Archive Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark MS 127
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 200 x 280 mm
Other Identifiers
  • CCM: CambraiBM 125-8
  • olim (Former shelfmark): 124
Relationships
External Links
Provenance
  • Bruges, Belgium
Contents 330 pieces from 55 composers
General Description

A Bassus partbook from a set of four volumes. Copied by a single scribe, probably the 'g h' whose initials appear on several folios (see DiehlP for a discussion of his possible identity). Probably copied in Bruges. The original owner, named on the title pages, was Zeghere van Male (1504-1601), a Bruges merchant dealing in linens, yarns, and dyes. The manuscript was later moved to Cambrai (inscription in each book: 'Biblioth. S. Sepulch. Cam.').

DIAMM, 2017
Binding

Original covers of dark brown tooled leather with metal corners; clasps now missing.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Original ink foliation (both the recto and verso sides of each folio are numbered).

DIAMM, 2017
Decoration

Two full-page miniatures; initials and margins decorated with fanciful pen and watercolour drawings of nude human figures, animals, and scenes of everyday life. Coat of arms of Zeghere van Male appears in an initial on f. 132' of the Discantus book.

DIAMM, 2017
Index

Original index on ff. ii-iv of each book. The pieces are grouped alphabetically by the first letter of each title; under each initial letter, there is a further grouping by folio number.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 Masses, 2 Mass fragments, 64 motets, 125 French secular pieces, 9 Flemish secular pieces, 3 Italian secular pieces, 12 textless pieces (1 is monophonic) = 228 + 1 duplicate = 229

(Alaire)-2, Appenzeller [Benedictus]-15, Cabillau-1, Clemens non Papa/(Baston/Janequin)-1, (Compère)-1, (Conseil)-3, P. Cornets-1, Courtois-3, (Craen)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1, Crecquillon-2, Ducrocq-1, (Gascongne)-1, (J. Gerard?/Sermisy)-1, Gombert-8, Gombert/(Crecquillon)-1, (Gombert/Hesdin)-1, (Gombert/Lupus)-1, (Gombert/Mouton/Verdelot)-1, (Guyon)-1, Hellinck-3, Hesdin/(Roquellay)-1, Hollande-5, Hondt-14, Hondt/(J. Gerard)-1, Hondt/(Willaert)-1, (Jacotin)-2, (Jacotin/Sermisy)-1, Janequin-2, ( Janequin/Maillard/Passereau)-1, (Jhan of Ferrara)-1, Josquin-5, (Josquin/Lebrun/Richafort)-1, (Josquin/Mouton)-1, (La Rue/Obrecht)-1, Lapperdey-2, Lupi-6, Lupi/(Conseil)-1, Lupi/(Verdelot)-1, Mouton-5, Mouton/(Lupi)-1, (Mouton/Richafort)-1, (Mouton/Sermisy)-1, (Ninot le Petit/Obrecht)-1, (Ninot le Petit/Willaert)-1, (Passereau)-1, Pathie [Rogier]-1, Pipelare-1, (Prioris)-1, Raedt/(Lupus)-1, Ruelx [Reux]-1, Richafort-6, (Rocour)-1, (Rore)-1, (Sandrin/Sermisy)-1, Scheure-1, Sermisy [Claudin]-15, Sermisy/(Jacotin)-1, Sermisy/(Le Heurteur/Lhéritier)-1, Sermisy/(Vermont)-1, Verdelot-3 + 1?, Vinders/(Josquin)-1, Willaert-4, Willaert/(Divitis)-1, anon-77

4 paper partbooks (DATB-iv + 146 + iii folios each), 200 x 280. Original ink foliation (both the recto and verso sides of each folio are numbered). Original covers of dark brown tooled leather with metal corners; clasps now missing. Original index on ff. ii-iv of each book. The pieces are grouped alphabetically by the first letter of each title; under each initial letter, there is a further grouping by folio number. Copied by a single scribe, probably the "g h" whose initials appear on several folios (see DiehlP for a discussion of his possible identity). Two full-page miniatures; initials and margins decorated with fanciful pen and watercolor drawings of nude human figures, animals, and scenes of everyday life. Coat of arms of Zeghere van Male appears in an initial on f. 132' of the discantus book.

Date 1542 on title page of each book. Probably copied in Bruges.

The original owner, named on the title pages, was Zeghere van Male (1504-1601), a Bruges merchant dealing in linens, yarns, and dyes. The manuscript was later moved to Cambrai (inscription in each book: "Biblioth. S. Sepulch. Cam.").

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[ii]–[iv] index - -

index

Appears on: [ii]–[iv]
[iv] v Ave sanctissima Maria mater Dei regina Gombert
Appears on: [iv] v
Genres: Antiphon
Source Attribution: Gombert
Voice: [no designation]
Languages: Latin
Voice Text: Ave sanctissima Maria mater dei regina
1 Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis [Mouton/Richafort]
Appears on: 1
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens de mortuis iam non II: Mortuus est enim propter delicta
1 Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta -
Appears on: 1
Genres: Motet
1v Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens [Mouton]
Appears on: 1v
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Barbara beata summe polens II: Gaude quia meruisti impetrare
2 Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare -
Appears on: 2
Genres: Motet
2v Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum Claudin [de Sermisy]/ [Le Heurteur/Lhéritier]
Appears on: 2v
Genres: Motet
Source Attribution: Claudin [de Sermisy]/ [Le Heurteur/Lhéritier]
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit delectis suis somnum
3 Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum -
Appears on: 3
Genres: Motet
3v Tanto tempore vobiscum sum et non cognovistis Verdelot
Appears on: 3v
Genres: Motet
Source Attribution: Verdelot
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et cognovistis
3v Ghequest ben ic van hinnen duerwont Anon. Anonymous
Appears on: 3v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Flemish
Voice Text: Ghequest ben ic van hinnen duerwont
4 Missa Christus resurgens: Kyrie Anon. Anonymous
Appears on: 4
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Missa Christus resurgens
4v Missa Christus resurgens: Gloria - Anonymous
Appears on: 4v
Genres: Gloria (et in terra pax), Mass Ordinary
5–5v Missa Christus resurgens: Credo - Anonymous
Appears on: 5–5v
Genres: Credo (patrem omnipotentem), Mass Ordinary
6 Missa Christus resurgens: Sanctus - Anonymous
Appears on: 6
Genres: Mass Ordinary, Sanctus [& Benedictus]
6v Missa Christus resurgens: Agnus Dei - Anonymous
Appears on: 6v
Genres: Agnus Dei, Mass Ordinary
6v En esperant espoir me desespere tant Cricquillon
Appears on: 6v
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Voice Text: En esperant espoir me desespere tant
7 Missa Gaude Barbara: Kyrie Adriano Willaert
Appears on: 7
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Adriano Willaert
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Gaude Barbara
7v–8 Missa Gaude Barbara: Gloria -
Appears on: 7v–8
Genres: Gloria (et in terra pax), Mass Ordinary
8v–9v Missa Gaude Barbara: Credo -
Appears on: 8v–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
10–10v Missa Gaude Barbara: Sanctus -
Appears on: 10–10v
Genres: Mass Ordinary, Sanctus [& Benedictus]
10v Missa Gaude Barbara: Agnus Dei -
Appears on: 10v
Genres: Agnus Dei, Mass Ordinary
11 Missa Nisi Dominus: Kyrie Phelips Lapperdey
Appears on: 11
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Phelips Lapperdey
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Nisi dominus [KGCS]
11v–12 Missa Nisi Dominus: Gloria -
Appears on: 11v–12
Genres: Gloria (et in terra pax), Mass Ordinary
12v–13v Missa Nisi Dominus: Credo -
Appears on: 12v–13v
Genres: Credo (patrem omnipotentem), Mass Ordinary
14 Missa Nisi Dominus: Sanctus -
Appears on: 14
Genres: Mass Ordinary, Sanctus [& Benedictus]
14v Plus en sera garde de ma jonesse Nicolaus Gombert
Appears on: 14v
Genres: Chanson
Source Attribution: Nicolaus Gombert
Voice: [no designation]
Languages: French
Voice Text: Plus en sera garde de ma jonesse
14v Je ne puis plus et nay qui me sequeure Anon. Anonymous
Appears on: 14v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Je ne puis plus et nay qui me sequeure
15 Se dire je l'osoie d'ou me vient le souffrir Benedictus [Appenzeller]
Appears on: 15
Genres: Italian secular
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Se dire je [l']osoie dont me vient
15 Mon povre coeur plain de douleur Lupi
Appears on: 15
Genres: Chanson
Source Attribution: Lupi
Voice: [no designation]
Languages: French
Voice Text: Mon povre cueur plain de douleur
15v Vivrai je tousjours en telle paine 28.36 Josquin
Appears on: 15v
Genres: Chanson
Source Attribution: Josquin
Voice: [no designation]
Languages: French
Voice Text: Vivraige tousjours en telle paine 28.36
15v Il me suffit de tous mes maulx [Sermisy]
Appears on: 15v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Il me souffit de tous mes maulx
16 Considerant que par droite mesure le tout Benedictus [Appenzeller]
Appears on: 16
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Considerant que par droite mesure le tout
16v–17 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils Clemens Jennekin [= Janequin]
Appears on: 16v–17
Genres: Chanson
Source Attribution: Clemens Jennekin [= Janequin]
Voice: [no designation]
Languages: French
Voice Text: Escoutes tous gentilz gallans la victoire II: Fan fan fan frere le le lan fan
17 Amour faut trop qui bien sense de faire Anon. Anonymous
Appears on: 17
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Amour vault trop qui bien sen set deffaire
General Note

labelled 'Une bergerette' this fills the half-page between the two parts of Janequin's 'La bataille'

17v–19 Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan -
Appears on: 17v–19
Genres: Chanson
19 C'est donc par moy que je suis fortune [Janequin/Ninot le Petit/Willaert]
Appears on: 19
Genres: Chanson
Source Attribution: [Janequin/Ninot le Petit/Willaert]
Voice: [no designation]
Languages: French
Voice Text: Cest doncq par moy que je suis fortune
19v Missa Cest doncq par moi: Kyrie Anon. Anonymous
Appears on: 19v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Missa Cest doncq par moy
20 Missa Cest doncq par moi: Gloria - Anonymous
Appears on: 20
Genres: Gloria (et in terra pax), Mass Ordinary
20v–21v Missa Cest doncq par moi: Credo - Anonymous
Appears on: 20v–21v
Genres: Credo (patrem omnipotentem), Mass Ordinary
22–22v Missa Cest doncq par moi: Sanctus - Anonymous
Appears on: 22–22v
Genres: Mass Ordinary, Sanctus [& Benedictus]
22v–23 Missa Cest doncq par moi: Agnus Dei - Anonymous
Appears on: 22v–23
Genres: Agnus Dei, Mass Ordinary
23v Myn hertken heeft altijts verlanghen Anon. Anonymous
Appears on: 23v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: Flemish
Voice Text: Myn hertken heeft altijts verlanghen
23v A bien parler que c'est d'amours aucuns [Conseil]
Appears on: 23v
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: A bien parler que cest damours aucuns [= f. 45v]
24 Missa Mijn herte altijt heeft verlanghen: Kyrie [Gascongne]
Appears on: 24
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [Gascongne]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa] Mijn herte altijt heeft verlanghen]
24v–25 Missa Mijn herte altijt heeft verlanghen: Gloria -
Appears on: 24v–25
Genres: Gloria (et in terra pax), Mass Ordinary
25v–26v Missa Mijn herte altijt heeft verlanghen: Credo -
Appears on: 25v–26v
Genres: Credo (patrem omnipotentem), Mass Ordinary
27 Missa Mijn herte altijt heeft verlanghen: Sanctus -
Appears on: 27
Genres: Mass Ordinary, Sanctus [& Benedictus]
27v Missa Mijn herte altijt heeft verlanghen: Agnus Dei -
Appears on: 27v
Genres: Agnus Dei, Mass Ordinary
28 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines [Richafort]
Appears on: 28
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondens
28v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit -
Appears on: 28v
Genres: Motet
29 Missa Quem dicunt homines: Kyrie Pierkin de Raedt/[Lupus]raedt
Appears on: 29
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Pierkin de Raedt/[Lupus]raedt
Voice: [no designation]
Languages: Latin
Voice Text: Missa Quem dicunt homines
29v–30 Missa Quem dicunt homines: Gloria -
Appears on: 29v–30
Genres: Gloria (et in terra pax), Mass Ordinary
30v–31v Missa Quem dicunt homines: Credo -
Appears on: 30v–31v
Genres: Credo (patrem omnipotentem), Mass Ordinary
32–32v Missa Quem dicunt homines: Sanctus -
Appears on: 32–32v
Genres: Mass Ordinary, Sanctus [& Benedictus]
33 Missa Quem dicunt homines: Agnus Dei -
Appears on: 33
Genres: Agnus Dei, Mass Ordinary
33v Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea Anon. Anonymous
Appears on: 33v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es amica mea columba mea II: Labia [tua] distilantia guttur tuum
33v Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum - Anonymous
Appears on: 33v
Genres: Motet
34 Grace et vertu bonté beaulté noblesse Hesdin/[Roquellay]
Roquellay (?)
Appears on: 34
Genres: Chanson
Source Attribution: Hesdin/[Roquellay]
Voice: [no designation]
Languages: French
Voice Text: Grace vertu bonte beaulte noblesse
34 Maulgre moi viz et en vivant je meurs [Sermisy]
Appears on: 34
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Maugre moy vys et en vivant je meurs
34v Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor Anon. Anonymous
Appears on: 34v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ignosce domine que rogare compellor II: Ignosce misterii tui secreta
35 Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta - Anonymous
Appears on: 35
Genres: Motet
35v Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum Richafort
Appears on: 35v
Genres: Motet
Source Attribution: Richafort
Voice: [no designation]
Languages: Latin
Voice Text: Philomena prima temporis ameni que decessum II: Veni dulcis amica mea noctis solatia
35v Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia -
Appears on: 35v
Genres: Motet
36 Domine Deus Sabaoth omnium dignatum Anon. Anonymous
Appears on: 36
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Domine deus Sabaoth omnium dignatum
36v Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora Mouton/[Lupi]
Appears on: 36v
Genres: Motet
Source Attribution: Mouton/[Lupi]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecte mi egrediamur in agris
37 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum -
Appears on: 37
Genres: Motet
37v Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia [Ninot le Petit/ Obrecht]
Appears on: 37v
Genres: Motet
Source Attribution: [Ninot le Petit/ Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: [Si] oblitus fuero tui Jherusalem alleluya II: Decantabat populus Jherusalem
38 Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes -
Appears on: 38
Genres: Motet
38v Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius Jeronimus Vinders/ [Appenzeller/Josquin]
Appears on: 38v
Genres: Motet
Source Attribution: Jeronimus Vinders/ [Appenzeller/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Domini est terra et plenitudo eius 16.12 II: Haec est generatio querentium
39 Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium -
Appears on: 39
Genres: Motet
39v O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam Anon. Anonymous
Appears on: 39v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O bone Jhesu duo in me cognosco naturam II: Memento quia sum spiritus vadens
39v O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens - Anonymous
Appears on: 39v
Genres: Motet
40 En espoir davoir mieulx il fault avoir Gombert
Appears on: 40
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Voice Text: En espoir davoir mieulx il fault avoir
40 De nous deux coeurs soit seulle voulenté [Guyon]
Appears on: 40
Genres: Chanson
Source Attribution: [Guyon]
Voice: [no designation]
Languages: French
Voice Text: De nous deux cueurs [soit seulle voulenté]
40v Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena Anon. Anonymous
Appears on: 40v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Salve quadruplicem gestans Godelena II: Sicque maneus niveo rege Christo
41 Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo - Anonymous
Appears on: 41
Genres: Motet
41v Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum Anon. Anonymous
Appears on: 41v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Candida Phebeus moneas auxelia plectrum II: Et chorus arguto concorditer assonat
42 Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat - Anonymous
Appears on: 42
Genres: Motet
42 Si je me plains et meine grand tristesse Gombert
Appears on: 42
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Voice Text: Si je me plains et meine grand tristesse
42v De moi narez aucun alligement une pensee Benedictus [Appenzeller]
Appears on: 42v
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: De moy narez aucun alligement une pensee
42v Languer d'amours mest survenie par trop Gheerkin [de Hondt]
Appears on: 42v
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Languer damours mest survenie par trop
43 Contre raison vous m'êtes fort étrange Anon. Anonymous
Appears on: 43
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Contre rayson vous me estes fort estrange
43 En souspirant les griefz souspirs d'amours Anon. Anonymous
Appears on: 43
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: En souspirant [les griefz souspirs]
43v Sur tous regrets les miens plus piteulz Richafort
Appears on: 43v
Genres: Chanson
Source Attribution: Richafort
Voice: [no designation]
Languages: French
Voice Text: Sur tous regretz le mien plus piteulx
43v C'est une dure despartie de celui Lupi
Appears on: 43v
Genres: Chanson
Source Attribution: Lupi
Voice: [no designation]
Languages: French
Voice Text: Cest une dure despartye de celuy
General Note

initial here is an S - "S'est une dure..." (=Si est...)

44 En esperant de pervenir a la myenne fantazie Cabilliau
Appears on: 44
Genres: Chanson
Source Attribution: Cabilliau
Voice: [no designation]
Languages: French
Voice Text: En esperant de pervenir a la myenne fantazie
44 Veullant aymer on me peult parvenir Anon. Anonymous
Appears on: 44
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Veullant aymer on me peult parvenir
44v Viens tost despiteulx desconfort Claudin [de Sermisy]/ [Jacotin]
Appears on: 44v
Genres: Chanson
Source Attribution: Claudin [de Sermisy]/ [Jacotin]
Voice: [no designation]
Languages: French
Voice Text: Viens tost despiteulx desconfort
44v Mijn herz altijt heeft verlanghen [La Rue/Obrecht]
Appears on: 44v
Genres: Italian secular
Source Attribution: [La Rue/Obrecht]
Voice: [no designation]
Languages: Flemish
Voice Text: Myn hert heeft altijs verlanghen
45 Sancte Barbe mon con mon compere [Janequin/Maillard/ Passereau]
Appears on: 45
Genres: Motet
Source Attribution: [Janequin/Maillard/ Passereau]
Voice: [no designation]
Languages: Latin
Voice Text: Sancte Barbe mon con mon compere
45 Vous scavez bien madame souveraine [Rore]
Appears on: 45
Genres: Chanson
Source Attribution: [Rore]
Voice: [no designation]
Languages: French
Voice Text: Vous scavez bien madame souveraine
45v Vous marchez du bout du pied marionnette Anon. Anonymous
Appears on: 45v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vous marci du bout du piet marionette
45v A bien parler que c'est d'amours aucuns [Conseil]
Appears on: 45v
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: A bien parler que cest damours aucuns
46 Si je n'estois malheureux de nature Benedictus [Appenzeller]
Appears on: 46
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Si ie nestois malheureulx de nature
46 Petite fleur coynte jolye las dictes moi Benedictus [Appenzeller]
Appears on: 46
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Petite fleur coynte jolye las dictes moy
46v De tous biens plaine est ma maîtresse DvOude Schuere
Appears on: 46v
Genres: Chanson
Source Attribution: DvOude Schuere
Voice: [no designation]
Languages: French
Voice Text: De tous biens plaine [est ma maistresse]
46v Mon petit coeur n'est point a moi Gheerkin [de Hondt]
Appears on: 46v
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Mon petit cueur nest poinct a moy
47 Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima Anon. Anonymous
Appears on: 47
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Felix Anna quaedam matrona legittima II: Sancta Anna ora pro nobis
47 Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis - Anonymous
Appears on: 47
Genres: Motet
47v Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis Gheerkin [de Hondt]
Appears on: 47v
Genres: Motet
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin
Voice Text: Vox dicentis clama quid clamabo omnis II: Exsiccatum est fenum et cecidit
47v Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit -
Appears on: 47v
Genres: Motet
48 Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel Lupi/[Conseil]
Appears on: 48
Genres: Motet
Source Attribution: Lupi/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus deus Israel trinus II: Honor et virtus et potestas sit
48 Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas -
Appears on: 48
Genres: Motet
48v–49 Missa Benedictus Dominus Deus Israel: Kyrie Gheerkin de Hondt
Appears on: 48v–49
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Gheerkin de Hondt
Voice: [no designation]
Languages: Latin
Voice Text: Missa Benedictus dominus deus Israel
49v–50 Missa Benedictus Dominus Deus Israel: Gloria -
Appears on: 49v–50
Genres: Gloria (et in terra pax), Mass Ordinary
50v–51v Missa Benedictus Dominus Deus Israel: Credo -
Appears on: 50v–51v
Genres: Credo (patrem omnipotentem), Mass Ordinary
52–52v Missa Benedictus Dominus Deus Israel: Sanctus -
Appears on: 52–52v
Genres: Mass Ordinary, Sanctus [& Benedictus]
53 Missa Benedictus Dominus Deus Israel: Agnus Dei -
Appears on: 53
Genres: Agnus Dei, Mass Ordinary
53 Missa In te Domine speravi: Et resurrexit tertia die Lupus [Hellinck]
Appears on: 53
Genres: Mass Ordinary
Source Attribution: Lupus [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Et resurrexit tertia die [from Missa In te domine speravi]
Layout

duo for Tenor & Bassus (not therefore copied in Sup & Altus books)

53v Pour se garder de soif avoir fault Anon. Anonymous
Appears on: 53v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Pour se garder de soif avoir fault
54 Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima Ducrocq
Appears on: 54
Genres: Motet
Source Attribution: Ducrocq
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulchra es et quam decora carissima II: Veni dilecte mi egrediamur in agris
54 Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris -
Appears on: 54
Genres: Motet
54v Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Anon. Anonymous
Appears on: 54v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis et filius datus est II: Cantate domino canticum novum
55 Puer natus est - 2a pars (of 2): Cantate Domino canticum novum - Anonymous
Appears on: 55
Genres: Motet
55v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo Jacobus de Reux
Appears on: 55v
Genres: Motet
Source Attribution: Jacobus de Reux
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit in tabernaculo tuo II: Ad nichilum deductus est in conspectu
56 Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu -
Appears on: 56
Genres: Motet
56v Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo Lupus noster Hellinc
Appears on: 56v
Genres: Motet
Source Attribution: Lupus noster Hellinc
Voice: [no designation]
Languages: Latin
Voice Text: Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
57 Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum -
Appears on: 57
Genres: Motet
57 Vivons en paix tous leaulx amoureux Anon. Anonymous
Appears on: 57
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vivons en paix tous leaulx amoureux
57v–58 Missa Panis quem ego dabo: Kyrie Gheerkin [de Hondt]
Appears on: 57v–58
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Panis quem ego dabo
58v–59 Missa Panis quem ego dabo: Gloria -
Appears on: 58v–59
Genres: Gloria (et in terra pax), Mass Ordinary
59v–61 Missa Panis quem ego dabo: Credo -
Appears on: 59v–61
Genres: Credo (patrem omnipotentem), Mass Ordinary
61–62 Missa Panis quem ego dabo: Sanctus -
Appears on: 61–62
Genres: Mass Ordinary, Sanctus [& Benedictus]
62 Missa Panis quem ego dabo: Agnus Dei -
Appears on: 62
Genres: Agnus Dei, Mass Ordinary
63 Je me repens de vous avoir aimée Gheerkin [de Hondt]
Appears on: 63
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Ie me reprens de vous avoir aymer
63v Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam Johannes de Hollande
Appears on: 63v
Genres: Motet
Source Attribution: Johannes de Hollande
Voice: [no designation]
Languages: Latin
Voice Text: Descendit angelus domini ad Zachariam II: Ne timeas Zacharia exaudita est
64 Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est -
Appears on: 64
Genres: Motet
64v Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter [Richafort]
Appears on: 64v
Genres: Motet
Source Attribution: [Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius quae ignorantur II: Peccavimus cum patribus nostris
65 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris -
Appears on: 65
Genres: Motet
65 Las pourquoi m'este vous si duere Anon. Anonymous
Appears on: 65
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Las pourquoy meste vous si duere
65v–66 Missa Christus resurgens: Kyrie Willaert
Appears on: 65v–66
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Willaert
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Christus resurgens [KGCS]
66v–67 Missa Christus resurgens: Gloria -
Appears on: 66v–67
Genres: Gloria (et in terra pax), Mass Ordinary
67v–68v Missa Christus resurgens: Credo -
Appears on: 67v–68v
Genres: Credo (patrem omnipotentem), Mass Ordinary
69–69v Missa Christus resurgens: Sanctus -
Appears on: 69–69v
Genres: Mass Ordinary, Sanctus [& Benedictus]
70 D'un parfond coeur j'ai crié a toi Gheerkin [de Hondt]
Appears on: 70
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Dung parfond cueur jay cryes a toy
70v–71 Da pacem Domine in diebus nostris Benedictus [Appenzeller]/[Verdelot]
Appears on: 70v–71
Genres: Motet
Source Attribution: Benedictus [Appenzeller]/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
71v Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur [Compère]
Appears on: 71v
Genres: Motet
Source Attribution: [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Propter gravamen et tormentum que torquebatur II: Et subvenii in hora ultima
72 Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima -
Appears on: 72
Genres: Motet
72 Las ostes moi les douleurs qui jendure Anon. Anonymous
Appears on: 72
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Las ostes moy les douleurs qui jendure
72v Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo Anon. Anonymous
Appears on: 72v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vidi Jherusalem descendentem de celo II: Ecce tabernaculum dei cum hominibus
73 Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus - Anonymous
Appears on: 73
Genres: Motet
73v–74 Missa Vidi Jerusalem: Kyrie Gheerkin [de Hondt]
Appears on: 73v–74
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa Vidi Jerusalem [KGCS]
74v–75 Missa Vidi Jerusalem: Gloria -
Appears on: 74v–75
Genres: Gloria (et in terra pax), Mass Ordinary
75v–77 Missa Vidi Jerusalem: Credo -
Appears on: 75v–77
Genres: Credo (patrem omnipotentem), Mass Ordinary
77–77v Missa Vidi Jerusalem: Sanctus -
Appears on: 77–77v
Genres: Mass Ordinary, Sanctus [& Benedictus]
78 Je vous requiers ma cherre dame Anon. Anonymous
Appears on: 78
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Je vous requiers ma cherre dame
78 Frere grisart a jure que bon hermite Anon. Anonymous
Appears on: 78
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Frere grisart a jure que bon hermite
78v Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite Anon. Anonymous
Appears on: 78v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Cristum ascendentem in celum venite II: Omnis pulchritudo domini exaltata
79 Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata - Anonymous
Appears on: 79
Genres: Motet
79v Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba Gheerkin Corael
Appears on: 79v
Genres: Motet
Source Attribution: Gheerkin Corael
Voice: [no designation]
Languages: Latin
Voice Text: Dum penderet Petrus in cruce venit turba II: Gratias ago tibi domine pastor
80 Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor -
Appears on: 80
Genres: Motet
80v Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum Anon. Anonymous
Appears on: 80v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Virgo mater salvatoris et si verbum II: Virgo concepit virgo peperit
81 Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit - Anonymous
Appears on: 81
Genres: Motet
81v Missa Virgo mater salvatoris: Kyrie Lupus [Hellinck]
Appears on: 81v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Lupus [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Missa Virgo mater salvatoris
82–82v Missa Virgo mater salvatoris: Gloria -
Appears on: 82–82v
Genres: Mass Ordinary
83–83v Missa Virgo mater salvatoris: Credo -
Appears on: 83–83v
Genres: Credo (patrem omnipotentem), Mass Ordinary
84–84v Missa Virgo mater salvatoris: Sanctus -
Appears on: 84–84v
Genres: Mass Ordinary, Sanctus [& Benedictus]
84v–85 Missa Virgo mater salvatoris: Agnus Dei -
Appears on: 84v–85
Genres: Agnus Dei, Mass Ordinary
General Note

2nd Agnus a6 - 2 bassus parts on f.85

85v Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2) [Craen/Josquin]
Appears on: 85v
Genres: Motet
Source Attribution: [Craen/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Osculetur me osculo oris sui quia meliora [= Ecce video celos apertos] 19.2
General Note

for 3vv (and marked 'a trois'/'cum tribus' in each of the Sup/Ten/Bas books). Not therefore copied in the Altus book

86 Mon petit coeur n'est point a moi Willaert
Appears on: 86
Genres: Canon, Chanson
Source Attribution: Willaert
Voice: Canon
Languages: French
Voice Text: Mon petit cueur nest pas a moy
General Note

2 bassus parts for the 2 realisations of the canon

86v Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem [Josquin]
Appears on: 86v
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: O intemerata virgo que redemptorem 25.14 II: O Maria nullam tam gravam possimus [Partes III-IV of Vultum tuum deprecabuntur omnes]
86v Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus -
Appears on: 86v
Genres: Motet
87 A vous me rends comme celle du monde Benedictus [Appenzeller]
Appears on: 87
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: A vous me rend comme celle du monde
87 Tant voeullies vostre amant secourir Benedictus [Appenzeller]
Appears on: 87
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Tant voeullies vostre amant secourir
87v Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es Anon. Anonymous
Appears on: 87v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Beata progenies unde Christus natus es II: Tu que nostris precibus mundas
88 Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas - Anonymous
Appears on: 88
Genres: Motet
88v Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas [Gombert/Hesdin]
Appears on: 88v
Genres: Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta et immaculata virginitas quibus II: Benedicta tu in mulieribus
88v Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus -
Appears on: 88v
Genres: Motet
89 Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo [Gombert]
Appears on: 89
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Fuit homo missus a deo cui erat nomen II: Hic precursor et dilectus et lucerna
89 Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus -
Appears on: 89
Genres: Motet
89v Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta Anon. Anonymous
Appears on: 89v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Hic est vere propheta et plus quam propheta II: Elizabeth Zacharie magnum virum
90 Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum - Anonymous
Appears on: 90
Genres: Motet
90 Si le vouloir adoulcit la douleur [Sermisy]
Appears on: 90
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Si le vouloir adoulcit la douleur
90v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino Gheerkin [de Hondt]
Appears on: 90v
Genres: Motet
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra servite domino II: Laudate nomen eius quoniam suavis
91 Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis -
Appears on: 91
Genres: Motet
91v Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox Anon. Anonymous
Appears on: 91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pereat dies in qua natus sum et vox II: Obscurent eam tenebre et umbra
92 Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra - Anonymous
Appears on: 92
Genres: Motet
92v Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anon. Anonymous
Appears on: 92v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit cenam magnam et misit II: Ite ergo ad exitus viarum
93 Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum - Anonymous
Appears on: 93
Genres: Motet
93v Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te [Conseil]
Appears on: 93v
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
93v Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 93v
Genres: Motet
94 Tua est potentia tuum regnum Dominus 26.17 [Josquin/Mouton]
Appears on: 94
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Tua est potentia tuum regnum dominus 26.16
94v Missa Tua est potentia: Kyrie Mouton
Appears on: 94v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Mouton
Voice: [no designation]
Languages: Latin
Voice Text: Missa Tua est potentia
95–95v Missa Tua est potentia: Gloria -
Appears on: 95–95v
Genres: Gloria (et in terra pax), Mass Ordinary
96–97 Missa Tua est potentia: Credo -
Appears on: 96–97
Genres: Credo (patrem omnipotentem), Mass Ordinary
97v–98 Missa Tua est potentia: Sanctus -
Appears on: 97v–98
Genres: Mass Ordinary, Sanctus [& Benedictus]
98v–99 Missa Tua est potentia: Agnus Dei -
Appears on: 98v–99
Genres: Agnus Dei, Mass Ordinary
99v Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me Gheerkin [de Hondt]
Appears on: 99v
Genres: Motet
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem tuam et exuadi me II: Quia misericordia tua magna est
100 Inclina domine - 2a pars (of 2): Quia misericordia tua magna est -
Appears on: 100
Genres: Motet
100v Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anon. Anonymous
Appears on: 100v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini II: Nudus egressus sum de utero matris
101 Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris - Anonymous
Appears on: 101
Genres: Motet
101v Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps [Jhan of Ferrara]
Appears on: 101v
Genres: Motet
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Ave stella matutina mundi princeps II: Tu es area compluta celesti rore
102 Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore -
Appears on: 102
Genres: Motet
102v In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome [Josquin/Mouton]
Appears on: 102v
Genres: Motet
Source Attribution: [Josquin/Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore Maria Magdalene 26.6 II: Dic nobis Maria quid vidisti
103 In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti -
Appears on: 103
Genres: Motet
103v Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis [Josquin/Lebrun/Richafort]
Appears on: 103v
Genres: Motet
Source Attribution: [Josquin/Lebrun/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini michi omnes qui diligitis 26.3 II: Tulerunt dominum meum et nescio
104 Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 104
Genres: Motet
104v Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc - Anonymous
Appears on: 104v
Genres: Motet
105 Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos - Anonymous
Appears on: 105
Genres: Motet
105v Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Josquin de Pres
Appears on: 105v
Genres: Motet
Source Attribution: Josquin de Pres
Voice: [no designation]
Languages: Latin
Voice Text: Qui habitat in adiutorio altissimi 18.7 II: Non accedat ad te malum
106 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum -
Appears on: 106
Genres: Motet
106v Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis Lupi
Appears on: 106v
Genres: Motet
Source Attribution: Lupi
Voice: [no designation]
Languages: Latin
Voice Text: Spes salutis pacis portus vas virtutis II: Tu es enim decus honestatis
107 Spes salutis - 2a pars (of 2): Tu es enim decus honestatis -
Appears on: 107
Genres: Motet
107v Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux Anon. Anonymous
Appears on: 107v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Gaude virgo Katharina quam refulsit lux II: Gaude quia convertisti sponsum
108 Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum - Anonymous
Appears on: 108
Genres: Motet
108v Morir daimer a dame si jolye [Appenzeller]
Appears on: 108v
Genres: Chanson
Source Attribution: [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Morir daimer a dame si jolye
108v Druck en verdriet hebbe ic ontfanghen Anon. Anonymous
Appears on: 108v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Druck en verdriet hebbe ic ontfanghen
109 Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo [Courtois]
Appears on: 109
Genres: Motet
Source Attribution: [Courtois]
Voice: [no designation]
Languages: Latin
Voice Text: Domine quis habitabit in tabernaculo tuo II: Ad nichilum deductus est in conspectu
109v Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu -
Appears on: 109v
Genres: Motet
110 Missa Domine quis habitabit: Kyrie Johannes Courtois
Appears on: 110
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Johannes Courtois
Voice: [no designation]
Languages: Latin
Voice Text: Missa Domine quis habitabit
110v–111 Missa Domine quis habitabit: Gloria -
Appears on: 110v–111
Genres: Gloria (et in terra pax), Mass Ordinary
111v–112 Missa Domine quis habitabit: Credo -
Appears on: 111v–112
Genres: Credo (patrem omnipotentem), Mass Ordinary
112v–113 Missa Domine quis habitabit: Sanctus -
Appears on: 112v–113
Genres: Mass Ordinary, Sanctus [& Benedictus]
113–113v Missa Domine quis habitabit: Agnus Dei -
Appears on: 113–113v
Genres: Agnus Dei, Mass Ordinary
114 Ung visage coperose estincelles Anon. Anonymous
Appears on: 114
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ung visage coperose estincelles
114 Inghelandt en Ghendt Anon. Anonymous
Appears on: 114
Genres: Secular, Song
Source Attribution: Anon.
Voice: [no designation]
Languages: Flemish
Voice Text: Inghelandt en Ghendt
114v Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus Nicolaus Gombert/ [Clemens non Papa]
Appears on: 114v
Genres: Motet
Source Attribution: Nicolaus Gombert/ [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Laqueus contritus est nos liberati sumus II: Tribulationem et dolorem inveni
115 Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni -
Appears on: 115
Genres: Motet
115v Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora Lupi/[Verdelot]
Appears on: 115v
Genres: Motet
Source Attribution: Lupi/[Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es et quam decora carissima II: Veni dilecte mi egrediamur in ortum
116 Quam pulchra est - 2a pars (of 2): Veni dilecte mi -
Appears on: 116
Genres: Motet
116v Trop m'est dure la longue demouree Anon. Anonymous
Appears on: 116v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Trop mest dure la longue demouree
117 Pourquoi languir me viens tu assaillir Benedictus [Appenzeller]
Appears on: 117
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Pourquoy languir me viens tu assaillir
117v Humble se tient soubz vostre haultesse Benedictus [Appenzeller]
Appears on: 117v
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Humble se tient soubz vostre haultesse
118 Sancta Trinitas unus Deus miserere nobis (4vv) [Craen/C. Festa/A. Févin/Josquin/Morales]
Appears on: 118
Genres: Motet
Source Attribution: [Craen/C. Festa/A. Févin/Josquin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere 26.12
General Note

Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]

118v Pavane Anon. Anonymous

Pavane

Anonymous
Appears on: 118v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Pavane
119 Quant tu chanteras pour ton ennuy passer Anon. Anonymous
Appears on: 119
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Quant tu chanteras pour ton ennuy passer
119v Helas malheur prens tu contentement Gheerkin [de Hondt]
Appears on: 119v
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Helas malheur prens tu contentement
120 Contre raison pour t'aimer je define Benedictus [Appenzeller]
Appears on: 120
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Contre raison pour taymer je diffinne
120v Je me contente d'avoir aimé sans avoir joyssance [Rocour]
Appears on: 120v
Genres: Chanson
Source Attribution: [Rocour]
Voice: [no designation]
Languages: French
Voice Text: Je me contente davoir ayme sans avoir
120v En non sachant ce qu'il lui fault Anon. Anonymous
Appears on: 120v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: En non sachant ce quil luy fault
121 Forche sera sy de brief nay secours Gombert/[Crecquillon]
Appears on: 121
Genres: Chanson
Source Attribution: Gombert/[Crecquillon]
Voice: [no designation]
Languages: French
Voice Text: Forche sera sy de brief nay secours
121 Vostre beaulte plaisant et lyé me donne recreation [Gombert/Lupus]
Appears on: 121
Genres: Chanson
Source Attribution: [Gombert/Lupus]
Voice: [no designation]
Languages: French
Voice Text: Vostre beaulte [plaisant et lyé]
121v Contre raison pour t'aimer je define Gheerkin [de Hondt]
Appears on: 121v
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: French
Voice Text: Contre rayson pour taymer je diffinne
122 Qui lara la gentille brunette laultre jours Benedictus [Appenzeller]
Appears on: 122
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Qui lara la gentille brunette laultre jours
122 Si la nature en la diversite se resiouist Anon. Anonymous
Appears on: 122
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Sy la nature en sa diversite se resiouyst
122v Au fons denfer voire en plus grief Benedictus [Appenzeller]
Appears on: 122v
Genres: Chanson
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: French
Voice Text: Au fons denfer voire en plus grief
122v Mourir daimer a dame sy jolye Anon. Anonymous
Appears on: 122v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Mourir daimer a dame sy jolye
123 Ic weedt eene muelenarinne van herten Pipelare
Appears on: 123
Genres: Song
Source Attribution: Pipelare
Voice: [no designation]
Languages: Flemish
Voice Text: Ic weedt eene muelenarinne van herten
123 Vous perdez temps de me dire mal d'elle [Crecquillon/Sandrin/ Sermisy]
Appears on: 123
Genres: Chanson
Source Attribution: [Crecquillon/Sandrin/ Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Vous perdes temps de moy dire mal delle
123v Si par souffrir on peult vaincre fortune [Courtois]
Appears on: 123v
Genres: Chanson
Source Attribution: [Courtois]
Voice: [no designation]
Languages: French
Voice Text: Sy par souffrir lon peult vaincre fortune
123v Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee Lupi
Appears on: 123v
Genres: Chanson
Source Attribution: Lupi
Voice: [no designation]
Languages: French
Voice Text: Reviens vers moy qui suis tant desolee II: Plus revenir me puis vers toy
Layout

on the lower part of the opening, so another piece (at the top of the recto) intervenes between the 2 partes of this song

124 De retourner mon ami je te prie Anon. Anonymous
Appears on: 124
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: De retourner mon amy je te prye
124 Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy -
Appears on: 124
Genres: Chanson
Layout

on the lower part of the opening, so another piece (at the top of the recto) intervenes between the 2 partes of this song

124v Pour avoir mis Phelips Lapperdey
Appears on: 124v
Genres: Chanson
Source Attribution: Phelips Lapperdey
Voice: [no designation]
Languages: French
Voice Text: Pour avoir mys
124v Celuy a qui mon coeur fust departi [Gombert]
Appears on: 124v
Genres: Chanson
Source Attribution: [Gombert]
Voice: [no designation]
Languages: French
Voice Text: Celuy a qui mon cueur fust departi
125 Plaisir me fuit et ennuie me consolle Anon. Anonymous
Appears on: 125
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Plaisir me fuit et ennuyt me consolle
125 Chantons sonnons trompettes tabourins [Janequin]
Appears on: 125
Genres: Chanson
Source Attribution: [Janequin]
Voice: [no designation]
Languages: French
Voice Text: Chantons sonnons trompettes [tabourins]
125v Benedicite Dominus nos et ea quaesumus Gheerkin [de Hondt]
Appears on: 125v
Genres: Motet
Source Attribution: Gheerkin [de Hondt]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite dominus nos et ea quesumus
125v Vignon vingenette qui te planta il fut Anon. Anonymous
Appears on: 125v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Vignon vingenette qui te planta il fut
126 De mon triste desplaisir a vous belle Richafort
Appears on: 126
Genres: Chanson
Source Attribution: Richafort
Voice: [no designation]
Languages: French
Voice Text: De mon triste desplaysier a vous belle
126 Qui la dira la paine de mon coeur Cricquillon
Appears on: 126
Genres: Chanson
Source Attribution: Cricquillon
Voice: [no designation]
Languages: French
Voice Text: Qui la dira la paine de mon cueur
126v Rejouissez vous borgeses belles filles de Lion [Mouton]
Appears on: 126v
Genres: Chanson
Source Attribution: [Mouton]
Voice: [no designation]
Languages: French
Voice Text: Resioisses vous bourgoises belle filles
126v Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant [Sermisy]
Appears on: 126v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Tant que vivray en aige florissant
General Note

note at end: "Contra tenor in folio 129" [=f. 129v]

127 A mes ennuyz que si longtemps je porte Anon. Anonymous
Appears on: 127
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: En mes envieulx que si longement je porte [= A mes ennuyz que si longtemps je porte]
127 Che fut d'amour dont je fus abusee [Passereau]
Appears on: 127
Genres: Chanson
Source Attribution: [Passereau]
Voice: [no designation]
Languages: French
Voice Text: Che fut damour dont je fus abusee
127v Vrai dieu que amoureux on de paine Johannes Lupi
Appears on: 127v
Genres: Chanson
Source Attribution: Johannes Lupi
Voice: [no designation]
Languages: French
Voice Text: Vray dieu que [a]moureux on de paine
127v Tous mes amis venez ma plainte ouyr [J. Gerard?/Sermisy]
Appears on: 127v
Genres: Chanson
Source Attribution: [J. Gerard?/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Tous mes amys venes ma plainte ouyr
128 O coeur ingrat O fraude terrenne Johannes de Hollande
Appears on: 128
Genres: Chanson
Source Attribution: Johannes de Hollande
Voice: [no designation]
Languages: French
Voice Text: O cueur ingrat O fraude terrenne
128 Amour passion increable qui ma si toust Claudin [de Sermisy]
Appears on: 128
Genres: Chanson
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Amour passion increable qui ma si toust
128v Da pacem domine in diebus nostris Willart
Appears on: 128v
Genres: Motet
Source Attribution: Willart
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
128v Si de nouveau j'ai nouvelles colleurs [Conseil]
Appears on: 128v
Genres: Chanson
Source Attribution: [Conseil]
Voice: [no designation]
Languages: French
Voice Text: Sy de nouveau [j']ay nouvelles colleurs
129 On a mal dit de mon amy Johannes de Hollande
Appears on: 129
Genres: Chanson
Source Attribution: Johannes de Hollande
Voice: [no designation]
Languages: French
Voice Text: On a mal dit de mon amy
129 Jamais un coeur qui d'amour est navre Claudin [de Sermisy]
Appears on: 129
Genres: Chanson
Source Attribution: Claudin [de Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jamais ung cueur qui damour est navre
129v Les yeulx bendez de triste cognoissanche Claudin [de Sermisy]/ [Vermont]
Appears on: 129v
Genres: Chanson
Source Attribution: Claudin [de Sermisy]/ [Vermont]
Voice: [no designation]
Languages: French
Voice Text: Les yeulx bendez de triste cognoissanche
129v Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union Anon.
Appears on: 129v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Puis que deux cueurs y a vraye union
General Note

note at end: "Contra Tenor in folio 126" [=f. 126v]

130 Il n'est si doulce vie que de joyeussete Richafort
Appears on: 130
Genres: Chanson
Source Attribution: Richafort
Voice: [no designation]
Languages: French
Voice Text: Il nest sy doulche vie que de joyeussete
130 Laus Deo pax vivis Anon.
Appears on: 130
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Laus deo pax vivis et requies pro defunctis
130 Preludium Anon. Anonymous

Preludium

Anonymous
Appears on: 130
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Preludium
130v D'amour me plains et non de vous m'amie Rogier [Pathie]
Appears on: 130v
Genres: Chanson
Source Attribution: Rogier [Pathie]
Voice: [no designation]
Languages: French
Voice Text: Damours me plains et non de vous
130v Den sin verblyt als ic by huer Anon. Anonymous
Appears on: 130v
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Den sin verblyt als ic by huer
131 Si tu te plains d'amours tant seullement Johannes de Hollande
Appears on: 131
Genres: Chanson
Source Attribution: Johannes de Hollande
Voice: [no designation]
Languages: French
Voice Text: Si tu te plains damours tant seullement
General Note

indicated as 'the response' to the piece opposite o the opening, "D'amour me plains"

131 Mille regrets de vous abandonner 28.24 [Josquin]
Appears on: 131
Genres: Chanson
Source Attribution: [Josquin]
Voice: [no designation]
Languages: French
Voice Text: Mille regres de vous abandonner 28.24
131v Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora Benedictus [Appenzeller]
Appears on: 131v
Genres: Motet
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: Latin
Voice Text: Muse Jovis ter maximi proles canora II: Severa mors et improba qua templa
General Note

beside the attribution to 'Benedictus' is the statement 'Nenia in mortem Judoci de pretis (qui vulgo Josquinus de Pres vocant) cantoris suavissimi' - a lament for Josquin des Pres.

132 Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa -
Appears on: 132
Genres: Motet
132v Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum Anon. Anonymous
Appears on: 132v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum ave domina angelorum II: Gaude gloriosa super omnis speciosa
132v Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa - Anonymous
Appears on: 132v
Genres: Ave regina caelorum, Motet
133 Si mon malheur me continue je ne sais pas Anon. Anonymous
Appears on: 133
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Sy mon malheur my continue je ne scay
133 Dieu, c'est le temps et je le sens assez Anon. Anonymous
Appears on: 133
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Dieu scet le temps et je le sens asses
133v Resveille toy francq coeur joyeulx Pe. des Cornets
Appears on: 133v
Genres: Chanson
Source Attribution: Pe. des Cornets
Voice: [no designation]
Languages: French
Voice Text: Resveille toy francq cueur joyeulx
133v Dulcis amica Dei rosa vernans stella [Prioris]
Appears on: 133v
Genres: Lauda
Source Attribution: [Prioris]
Voice: [no designation]
Languages: Latin
Voice Text: O dulcis amica dei rosa vernans stella
134 A vous me rends comme celle du monde Gheerkin [de Hondt]/ [Willaert]
Appears on: 134
Genres: Chanson
Source Attribution: Gheerkin [de Hondt]/ [Willaert]
Voice: [no designation]
Languages: French
Voice Text: A vous me rens comme celle du monde
134 Languir me fais sans t'avoir offensé [Mouton/Sermisy]
Appears on: 134
Genres: Chanson
Source Attribution: [Mouton/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Languir me fais sans avoir offensee
134v Pour parvenir a che que je pretens Anon. Anonymous
Appears on: 134v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Pour parvenir a che que je pretens
134v Ognun si duol d'amore io me ne lodo [Verdelot?]
Appears on: 134v
Genres: Madrigal (Italian)
Source Attribution: [Verdelot?]
Voice: [no designation]
Languages: Italian
Voice Text: Ognun si duol damore iomene lodo
135 Se l'ardor fusse eguale [Verdelot]
Appears on: 135
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Sel ardo fussi equale ben posta
135 Donna leggiadra e bella che con le vostre [Verdelot]
Appears on: 135
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Italian
Voice Text: Donna leggiadra et belle che con le vostre
135v Paine et traveil au lieu desbatement De Hollande
Appears on: 135v
Genres: Chanson
Source Attribution: De Hollande
Voice: [no designation]
Languages: French
Voice Text: Paine et traveil au lieu desbatement
135v Pavane Anon. Anonymous

Pavane

Anonymous
Appears on: 135v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Pavane
136 Het was my wel te vooren gheseyt Gheerkin [de Hondt]/ [J. Gerard]
Appears on: 136
Genres: Secular
Source Attribution: Gheerkin [de Hondt]/ [J. Gerard]
Voice: [no designation]
Languages: Flemish
Voice Text: Het was my wel te vooren gheseyt
136 Pavane La Rote Anon. Anonymous

Pavane La Rote

Anonymous
Appears on: 136
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Pavane La Rote
136v Dulces exuviae dum fata Deusque (4vv) [Willaert]
Appears on: 136v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Dulces exuvie dum fata deusque
136v Pavane Anon. Anonymous

Pavane

Anonymous
Appears on: 136v
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Pavane
137 Just et amer de vous la specieuse Anon. Anonymous
Appears on: 137
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Iust et amer de vous la specieuse
137 La Fasana Pavane Anon. Anonymous

La Fasana Pavane

Anonymous
Appears on: 137
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: La Fasana Pavane
137v Pavane Benedictus [Appenzeller]
Appears on: 137v
Genres: Dance
Source Attribution: Benedictus [Appenzeller]
Voice: [no designation]
Languages: none
Voice Text: Pavane
137v C'est a grant tort que moi povrette endure [Sermisy]
Appears on: 137v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Cest a grand tort que moy povrette
138 Basse danche Anon. Anonymous

Basse danche

Anonymous
Appears on: 138
Genres: textless
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Basse danche
138 Autre Basse danche Anon. Anonymous

Autre Basse danche

Anonymous
Appears on: 138
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Aultre Basse danche
138v Sire dont dieu tant ilz sont aises Anon. Anonymous
Appears on: 138v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Sire dont dieu tant ilz sont aises
138v Jouissance vous donnerai, mon ami [La Rue/Sermisy]
Appears on: 138v
Genres: Chanson
Source Attribution: [La Rue/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Joyssanche vous donneray mon amy
139 Je prens en gre le dure mort (4vv) Clemens non Papa/[Baston/Janequin/Pathie?]
Appears on: 139
Genres: Motet
Source Attribution: Clemens non Papa/[Baston/Janequin/Pathie?]
Voice: [no designation]
Languages: French
Voice Text: Je prens en gre la dure mort
139 Ces facheux sots qui mesdisent d'aymer Anon. Anonymous
Appears on: 139
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Ces facheulx sotz qui me[s]dicent daymer
139v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Gombert/Mouton/ Verdelot]
Appears on: 139v
Genres: Motet
Source Attribution: [Gombert/Mouton/ Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te vestimentis tuis II: Angelus domini astitit et refulsit
Layout

the song occupies the upper part of the opening, so another piece intervenes between the 2 partes in the inventory

139v Cruelle mort qui de riens est contente [Alaire]
Appears on: 139v
Genres: Chanson
Source Attribution: [Alaire]
Voice: [no designation]
Languages: French
Voice Text: Cruelle mort qui de riens est contente
140 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 140
Genres: Motet
Layout

the song occupies the upper part of the opening, so another piece intervenes between the 2 partes in the inventory

140 Fortune hellas tu ma mys en oubly Anon. Anonymous
Appears on: 140
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Fortune hellas tu ma mys en oubly
140v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur [Sermisy]
Appears on: 140v
Genres: Motet
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri et gloriantur II: Disperge eos in virtute tua
140v Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua -
Appears on: 140v
Genres: Motet
141 Longtemps il y a que je viz en espoir Anon. Anonymous
Appears on: 141
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Longtemps il y a que je viz en espoir
141 Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) Josquin de Pres/ [La Rue]
Appears on: 141
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Josquin de Pres/ [La Rue]
Voice: [no designation]
Languages: Latin
Voice Text: Cum sancto spiritu from Missa De beata Virgine 3.3
General Note

"Cum sancto spiritu" only

141v J'ai le desir content et leffect resolu [Sermisy]
Appears on: 141v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Jay le desir content et leffect resolu
141v Puisque fortune a sur moi entrepris [Sermisy]
Appears on: 141v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Puis que fortune a sur moy entrepris
142 C'est grand pitié quand argent fault Anon. Anonymous
Appears on: 142
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Cest grant pitie quant argent fault
142 En languissant je meurs sans esperance Anon. Anonymous
Appears on: 142
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: En languissant je meurs sans esperance
142v N'auray je jamais reconfort de vous [Jacotin]
Appears on: 142v
Genres: Chanson
Source Attribution: [Jacotin]
Voice: [no designation]
Languages: French
Voice Text: Nauray je jamais reconfort de vous
142v Si j'ai pour vous mon avoir despendu [Sermisy]
Appears on: 142v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Sy jay pour vous [mon avoir despendu]
143 C'est grand erreur de cuider presumer Anon. Anonymous
Appears on: 143
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Cest grant erreur de cuider presumer
143 Herte en zinne no further text Anon. Anonymous
Appears on: 143
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herte en zinne [no further text]
143v Du feu d'amours je suis si tres espris [Jacotin]
Appears on: 143v
Genres: Chanson
Source Attribution: [Jacotin]
Voice: [no designation]
Languages: French
Voice Text: Du f[e]u damours [je suis si tres espris]
143v Las je my plains mauldicte soyt fortune [Sermisy]
Appears on: 143v
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Las je my plains mauldicte soyt fortune
144 Au pres de vous secretement demeure [Jacotin/Sermisy]
Appears on: 144
Genres: Chanson
Source Attribution: [Jacotin/Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Aupres de vous secretement demuere
144 Vivray je tousjours en soucy pour vous [Sermisy]
Appears on: 144
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Vivray je tousjours [en soucy pour vous]
144v For[s] seullement l'attente que je meure Anon. Anonymous
Appears on: 144v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: Forseullement [l'attente que je meure]
144v Hors envieulx retirez vous d'ici Gombert
Appears on: 144v
Genres: Chanson
Source Attribution: Gombert
Voice: [no designation]
Languages: French
Voice Text: Hors envieulx retirez vous dicy
145 Contraincte suis de reveler tous mes secrets Johannes Lupi
Appears on: 145
Genres: Chanson
Source Attribution: Johannes Lupi
Voice: [no designation]
Languages: French
Voice Text: Contraincte suis de reveler tous mes secretz
145 Puis qu'en amours a si grant passetemps [Sermisy]
Appears on: 145
Genres: Chanson
Source Attribution: [Sermisy]
Voice: [no designation]
Languages: French
Voice Text: Puis quen amours a si grant passetemps
145v Triste pensif par le pourchas de rigeur [Alaire]
Appears on: 145v
Genres: Chanson
Source Attribution: [Alaire]
Voice: [no designation]
Languages: French
Voice Text: Triste pensif par le pourchas de rigeur
145v A gouverner femmes a fort afaire difficil Anon. Anonymous
Appears on: 145v
Genres: Chanson
Source Attribution: Anon.
Voice: [no designation]
Languages: French
Voice Text: A gouverner femmes a fort afaire difficil
146 Jamais n'aimerai machon je suis trop belle [Mouton]
Appears on: 146
Genres: Chanson
Source Attribution: [Mouton]
Voice: [no designation]
Languages: French
Voice Text: Jamais naimeray Machon je suis trop belle
146 Pavane Anon. Anonymous

Pavane

Anonymous
Appears on: 146
Genres: Dance
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Pavane
Composer Compositions
Alaire (fl. 1534–49)
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Baston, Josquin (fl. 1542–63)
Cabillau
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Compère, Loyset (ca. 1445–1518)
Conseil, Jean (ca. 1498–1534)
Cornets, Pe. de
Courtois, Jean (fl. 1530-1545)
Craen, Nicolaus (ca. 1440–1502)
Crecquillon, Thomas (ca. 1505–ca. 1557)
D'Oude Schere
Despres, Josquin (ca. 1450–1521)
Ducrocq
Ferrara, Maistre Jhan of (ca. 1485–1538)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gascongne, Mathieu (?Johannes) (fl. 1517-1518)
Gerard, Jacques
Gerarde, Derrick (fl. c1540–1580)
Gombert, Nicolas (ca. 1495–ca. 1560)
Guyon, Jean (ca. 1514–ca. 1574)
Hellinck, Lupus (ca. 1494–1541)
Hesdin, Nicolle des Celliers de (–1538)
Heurteur, Guillaume le (fl. 1530-1545)
Hollande, Johannes de (fl. c1538-1553)
Hollander, Christian
Hondt, Gheerkin de (fl. 1539–1547)
Jacotin, Jacques (1445–1529)
Janequin, Clement (ca. 1485–ca. 1558)
Lapperdey, Phelips
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi, Johannes (ca. 1506–1539)
Maillard, Jean (fl. c1538–1570)
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Passereau, Pierre (fl. c1509–1547)
Pathie, Rogier (ca. 1510–ca. 1564)
Petit, Nino le (fl. c1500)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Prioris, Johannes (Denis, Dionisius) (–1515)
Raedt, Pierquin de (fl. c1516)
Reux, Jacobus de
Richafort, Jean (ca. 1480–ca. 1550)
Rocourt, Pierre de (fl. c1540–1550)
Roquellay
Rore, Cipriano de (ca. 1515–1565)
Rue, Pierre de la (ca. 1452–1518)
Sandrin, Pierre (ca. 1490–ca. 1560)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Willaert, Adrian (ca. 1490–1562)
le Brun, Jean (fl. early 16th century)
Composition Composers (? Uncertain) Folios / Pages
A bien parler que c'est d'amours aucuns 23v
A bien parler que c'est d'amours aucuns 45v
A gouverner femmes a fort afaire difficil Anonymous 145v
A mes ennuyz que si longtemps je porte Anonymous 127
A vous me rends comme celle du monde 87
A vous me rends comme celle du monde 134
Amour faut trop qui bien sense de faire Anonymous 17
Amour passion increable qui ma si toust 128
Au fons denfer voire en plus grief 122v
Au pres de vous secretement demeure 144
Autre Basse danche Anonymous 138
Ave regina caelorum - 1a pars (of 2): Ave regina caelorum ave domina angelorum Anonymous 132v
Ave regina caelorum - 2a pars (of 2): Gaude gloriosa super omnis speciosa Anonymous 132v
Ave sanctissima Maria mater Dei regina [iv] v
Ave stella matutina - 1a pars (of 2): Ave stella matutina mundi princeps 101v
Ave stella matutina - 2a pars (of 2): Tu es area compluta caelesti rore 102
Basse danche Anonymous 138
Beata progenies - 1a pars (of 2): Beata progenies unde Christus natus es Anonymous 87v
Beata progenies - 2a pars (of 2): Tu que nostris precibus mundas Anonymous 88
Benedicite Dominus nos et ea quaesumus 125v
Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel 48
Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas 48
C'est a grant tort que moi povrette endure 137v
C'est donc par moy que je suis fortune 19
C'est grand erreur de cuider presumer Anonymous 143
C'est grand pitié quand argent fault Anonymous 142
C'est une dure despartie de celui 43v
Candida Phebeus - 1a pars (of 2): Candida Phebeus moneas auxelia plectrum Anonymous 41v
Candida Phebeus - 2a pars (of 2): Et chorus arguto concorditer assonat Anonymous 42
Celuy a qui mon coeur fust departi 124v
Ces facheux sots qui mesdisent d'aymer Anonymous 139
Chantons sonnons trompettes tabourins 125
Che fut d'amour dont je fus abusee 127
Christum ascendentem - 1a pars (of 2): Christum ascendentem in caelum venite Anonymous 78v
Christum ascendentem - 2a pars (of 2): Omnis pulchritudo Domini exaltata Anonymous 79
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis 1
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta 1
Congratulamini mihi 26.3 - 1a pars (of 2) Congratulamini mihi omnes qui diligitis 103v
Congratulamini mihi 26.3 - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 104
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 140v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua 140v
Considerant que par droite mesure le tout 16
Contraincte suis de reveler tous mes secrets 145
Contre raison pour t'aimer je define 120
Contre raison pour t'aimer je define 121v
Contre raison vous m'êtes fort étrange Anonymous 43
Cruelle mort qui de riens est contente 139v
D'amour me plains et non de vous m'amie 130v
D'un parfond coeur j'ai crié a toi 70
Da pacem Domine in diebus nostris 70v–71
Da pacem domine in diebus nostris 128v
De moi narez aucun alligement une pensee 42v
De mon triste desplaisir a vous belle 126
De nous deux coeurs soit seulle voulenté 40
De retourner mon ami je te prie Anonymous 124
De tous biens plaine est ma maîtresse 46v
Den sin verblyt als ic by huer Anonymous 130v
Descendit angelus - 1a pars (of 2): Descendit angelus Domini ad Zachariam 63v
Descendit angelus - 2a pars (of 2): Ne timeas Zacharia exaudita est 64
Dieu, c'est le temps et je le sens assez Anonymous 133
Domine Deus Sabaoth omnium dignatum Anonymous 36
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo suo 109
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit in tabernaculo tuo 55v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu 56
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus est in conspectu 109v
Domini est terra 16.12 - 1a pars (of 2): Domini est terra et plenitudo eius 38v
Domini est terra 16.12 - 2a pars (of 2): Haec est generatio querentium 39
Donna leggiadra e bella che con le vostre 135
Druck en verdriet hebbe ic ontfanghen Anonymous 108v
Du feu d'amours je suis si tres espris 143v
Dulces exuviae dum fata Deusque (4vv) 136v
Dulcis amica Dei rosa vernans stella 133v
Dum penderet Petrus - 1a pars (of 2): Dum penderet Petrus in cruce venit turba 79v
Dum penderet Petrus - 2a pars (of 2): Gratias ago tibi domine pastor 80
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 64v
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris 65
En esperant de pervenir a la myenne fantazie 44
En esperant espoir me desespere tant 6v
En espoir davoir mieulx il fault avoir 40
En languissant je meurs sans esperance Anonymous 142
En non sachant ce qu'il lui fault Anonymous 120v
En souspirant les griefz souspirs d'amours Anonymous 43
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils 16v–17
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan 17v–19
Felix Anna - 1a pars (of 2): Felix Anna quaedam matrona legitima Anonymous 47
Felix Anna - 2a pars (of 2): Sancta Anna ora pro nobis Anonymous 47
For[s] seullement l'attente que je meure Anonymous 144v
Forche sera sy de brief nay secours 121
Fortune hellas tu ma mys en oubly Anonymous 140
Frere grisart a jure que bon hermite Anonymous 78
Fuit homo missus a Deo - 1a pars (of 2): Fuit homo missus a Deo 89
Fuit homo missus a Deo - 2a pars (of 2): Hic precursor et dilectus 89
Gaude Barbara beata - 1a pars (of 2): Gaude Barbara beata summe polens 1v
Gaude Barbara beata - 2a pars (of 2): Gaude quia meruisti impetrare 2
Gaude virgo Katharina - 1a pars (of 2): Gaude virgo Katharina quam refulsit lux Anonymous 107v
Gaude virgo Katharina - 2a pars (of 2): Gaude quia convertisti sponsum Anonymous 108
Ghequest ben ic van hinnen duerwont Anonymous 3v
Grace et vertu bonté beaulté noblesse
Roquellay (?)
34
Helas malheur prens tu contentement 119v
Herte en zinne no further text Anonymous 143
Het was my wel te vooren gheseyt 136
Hic est vere propheta - 1a pars (of 2): Hic est vere propheta et plus quam propheta Anonymous 89v
Hic est vere propheta - 2a pars (of 2): Elizabeth Zacharie magnum virum Anonymous 90
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit Anonymous 92v
Homo quidam - 2a pars (of 2): Ite ergo ad exitus viarum Anonymous 93
Hors envieulx retirez vous d'ici 144v
Humble se tient soubz vostre haultesse 117v
Ic weedt eene muelenarinne van herten 123
Ignosce Domine - 1a pars (of 2): Ignosce Domine que rogare compellor Anonymous 34v
Ignosce Domine - 2a pars (of 2): Ignosce misterii tui secreta Anonymous 35
Il me suffit de tous mes maulx 15v
Il n'est si doulce vie que de joyeussete 130
In illo tempore Maria Magdalene - 1a pars (of 2): In illo tempore Maria Magdalene Jacobi et Salome 102v
In illo tempore Maria Magdalene - 2a pars (of 2): Dic nobis Maria quid vidisti 103
Inclina domine - 1a pars (of 2): Inclina domine aurem tuam et exuadi me 99v
Inclina domine - 2a pars (of 2): Quia misericordia tua magna est 100
Inghelandt en Ghendt Anonymous 114
J'ai le desir content et leffect resolu 141v
Jamais n'aimerai machon je suis trop belle 146
Jamais un coeur qui d'amour est navre 129
Je me contente d'avoir aimé sans avoir joyssance 120v
Je me repens de vous avoir aimée 63
Je ne puis plus et nay qui me sequeure Anonymous 14v
Je prens en gre le dure mort (4vv) 139
Je vous requiers ma cherre dame Anonymous 78
Jouissance vous donnerai, mon ami 138v
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra servite Domino 90v
Jubilate Deo - 2a pars (of 2): Laudate nomen eius quoniam suavis 91
Just et amer de vous la specieuse Anonymous 137
La Fasana Pavane Anonymous 137
Languer d'amours mest survenie par trop 42v
Languir me fais sans t'avoir offensé 134
Laqueus contritus - 1a pars (of 2): Laqueus contritus est nos liberati sumus 114v
Laqueus contritus - 2a pars (of 2): Tribulationem et dolorem inveni 115
Las je my plains mauldicte soyt fortune 143v
Las ostes moi les douleurs qui jendure Anonymous 72
Las pourquoi m'este vous si duere Anonymous 65
Laus Deo pax vivis 130
Les yeulx bendez de triste cognoissanche 129v
Longtemps il y a que je viz en espoir Anonymous 141
Maulgre moi viz et en vivant je meurs 34
Mijn herz altijt heeft verlanghen 44v
Mille regrets de vous abandonner 28.24 131
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) 141
Missa Benedictus Dominus Deus Israel: Agnus Dei 53
Missa Benedictus Dominus Deus Israel: Credo 50v–51v
Missa Benedictus Dominus Deus Israel: Gloria 49v–50
Missa Benedictus Dominus Deus Israel: Kyrie 48v–49
Missa Benedictus Dominus Deus Israel: Sanctus 52–52v
Missa Cest doncq par moi: Agnus Dei Anonymous 22v–23
Missa Cest doncq par moi: Credo Anonymous 20v–21v
Missa Cest doncq par moi: Gloria Anonymous 20
Missa Cest doncq par moi: Kyrie Anonymous 19v
Missa Cest doncq par moi: Sanctus Anonymous 22–22v
Missa Christus resurgens: Agnus Dei Anonymous 6v
Missa Christus resurgens: Credo Anonymous 5–5v
Missa Christus resurgens: Credo 67v–68v
Missa Christus resurgens: Gloria Anonymous 4v
Missa Christus resurgens: Gloria 66v–67
Missa Christus resurgens: Kyrie Anonymous 4
Missa Christus resurgens: Kyrie 65v–66
Missa Christus resurgens: Sanctus Anonymous 6
Missa Christus resurgens: Sanctus 69–69v
Missa Domine quis habitabit: Agnus Dei 113–113v
Missa Domine quis habitabit: Credo 111v–112
Missa Domine quis habitabit: Gloria 110v–111
Missa Domine quis habitabit: Kyrie 110
Missa Domine quis habitabit: Sanctus 112v–113
Missa Gaude Barbara: Agnus Dei 10v
Missa Gaude Barbara: Credo 8v–9v
Missa Gaude Barbara: Gloria 7v–8
Missa Gaude Barbara: Kyrie 7
Missa Gaude Barbara: Sanctus 10–10v
Missa In te Domine speravi: Et resurrexit tertia die 53
Missa Mijn herte altijt heeft verlanghen: Agnus Dei 27v
Missa Mijn herte altijt heeft verlanghen: Credo 25v–26v
Missa Mijn herte altijt heeft verlanghen: Gloria 24v–25
Missa Mijn herte altijt heeft verlanghen: Kyrie 24
Missa Mijn herte altijt heeft verlanghen: Sanctus 27
Missa Nisi Dominus: Credo 12v–13v
Missa Nisi Dominus: Gloria 11v–12
Missa Nisi Dominus: Kyrie 11
Missa Nisi Dominus: Sanctus 14
Missa Panis quem ego dabo: Agnus Dei 62
Missa Panis quem ego dabo: Credo 59v–61
Missa Panis quem ego dabo: Gloria 58v–59
Missa Panis quem ego dabo: Kyrie 57v–58
Missa Panis quem ego dabo: Sanctus 61–62
Missa Quem dicunt homines: Agnus Dei 33
Missa Quem dicunt homines: Credo 30v–31v
Missa Quem dicunt homines: Gloria 29v–30
Missa Quem dicunt homines: Kyrie 29
Missa Quem dicunt homines: Sanctus 32–32v
Missa Tua est potentia: Agnus Dei 98v–99
Missa Tua est potentia: Credo 96–97
Missa Tua est potentia: Gloria 95–95v
Missa Tua est potentia: Kyrie 94v
Missa Tua est potentia: Sanctus 97v–98
Missa Vidi Jerusalem: Credo 75v–77
Missa Vidi Jerusalem: Gloria 74v–75
Missa Vidi Jerusalem: Kyrie 73v–74
Missa Vidi Jerusalem: Sanctus 77–77v
Missa Virgo mater salvatoris: Agnus Dei 84v–85
Missa Virgo mater salvatoris: Credo 83–83v
Missa Virgo mater salvatoris: Gloria 82–82v
Missa Virgo mater salvatoris: Kyrie 81v
Missa Virgo mater salvatoris: Sanctus 84–84v
Mon petit coeur n'est point a moi 46v
Mon petit coeur n'est point a moi 86
Mon povre coeur plain de douleur 15
Morir daimer a dame si jolye 108v
Mourir daimer a dame sy jolye Anonymous 122v
Musae Jovis - 1a pars (of 2): Musae Jovis ter maximi proles canora 131v
Musae Jovis - 2a pars (of 2): Severa mors et improba qua templa 132
Myn hertken heeft altijts verlanghen Anonymous 23v
N'auray je jamais reconfort de vous 142v
Nisi Dominus - 1a pars (of 2): Nisi Dominus aedificaverit domum in vanum 2v
Nisi Dominus - 2a pars (of 2): Cum dederit delectis suis somnum 3
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Anonymous 104v
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Anonymous 105
O bone Jesu - 1a pars (of 2): O bone Jesu duo in me cognosco naturam Anonymous 39v
O bone Jesu - 2a pars (of 2): Memento quia sum spiritus vadens Anonymous 39v
O coeur ingrat O fraude terrenne 128
Ognun si duol d'amore io me ne lodo 134v
On a mal dit de mon amy 129
Osculetur me osculo oris sui quia meliora (= Ecce video caelos apertos 19.2) 85v
Paine et traveil au lieu desbatement 135v
Panis quem ego dabo - 1a pars (of 2): Panis quem ego dabo 56v
Panis quem ego dabo - 2a pars (of 2): Locutus est populus ad Dominum 57
Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te 93v
Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris 93v
Pavane Anonymous 118v
Pavane Anonymous 135v
Pavane Anonymous 136v
Pavane 137v
Pavane Anonymous 146
Pavane La Rote Anonymous 136
Pereat dies - 1a pars (of 2): Pereat dies in qua natus sum et vox Anonymous 91v
Pereat dies - 2a pars (of 2): Obscurent eam tenebre et umbra Anonymous 92
Petite fleur coynte jolye las dictes moi 46
Philomena praevia - 1a pars (of 2): Philomena praevia temporis ameni que decessum 35v
Philomena praevia - 2a pars (of 2): Veni dulcis amica mea noctis solatia 35v
Plaisir me fuit et ennuie me consolle Anonymous 125
Plus en sera garde de ma jonesse 14v
Pour avoir mis 124v
Pour parvenir a che que je pretens Anonymous 134v
Pour se garder de soif avoir fault Anonymous 53v
Pourquoi languir me viens tu assaillir 117
Preludium Anonymous 130
Propter gravamen - 1a pars (of 2): Propter gravamen et tormentum que torquebatur 71v
Propter gravamen - 2a pars (of 2): Et subvenii in hora ultima 72
Puer natus est - 1a pars (of 2): Puer natus est nobis et filius datus est Anonymous 54v
Puer natus est - 2a pars (of 2): Cantate Domino canticum novum Anonymous 55
Puis qu'en amours a si grant passetemps 145
Puisque fortune a sur moi entrepris 141v
Quam pulchra es - 1a pars (of 2): Quam pulchra es amica mea columba mea Anonymous 33v
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora 36v
Quam pulchra es - 1a pars (of 2): Quam pulchra es et quam decora carissima 54
Quam pulchra es - 2a pars (of 2): Labia tua distilantia guttur tuum Anonymous 33v
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agris 54
Quam pulchra es - 2a pars (of 2): Veni dilecte mi egrediamur in agrum 37
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora 115v
Quam pulchra est - 2a pars (of 2): Veni dilecte mi 116
Quant tu chanteras pour ton ennuy passer Anonymous 119
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines 28
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit 28v
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi 105v
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum 106
Qui la dira la paine de mon coeur 126
Qui lara la gentille brunette laultre jours 122
Rejouissez vous borgeses belles filles de Lion 126v
Resveille toy francq coeur joyeulx 133v
Reviens vers moi - 1a pars (of 2): Reviens vers moi qui suis tant desolee 123v
Reviens vers moi - 2a pars (of 2): Plus revenir me puis vers toy 124
Salve quadruplicem - 1a pars (of 2): Salve quadruplicem gestans Godelena Anonymous 40v
Salve quadruplicem - 2a pars (of 2): Sicque maneus niveo rege Christo Anonymous 41
Sancta et immaculata (1) - 1a pars (of 2): Sancta et immaculata virginitas 88v
Sancta et immaculata (1) - 2a pars (of 2): Benedicta tu in mulieribus 88v
Sancta Trinitas unus Deus miserere nobis (4vv) 118
Sancte Barbe mon con mon compere 45
Se dire je l'osoie d'ou me vient le souffrir 15
Se l'ardor fusse eguale 135
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Anonymous 100v
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris Anonymous 101
Si de nouveau j'ai nouvelles colleurs 128v
Si j'ai pour vous mon avoir despendu 142v
Si je me plains et meine grand tristesse 42
Si je n'estois malheureux de nature 46
Si la nature en la diversite se resiouist Anonymous 122
Si le vouloir adoulcit la douleur 90
Si mon malheur me continue je ne sais pas Anonymous 133
Si oblitus fuero - 1a pars (of 2): Si oblitus fuero tui Jerusalem alleluia 37v
Si oblitus fuero - 2a pars (of 2): Decantabat populus laudes 38
Si par souffrir on peult vaincre fortune 123v
Si tu te plains d'amours tant seullement 131
Sire dont dieu tant ilz sont aises Anonymous 138v
Spes salutis - 1a pars (of 2): Spes salutis pacis portus vas virtutis 106v
Spes salutis - 2a pars (of 2): Tu es enim decus honestatis 107
Sur tous regrets les miens plus piteulz 43v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 139v
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 140
Tant que vivrai - 1a pars (of 2): Tant que vivrai en age florissant 126v
Tant que vivrai - 2a pars (of 2): Puisque deux coeurs y a vraie union 129v
Tant voeullies vostre amant secourir 87
Tanto tempore vobiscum sum et non cognovistis 3v
Tous mes amis venez ma plainte ouyr 127v
Triste pensif par le pourchas de rigeur 145v
Trop m'est dure la longue demouree Anonymous 116v
Tua est potentia tuum regnum Dominus 26.17 94
Ung visage coperose estincelles Anonymous 114
Veullant aymer on me peult parvenir Anonymous 44
Vidi Jerusalem - 1a pars (of 2): Vidi Jerusalem descendentem de caelo Anonymous 72v
Vidi Jerusalem - 2a pars (of 2): Ecce tabernaculum Dei cum hominibus Anonymous 73
Viens tost despiteulx desconfort 44v
Vignon vingenette qui te planta il fut Anonymous 125v
Virgo mater salvatoris - 1a pars (of 2): Virgo mater salvatoris et si verbum Anonymous 80v
Virgo mater salvatoris - 2a pars (of 2): Virgo concepit virgo peperit Anonymous 81
Vivons en paix tous leaulx amoureux Anonymous 57
Vivrai je tousjours en telle paine 28.36 15v
Vivray je tousjours en soucy pour vous 144
Vostre beaulte plaisant et lyé me donne recreation 121
Vous marchez du bout du pied marionnette Anonymous 45v
Vous perdez temps de me dire mal d'elle 123
Vous scavez bien madame souveraine 45
Vox dicentis clama - 1a pars (of 2): Vox dicentis clama quid clamabo omnis 47v
Vox dicentis clama - 2a pars (of 2): Exsiccatum est fenum et cecidit 47v
Vrai dieu que amoureux on de paine 127v
Vultum tuum 25.14 - 3a pars (of 7): O intemerata virgo que redemptorem 86v
Vultum tuum 25.14 - 4a pars (of 7): O Maria nullam tam gravem possimus 86v

Set: MSS 125-128

Type: Partbooks

No images available

F-CA MS 125

No images available

F-CA MS 126

No images available

F-CA MS 127

No images available

F-CA MS 128

denotes primary source study

Gabriëls, Nele. 2010. Bourgeois Music Collecting in Mid Sixteenth-Century Bruges: The Creation of the Zeghere van Male Partbooks (Cambrai, Médiathèque Municipale, MSS 125-128). Katholieke Universiteit Leuven, PhD.

Coussemaker, Charles Edmond Henri de. 1975 (reprint). Notice sur les Collections Musicales de la Bibliothèque de Cambrai. Paris, 1843.  Hildesheim and New York. Pages: 32, 121-47. Notes: physical description; contents list.

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; incipits; facsimile (partial); mention of MS; discussion.

Bernstein, Lawrence F. 1973. La Courone et fleur des chansons a troys; A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano. Journal of the American Musicological Society, 1-68. Pages: 21. Notes: concordances (partial).

Drake, George Warren James. 1972. The first printed book of motets, Petrucci's Motteti A numero trentatre (Venice 1502) and Motetti de Passione De cruce De sacramento De beata virgine et huius modi B (Venice 1503): A critical study and complete edition. University of Illinois, Ph.D. Dissertation. Pages: 185-6. Notes: mention of MS.

Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 365, passim. Notes: concordances (partial).

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 16-7. Notes: physical description; contents list; incipitsst of contents (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music.  Chicago. Pages: III, 108, passim. Notes: mention of MS; concordances (partial).

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xi; We thank George K. Diehl for his assistance in preparing the entry for this manuscript. Notes: concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 246, passim. Notes: mention of MS; concordances (partial); incipits (partial).

Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xix. Notes: facsimile (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: 351. Notes: mention of MS.

Reese, Gustave. 1959. Music in the Renaissance.  New York. Pages: Plate V. Notes: facsimile (partial).

Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xii. Notes: facsimile (partial).

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: 18, passim. Notes: mention of MS; concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, 703, 707-8. Notes: mention of MS; facsimile (partial).

Reese, Gustave. 1948-49. Maldeghem and His Buried Treasure: A Bibliographical Study. Notes, 75-117. Pages: 75ff; 87ff. Notes: physical description; mention of MS; discussion; contents list (partial).

Pirro, André. 1940. Histoire de la Musique de h f in du XIVe siècle à la fin du XVIe.  Paris. Pages: Plates XXII-XXIV. Notes: facsimile (partial).

Gastoué, Amédée. 1934. La Musique française du moyen âge à la Révolution.  Paris. Pages: 53, 56. Notes: physical description; facsimile (partial).

Bartha, Denes. 1930-1. Bibliographische Notizen zum Repertoire der Handschrift Cambrai 124 (125-128). Zeitschrift für Musikwissenschaft, 564ff. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1921. Werken van Josquin des Prez: Klaagliederen op den Dood van Josquin.  Amsterdam. Pages: I, vi. Notes: physical description.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 448. Notes: mention of MS.

Molinier, Auguste. 1885-. Catalogue General des Manuscrits des Bibliothèques Publiques de France.  Paris. Pages: 32-3. Notes: physical description; contents list; incipitsst of contents (partial).

Maldeghem, R-J van. 1865-93. Tresor musical: collection authentique de musique sacrée & profane des anciens maîtres belges ... Musique profane.  Brussels. Pages: XI, XIV-XX, XXII-XXIV. Notes: transcription (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description