I-Fn MS Magl. XIX.102

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

partbook: c. 1540 (JepFR); c. 1535 (RubIL)

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS Magl. XIX.102
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 140 x 210 mm
Other Identifiers
  • CCM: FlorBN Magl. 99-102
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Firenze (Florence), Italy
Contents 56 pieces from 6 composers
General Description

An Altus partbook from a set of four volumes. The main scribe may also have copied the second part of FlorC 2495 (Rifkin), though Fenlon/Haar disagree; the instrumental pieces (at the end of the Cantus only) are later additions in a different hand. Copied in Florence. Provenance before their acquisition by the Biblioteca Palatina unknown.

DIAMM, 2017
Extent

75 ff. (only 44 foliated)

DIAMM, 2022
Binding

Original covers of white parchment.

DIAMM, 2017
Watermark

(1) resembles Briquet #5919; (2) resembles Briquet #5926 (this latter paper is also used in FBn Magl. XIX.122-5)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

five staves per page, c. 12 mm high

DIAMM, 2022
Foliation

Modern foliation

DIAMM, 2017
Decoration

Spaces left for initials but none added

DIAMM, 2022
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

56 Italian secular pieces, plus several instrumental pieces (later additions)

(Arcadelt)-29, (Arcadelt/Corteccia)-3, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-16

4 paper partbooks (D-i + 46 + i folios, A-i + 44 + i, T-iii + 44 + i, B-ii + 39 + i), 140 x 210. Modern foliation. Original covers of white parchment. No index. The main scribe probably also copied the second part of FlorC 2495 (Rifkin); the instrumental pieces at the end are later additions in a different hand. One watermark resembles Briquet #5919; a similar mark is also found in FlorBN II.I.350. Another watermark resembles Briquet #5926 (also found inFlorBN Magl. 122-5, FlorBN Magl. 125bis, BrusC 27511, BrusC 27731, and RomeV 35-40).

Ca. 1540 (JepFR); ca. 1535 (RubIL). Copied in Florence.

Vol 4

Composers: (Arcadelt)-30, (Arcadelt/Corteccia)-4, (Arcadelt/C. Festa)-2, (Corteccia)-3, (C. Festa)-4, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-5

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Divini occhi sereni occhi sempre di gratia -
Appears on: 1v–2
Genres: Madrigal (Italian)
2–2v Ardea tutt'a voi presso -
Appears on: 2–2v
Genres: Madrigal (Italian)
2v–3v Se di mostrarvi a pieno -
Appears on: 2v–3v
Genres: Madrigal (Italian)
3v–4 Ahime dov'è'l bel viso in cui solea -
Appears on: 3v–4
Genres: Madrigal (Italian)
4–4v Se per colpa del vostro fiero sdegno -
Appears on: 4–4v
Genres: Madrigal (Italian)
5–5v Quand' io pens' al martire amor che tu -
Appears on: 5–5v
Genres: Madrigal (Italian)
5v–6v Ancidetemi pur grievi martiri che'l viver -
Appears on: 5v–6v
Genres: Italian secular
6v–7 Madonna ohime ch'io ardo -
Appears on: 6v–7
Genres: Madrigal (Italian)
7–8 Deh dimm' amor se l'alma di costei -
Appears on: 7–8
Genres: Madrigal (Italian)
8–9 Nuova donna m'apparve -
Appears on: 8–9
Genres: Madrigal (Italian)
9–9v Ben m'e nemico il mio destin fallace -
Appears on: 9–9v
Genres: Madrigal (Italian)
9v–10v Dolce pegno d'amore -
Appears on: 9v–10v
Genres: Madrigal (Italian)
10v–11 Il bianco e dolce cigno cantando more -
Appears on: 10v–11
Genres: Madrigal (Italian)
11–11v Poss'io morir di mala morte s'io non v'amo -
Appears on: 11–11v
Genres: Madrigal (Italian)
12–12v Dunque credete ch' io voglia o possa mai -
Appears on: 12–12v
Genres: Madrigal (Italian)
13–13v O felici occhi miei -
Appears on: 13–13v
Genres: Madrigal (Italian)
13v–14v Occhi miei lassi mentre ch'io vi giro -
Appears on: 13v–14v
Genres: Madrigal (Italian)
14v–15 Il ciel che rado virtu tanta mostra -
Appears on: 14v–15
Genres: Madrigal (Italian)
15–16 Voi ve n' andat' al cielo occhi beati -
Appears on: 15–16
Genres: Italian secular, Madrigal (Italian)
16–17 Io vorrei pur fuggir -
Appears on: 16–17
Genres: Madrigal (Italian)
17–18 Io mi pensai che spento -
Appears on: 17–18
Genres: Madrigal (Italian)
18–19 Lasso quand' io gli occhi alzo -
Appears on: 18–19
Genres: Madrigal (Italian)
19–19v Madonna s'io credessi -
Appears on: 19–19v
Genres: Madrigal (Italian)
20–21 Per alti monti e per selv' aspre -
Appears on: 20–21
Genres: Madrigal (Italian)
21–21v Se saper donna curi -
Appears on: 21–21v
Genres: Madrigal (Italian)
21v–22v Coppia d'Amica cui de beltà -
Appears on: 21v–22v
Genres: Madrigal (Italian)
22v–23 O chioma di fin oro, o front' altera - Anonymous
Appears on: 22v–23
Genres: Madrigal (Italian)
23–23v Donna fra i più bei volti honesti e chiari -
Appears on: 23–23v
Genres: Madrigal (Italian)
24–24v Se come dite ogn'hor bella ui paio -
Appears on: 24–24v
Genres: Madrigal (Italian)
24v–25v Donna da vostr' oltraggi - Anonymous
Appears on: 24v–25v
Genres: Madrigal (Italian)
25v–26 Nasce fra l'herb' un fiore -
Appears on: 25v–26
Genres: Madrigal (Italian)
26–26v Nova angioletta sovra l'ale accorta - Anonymous
Appears on: 26–26v
Genres: Madrigal (Italian)
27–27v Amorosi pensieri che di dolore -
Appears on: 27–27v
Genres: Madrigal (Italian)
27v–28 Ne piu concenti lagrime -
Appears on: 27v–28
Genres: Madrigal (Italian)
28v–29 Chi può fiso mirar - Anonymous
Appears on: 28v–29
Genres: Madrigal (Italian)
29–29v Saria pur tempo omai -
Appears on: 29–29v
Genres: Madrigal (Italian)
29v–30v Ite tristi sospiri -
Appears on: 29v–30v
Genres: Madrigal (Italian)
30v–31 Occhi mirand' in voi -
Appears on: 30v–31
Genres: Madrigal (Italian)
31–32 Se 'l pensier amoroso congn' hor -
Appears on: 31–32
Genres: Madrigal (Italian)
32–33 Languir non mi fa amore -
Appears on: 32–33
Genres: Madrigal (Italian)
33–33v Infra bianche rugiade e verdi fronde -
Appears on: 33–33v
Genres: Madrigal (Italian)
34–34v Quando con dolce suono -
Appears on: 34–34v
Genres: Madrigal (Italian)
34v–35v Ver' inferno e'l mio petto ver' infernale -
Appears on: 34v–35v
Genres: Italian secular, Madrigal (Italian)
35v–36 Quanti travagli e pene, quant' ogn' hor dogli e morti -
Appears on: 35v–36
Genres: Madrigal (Italian)
36–37 Dai dolci campi elisi -
Appears on: 36–37
Genres: Madrigal (Italian)
37–37v Che piu foco al mio foco -
Appears on: 37–37v
Genres: Madrigal (Italian)
38 Il vago e dolce sguardo -
Appears on: 38
Genres: Madrigal (Italian)
38v–39 Ogn' hor per voi sospiro donne -
Appears on: 38v–39
Genres: Madrigal (Italian)
39–39v Amore a tal gioia -
Appears on: 39–39v
Genres: Madrigal (Italian)
40–40v Io dovea ben pensarmi -
Appears on: 40–40v
Genres: Madrigal (Italian)
40v–41 Non cerchero giammai - Anonymous
Appears on: 40v–41
Genres: Madrigal (Italian)
41v–42 Se vi piace -
Appears on: 41v–42
Genres: Madrigal (Italian)
42–42v Non ch'io non voglio mai altro pensiero -
Appears on: 42–42v
Genres: Madrigal (Italian)
42v–43 Madonna s' io v' offendo -
Appears on: 42v–43
Genres: Madrigal (Italian)
43v–44 Parol' estreme anz' ultimi sospiri -
Appears on: 43v–44
Genres: Madrigal (Italian)
44–44v Deh come trista dei esser fiorenza -
Appears on: 44–44v
Genres: Madrigal (Italian)
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Corteccia, (Pier) Francesco
Festa, Costanzo (ca. 1485–1545)
Layolle, Francesco de
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Ahime dov'è'l bel viso in cui solea 3v–4
Amore a tal gioia 39–39v
Amorosi pensieri che di dolore 27–27v
Ancidetemi pur grievi martiri che'l viver 5v–6v
Ardea tutt'a voi presso 2–2v
Ben m'e nemico il mio destin fallace 9–9v
Che piu foco al mio foco 37–37v
Chi può fiso mirar Anonymous 28v–29
Coppia d'Amica cui de beltà 21v–22v
Dai dolci campi elisi 36–37
Deh come trista dei esser fiorenza 44–44v
Deh dimm' amor se l'alma di costei 7–8
Divini occhi sereni occhi sempre di gratia 1v–2
Dolce pegno d'amore 9v–10v
Donna da vostr' oltraggi Anonymous 24v–25v
Donna fra i più bei volti honesti e chiari 23–23v
Dunque credete ch' io voglia o possa mai 12–12v
Il bianco e dolce cigno cantando more 10v–11
Il ciel che rado virtu tanta mostra 14v–15
Il vago e dolce sguardo 38
Infra bianche rugiade e verdi fronde 33–33v
Io dovea ben pensarmi 40–40v
Io mi pensai che spento 17–18
Io vorrei pur fuggir 16–17
Ite tristi sospiri 29v–30v
Languir non mi fa amore 32–33
Lasso quand' io gli occhi alzo 18–19
Madonna ohime ch'io ardo 6v–7
Madonna s' io v' offendo 42v–43
Madonna s'io credessi 19–19v
Nasce fra l'herb' un fiore 25v–26
Ne piu concenti lagrime 27v–28
Non cerchero giammai Anonymous 40v–41
Non ch'io non voglio mai altro pensiero 42–42v
Nova angioletta sovra l'ale accorta Anonymous 26–26v
Nuova donna m'apparve 8–9
O chioma di fin oro, o front' altera Anonymous 22v–23
O felici occhi miei 13–13v
Occhi miei lassi mentre ch'io vi giro 13v–14v
Occhi mirand' in voi 30v–31
Ogn' hor per voi sospiro donne 38v–39
Parol' estreme anz' ultimi sospiri 43v–44
Per alti monti e per selv' aspre 20–21
Poss'io morir di mala morte s'io non v'amo 11–11v
Quand' io pens' al martire amor che tu 5–5v
Quando con dolce suono 34–34v
Quanti travagli e pene, quant' ogn' hor dogli e morti 35v–36
Saria pur tempo omai 29–29v
Se 'l pensier amoroso congn' hor 31–32
Se come dite ogn'hor bella ui paio 24–24v
Se di mostrarvi a pieno 2v–3v
Se per colpa del vostro fiero sdegno 4–4v
Se saper donna curi 21–21v
Se vi piace 41v–42
Ver' inferno e'l mio petto ver' infernale 34v–35v
Voi ve n' andat' al cielo occhi beati 15–16

Set: MSS Magliabechi XIX. 99-102

Type: Partbooks

No images available

I-Fn MS Magl. XIX.99

No images available

I-Fn MS Magl. XIX.100

No images available

I-Fn MS Magl. XIX.101

No images available

I-Fn MS Magl. XIX.102

denotes primary source study

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII,xxi-xxvi. Notes: contents list (partial); concordances (partial).

Haar, James. 1978. Madrigals from the Last Florentine Republic. Essays Presented to Myron P. Gilmore, 383-403. Florence. Pages: 384,394-8. Notes: contents list (partial); concordances (partial).

D'Accone, Frank A (editor). 1969. Francesco de Layolle: Collected Secular Works for 2, 3, 4 and 5 Voices. Vols. Ill and IV of Music of the Florentine Renaissance. Corpus mensurabilis musicae. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xviii. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 60. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 36-7. Notes: physical description; contents list.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries.  Los Angeles. Pages: 63. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description