H-Bn MS Bártfa 24 (b)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: Part I: after 1555; Part II: 1584-1616

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 24 (b)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 270 x 190 mm
Other Identifiers
  • CCM: BudOS 24
Copyists
Relationships
Provenance
Contents 60 pieces from 12 composers
General Description

An Altus partbook from a set of four volumes. Copied by several scribes; scribal concordance with BudOS P1 (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS P1 (MurIO) or alternatively BudOS P1 was copied from BudOS 8 (CC2).

From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023
Physical Description

Several books damaged, with some folios only remaining fragmentarily. Loss of a few pages in 24(c), and about half the pages in 24(b).

DIAMM, 2023
Binding

Restored and rebound in half-leather (MurTVB)

DIAMM, 2023
Notation

not indicated

DIAMM, 2017
Foliation

Original foliation in all books; MurTVB gives no foliation for Part I (the mass proper settings), nor is there original numbering for them. Modern foliation added.

DIAMM, 2023
Decoration

Some initials, titles, and rubrics are green.

DIAMM, 2017
Index

Original index in all books, listing the first 19 pieces

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 Masses, 14 Kyrie-Gloria pairs, 4 Kyries, 1 German Credo, 13 Mass Proper cycles, 10 Mass Proper sections, 1 German Te Deum, 3 psalms, 2 hymns, 13 motets, 1 set of responses, 1 German sacred piece, 1 German/Latin sacred piece = 70

(Finck)-1, Florius-1, Gosswin [Anton Josquin]-1, Hähnel [Galliculus]-2, Händl-7, (Hassler)-1, I.W.N.S.-1, Isaac-14, Josquin-1, Judex-1, Knöfel-1, Lassus-2, (Lechner)-1, Paminger-1, Roselli-1, (Senfl)-1, (Stoltzer)-2, Tonsor-1, (Zeuner)-1, anon-33

4 paper partbooks (D-77 folios, A-ii + 40, T-72, B-78), 270 x 190. The altus book is incomplete; some folios are fragmentary. New foliation. Original index in all books, listing the first 19 pieces. Copied by several scribes; scribal concordance with BudOS PI (Fox). BudOS 8 was probably a source for the copying of BudOS 24; portions of BudOS 8, in turn, were probably copied from BudOS PI (MurIO). Some initials, titles, and rubrics are green.

Part I: After 1555; Part II: 1584-1616 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Set of responses Amen. Et cum spiritu tuo - Anonymous
Appears on: 1
Genres: Response
1 Set of responses Amen. Et cum spiritu tuo - Anonymous
Appears on: 1
Genres: Response
1 Set of responses Amen. Et cum spiritu tuo Anon. Anonymous
Appears on: 1
Genres: Response
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Set of responses] Amen. Et cum spiritu tuo
[-] Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Rorate) Coeli desuper et nubes pluant Vs: (Coeli enarrant) Et opera manuum eius
General Note

MurTVB gives no foliation for the mass proper settings; nor are they numbered in the books.

[-] Missa 4vv: Kyrie Anon. Anonymous

Missa 4vv: Kyrie

Anonymous
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: 4
[-] Missa 4vv: Gloria - Anonymous

Missa 4vv: Gloria

Anonymous
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
[-] Missa 4vv: Credo - Anonymous

Missa 4vv: Credo

Anonymous
Appears on: [-]
Genres: Credo (patrem omnipotentem), Mass Ordinary
[-] Missa 4vv: Sanctus - Anonymous

Missa 4vv: Sanctus

Anonymous
Appears on: [-]
Genres: Mass Ordinary, Sanctus [& Benedictus]
[-] Missa 4vv: Agnus Dei - Anonymous
Appears on: [-]
Genres: Agnus Dei, Mass Ordinary
[-] Missa Baisez-moi: Kyrie [Roselli]
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Roselli]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Baisez moi
Concordances

concordance: RISM 1541-1 (no.6)

[-] Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis Et filius datus est Vs: Cantate domino Quia mirabilia fecit
[-] Missa de Apostolis a4: Kyrie Magne Deus [Isaac]
Appears on: [-]
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Greek
Voice Text: Missa de Apostolis: Kyrie eleison
[-] Missa de Apostolis a4: Gloria Anon.
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
[-] Kyrie Fons bonitatis - Anonymous
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
[-] Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [Isaac]
Appears on: [-]
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
[-] Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [Finck]
Appears on: [-]
Genres: Motet
Source Attribution: [Finck]
Voice: [no designation]
Languages: Latin
Voice Text: Grates nunc omnes redamus domino deo
[-] Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis -
Appears on: [-]
Genres: Motet
[-] Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Ecce advenit) Dominator dominus et regnum Vs: (Deus iudicium tuum) Et iustitiam tuam
[-] Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] [Isaac]
Appears on: [-]
Genres: Alleluia, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vidimus stellam eius in oriente
[-] Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) [Isaac]
Appears on: [-]
Genres: Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Festa Christi omnis Christianitas] Quae miris sunt modis ornata cunctisque
General Note

in (d) below the 4th verse, the Alto voice-part is copied though (it is also in (b))

[-] Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus Deus misericordiam tuam in medio Vs: Magnus dominus In civitate dei nostri
[-] Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus [Isaac]
Appears on: [-]
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Laetabundus exultet fidelis chorus] Regem regum intacte profudit thorus
[-] Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur [Isaac]
Appears on: [-]
Genres: Ave Maria, Motet
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: [Ave Maria gratia plena dominus tecum] Quomodo inquit fiet istud quoniam virum
[-] Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum [Stoltzer]
Appears on: [-]
Genres: Introit
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: (Circumdederunt me) Gemitus mortis dolores Vs: (Diligam te domine) Dominus firmamentum
[-] De profundis clamavi ad te Domine [Stoltzer]
Appears on: [-]
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: De profundis clamavi ad te domine
[-] Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri [Stoltzer]
Appears on: [-]
Genres: Introit
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: (Exurge) Quare obdormis domine exurge Vs: (Deus auribus nostris) Patres nostri
[-] Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua [Stoltzer]
Appears on: [-]
Genres: Introit
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: (Esto mihi) In deum protectorem et in locum Vs: (In te domine speravi) In iusticia tua
[-] Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione [Stoltzer]
Appears on: [-]
Genres: Introit
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: (Invocabit me) Et ego exaudiam eum Vs: (Qui habitat in adiutorio) In protectione
General Note

pages lost in 24(c) at this point affecting this and following two pieces

[-] Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Nos autem) Gloriari oportet in cruce Vs: (Deus misereatur) Illuminet multum
Concordances

concordance: RISM 1538-1 (no.3)

[-] Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: (Humiliavit) Semetipsum dominus noster Vs: (Misericordias domini) In aeternum
[-] Missa de passione: KG Anon. Anonymous
Appears on: [-]
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG] (CSA on ff. 19v-20v)
Concordances

concordance: RISM 1538-1 (no.4)

[-] Alleluia. Ave rex noster tu solus Anon. Anonymous
Appears on: [-]
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Ave rex noster tu solus
Concordances

concordance: RISM 1538-1 (no.4)

[-] Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione Anon. Anonymous
Appears on: [-]
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Ave Jesu Christe qui pro peccatorum] Ave Jesu Christe qui pro redemptione
Concordances

concordance: RISM 1538-1 (no.4)

[-] Missa de passione: CSA Anon. Anonymous
Appears on: [-]
Genres: Agnus Dei, Credo (patrem omnipotentem), Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [CSA] (KG on ff. 16v-17v)
Concordances

concordance: RISM 1538-1 (no.4)

[-] Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me Ioannis Galliculi [= Hähnel]
Appears on: [-]
Genres: Introit
Source Attribution: Ioannis Galliculi [= Hähnel]
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc tecum sum alleluia Vs: Domine probasti me et cognovisti
[-] Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Resurrexi) Et adhuc tecum sum alleluia Vs: (Domine probasti me) Tu cognovisti me
[-] Kyrie eleison Anon. Anonymous

Kyrie eleison

Anonymous
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
General Note

Both Kyrie & Gloria are sometimes paired with other settings in Bartfa mss.

[-] Et in terra pax [Gloria] - Anonymous
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
[-] Missa Paschalis: Kyrie eleison [Isaac-anon.] Anonymous
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Isaac-anon.]
Voice: [no designation]
Languages: Latin
Voice Text: Kiriae eleyson [from Missa Paschalis]
[-] Missa Pascale a4 ad organum: Kyrie -
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
[-] Gloria. Gratias agimus tibi propter Anon.
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Gratias agimus tibi propter
[-] Alleluia. Pascha nostrum immolatus est [Proper for Easter] [Isaac]
Appears on: [-]
Genres: Alleluia
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum immolatus est
General Note

A number of pages are lost in this book following this piece

[-] Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [Isaac]
Appears on: [-]
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus reple tuorum
[-] Veni sancte spiritus (4vv) [P19b] Anon.
Appears on: [-]
Genres: Motet, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus et emitte caelitus
[-] Missa Descendi in ortum meum: Credo [Brumel/Isaac-anon.]
Appears on: [-]
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Brumel/Isaac-anon.]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Descendi in ortum meum] [CS] (KG copied on ff. 30v-32. Sanctus copied here is not the one associated with the Mass in other sources)
[-] Sanctus - Anonymous

Sanctus

Anonymous
Appears on: [-]
Genres: Mass Ordinary, Sanctus [& Benedictus]
General Note

Sanctus is not from the Brumel/[Isaac] mass

[-] Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [Rein]
Appears on: [-]
Genres: Motet
Source Attribution: [Rein]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta Sit sancta trinitas atque Vs: Benedicamus patrem Cum sancto spiritu
[-] Missa: Kyrie solemne - Anonymous
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
[-] Missa: Et in terra [Gloria] Anon.
Appears on: [-]
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] [KG]
[-] Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] [Isaac]
Appears on: [-]
Genres: Alleluia, Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es domine deus
[-] Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [Isaac]
Appears on: [-]
Genres: Sequence
Source Attribution: [Isaac]
[-] De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] [Isaac]
Appears on: [-]
Genres: Introit
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (De ventre matris meae) Vocavit me dominus Vs: (Bonum est confiteri) Et psallere nomini
General Note

THere is a page missing after this piece, with loss of the next two pieces.

[-] Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] [Isaac]
Appears on: [-]
Genres: Sequence
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: Vultum tuum deprecabuntur
[-] Missa Beata Virgine = Missa Coronata 3.3: Kyrie Iosquin/[La Rue]
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Iosquin/[La Rue]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa De beata Virgine 3.3
[-] Missa Beata Virgine = Missa Coronata 3.3: Gloria -
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

A number of pages from this book are lost following this piece

37v Viri Galilaei Quid admiramini (= Ascendo ad patrem) [Isaac]
Appears on: 37v
Genres: Contrafactum, Hymn
Source Attribution: [Isaac]
Voice: [no designation]
Languages: Latin
Voice Text: (Viri Galilaei) Quid admiramini aspicientes Vs: (Omnes gentes plaudite) Jubilate deo
38 Kyrie [Tro] magne Deus potentiae Anon. Anonymous
Appears on: 38
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie Magne deus
38v Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti [Lechner]
Appears on: 38v
Genres: Motet
Source Attribution: [Lechner]
Voice: [no designation]
Languages: Latin
Voice Text: (Mihi autem nimis) Honorati sunt amici Vs: (Domine probasti me) Tu cognovisti
39 Missa Veni in ortum meum: Kyrie Orlandi Lassi
Appears on: 39
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Orlandi Lassi
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa super Veni in hortum meum [KG]
General Note

Folio 39 is fragmentary

39–39v Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 39–39v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Folio 39 is fragmentary; all the following pages have been lost

Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich
Galliculus, Johannes
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Rein, Conrad (ca. 1475–1522)
Rouseli, Petri
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Ave rex noster tu solus Anonymous [-]
Alleluia. Benedictus es Domine Deus [Proprium de SS Trinitate] [-]
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] [-]
Alleluia. Pascha nostrum immolatus est [Proper for Easter] [-]
Alleluia. Veni sancte spiritus [Proprium De Sancto Spiritu] [-]
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] [-]
Ave Jesu Christe qui pro peccatorum Ave Jesu Christe qui pro redemptione Anonymous [-]
Ave Maria gratia plena Dominus tecum Benedicta tu in mulieribus ... Quomodo inquit fiet istud ... Ideoque quod nascetur [-]
Benedicta semper sancta sit trinitas Pater filius sanctus spiritus tria sunt [Proprium de SS Trinitate] [-]
Benedicta sit Sancta trinitas Vs: Benedicamus Patrem et filium [-]
Circumdederunt me Gemitus mortis dolores Vs: Diligam te Domine Dominus firmamentum [-]
De profundis clamavi ad te Domine [-]
De ventre matris meae vocavit me Dominus Vs: Bonum est confiteri Et psallere nomini [Proprium de S. Joanne Baptistae] [-]
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] [-]
Esto mihi In Deum protectorem et in locum Vs: In te Domine speravi In justicia tua [-]
Et in terra pax [Gloria] Anonymous [-]
Exurge Quare obdormis Domine exurge Vs: Deus auribus nostris Patres nostri [-]
Gloria. Gratias agimus tibi propter [-]
Grates nunc omnes - 1a pars (of 2): Grates nunc omnes reddamus Domino Deo [-]
Grates nunc omnes - 2a pars (of 2): Huic oportet ut canamus cum angelis [-]
Humiliavit semetipsum Dominus noster Vs: Misericordias Domini In aeternum Anonymous [-]
Invocabit me Et ego exaudiam eum Vs: Qui habitat in adjutorio In protectione [-]
Kyrie [Tro] magne Deus potentiae Anonymous 38
Kyrie eleison Anonymous [-]
Kyrie Fons bonitatis Anonymous [-]
Laetabundus exultet fidelis chorus Regem regum intacte profudit thorus [-]
Mihi autem nimis Honorati sunt amici Vs: Domine probasti me Tu cognovisti 38v
Missa 4vv: Agnus Dei Anonymous [-]
Missa 4vv: Credo Anonymous [-]
Missa 4vv: Gloria Anonymous [-]
Missa 4vv: Kyrie Anonymous [-]
Missa 4vv: Sanctus Anonymous [-]
Missa Baisez-moi: Kyrie [-]
Missa Beata Virgine = Missa Coronata 3.3: Gloria [-]
Missa Beata Virgine = Missa Coronata 3.3: Kyrie [-]
Missa de Apostolis a4: Gloria [-]
Missa de Apostolis a4: Kyrie Magne Deus [-]
Missa de passione: CSA Anonymous [-]
Missa de passione: KG Anonymous [-]
Missa Descendi in ortum meum: Credo [-]
Missa Pascale a4 ad organum: Kyrie [-]
Missa Paschalis: Kyrie eleison Anonymous [-]
Missa Veni in ortum meum: Et in terra [Gloria] 39–39v
Missa Veni in ortum meum: Kyrie 39
Missa: Et in terra [Gloria] [-]
Missa: Kyrie solemne Anonymous [-]
Nos autem Gloriari oportet in cruce Domini Vs: Deus misereatur Illuminet vultum suum Anonymous [-]
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] [-]
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) [-]
Resurrexi et adhuc (I) Vs: Domine probasti me et cognovisti me [-]
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] [-]
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] [-]
Sanctus Anonymous [-]
Set of responses Amen. Et cum spiritu tuo Anonymous 1
Set of responses Amen. Et cum spiritu tuo Anonymous 1
Set of responses Amen. Et cum spiritu tuo Anonymous 1
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] [-]
Veni sancte spiritus (4vv) [P19b] [-]
Viri Galilaei Quid admiramini (= Ascendo ad patrem) 37v
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] [-]

Set: MS Bártfa 24 (a-d)

Type: Partbooks

No images available

H-Bn MS Bártfa 24 (a)

No images available

H-Bn MS Bártfa 24 (b)

No images available

H-Bn MS Bártfa 24 (c)

No images available

H-Bn MS Bártfa 24 (d)

denotes primary source study

Burn, David J, Ruth I. DeFord, and Stefan Gasch (editors). 2021. Choralis Constantinus II. CMM.  American Institute of Musicology.

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXVII, 139-146.

Fox, Bertha Mary. 1977. A Liturgical-Répertoriai Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest. University of Illinois, Unpublished Ph.D. dissertation.

Murányi, Robert Arpad. 1975. Die Isaac-Offizien der Bartfelder Sammlung. Studia Musicologica, 315-45. Pages: 316ff. Notes: incipits (partial); mention of MS; discussion.

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: II, 192-3. Notes: mention of MS; contents list (partial).

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 334ff. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 42-3. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description