An Altus partbook from a set of four volumes. Copied by two scribes (#3-53 and #54-88, respectively); second scribe probably Jacob Hagenbach (see below), who also wrote most of BasU F.IX.59-62 and manuscript additions in BasU F.IX.63 and BasU kk.IV. 19-22 (KmetzH). First layer probably of south German or Austrian origin; second layer copied in Basel (KmetzH). Owned (and partly compiled) by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith. Later passed to Hagenbach's grandson, Johann Jakob Hagenbach. Acquired by present library from latter's estate in 1649.
CH-Bu F X 18
Öffentliche Bibliothek der Universität, Basel, Switzerland
partbook: c. 1550-66 (date 1560 on f. 50 of T book)
| Archive | Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu) |
|---|---|
| Shelfmark | F X 18 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 76 x 105 mm |
| Other Identifiers |
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| Copyists | |
| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 86 compositions, 59 from 33 composers, 27 are anonymous. |
General Description
Binding
Original covers of brown tooled leather on boards
Watermark
resembles Briquet #1009
Notation
not indicated
Ruling
Staff height 7 (first scribe) and 10 (second scribe).
Foliation
New pencil foliation, excludes some blank folios
Foliation
Other numberings: Original numbering of pieces, 3-88 (first two pieces now missing; #32 applied to two consecutive pieces).
Decoration
No decorative initials; some text incipits underlined in red.
Index
Original index on ff. 56-71' of the Tenor book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 motets, 15 French secular pieces, 61 German secular pieces, 5 Italian secular pieces, 1 Latin/Italian secular piece (some of the preceding have text incipits only) = 86
(Arcadelt)-2, (Boyvin)-1, (Brack)-1, Cesar-1, (Clemens non Papa/Janequin)-1, (Eytelwein)-1, (Finck)-3, (Forster)-1, (Grefinger)-1, (Hofhaimer)-5, (Isaac)-1, (Josquin)-2, (Malchinger)-1, (Sandrin/Manchicourt)-1, (Schönfelder)-1, (Senfl)-3, (Senfl/Othmayr)-1, (Sermisy)-7, (Sermisy/Jacotin)-1, (Wolff)-1, anon-50
4 paper partbooks (D-88 folios, A-i + 92, T-91, B-91), 76 x 105. The following folios are blank, or have blank staves only: D-29, 53'-88'; A-49'-92'; T-1-1', 30, 55'-74', 91-91'; B-29, 53'-91'. New pencil foliation; original numbering of pieces (first two pieces missing in all books). Original covers of brown tooled leather on boards. Original index on ff. 56-71' of the T. Two scribes; one also appears in BasU F.IX.59-62 (RichKM). Some text incipits are underlined in red.
After 1550 (RichKM).
Vol 4
2 motets, 1 chanson spirituelle, 1 Latin/Italian secular piece (with Latin incipit only in this source), 61 German secular pieces, 16 French secular pieces, 3 Italian secular pieces, 1 Latin secular piece, 2 textless pieces = 87
(Adam von Fulda)-1, (Arcadelt)-3, (Baston/Clemens non Papa/ Janequin/Pathie?)-1, (Boyvin/Crecquillon)-1, (Brack)-1, (Brück)-1, Cesar-1, (Conseil)-1, (Eytelwein)-1, (Finck)-2, (Finck/Haiden-heimer)-1, (Forster)-1, (Gombert/Sermisy)-1, (Grefinger)-1, (Grefinger/Senfl)-2, (Hofhaimer)-5, (Isaac)-1, (Jacotin/Sermisy)-1, (Janequin)-1, (Josquin)-2, (La Rue/Sermisy)-1, (Didier Lupi Second)-1, ( Malchinger/ Senfl)-1, (Manchicourt/Sandrin)-1, (Mouton/Sermisy)-1, (Othmayr)-9, (Othmayr/Senfl)-2, (Schön-felder)-1, (Senfl)-6 + l?,(Sermisy)-5, (Stoltzer)-1,(Stoltzer/Wolff) -1, anon-27
4 paper partbooks (D-88 folios, A-i + 92, T-91, B-91), 76 x 105. Modern pencil foliation in each book excludes some blank folios. Original numbering of pieces, 3-88 (first two pieces now missing; #32 applied to two consecutive pieces). Blank folios, or blank staves only— D: 29, 53'-88'; A: 49'-92'; T: 1-1', 30, 55'-74', 91-91'; B: 3, 29, 53'-91'. Original covers of brown tooled leather over printed wastepaper. Original index at end of T book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance (a few inconsistencies).
Copied by two scribes (#3-53 and #54-88, respectively); second scribe probably Jacob Hagenbach (see below), who also wrote most of BasU F.IX.59-62 and manuscript additions in BasU F.IX.63 and BasU kk.IV. 19-22 (KmetzH). Staff height 7 (first scribe) and 10 (second scribe). No decorative initials; some text incipits underlined in red. Watermark generally resembles Briquet #1009 (KmetzH). Répertorial relationships with BasU F.IX.59-62.
Ca. 1550-66 (date 1560 on f. 50 of T book). First layer probably of south German or Austrian origin; second layer copied in Basel (KmetzH). Owned (and partly compiled) by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith. Later passed to Hagenbach's grandson, Johann Jakob Hagenbach. Acquired by present library from latter's estate in 1649.
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Sets
Select a set to see its sources.
MS F.X.17-20
Partbooks · 4 sources
‡ denotes primary source study
Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) . Munich and Salzburg. Pages: II, 7, passim [with in-correct information: #74 in BasU F.X. 17-20 is Hofhaimer's "Zucht er und lob," not Senfl's "Ihr Zucht und lob"]. Notes: physical description (partial); contents list (partial); concordances (partial).
Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae, vol. 52. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xvi-xx,xxii IV,ix,xiii-xiv. Notes: contents list (partial); concordances (partial).
Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 22: 197-240. Pages: 204-6. Notes: concordances (partial).
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 8. Notes: physical description; contents list; incipitsst of contents (partial).
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 231. Notes: concordances (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 184 [source of Stoltzer's "Ich klag den tag" erroneously identified as BasU F.X. 1-4 piece actually in BasU F.X. 17-20]. Notes: contents list (partial); concordances (partial).
Hartmann, Karl-Günther. 1960. Die Handschrift KN 144 der Ratsbücherei zu Lüneburg. Die Musikforschung, 13: 1-27,459. Pages: 10. Notes: contents list (partial); concordances (partial).
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 348. Notes: physical description (partial).
Albrecht, Hans. 1950. Caspar Othmayr: Leben und Werk. Kassel and Basel. Pages: 130-l. Notes: contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109. Notes: physical description.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV.141, 147-9,152,154 LXX, 192,204-6. Notes: physical description (partial); contents list (partial); concordances (partial).
Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: III, x. Notes: physical description.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 445. Notes: mention of MS.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 170. Notes: physical description.
Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, 23: . Pages: 69-75. Notes: contents list; concordances (partial); incipits (partial).
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description