CH-Bu F IX 34

Öffentliche Bibliothek der Universität, Basel, Switzerland

partbook: Dates 1546-7 in manuscript

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F IX 34
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 130-5 x 158 mm
Other Identifiers
  • CCM: BasU F.IX.32-5
Copyists
Relationships
External Links
Provenance
  • Basel, Switzerland
Contents 32 pieces from 15 composers
General Description

An Altus partbook from a set of four volumes. The main scribe was Christoph Piperinus (see below), who also wrote portions of BasU F.X.5-9 and BasU F.X.22-4. Other scribes: (1) Basilius Amerbach, who also wrote portions of BasU F.X.22-4 and manuscript additions in BasU kk.IV.23-7; (2) Samuel Ubelinus; (3) Ludwig Iselin, who also wrote BasU F.X.25-6 and portions of BasU F.X.21 (KmetzH). Copied in Basel. Owned by Basilius Amerbach (1533-91), son of the humanist Bonifacius Amerbach (inscription 'Sum Basila Amer-bachii Basiliensis' at beginning of each book). Manuscript referred to in 1546 letter to Amerbach from his music teacher, Christoph Piperinus (d. 1565). Later owned by Ludwig Iselin, nephew of Basilius Amerbach. Acquired by present library from Amerbach-Iselin estate c. 1661.

DIAMM, 2017
Physical Description

Some original folios now torn out

DIAMM, 2017
Binding

Original parchment covers taken from 14th-century manuscript.

DIAMM, 2017
Watermark

(1) resembles Briquet #1396; (2) resembles Briquet #1378.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 14

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces, 1-26 (#12 applied to two different pieces).

DIAMM, 2017
Foliation

Modern pencil foliation in each book.

DIAMM, 2017
Decoration

No initials; some texts in Discantus book in red.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 motets, 20 German sacred and secular pieces, 1 Latin/German sacred piece, 6 French secular pieces (all with text incipits only), 1 textless piece = 32

(Hofhaimer)-1, (Maillard)-1, (Schönfelder)-1, (Sermisy)-2, (Stoltzer)-1, (Villiers)-1, (Walter)-5, anon-20

4 paper partbooks (D-59 folios, A-70, T-66, B-51), 130 x 158. Two folios have been ripped out following f. 25' in the T. The following folios are blank or have blank staves only: D-l', 2-2', 17-59'; A-1'-3, 18-70'; T-1', 2-4', 9'-11', 29, 32-66'; B-1'-3', 18-51'. New pencil foliation; original numbering of pieces, 1-25 in D, 1-26 in ATB (the T has six additional pieces besides the numbered ones). Original paper covers. No index. Some texts in the D are in red.

Dates 1546-7 in manuscript. Inscription: "Sum Basilius Amerbachi Basiliensis"; Basilius Amerbach (1533-91) was the son of the prominent humanist Bonifacius Amerbach.

Vol 4

4 motets, 1 Latin/German sacred piece, 10 German sacred pieces, 2 chansons spirituelles, 11 German secular pieces, 4 French secular pieces (all with text incipits only), 1 textless piece = 33

(Alder?)-1, (Forster)-1, (Greitter)-1, (Hofhaimer)-1, (Didier Lupi Second)-2, (Maillard)-1, (Schönfelder)-1, (Sermisy)-2, (Stoltzer)-1, (A. Sylvanus/J. Wenck)-1, (Villiers)-1, (Walter)-5, (Wolff)-1, anon-14

4 paper partbooks (D-59 folios, A-70, T-66, B-51), 130-5 x 158. Some original folios now torn out. Modern pencil foliation in each book. Original ink numbering of pieces, 1-26 (#12 applied to two different pieces). Blank folios, or blank staves only-D: l'-2', 17-59'; A: l'-3', 18-70'; T: l'-4', 9'-ll', 29, 32-66'; B: l'-3', 18-51'. Original parchment covers taken from 14th-century manuscript. No index.

The main scribe was Christoph Piperinus (see below), who also wrote portions of BasU F.X.5-9 and BasU F.X.22-4. Other scribes: (1) Basilius Amerbach, who also wrote portions of BasU F.X.22-4 and manuscript additions in BasU kk.IV.23-7; (2) Samuel Ubelinus; (3) Ludwig Iselin, who also wrote BasU F.X.25-6 and portions of BasU F.X.21 (KmetzH). Staff height 14. No initials; some texts in D book in red. Watermarks: (1) resembles Briquet #1396; (2) resembles Briquet #1378.

Ca. 1542-7 (GeerV; dates 1546-7 in manuscript). Copied in Basel. Owned by Basilius Amerbach (1533-91), son of the humanist Bonifacius Amerbach (inscription "Sum Basila Amer-bachii Basiliensis" at beginning of each book). Manuscript referred to in 1546 letter to Amerbach from his music teacher, Christoph Piperinus (d. 1565). Later owned by Ludwig Iselin, nephew of Basilius Amerbach. Acquired by present library from Amerbach-Iselin estate ca. 1661.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
12 Gott geb üch hint ein gute nacht - Anonymous
Appears on: 12
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Gott geb üch hint ein gute nacht
12 Laborett Dominus laborette - Anonymous
Appears on: 12
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Labor ( = Laborett dominus laborette)
12v Es wolt ein jäger jagen - Anonymous
Appears on: 12v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Es wolt ein (jäger jagen)
13 Gelobet seist Du, Jesu Christ, dass Du Mensch -
Appears on: 13
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Gelobet systu Jesu Christ
13v Hilf Herre Gott dem Deinen Knecht - Anonymous
Appears on: 13v
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Hilff herre Gott dem dinen knecht
14 Nun welche hie ir hoffnung gar - Anonymous
Appears on: 14
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Nun welche hie ir hoffnung gar
14v Aus tiefer Not schrei ich zu dir -
Appears on: 14v
Genres: Motet, Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Uss tiefer not
15 Frölich wellen wir Alleluia singen -
Appears on: 15
Genres: Sacred Song
Voice: [no designation]
Languages: Latin, German
Voice Text: Frölich wellen wir Alleluia singen
15v Dein armer Hauf, Herr, tut klagen -
Appears on: 15v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Dein armer Hauf, Herr, tut klagen
16 Ich klag den tag und alle stund -
Appears on: 16
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Ich klag den tag
16v Herr nun heb den Wagen selb -
Appears on: 16v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Her nun heb den wagen selb
17–17v Kum heiliger geist - 1a pars (of 2): Kum heiliger geist herre Gott - Anonymous
Appears on: 17–17v
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: German
Voice Text: Kum heiliger geist herre Got
17v–18 Kum heiliger geist - 2a pars (of 2): - Anonymous
Appears on: 17v–18
Genres: Motet, Veni sancte spiritus
Voice: [no designation]
Languages: German
Voice Text: Kum heiliger geist herre Got
18–18v Ach Herr, vernimm min kläglich Stimm' -
Appears on: 18–18v
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Ach her vernim min kleglich stim
18v Mein G'müt und Blüt ist gar entzünd -
Appears on: 18v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Mein gmüt unt blüth
19 Herzliebstes bild beweiss dich milt -
Appears on: 19
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Hertzliebstes bild beweiss dich milt
19v–20 L'heur et malheur de vostre cognoissance -
Appears on: 19v–20
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Lheur et malheur
20–20v Mon coeur voulut dedans soy recepvoir -
Appears on: 20–20v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon cueur volut
20v–21 Amours brusle par son ardente flamme -
Appears on: 20v–21
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amour brusle
21v Do ich min lieb von erst ansach -
Appears on: 21v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Do ich min lieb von erst ansach
22 Hört zu mit schal on lidens qual - Anonymous
Appears on: 22
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Hört zu mit schal on lidens qual
22v Bywonung macht zum narren mich - Anonymous
Appears on: 22v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Bywonung macht zum narren mich
23 Des Königs Lied. Est-il conclu - Anonymous
Appears on: 23
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Des künigs lied. Est il conclud
23v–24 In dulci jubilo wir singen - Anonymous
Appears on: 23v–24
Genres: Chorale, Sacred Song
Voice: [no designation]
Languages: Latin, German
Voice Text: In dulci jubilo wir singen
24v Glück mit der zeit -
Appears on: 24v
Genres: Lied
Voice: [no designation]
Languages: German
Voice Text: Glück mit der zit
25 Willig und treu ich mich ergib (Willig und treu min meysche sy) -
Appears on: 25
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Willig und trüw min meysche sy
25v D'ou [dont] vient cela belle je vous supply -
Appears on: 25v
Genres: Italian secular
Voice: [no designation]
Languages: French
Voice Text: Dont vien cela
26 Dames -
Appears on: 26
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dames
26v–27 Susanna se videns rapi stuprandam fraude (= Susanne un jour) -
Appears on: 26v–27
Genres: Motet
Voice: [no designation]
Languages: insufficient
Voice Text: Susanna
27v–28 Ipsa te cogat - Anonymous

Ipsa te cogat

Anonymous
Appears on: 27v–28
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ipsa te cogat
28v Beatus vir - Anonymous

Beatus vir

Anonymous
Appears on: 28v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir
29v–20 Beatus vir - Anonymous

Beatus vir

Anonymous
Appears on: 29v–20
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir
Composer Compositions
Alder, Cosmas (1500–1550)
Anonymous
Forster, Georg (ca. 1510–1568)
Hofhaimer, Paul
Lupi (II), Didier
Maillard, Jean (fl. c1538–1570)
Schönfelder, Jörg
Sermisy, Claudin de (ca. 1490–1562)
Stoltzer, Thomas (ca. 1480–1526)
Sylvanus, Andreas
Villiers, P[ierre?] de
Walter, Johann (1496–1570)
Wert, Giaches [Jaches] de (1535–1596)
Wolff, Martin
Zwingli, Ulrich
Composition Composers (? Uncertain) Folios / Pages
Ach Herr, vernimm min kläglich Stimm' 18–18v
Amours brusle par son ardente flamme 20v–21
Aus tiefer Not schrei ich zu dir 14v
Beatus vir Anonymous 28v
Beatus vir Anonymous 29v–20
Bywonung macht zum narren mich Anonymous 22v
D'ou [dont] vient cela belle je vous supply 25v
Dames 26
Dein armer Hauf, Herr, tut klagen 15v
Des Königs Lied. Est-il conclu Anonymous 23
Do ich min lieb von erst ansach 21v
Es wolt ein jäger jagen Anonymous 12v
Frölich wellen wir Alleluia singen 15
Gelobet seist Du, Jesu Christ, dass Du Mensch 13
Glück mit der zeit 24v
Gott geb üch hint ein gute nacht Anonymous 12
Herr nun heb den Wagen selb 16v
Herzliebstes bild beweiss dich milt 19
Hilf Herre Gott dem Deinen Knecht Anonymous 13v
Hört zu mit schal on lidens qual Anonymous 22
Ich klag den tag und alle stund 16
In dulci jubilo wir singen Anonymous 23v–24
Ipsa te cogat Anonymous 27v–28
Kum heiliger geist - 1a pars (of 2): Kum heiliger geist herre Gott Anonymous 17–17v
Kum heiliger geist - 2a pars (of 2): Anonymous 17v–18
L'heur et malheur de vostre cognoissance 19v–20
Laborett Dominus laborette Anonymous 12
Mein G'müt und Blüt ist gar entzünd 18v
Mon coeur voulut dedans soy recepvoir 20–20v
Nun welche hie ir hoffnung gar Anonymous 14
Susanna se videns rapi stuprandam fraude (= Susanne un jour) 26v–27
Willig und treu ich mich ergib (Willig und treu min meysche sy) 25

Set: MS F.IX.32-35

Type: Partbooks

No images available

CH-Bu F IX 32

No images available

CH-Bu F IX 33

No images available

CH-Bu F IX 34

No images available

CH-Bu F IX 35

denotes primary source study

Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung.  Basel. Notes: physical description; contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: ll-4. Notes: contents list; incipits.

Stenzl, Jürg. 1972. Das Musikheft des Simon Zmutt von Sitten (Sitten, Kapitelarchiv, Tir. 87-4). Schweizer Beitrage zur Musikwissenschaft, 115-32. Pages: 24. Notes: contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 53,85-7,175. Notes: contents list (partial); mention of MS; discussion.

Richter, Julius. 1892. Katalog der Musik-Sammlung auf der Universitäts-Bibliothek in Basel. Supplement to Monatshefte für Musik-Geschichte, . Pages: 39-40.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description