autre aimer mon coeur s'abesseroit Rue
Appears on: 21v–22
Genres: Chanson
Source Attribution: Rue
Voice: [no designation]
Languages: French
Voice Text: Dung aultre aymer [mon cueur s'abesseroit]
22v–23 Le grant deueill Anon. Anonymous

Le grant deueill

Anonymous
Appears on: 22v–23
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Le grant deueill
23v–24 A moi seule qui tant aime vous / Comme femme desconforte Anon. Anonymous
Appears on: 23v–24
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: A moy seulle qui tant/Comme femme desconforte
24–24v Consideres mes incessantes plaintes / Fortuna desperata Anon.
Appears on: 24–24v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Consideres mes incessantes plaintes/Fortuna desperata

Item Bibliography

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 32-36. Notes: attributed to Josquin on stylistic grounds by BenthEW.

25–25v Languentis miseris / Clamor meus ad te veniat Brumel
Appears on: 25–25v
Genres: Motet
Source Attribution: Brumel
Voice: [no designation]
Languages: Latin
Voice Text: Languentis miseris/Clamor meus ad te veniat
General Note

Titled "Lamentatio"

26–26v Par vous je suis = Entre ie suis un grant penser [Prioris]
Appears on: 26–26v
Genres: Chanson
Source Attribution: [Prioris]
Voice: [no designation]
Languages: French
Voice Text: Entre ie suis ung grant penser [= Par vous je suis]
26v–27 Tout a par moi affin que on ne me voye Anon. Anonymous
Appears on: 26v–27
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tout a par moy [affin que on ne me voye]
27–27v Tristis est anima mea usque ad mortem Anon. Anonymous
Appears on: 27–27v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Tristis est anima mea [usque ad mortem]
28–28v Pro chasser fait Anon. Anonymous

Pro chasser fait

Anonymous
Appears on: 28–28v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Pro chasser fait
29–29v Brunete m'amiette [Stokhem]
Appears on: 29–29v
Genres: Chanson
Source Attribution: [Stokhem]
Voice: [no designation]
Languages: French
Voice Text: Brunette mamiette
29v–30 Qui vult aymere il fault estre joieulx Anon. Anonymous
Appears on: 29v–30
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Qui vult aymere il fault estre joieulx
30v–31 La jonne dame va au moulin? Anon. Anonymous
Appears on: 30v–31
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: La jonne dame [va au moulin?]
31–31v D'amour je suis desherite et plaindre [Richafort]
Appears on: 31–31v
Genres: Chanson
Source Attribution: [Richafort]
Voice: [no designation]
Languages: French
Voice Text: Damour ie suis [desheritée et plaindre]
32–33 Du bon du coeur ma chère dame [Mouton]
Appears on: 32–33
Genres: Chanson
Source Attribution: [Mouton]
Voice: [no designation]
Languages: French
Voice Text: Du bon du coeur [ma chère dame]
33–34 Voustre beaulte plaisant et lye me donne? Anon. Anonymous
Appears on: 33–34
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Voustre beaulte [plaisant et lye me donne?]
34–35 Tout a rebors de mon affaire Anon. Anonymous
Appears on: 34–35
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Tout a rebors [de mon affaire]
35–35v Ne vous chaille mon coeur si vous aves [Richafort/Werrecore]
Appears on: 35–35v
Genres: Chanson
Source Attribution: [Richafort/Werrecore]
Voice: [no designation]
Languages: French
Voice Text: Ne vuos challe [= Ne vous chaille mon cueur]
36–36v Vide vous Anon. Anonymous

Vide vous

Anonymous
Appears on: 36–36v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vide vous
36v–37v Doise espoir Anon. Anonymous

Doise espoir

Anonymous
Appears on: 36v–37v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Doise espoir
37v–38v Choisisses vrais amoreux Anon. Anonymous
Appears on: 37v–38v
Genres: Italian secular
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Choisisses vrais amoreux
38v–39 Doleur me bat et tristesse m'afolle 29.4 [Josquin]
Appears on: 38v–39
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Doleur me bat [et tristesse m'afolle] 29.4
39v–40 Mon cour vit in tristicia Anon. Anonymous
Appears on: 39v–40
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Mon cour vit in tristicia
40–40v Douleur me bat / O vos omnes qui transitis Anon. Anonymous
Appears on: 40–40v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, French
Voice Text: Douleur me bat/O vos omnes qui transitis
41–41v Ceur doloreulx qui vit Anon. Anonymous
Appears on: 41–41v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ceur doloreulx qui vit
41v–42v Dame donuer [d'honneur?] Anon.
Appears on: 41v–42v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Dame donner

Item Bibliography

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Pages: 29-32. Notes: attributed to Josquin on stylistic grounds by BenthEW.

43–43v J'ai un regrets Anon. Anonymous

J'ai un regrets

Anonymous
Appears on: 43–43v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Jay ung regretz
43v–44v Plaine de deuil et de merencolie voyant 29.20 [Josquin]
Appears on: 43v–44v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Plaine de doul [et de melencolie voyant] 29.20
44v–45 Parfons regrets et lamentable joye 29.19 [Josquin]
Appears on: 44v–45
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Parfons regretz [et lamentable joye] 29.19
45–46 Cantus de Anglia: La sol mi fa mi Anon. Anonymous
Appears on: 45–46
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cantus de Anglia: La sol mi fa mi
46–47v De mien amant le deppart m'est si grief (2p. 'Residuum') [Josquin]
Appears on: 46–47v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: De mien amant [le deppart m'est si grief] 29.5
47v–48v Incessamment livré suis à martire triste 29.8 [Josquin]
Appears on: 47v–48v
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Incessament [livré suis à martire triste] 29.8
48v–49 Je my levai par un matin jour n'estoit [Appenzeller/Verdelot]
Appears on: 48v–49
Genres: Chanson
Source Attribution: [Appenzeller/Verdelot]
Voice: [no designation]
Languages: French
Voice Text: Je my levay [par] ung matin [jour n'estoit]
49v–57 [blank staves] - -

[blank staves]

Appears on: 49v–57
57v–58 Maria mater gracie / Fors seullement (2 partes) Anon. Anonymous
Appears on: 57v–58
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, French
Voice Text: Maria mater gracie/Fors seullement
58v–59 Fors seulement l'attente que je meure (2 partes) Anon. Anonymous
Appears on: 58v–59
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
59–60 Fors seulement l'attente que je meure Anon. Anonymous
Appears on: 59–60
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
60–60v Fors seulement l'attente que je meure Anon. Anonymous
Appears on: 60–60v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
General Note

"Canon: In dyapason ascendendo"

60v–61v Fors seulement l'attente que je meure Anon. Anonymous
Appears on: 60v–61v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
61v–62 Fors seulement l'attente que je meure (2 partes) Anon. Anonymous
Appears on: 61v–62
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
62–63 Fors seulement l'attente que je meure (2 partes) - Anonymous
Appears on: 62–63
Genres: Chanson
63–64 Fors seulement l'attente que je meure (2p. Qui n'est douleur) Rue
Appears on: 63–64
Genres: Chanson
Source Attribution: Rue
Voice: [no designation]
Languages: French
Voice Text: Fors seullement [lvattente que je meure]
64v [blank staves] - -

[blank staves]

Appears on: 64v
65–68v [blank pages] - -

[blank pages]

Appears on: 65–68v
Composer Compositions
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Bauldeweyn, Noel (ca. 1480–1529)
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Grefinger, Wolfgang
Mouton, Jean (ca. 1459–1522)
Prioris, Johannes (Denis, Dionisius) (–1515)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Stockem, Johannes de (ca. 1445–1487)
Verdelot, Philippe (ca. 1480–ca. 1532)
Werrecore, Matthias Hermann
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
A moi seule qui tant aime vous / Comme femme desconforte Anonymous 23v–24
Adieu comment 15v–16v
Brunete m'amiette 29–29v
Cantus de Anglia: La sol mi fa mi Anonymous 45–46
Cent mille regrets me poursuivent sans cesse 29.1 7v–8
Ceur doloreulx qui vit Anonymous 41–41v
Choisisses vrais amoreux Anonymous 37v–38v
Consideres mes incessantes plaintes / Fortuna desperata 24–24v
Cueur endurci plus dure que piere Anonymous 14v–15
D'amour je suis desherite et plaindre 31–31v
D'un autre aimer mon coeur s'abesseroit 21v–22
D'un autre aimer mon coeur s'abesseroit / Cela sans plus 20v–21
Dame donuer [d'honneur?] 41v–42v
De mien amant le deppart m'est si grief (2p. 'Residuum') 46–47v
Deuil et ennuy souci regrets et paine Anonymous 10–10v
Doise espoir Anonymous 36v–37v
Doleur me bat et tristesse m'afolle 29.4 38v–39
Douleur me bat / O vos omnes qui transitis Anonymous 40–40v
Du bon du coeur ma chère dame 32–33
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden 11v–12
Fors seulement l'attente que je meure Anonymous 59–60
Fors seulement l'attente que je meure Anonymous 60–60v
Fors seulement l'attente que je meure Anonymous 60v–61v
Fors seulement l'attente que je meure (2 partes) Anonymous 58v–59
Fors seulement l'attente que je meure (2 partes) Anonymous 61v–62
Fors seulement l'attente que je meure (2 partes) Anonymous 62–63
Fors seulement l'attente que je meure (2p. Qui n'est douleur) 63–64
Garde le tret / Au retret Anonymous 20–20v
Incessamment livré suis à martire triste 29.8 47v–48v
Incessamment mon pouvre coeur lamente 29.9 18–18v
J'ai mis mon ceur en un lieu seullement Anonymous 13v–14
J'ai un regrets Anonymous 43–43v
Je mi complain de mon ami qui me souloit 29.10 12v–13
Je my levai par un matin jour n'estoit 48v–49
Je n'ai regrets Anonymous 9v–10
Je suis nuyt et iour Anonymous 19
La jonne dame va au moulin? Anonymous 30v–31
Languentis miseris / Clamor meus ad te veniat 25–25v
Le grant deueill Anonymous 22v–23
Maria mater gracie / Fors seullement (2 partes) Anonymous 57v–58
Mon cour vit in tristicia Anonymous 39v–40
Ne vous chaille mon coeur si vous aves 35–35v
On a mal dit de mon amy Anonymous 11–11v
Par vous je suis = Entre ie suis un grant penser 26–26v
Parfons regrets et lamentable joye 29.19 44v–45
Plaine de deuil et de merencolie voyant 29.20 43v–44v
Plusieurs regrets qui sur la terre 29.21 8v–9
Pro chasser fait Anonymous 28–28v
Qui vult aymere il fault estre joieulx Anonymous 29v–30
Saillies avant (2p. 'Residuum') 16v–18
Sans vous veoir 15–15v
Sans vous veoir 19v–20
Tout a par moi affin que on ne me voye Anonymous 26v–27
Tout a rebors de mon affaire Anonymous 34–35
Tristis est anima mea usque ad mortem Anonymous 27–27v
Vide vous Anonymous 36–36v
Voustre beaulte plaisant et lye me donne? Anonymous 33–34

Images © Österreichische Nationalbibliothek, Vienna

Set: Books prepared by the Alamire workshop

Type: Linked by Origin or Contents

No images available

A-Wn Cod. 1783

No images available

B-Baeb Fonds Sint-Goedele, 5170

No images available

B-Bcpas H 1135

No images available

B-Br MS 215-216

No images available

B-Br MS 6428

No images available

B-Br MS 9126

No images available

B-Br MS 15075

No images available

B-Br MS IV.922 (Occo Codex)

No images available

D-Mbs Mus. MS 6

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D-Mbs Mus. MS 7

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D-Mbs Mus. MS 34

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D-Mbs Mus. MS F

No images available

I-VEc MS DCCLVI

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V-CVbav MS Capp. Sist. 34

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V-CVbav MS Capp. Sist. 36

No images available

V-CVbav MS Capp. Sist. 160

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V-CVbav MS Pal. lat. 1976

No images available

V-CVbav MS Pal. lat. 1977

No images available

V-CVbav MS Pal. lat. 1978

No images available

V-CVbav MS Pal. lat. 1979

denotes primary source study

Kellman, Herbert (editor). 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.

Kellman, Herbert. 1989. Observations on the Production and Distribution of Music Manuscripts at the Netherlands Court. Early Music History, . Notes: physical description (partial); mention of MS; discussion.

Dalton, Karen Lanz. 1982. Vienna, Österreichische Nationalbibliothek MS. 18825: A Study and Critical Edition. University of Illinois, MA thesis. Pages: 29-30. Notes: facsimile (partial); mention of MS; discussion.

Blackburn, Bonnie J. 1976. Josquin's Chansons: Ignored and Lost Sources. Journal of the American Musicological Society, 30-76. Pages: 44,53-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto. Pages: 184, 203, 209, 214, Plate 31a. Notes: physical description (partial); contents list (partial); facsimile (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 230,233-5,377. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn.  American Musicological Society. Pages: 29,138-9. Notes: contents list (partial); concordances (partial).

Benthem, Jaap van. 1971-2. Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 18-42. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xxiii,xxxii,43-5. Notes: contents list (partial); transcription (partial).

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 94, 109-14,119ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 173-4, 185, 210,298-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I,94-7,335-41,375. Notes: physical description (partial); contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Picker, Martin. 1958-63. The Chanson Albums of Marguerite of Austria: MSS. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Annales Musicologiques, 145-287. Pages: 156-7,199ff; Plates 8-10,12,14. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak,  Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: I,vi,xiii-xv; II,xi-xii; III,xii. Notes: contents list (partial); concordances (partial).

Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 196-200. Notes: physical description (partial); contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description