GB-Cfm MS 47-1980

Fitzwilliam Museum, Cambridge, England

fragment: 1st half 14th century

Archive Fitzwilliam Museum, Cambridge, England (GB-Cfm)
Shelfmark MS 47-1980
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 324 x 216 mm
Other Identifiers
  • RISM: s.xiv 1/2
Notations
  • gothica textualis semi-quadrata
  • gothica textualis sine pedibus
  • unstemmed semibreves with dot of division
Relationships
Provenance
Contents 4 pieces from 1 composers
General Description

A bifolium, possibly from the outside, and probably not from the centre, of a gathering. Copied by two hands, one writing a gothica textualis sine pedibus, responsible for 1; the other a gothica textualis semi-quadrata responsible for 2-3. Written in England. Used as a wrapper for a rental (1511/12) of lands held by the Augustinian Priory at Coxford (Norfolk) (NWr, Bradfer-Lawrence MS V. d), and perhaps before this date to wrap another document, tentatively identified by Bowers as Lbl, Campbell Charter xxi. 8, a terrier of Coxford Priory lands for the year 1410/11. Pen-trials and financial memoranda, s. xvi, appear on fols. 1, 2r-v; 'Coxford', s. xvii, on fol. 2v. Bound 1980. Owned: H. L. Bradfer-Lawrence; deposited at the Fitzwilliam Museum in 1965 [as Bradfer-Lawrence 34 (3)]. Bought from the trustees of the Bradfer-Lawrence estate, 1980.

DIAMM, 2017
Physical Description

f. 2v is very worn

DIAMM, 2017
Notation

unstemmed semibreves, with dot of division (syllabic in 1-3; melismatic in 4).

DIAMM, 2017
Ruling

twelve freely-ruled red five-line staves (13-15 mm, fol. 1; 14-18 mm, fol. 2), with extra staves roughly drawn in brown (fol. 2) and red (fol. 2v); frame-rules, and text guides (fol. 1r-v only), and a ruled one-stave indentation (8 mm) for the initial on fol. 1

DIAMM, 2017
Foliation

1-2v

DIAMM, 2017
Foliation

Foliated 1-2

DIAMM, 2017
Decoration

plain major initials in red and blue (cues supplied on fol. 1); penwork capitals in text. An initial 'O', possibly from another page of this music book, is offset on fol. 2 v.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM Supplement: 2 fols, (foliated 1-2). Parchment. 324 x 216 mm. Written space c. 267 x 150-155 mm. Ruling: twelve freely-ruled red five-line staves (13 - 15 mm, fol. 1; 14-18 mm, fol. 2), with extra staves roughly drawn in brown (fol. 2) and red (fol. 2v); frame-rules, and text guides (fol. 1r-v only), and a ruled one-stave indentation (8 mm) for the initial on fol. 1. Collation: a bifolium, possibly from the outside, and probably not from the centre, of a gathering. Script: two hands, one writing a gothica textualis sine pedibus, responsible for 1; the other a gothica textualis semi-quadrata responsible for 2-3. Notation: unstemmed semibreves, with dot of division, used syllabically in 1-3, and melismatically in 4. Decoration: plain major initials in red and blue (cues supplied on fol. 1); penwork capitals in text. An initial 'O', possibly from another page of this music book, is offset on fol. 2 v.

Written in England. Used as a wrapper for a rental (1511/12) of lands held by the Augustinian Priory at Yoxford (Norfolk) (NWr, Bradfer-Lawrence MS V. d), and perhaps before this date to wrap another document, tentatively identified by Bowers as Lbl, Campbell Charter xxi. 8, a terrier of Coxford Priory lands for the year 1410/11. Pen-trials and financial memoranda, s. xvi, appear on fols. 1, 2r-v; 'Coxford', s. xvii, on fol. 2v. Bound 1980. Owned: H. L. Bradfer-Lawrence; deposited at the Fitzwilliam Museum in 1965 [as Bradfer-Lawrence 34 (3)]. Bought from the trustees of the Bradfer-Lawrence estate, 1980.

NOTES ON CONTENTS

1 Ed. PMFC 17, No. 14; carries plainsong Kyrie (F-Pa, MS 135, fol. 233v) in bottom voice. 2 Ed. PMFC 17, No. 13; carries plainsong Ihesu redemptor omnium (Cu, MS Mm. ii. 9, fol. 335v) in middle voice. On St Augustine. 3 Ed. PMFC 17, No. 54. 4 Two of three voices (text lost), probably of a cantilena; added slightly later.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

1

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Virgo mater salvatoris / Virgo pia vita via - Anonymous
Appears on: 1–1v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: VIrgo mater salvatoris

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: VIrgo pia vita via

Voice: [no designation]
Languages: none
Clef: [c5]
Layout

parts

Item Bibliography

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: (26), [facs.] plates 143-144.

2 Jesu redemptor omnium labencium / Jesu redemptor omnium. / IHesu labentes respice - Anonymous
Appears on: 2
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Ihesu redemptor omnium labencium

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Ihesu redemptor omnium.

Voice: [no designation]
Languages: Latin
Clef: [c5]
Voice Text: IHesu labentes respice
Layout

parts

Item Bibliography

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: (26), [facs.] plate 145;.

2v Suffragiose virgini / Sumopere sancta Mariam - Anonymous
Appears on: 2v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: SUffragiose virgini

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: Sumopere sancta Mariam

Voice: [no designation]
Languages: none
Clef: c4
Layout

parts

Item Bibliography

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: (26), [facs.] plate 146.

2v untexted - Anonymous

untexted

Anonymous
Appears on: 2v
Genres: Motet, textless
Voice: [no designation]
Languages: none
Clef: c1

Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: none
Clef: no clef
General Note

No surviving text

Layout

score

Item Bibliography

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: (26), [facs.] plate 146.

Images © Fitzwilliam Museum, Cambridge

denotes primary source study

Lefferts, Peter M. 1986. The Motet in England in the Fourteenth Century. UMI studies in Musicology.  Ann Arbor. Pages: pp. 237-238.

Lefferts, Peter M, and Margaret Bent (compilers). 1982. New Sources of English Thirteenth- and Fourteenth-Century Polyphony. Early Music History, 273-362. Pages: Bowers, pp. 281-294.

Fenlon, Iain (editor). 1982. Cambridge Music Manuscripts, 900-1700.  Cambridge. Pages: pp. 70-72.

Giles, Phyllis M. 1972. A Hand-List of the Bradfer-Lawrence Manuscripts Deposited on Loan at the Fitzwilliam Museum'. Transactions of the Cambridge Bibliographical Society, . Pages: pp. 86-99.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: 26, pp. 157-160 (facs).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Karen Desmond

Wednesday, 7 November, 2018

Missing images uploaded.

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description