H-Bn MS Bártfa 24 (c)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: after 1555; Part II: 1584-1616

Archive	Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark	MS Bártfa 24 (c)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	270 x 190 mm
Other Identifiers	CCM: BudOS 24
Copyists	scribal concordance [112] Music
Relationships	Church of St. Aegidi (owner)
Provenance	Church of St. Aegidi , Bardejov (Bártfa), Slovakia
Contents	119 pieces from 22 composers

General Description

A Tenor partbook from a set of four volumes. Copied by several scribes; scribal concordance with BudOS P1 (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS P1 (MurIO) or alternatively BudOS P1 was copied from BudOS 8 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023

Physical Description

Several books damaged, with some folios only remaining fragmentarily. Loss of a few pages in 24(c), and about half the pages in 24(b).

DIAMM, 2023

Binding

Restored and rebound in half-leather (MurTVB)

DIAMM, 2023

Notation

not indicated

DIAMM, 2017

Foliation

Original foliation in all books; MurTVB gives no foliation for Part I (the mass proper settings), nor is there original numbering for them. Modern foliation added.

DIAMM, 2023

Decoration

Some initials, titles, and rubrics are green.

DIAMM, 2017

Index

Original index in all books, listing the first 19 pieces

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 14 Kyrie-Gloria pairs, 4 Kyries, 1 German Credo, 13 Mass Proper cycles, 10 Mass Proper sections, 1 German Te Deum, 3 psalms, 2 hymns, 13 motets, 1 set of responses, 1 German sacred piece, 1 German/Latin sacred piece = 70

(Finck)-1, Florius-1, Gosswin [Anton Josquin]-1, Hähnel [Galliculus]-2, Händl-7, (Hassler)-1, I.W.N.S.-1, Isaac-14, Josquin-1, Judex-1, Knöfel-1, Lassus-2, (Lechner)-1, Paminger-1, Roselli-1, (Senfl)-1, (Stoltzer)-2, Tonsor-1, (Zeuner)-1, anon-33

4 paper partbooks (D-77 folios, A-ii + 40, T-72, B-78), 270 x 190. The altus book is incomplete; some folios are fragmentary. New foliation. Original index in all books, listing the first 19 pieces. Copied by several scribes; scribal concordance with BudOS PI (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS PI (MurIO). Some initials, titles, and rubrics are green.

Part I: After 1555; Part II: 1584-1616 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response
1	Set of responses Amen. Et cum spiritu tuo	-	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response
1	Set of responses Amen. Et cum spiritu tuo	Anon.	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: 1 Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Et cum spiritu tuo
[-]	Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Rorate) Coeli desuper et nubes pluant Vs: (Coeli enarrant) Et opera manuum eius General Note MurTVB gives no foliation for the mass proper settings; nor are they numbered in the books.
[-]	Missa 4vv: Kyrie	Anon.	Anonymous
Missa 4vv: Kyrie Anonymous Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kirie eleyson
[-]	Missa 4vv: Gloria	-	Anonymous
Missa 4vv: Gloria Anonymous Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary
[-]	Missa 4vv: Credo	-	Anonymous
Missa 4vv: Credo Anonymous Appears on: [-] Genres: Credo (patrem omnipotentem), Mass Ordinary
[-]	Missa 4vv: Sanctus	-	Anonymous
Missa 4vv: Sanctus Anonymous Appears on: [-] Genres: Mass Ordinary, Sanctus [& Benedictus]
[-]	Missa 4vv: Agnus Dei	-	Anonymous
Missa 4vv: Agnus Dei Anonymous Appears on: [-] Genres: Agnus Dei, Mass Ordinary
[-]	Missa Baisez-moi: Kyrie	[Roselli]	Rouseli, Petri
Missa Baisez-moi: Kyrie Rouseli, Petri Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Roselli] Voice: [no designation] Languages: Latin Voice Text: Missa Baisez moi Concordances concordance: RISM 1541-1 (no.6)
[-]	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Puer natus est nobis Et filius datus est Vs: Cantate domino Quia mirabilia fecit
[-]	Missa de Apostolis a4: Kyrie Magne Deus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Kyrie Magne Deus Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Mass Ordinary, Troped Kyrie Source Attribution: [Isaac] Voice: [no designation] Languages: Greek Voice Text: Missa de Apostolis: Kyrie eleison
[-]	Missa de Apostolis a4: Gloria	Anon.	Isaac, Heinrich (ca. 1450–1517)
Missa de Apostolis a4: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
[-]	Kyrie Fons bonitatis	-	Anonymous
Kyrie Fons bonitatis Anonymous Appears on: [-] Genres: Kyrie eleison, Mass Ordinary
[-]	Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dies sanctificatus illuxit nobis
[-]	Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	[Finck]	Finck, Heinrich
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo Finck, Heinrich Appears on: [-] Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes redamus domino deo
[-]	Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	-	Finck, Heinrich
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis Finck, Heinrich Appears on: [-] Genres: Motet
[-]	Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Ecce advenit) Dominator dominus et regnum Vs: (Deus iudicium tuum) Et iustitiam tuam
[-]	Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Vidimus stellam eius in oriente
[-]	Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Festa Christi omnis Christianitas] Quae miris sunt modis ornata cunctisque General Note in (d) below the 4th verse, the Alto voice-part is copied though (it is also in (b))
[-]	Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Suscepimus Deus misericordiam tuam in medio Vs: Magnus dominus In civitate dei nostri
[-]	Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Laetabundus exultet fidelis chorus] Regem regum intacte profudit thorus
[-]	Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Ave Maria, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Ave Maria gratia plena dominus tecum] Quomodo inquit fiet istud quoniam virum
[-]	Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum Stoltzer, Thomas (ca. 1480–1526) Appears on: [-] Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Circumdederunt me) Gemitus mortis dolores Vs: (Diligam te domine) Dominus firmamentum
[-]	De profundis clamavi ad te Domine	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
De profundis clamavi ad te Domine Stoltzer, Thomas (ca. 1480–1526) Appears on: [-] Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine
[-]	Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri Stoltzer, Thomas (ca. 1480–1526) Appears on: [-] Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
[-]	Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua Stoltzer, Thomas (ca. 1480–1526) Appears on: [-] Genres: Introit Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iusticia tua General Note Some pages are missing in 24(c) after this piece, with loss of the next three pieces
[-]	Missa de passione: KG	Anon.	Anonymous
Missa de passione: KG Anonymous Appears on: [-] Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] (CSA on ff. 19v-20v) Concordances concordance: RISM 1538-1 (no.4)
[-]	Alleluia. Ave rex noster tu solus	Anon.	Anonymous
Alleluia. Ave rex noster tu solus Anonymous Appears on: [-] Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Ave rex noster tu solus Concordances concordance: RISM 1538-1 (no.4)
[-]	Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione	Anon.	Anonymous
Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Ave Jesu Christe qui pro peccatorum] Ave Jesu Christe qui pro redemptione Concordances concordance: RISM 1538-1 (no.4)
[-]	Missa de passione: CSA	Anon.	Anonymous
Missa de passione: CSA Anonymous Appears on: [-] Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [CSA] (KG on ff. 16v-17v) Concordances concordance: RISM 1538-1 (no.4)
[-]	Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Ioannis Galliculi [= Hähnel]	Galliculus, Johannes
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Galliculus, Johannes Appears on: [-] Genres: Introit Source Attribution: Ioannis Galliculi [= Hähnel] Voice: [no designation] Languages: Latin Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti
[-]	Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti me
[-]	Kyrie eleison	Anon.	Anonymous
Kyrie eleison Anonymous Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG] General Note Both Kyrie & Gloria are sometimes paired with other settings in Bartfa mss.
[-]	Et in terra pax [Gloria]	-	Anonymous
Et in terra pax [Gloria] Anonymous Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary General Note Both Kyrie & Gloria are sometimes paired with other settings in Bartfa mss.
[-]	Missa Paschalis: Kyrie eleison	[Isaac-anon.]	Anonymous
Missa Paschalis: Kyrie eleison Anonymous Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Isaac-anon.] Voice: [no designation] Languages: Latin Voice Text: Kiriae eleyson [from Missa Paschalis]
[-]	Missa Pascale a4 ad organum: Kyrie	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Kyrie eleison, Mass Ordinary
[-]	Gloria. Gratias agimus tibi propter	Anon.	Galliculus, Johannes
Gloria. Gratias agimus tibi propter Galliculus, Johannes Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Gloria] Gratias agimus tibi propter Concordances concordance: RISM 1539-14
[-]	Alleluia. Pascha nostrum immolatus est [Proper for Easter]	[Isaac]	Isaac, Heinrich (ca. 1450–1517) (?)
Alleluia. Pascha nostrum immolatus est [Proper for Easter] Isaac, Heinrich (ca. 1450–1517) (?) Appears on: [-] Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Pascha nostrum immolatus est
[-]	Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	[Hähnel]	Galliculus, Johannes
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden Galliculus, Johannes Appears on: [-] Genres: Motet Source Attribution: [Hähnel] Voice: [no designation] Languages: Latin Voice Text: [Victimae paschali laudes] Agnus redemit oves General Note a number of pages are lost in 24(b) at this point affectin the next few pieces General Note a number of pages are lost in 24(b) at this point affectin the next few pieces
[-]	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	[Bruck]	Bruck, Arnold von (ca. 1500–1554)
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) Bruck, Arnold von (ca. 1500–1554) Appears on: [-] Genres: Chorale, Credo (patrem omnipotentem), Motet Source Attribution: [Bruck] Voice: [no designation] Languages: German Voice Text: Wir glauben auch an Jesum Christ, seinen Sohn
[-]	Missa Pascale a4 ad organum: Sanctus	Anon.	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Missa] [SA]
[-]	Missa Pascale a4 ad organum: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale a4 ad organum: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Agnus Dei, Mass Ordinary
[-]	Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Concordances NB this setting of Viri Galilaei is apparently NOT concordant with the Choralis Constantinus setting (Proprium de Ascensione)
[-]	Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Dominus in Sina in sancto
[-]	Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Rex omnipotens die hodierna] Mundo triumphali redempto potentia [= Sancti spiritus adsit nobis gratia]
[-]	Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	Anon.	Isaac, Heinrich (ca. 1450–1517)
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Summi triumphum regis prosequamur] Qui caeli qui terrae regis sceptra
[-]	Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Spiritus domini) Replevit orbem terrarum Vs: (Confirma hoc deus) A templo sancto
[-]	Missa Descendi in ortum meum: Kyrie	Henr: Isac/[Brumel]	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Kyrie Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henr: Isac/[Brumel] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Descendi in ortum meum] [KG] (CS on ff. 33-34v)
[-]	Missa Descendi in ortum meum: Gloria	-	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Descendi in ortum meum: Gloria Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary
[-]	Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet, Veni sancte spiritus Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Veni sancte spiritus reple tuorum
[-]	Veni sancte spiritus (4vv) [P19b]	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543)
Veni sancte spiritus (4vv) [P19b] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: [-] Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte caelitus
[-]	Missa Descendi in ortum meum: Credo	[Brumel/Isaac-anon.]	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)
Missa Descendi in ortum meum: Credo Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: [-] Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [Brumel/Isaac-anon.] Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Descendi in ortum meum] [CS] (KG copied on ff. 30v-32. Sanctus copied here is not the one associated with the Mass in other sources)
[-]	Sanctus	-	Anonymous
Sanctus Anonymous Appears on: [-] Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Sanctus is not from the Brumel/[Isaac] mass
[-]	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	[Rein]	Rein, Conrad (ca. 1475–1522)
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium Rein, Conrad (ca. 1475–1522) Appears on: [-] Genres: Motet Source Attribution: [Rein] Voice: [no designation] Languages: Latin Voice Text: Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu
[-]	Missa: Kyrie solemne	-	Anonymous
Missa: Kyrie solemne Anonymous Appears on: [-] Genres: Kyrie eleison, Mass Ordinary
[-]	Missa: Et in terra [Gloria]	Anon.	Isaac, Heinrich (ca. 1450–1517)
Missa: Et in terra [Gloria] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
[-]	Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedictus es domine deus
[-]	Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Sequence Source Attribution: [Isaac]
[-]	De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Introit Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (De ventre matris meae) Vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
[-]	Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Inter natos mulierum non surrexit General Note a missing page in 24(b) leaves this and the next piece incomplete
[-]	Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: [Psallite regi nostro psallite prudenter] Nam psalterium est iucundum (Original Isaac text also underlaid: "[Laus tibi Christe qui es creator] Coeli terrae maris angelorum")
[-]	Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Sequence Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Vultum tuum deprecabuntur
[-]	Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Iosquin/[La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Iosquin/[La Rue] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa De beata Virgine 3.3
[-]	Missa Beata Virgine = Missa Coronata 3.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: [-] Genres: Gloria (et in terra pax), Mass Ordinary
[-]	Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena]	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. [Maria] Haec est illa General Note missing pages in 24(b) leave the next few pieces incomplete
[-]	Alleluia. Benedicta tu inter mulieres	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Alleluia. Benedicta tu inter mulieres Isaac, Heinrich (ca. 1450–1517) Appears on: [-] Genres: Alleluia, Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Alleluia. Benedicta tu inter mulieres
[-]	Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anon.	Anonymous
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt ingressus tuos deus ingressus Vs: Illuxerunt corruscationes tuae
[-]	Alleluia. Candor est lucis aeternae	Anon.	Anonymous
Alleluia. Candor est lucis aeternae Anonymous Appears on: [-] Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Candor est lucis aeternae
[-]	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anon.	Anonymous
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Adest dies celebris quo pacatus] Mentes ut alliciat infirmas
[-]	Viderunt omnes fines terrae salutare	Anon.	Anonymous
Viderunt omnes fines terrae salutare Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Viderunt omnes fines terrae salutare
[-]	Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anon.	Anonymous
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicite domino omnes angeli domino Vs: (Benedic anima mea) Et omnia quae intra
[-]	Alleluia. Concussum est mare et contremuit	Anon.	Anonymous
Alleluia. Concussum est mare et contremuit Anonymous Appears on: [-] Genres: Alleluia, Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alleluia. Concussum est mare et contremuit
[-]	Summi regis archangele Michael intende Te namque profitemur esse supernorum	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Summi regis archangele Michael intende Te namque profitemur esse supernorum Stoltzer, Thomas (ca. 1480–1526) Appears on: [-] Genres: Motet Source Attribution: [Stoltzer] Voice: [no designation] Languages: Latin Voice Text: [Summi regis archangele Michael intende] Te namque profitemur esse supernorum
42–42v	Viri Galilaei Quid admiramini (= Ascendo ad patrem)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Viri Galilaei Quid admiramini (= Ascendo ad patrem) Isaac, Heinrich (ca. 1450–1517) Appears on: 42–42v Genres: Contrafactum, Hymn Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
42v	Kyrie [Tro] magne Deus potentiae	Anon.	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 42v Genres: Mass Ordinary, Troped Kyrie Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie Magne deus
43–43v	Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti	Anon.	Lechner, Leonhard
Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti Lechner, Leonhard Appears on: 43–43v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: (Mihi autem nimis) Honorati sunt amici Vs: (Domine probasti me) Tu cognovisti
43v–44	Missa Veni in ortum meum: Kyrie	Orlandi Lassi	Lassus, Orlande de (ca. 1532–1594)
Missa Veni in ortum meum: Kyrie Lassus, Orlande de (ca. 1532–1594) Appears on: 43v–44 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Orlandi Lassi Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Veni in hortum meum [KG] General Note f.39 in 24(b) is fragmentary affecting this piece
44–45v	Missa Veni in ortum meum: Et in terra [Gloria]	[Lechner]	Lassus, Orlande de (ca. 1532–1594)
Missa Veni in ortum meum: Et in terra [Gloria] Lassus, Orlande de (ca. 1532–1594) Appears on: 44–45v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [Lechner] Voice: [no designation] Languages: Latin Voice Text: (Mihi autem nimis) Honorati sunt amici Vs: (Domine probasti me) Tu cognovisti (Discantus part, although copied in B book) General Note f.39 in 24(b) is fragmentary affecting this piece. All subsequent pages of 24(b) have been lost leaving the rest of the pieces in the books incomplete
45v–51v	Missa Praeter rerum seriem (KGCSA)	Anon.	Anonymous
Missa Praeter rerum seriem (KGCSA) Anonymous Appears on: 45v–51v Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Missa super Praeter rerum seriem General Note (this is not Daser's setting)
52–54v	Missa Christe qui lux KGSA	Anon.	Anonymous
Missa Christe qui lux KGSA Anonymous Appears on: 52–54v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Christe qui lux [KGSA]
54v–55v	Missa Bewar mich Herr KG	Anon.	Anonymous
Missa Bewar mich Herr KG Anonymous Appears on: 54v–55v Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Bewar mich Herr [KG]
55v–56	Missa De profundis: Kyrie	[Trojanus]	Grüntlerus, N. Trojanus
Missa De profundis: Kyrie Grüntlerus, N. Trojanus Appears on: 55v–56 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [Trojanus] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super De profundis [KG]
56–57	Missa De profundis: Gloria	-	Grüntlerus, N. Trojanus
Missa De profundis: Gloria Grüntlerus, N. Trojanus Appears on: 56–57 Genres: Gloria (et in terra pax), Mass Ordinary
57–58	Missa Da Jacob das Kleid ansach: KG	Paminger	Paminger, Leonhard (1495–1567)
Missa Da Jacob das Kleid ansach: KG Paminger, Leonhard (1495–1567) Appears on: 57–58 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Paminger Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Da Jacob das Kleidt ansach [KG]
58v–59	Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) Handl (Gallus), Jacobus (1550–1591) Appears on: 58v–59 Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Vidit Jacob in somnis scalam stantem II: Dilataberis ab oriente in occidentem III: Cumque evigilasset de somno Jacob General Note Originally this piece is in 8vv, but none of the books carry extra voices; perhaps this is a 4vv arrangement of the original? (Ditto for the next 3 pieces.)
59–59v	O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	Anon.	Anonymous
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) Anonymous Appears on: 59–59v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O deus immensi fabricator maxime mundi General Note MurTVB does not specify how many voices are copied
59v	Laetamini cum Jerusalem et exultate in ea	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Laetamini cum Jerusalem et exultate in ea Handl (Gallus), Jacobus (1550–1591) Appears on: 59v Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Laetamini cum Herusalem et exultate
59v	Quid admiramini quid opiniamini filiae	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Quid admiramini quid opiniamini filiae Handl (Gallus), Jacobus (1550–1591) Appears on: 59v Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Quid admiramini quid opinamini filiae
60	Quoties diem illum considero quoties diem	Mich: Tonsoris	Tonsor, Michael
Quoties diem illum considero quoties diem Tonsor, Michael Appears on: 60 Genres: Motet Source Attribution: Mich: Tonsoris Voice: [no designation] Languages: Latin Voice Text: Quoties diem illum considero quoties diem
60	Docti fulgebunt sicut splendor firmamenti	Valentinus Judex	Judex, Valentin
Docti fulgebunt sicut splendor firmamenti Judex, Valentin Appears on: 60 Genres: Motet Source Attribution: Valentinus Judex Voice: [no designation] Languages: Latin Voice Text: Docti fulgebunt sicut splendor firmamenti
60v	Domine quando veneris judicare terram	Johan. Knoefol [= Knöfel]	Handl (Gallus), Jacobus (1550–1591)
Domine quando veneris judicare terram Handl (Gallus), Jacobus (1550–1591) Appears on: 60v Genres: Motet Source Attribution: Johan. Knoefol [= Knöfel] Voice: [no designation] Languages: Latin Voice Text: Domine quando veneris judicare terram
60v	Domine quid multiplicati sunt qui tribulant	[Lassus]	Lassus, Orlande de (ca. 1532–1594)
Domine quid multiplicati sunt qui tribulant Lassus, Orlande de (ca. 1532–1594) Appears on: 60v Genres: Motet Source Attribution: [Lassus] Voice: [no designation] Languages: Latin Voice Text: Domine quid multiplicati sunt qui tribulant
61	Ad te levavi oculos meos qui habitas in caelis	Anton Josquinus [= Gosswin]	Goswin, Anthonius
Ad te levavi oculos meos qui habitas in caelis Goswin, Anthonius Appears on: 61 Genres: Motet Source Attribution: Anton Josquinus [= Gosswin] Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos meos qui habitas
61v–62	Missa Ob ich schon arm: KG	Jacob Han: [= Händl]	Handl (Gallus), Jacobus (1550–1591)
Missa Ob ich schon arm: KG Handl (Gallus), Jacobus (1550–1591) Appears on: 61v–62 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Jacob Han: [= Händl] Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Ob ich schon arm [KG]
62–62v	Missa Ich stund an einem Morgen: Kyrie	Jacob: Handel Gallus	Handl (Gallus), Jacobus (1550–1591)
Missa Ich stund an einem Morgen: Kyrie Handl (Gallus), Jacobus (1550–1591) Appears on: 62–62v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacob: Handel Gallus Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Ich stund an einem Morgen [KG] Layout 2 voice parts in 24(a)
62v–63v	Missa Ich stund an einem Morgen: Gloria	-	Handl (Gallus), Jacobus (1550–1591)
Missa Ich stund an einem Morgen: Gloria Handl (Gallus), Jacobus (1550–1591) Appears on: 62v–63v Genres: Gloria (et in terra pax), Mass Ordinary Layout 2 voice parts in 24(a)
63v	Missa Un gay berger: Kyrie	Jacob: Händl	Handl (Gallus), Jacobus (1550–1591)
Missa Un gay berger: Kyrie Handl (Gallus), Jacobus (1550–1591) Appears on: 63v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jacob: Händl Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Ungaÿbergir [= Missa Ung gay bergier] [KG]
63v	Missa Un gay berger: Gloria	-	Handl (Gallus), Jacobus (1550–1591)
Missa Un gay berger: Gloria Handl (Gallus), Jacobus (1550–1591) Appears on: 63v Genres: Gloria (et in terra pax), Mass Ordinary
63v–64	Missa Sidus ex claro: Kyrie	Orlandi Lassi	Lassus, Orlande de (ca. 1532–1594)
Missa Sidus ex claro: Kyrie Lassus, Orlande de (ca. 1532–1594) Appears on: 63v–64 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Orlandi Lassi Voice: [no designation] Languages: Latin, Greek Voice Text: Missa super Sydus ex claro veniens [KG] Layout 2 voice parts in 24(d)
64–64v	Missa Sidus ex claro: Gloria	-	Lassus, Orlande de (ca. 1532–1594)
Missa Sidus ex claro: Gloria Lassus, Orlande de (ca. 1532–1594) Appears on: 64–64v Genres: Gloria (et in terra pax), Mass Ordinary Layout 2 voice parts in 24(d)
64v–65v	Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anon.	Anonymous
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) Anonymous Appears on: 64v–65v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex Christe II: Israel es tu rex Davidis et inclyta III: Coetus in excelsis te laudat IV: Plebs Hebraea tibi cum palmis V: Hi tibi passuro solvebant munia VI: Hi placuere tibi placeat devotio VII: Gloria laus et honor tibi sit rex
65v–66	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	[Finck]	Finck, Heinrich
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt Finck, Heinrich Appears on: 65v–66 Genres: Motet Source Attribution: [Finck] Voice: [no designation] Languages: Latin Voice Text: Et valde mane uns sabbathorum veniunt II: Et ingressae mulieres non invenerunt
66	Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	-	Finck, Heinrich
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt Finck, Heinrich Appears on: 66 Genres: Motet
66–66v	Erravi sicut ovis que periit neque	Anon.	Anonymous
Erravi sicut ovis que periit neque Anonymous Appears on: 66–66v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Erravi sicut ovis que periit neque Layout 2vv copied in 24(a), 24(c)
66v–67	Her Gott dich loben wier Her Gott wir danken dier	I.W.N.S.	IWNS
Her Gott dich loben wier Her Gott wir danken dier IWNS Appears on: 66v–67 Genres: Motet, Te Deum Source Attribution: I.W.N.S. Voice: [no designation] Languages: German Voice Text: Her Gott dich loben wier Her Gott wir dancken dier
67–67v	Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti	Anon.	Anonymous
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti Anonymous Appears on: 67–67v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti
67v–68	Missa Lyra lyram pulses: KG	Jacobi Florii Belgae	Flori, Jacobus
Missa Lyra lyram pulses: KG Flori, Jacobus Appears on: 67v–68 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Jacobi Florii Belgae Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] [KG]
68–68v	Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi)	Jacobi Händelii [= Händl]	Handl (Gallus), Jacobus (1550–1591)
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) Handl (Gallus), Jacobus (1550–1591) Appears on: 68–68v Genres: Motet Source Attribution: Jacobi Händelii [= Händl] Voice: [no designation] Languages: Latin Voice Text: Gratia dei sum id quod sum et gratia II: Bonum certamen certavi cursum Layout 2vv copied in 24(d)
68v–69v	Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper)	Anon.	Anonymous
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper) Anonymous Appears on: 68v–69v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus semper Layout 2vv copied in 24(c)
69v–70	Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anon.	Anonymous
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) Anonymous Appears on: 69v–70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Salve festa dies toto venerabilis/Also heilig II: Ecce renascentis testatur gratia III: Namque triumphanti post tristia
[70]	Alle Dei filius ab hoste superbissimo	Anon.	Anonymous
Alle Dei filius ab hoste superbissimo Anonymous Appears on: [70] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Alle dei filius ab hoste superbissimo General Note not listed in MurTVB
[70]	Also heilig ist der Tag, dass ihn niemand	Anon.	Anonymous
Also heilig ist der Tag, dass ihn niemand Anonymous Appears on: [70] Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Also heilig ist der tag dass ihn niemandt General Note not listed in MurTVB
71	Domine ad adjuvandum	-	Asola, Giammateo (ca. 1532–1609)
Domine ad adjuvandum Asola, Giammateo (ca. 1532–1609) Appears on: 71 Genres: Hymn General Note There are 4 settings of this hymn by Asola in Tonkunst Schletterer 25 - it is likely that this setting is concordant with one of them Layout 2vv copied in 24(d)
71v	Dies est laetitiae in ortu regali	Anon.	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 71v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dies est laeticiae in ortu regali
71v	Laudate pueri Dominum laudate nomen	Anon.	Anonymous
Laudate pueri Dominum laudate nomen Anonymous Appears on: 71v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ps. 112: Laudate dominum omnes gentes
71v	Domine ad adjuvandum me festina gloria	-	Anonymous
Domine ad adjuvandum me festina gloria Anonymous Appears on: 71v Genres: Motet
71v	Laudate pueri Dominum laudate nomen	-	Stoltzer, Thomas (ca. 1480–1526)
Laudate pueri Dominum laudate nomen Stoltzer, Thomas (ca. 1480–1526) Appears on: 71v Genres: Motet, Psalm
72	Vespere autem sabbati quae lucescit	[Händl]	Handl (Gallus), Jacobus (1550–1591)
Vespere autem sabbati quae lucescit Handl (Gallus), Jacobus (1550–1591) Appears on: 72 Genres: Motet Source Attribution: [Händl] Voice: [no designation] Languages: Latin Voice Text: Vespere autem sabbathi quae lucescit

Composer	Compositions
Anonymous	Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas – [-] Alle Dei filius ab hoste superbissimo – [70] Alleluia. Ave rex noster tu solus – [-] Alleluia. Candor est lucis aeternae – [-] Alleluia. Concussum est mare et contremuit – [-] Also heilig ist der Tag, dass ihn niemand – [70] Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione – [-] Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra – [-] Dies est laetitiae in ortu regali – 71v Domine ad adjuvandum me festina gloria – 71v Erravi sicut ovis que periit neque – 66–66v Et in terra pax [Gloria] – [-] Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex) – 64v–65v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper) – 68v–69v Kyrie Fons bonitatis – [-] Kyrie [Tro] magne Deus potentiae – 42v Kyrie eleison – [-] Laudate pueri Dominum laudate nomen – 71v Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti – 67–67v Missa 4vv: Agnus Dei – [-] Missa 4vv: Credo – [-] Missa 4vv: Gloria – [-] Missa 4vv: Kyrie – [-] Missa 4vv: Sanctus – [-] Missa Bewar mich Herr KG – 54v–55v Missa Christe qui lux KGSA – 52–54v Missa Paschalis: Kyrie eleison – [-] Missa Praeter rerum seriem (KGCSA) – 45v–51v Missa de passione: CSA – [-] Missa de passione: KG – [-] Missa: Kyrie solemne – [-] O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) – 59–59v Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia) – 69v–70 Sanctus – [-] Set of responses Amen. Et cum spiritu tuo – 1 Set of responses Amen. Et cum spiritu tuo – 1 Set of responses Amen. Et cum spiritu tuo – 1 Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi – [-] Viderunt omnes fines terrae salutare – [-]
Asola, Giammateo (ca. 1532–1609)	Domine ad adjuvandum – 71
Bruck, Arnold von (ca. 1500–1554)	Wir glauben auch an Jesum Christ, seinen Sohn (German Credo) – [-]
Brumel, Antoine (ca. 1460–ca. 1513)	Missa Descendi in ortum meum: Credo – [-] Missa Descendi in ortum meum: Gloria – [-] Missa Descendi in ortum meum: Kyrie – [-]
Despres, Josquin (ca. 1450–1521)	Missa Beata Virgine = Missa Coronata 3.3: Gloria – [-] Missa Beata Virgine = Missa Coronata 3.3: Kyrie – [-]
Finck, Heinrich	Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt – 65v–66 Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt – 66 Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo – [-] Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis – [-]
Flori, Jacobus	Missa Lyra lyram pulses: KG – 67v–68
Galliculus, Johannes	Gloria. Gratias agimus tibi propter – [-] Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me – [-] Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden – [-]
Goswin, Anthonius	Ad te levavi oculos meos qui habitas in caelis – 61
Grüntlerus, N. Trojanus	Missa De profundis: Gloria – 56–57 Missa De profundis: Kyrie – 55v–56
Handl (Gallus), Jacobus (1550–1591)	Domine quando veneris judicare terram – 60v Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) – 68–68v Laetamini cum Jerusalem et exultate in ea – 59v Missa Ich stund an einem Morgen: Gloria – 62v–63v Missa Ich stund an einem Morgen: Kyrie – 62–62v Missa Ob ich schon arm: KG – 61v–62 Missa Un gay berger: Gloria – 63v Missa Un gay berger: Kyrie – 63v Quid admiramini quid opiniamini filiae – 59v Vespere autem sabbati quae lucescit – 72 Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob) – 58v–59
IWNS	Her Gott dich loben wier Her Gott wir danken dier – 66v–67
Isaac, Heinrich (ca. 1450–1517)	Alleluia. Benedicta tu inter mulieres – [-] Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] – [-] Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] – [-] Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] – [-] Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae] – [-] Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena] – [-] (?) Alleluia. Pascha nostrum immolatus est [Proper for Easter] – [-] Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] – [-] Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] – [-] Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur – [-] Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] – [-] De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] – [-] Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] – [-] Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus – [-] (?) Missa Descendi in ortum meum: Credo – [-] (?) Missa Descendi in ortum meum: Gloria – [-] (?) Missa Descendi in ortum meum: Kyrie – [-] Missa Pascale a4 ad organum: Agnus Dei – [-] Missa Pascale a4 ad organum: Kyrie – [-] Missa Pascale a4 ad organum: Sanctus – [-] Missa de Apostolis a4: Gloria – [-] Missa de Apostolis a4: Kyrie Magne Deus – [-] Missa: Et in terra [Gloria] – [-] Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe) – [-] Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] – [-] Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) – [-] Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] – [-] Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis) – [-] Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] – [-] Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu] – [-] Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis – [-] Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] – [-] Viri Galilaei Quid admiramini (= Ascendo ad patrem) – 42–42v Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite – [-] Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] – [-]
Judex, Valentin	Docti fulgebunt sicut splendor firmamenti – 60
Lassus, Orlande de (ca. 1532–1594)	Domine quid multiplicati sunt qui tribulant – 60v Missa Sidus ex claro: Gloria – 64–64v Missa Sidus ex claro: Kyrie – 63v–64 Missa Veni in ortum meum: Et in terra [Gloria] – 44–45v Missa Veni in ortum meum: Kyrie – 43v–44
Lechner, Leonhard	Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti – 43–43v
Paminger, Leonhard (1495–1567)	Missa Da Jacob das Kleid ansach: KG – 57–58
Rein, Conrad (ca. 1475–1522)	Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium – [-]
Rouseli, Petri	Missa Baisez-moi: Kyrie – [-]
Senfl, Ludwig (ca. 1486–ca. 1543)	Veni sancte spiritus (4vv) [P19b] – [-]
Stoltzer, Thomas (ca. 1480–1526)	Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum – [-] De profundis clamavi ad te Domine – [-] Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua – [-] Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri – [-] Laudate pueri Dominum laudate nomen – 71v Summi regis archangele Michael intende Te namque profitemur esse supernorum – [-]
Tonsor, Michael	Quoties diem illum considero quoties diem – 60

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos qui habitas in caelis	Goswin, Anthonius	61
Adest dies celebris quo pacatus miseris Mentes ut alliciat infirmas	Anonymous	[-]
Alle Dei filius ab hoste superbissimo	Anonymous	[70]
Alleluia. Ave rex noster tu solus	Anonymous	[-]
Alleluia. Benedicta tu inter mulieres	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Candor est lucis aeternae	Anonymous	[-]
Alleluia. Concussum est mare et contremuit	Anonymous	[-]
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Inter natos mulierum non surrexit [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Maria Haec est illa [Proprium de S. Maria Magdalena]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Pascha nostrum immolatus est [Proper for Easter]	Isaac, Heinrich (ca. 1450–1517) (?)	[-]
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	[-]
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	[-]
Also heilig ist der Tag, dass ihn niemand	Anonymous	[70]
Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione	Anonymous	[-]
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur	Isaac, Heinrich (ca. 1450–1517)	[-]
Benedicite Domino omnes angeli Domino Vs: Benedic anima mea Et omnia quae intra	Anonymous	[-]
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate]	Isaac, Heinrich (ca. 1450–1517)	[-]
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium	Rein, Conrad (ca. 1475–1522)	[-]
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum	Stoltzer, Thomas (ca. 1480–1526)	[-]
De profundis clamavi ad te Domine	Stoltzer, Thomas (ca. 1480–1526)	[-]
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae]	Isaac, Heinrich (ca. 1450–1517)	[-]
Dies est laetitiae in ortu regali	Anonymous	71v
Docti fulgebunt sicut splendor firmamenti	Judex, Valentin	60
Domine ad adjuvandum	Asola, Giammateo (ca. 1532–1609)	71
Domine ad adjuvandum me festina gloria	Anonymous	71v
Domine quando veneris judicare terram	Handl (Gallus), Jacobus (1550–1591)	60v
Domine quid multiplicati sunt qui tribulant	Lassus, Orlande de (ca. 1532–1594)	60v
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini]	Isaac, Heinrich (ca. 1450–1517)	[-]
Erravi sicut ovis que periit neque	Anonymous	66–66v
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua	Stoltzer, Thomas (ca. 1480–1526)	[-]
Et in terra pax [Gloria]	Anonymous	[-]
Et valde mane - 1a pars (of 2): Et valde mane una sabbatorum veniunt	Finck, Heinrich	65v–66
Et valde mane - 2a pars (of 2): Et ingressae mulieres non invenerunt	Finck, Heinrich	66
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri	Stoltzer, Thomas (ca. 1480–1526)	[-]
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclyta; 3p. Coetus in excelsis te laudat; 4p. Plebs Hebraea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio; 7p. Gloria laus et honor tibi sit rex)	Anonymous	64v–65v
Gloria. Gratias agimus tibi propter	Galliculus, Johannes	[-]
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo	Finck, Heinrich	[-]
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis	Finck, Heinrich	[-]
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus semper)	Anonymous	68v–69v
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi)	Handl (Gallus), Jacobus (1550–1591)	68–68v
Her Gott dich loben wier Her Gott wir danken dier	IWNS	66v–67
Kyrie [Tro] magne Deus potentiae	Anonymous	42v
Kyrie eleison	Anonymous	[-]
Kyrie Fons bonitatis	Anonymous	[-]
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus	Isaac, Heinrich (ca. 1450–1517)	[-]
Laetamini cum Jerusalem et exultate in ea	Handl (Gallus), Jacobus (1550–1591)	59v
Laudate pueri Dominum laudate nomen	Anonymous	71v
Laudate pueri Dominum laudate nomen	Stoltzer, Thomas (ca. 1480–1526)	71v
Mihi autem nimis honorati sunt amici Vs: Domine probasti me et cognovisti	Anonymous	67–67v
Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti	Lechner, Leonhard	43–43v
Missa 4vv: Agnus Dei	Anonymous	[-]
Missa 4vv: Credo	Anonymous	[-]
Missa 4vv: Gloria	Anonymous	[-]
Missa 4vv: Kyrie	Anonymous	[-]
Missa 4vv: Sanctus	Anonymous	[-]
Missa Baisez-moi: Kyrie	Rouseli, Petri	[-]
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	[-]
Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Despres, Josquin (ca. 1450–1521)	[-]
Missa Bewar mich Herr KG	Anonymous	54v–55v
Missa Christe qui lux KGSA	Anonymous	52–54v
Missa Da Jacob das Kleid ansach: KG	Paminger, Leonhard (1495–1567)	57–58
Missa de Apostolis a4: Gloria	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa de Apostolis a4: Kyrie Magne Deus	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa de passione: CSA	Anonymous	[-]
Missa de passione: KG	Anonymous	[-]
Missa De profundis: Gloria	Grüntlerus, N. Trojanus	56–57
Missa De profundis: Kyrie	Grüntlerus, N. Trojanus	55v–56
Missa Descendi in ortum meum: Credo	Brumel, Antoine (ca. 1460–ca. 1513) Isaac, Heinrich (ca. 1450–1517) (?)	[-]
Missa Descendi in ortum meum: Gloria	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	[-]
Missa Descendi in ortum meum: Kyrie	Isaac, Heinrich (ca. 1450–1517) (?) Brumel, Antoine (ca. 1460–ca. 1513)	[-]
Missa Ich stund an einem Morgen: Gloria	Handl (Gallus), Jacobus (1550–1591)	62v–63v
Missa Ich stund an einem Morgen: Kyrie	Handl (Gallus), Jacobus (1550–1591)	62–62v
Missa Lyra lyram pulses: KG	Flori, Jacobus	67v–68
Missa Ob ich schon arm: KG	Handl (Gallus), Jacobus (1550–1591)	61v–62
Missa Pascale a4 ad organum: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa Pascale a4 ad organum: Kyrie	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa Pascale a4 ad organum: Sanctus	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa Paschalis: Kyrie eleison	Anonymous	[-]
Missa Praeter rerum seriem (KGCSA)	Anonymous	45v–51v
Missa Sidus ex claro: Gloria	Lassus, Orlande de (ca. 1532–1594)	64–64v
Missa Sidus ex claro: Kyrie	Lassus, Orlande de (ca. 1532–1594)	63v–64
Missa Un gay berger: Gloria	Handl (Gallus), Jacobus (1550–1591)	63v
Missa Un gay berger: Kyrie	Handl (Gallus), Jacobus (1550–1591)	63v
Missa Veni in ortum meum: Et in terra [Gloria]	Lassus, Orlande de (ca. 1532–1594)	44–45v
Missa Veni in ortum meum: Kyrie	Lassus, Orlande de (ca. 1532–1594)	43v–44
Missa: Et in terra [Gloria]	Isaac, Heinrich (ca. 1450–1517)	[-]
Missa: Kyrie solemne	Anonymous	[-]
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse)	Anonymous	59–59v
Psallite regi nostro psallite prudenter Nam psalterium est iocundum (= Laus tibi Christe)	Isaac, Heinrich (ca. 1450–1517)	[-]
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi]	Isaac, Heinrich (ca. 1450–1517)	[-]
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas)	Isaac, Heinrich (ca. 1450–1517)	[-]
Quid admiramini quid opiniamini filiae	Handl (Gallus), Jacobus (1550–1591)	59v
Quoties diem illum considero quoties diem	Tonsor, Michael	60
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me	Galliculus, Johannes	[-]
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini]	Isaac, Heinrich (ca. 1450–1517)	[-]
Rex omnipotens die hodierna Mundo triumphale redempto potentia (= Sancte spiritus adsit nobis)	Isaac, Heinrich (ca. 1450–1517)	[-]
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	[-]
Salve festa dies toto venerabilis aevo (2p. Ecce renascentis testatur gratia; 3p. Namque triumphanti post tristia)	Anonymous	69v–70
Sanctus	Anonymous	[-]
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Set of responses Amen. Et cum spiritu tuo	Anonymous	1
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proprium De Sancto Spiritu]	Isaac, Heinrich (ca. 1450–1517)	[-]
Summi regis archangele Michael intende Te namque profitemur esse supernorum	Stoltzer, Thomas (ca. 1480–1526)	[-]
Summi triumphum regis prosequamur laude Qui caeli qui terrae sceptra regis	Isaac, Heinrich (ca. 1450–1517)	[-]
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis]	Isaac, Heinrich (ca. 1450–1517)	[-]
Veni sancte spiritus (4vv) [P19b]	Senfl, Ludwig (ca. 1486–ca. 1543)	[-]
Vespere autem sabbati quae lucescit	Handl (Gallus), Jacobus (1550–1591)	72
Victimae paschali laudes immolent Christiani Agnus redemit oves / Christ ist erstanden	Galliculus, Johannes	[-]
Viderunt ingressus tuos Deus ingressus Vs: Illuxerunt coruscationes tuae orbi	Anonymous	[-]
Viderunt omnes fines terrae salutare	Anonymous	[-]
Vidit Jacob in somnis scalam stantem (2p. Dilataberis ab oriente in occidentem; 3p. Cumque evigilasset de somno Jacob)	Handl (Gallus), Jacobus (1550–1591)	58v–59
Viri Galilaei Quid admiramini (= Ascendo ad patrem)	Isaac, Heinrich (ca. 1450–1517)	42–42v
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite	Isaac, Heinrich (ca. 1450–1517)	[-]
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM]	Isaac, Heinrich (ca. 1450–1517)	[-]
Wir glauben auch an Jesum Christ, seinen Sohn (German Credo)	Bruck, Arnold von (ca. 1500–1554)	[-]

Set: MS Bártfa 24 (a-d)

Type: Partbooks

No images available

H-Bn MS Bártfa 24 (a)

No images available

H-Bn MS Bártfa 24 (b)

No images available

H-Bn MS Bártfa 24 (c)

No images available

H-Bn MS Bártfa 24 (d)

‡ denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM. American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa). Bonn: Gudrun Schröder. Pages: XXVII, 139-146.

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334ff. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage, Berlin. Pages: 42-3. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description