I-Fn MS Magl. XIX.100

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

partbook: c. 1540 (JepFR); c. 1535 (RubIL)

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS Magl. XIX.100
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 140 x 210 mm
Other Identifiers
  • CCM: FlorBN Magl. 99-102
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Firenze (Florence), Italy
Contents 56 pieces from 6 composers
General Description

A Bassus partbook from a set of four volumes.The main scribe may also have copied the second part of FlorC 2495 (Rifkin), though Fenlon/Haar disagree; the instrumental pieces (at the end of the Cantus only) are later additions in a different hand. Copied in Florence. Provenance before their acquisition by the Biblioteca Palatina unknown.

DIAMM, 2017
Extent

80 ff. (only 44 foliated)

DIAMM, 2022
Binding

Original covers of white parchment.

DIAMM, 2017
Watermark

(1) resembles Briquet #5919; (2) resembles Briquet #5926 (this latter paper is also used in FBn Magl. XIX.122-5)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

five staves per page, c. 12 mm high

DIAMM, 2022
Foliation

Modern foliation

DIAMM, 2017
Decoration

Spaces left for initials but none added

DIAMM, 2022
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

56 Italian secular pieces, plus several instrumental pieces (later additions)

(Arcadelt)-29, (Arcadelt/Corteccia)-3, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-16

4 paper partbooks (D-i + 46 + i folios, A-i + 44 + i, T-iii + 44 + i, B-ii + 39 + i), 140 x 210. Modern foliation. Original covers of white parchment. No index. The main scribe probably also copied the second part of FlorC 2495 (Rifkin); the instrumental pieces at the end are later additions in a different hand. One watermark resembles Briquet #5919; a similar mark is also found in FlorBN II.I.350. Another watermark resembles Briquet #5926 (also found inFlorBN Magl. 122-5, FlorBN Magl. 125bis, BrusC 27511, BrusC 27731, and RomeV 35-40).

Ca. 1540 (JepFR); ca. 1535 (RubIL). Copied in Florence.

Vol 4

Composers: (Arcadelt)-30, (Arcadelt/Corteccia)-4, (Arcadelt/C. Festa)-2, (Corteccia)-3, (C. Festa)-4, (C. Festa/Verdelot)-1, (F. Layolle)-3, (Verdelot)-4, anon-5

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Divini occhi sereni occhi sempre di gratia -
Appears on: 1v–2
Genres: Madrigal (Italian)
2–2v Ardea tutt'a voi presso -
Appears on: 2–2v
Genres: Madrigal (Italian)
2v–3 Se di mostrarvi a pieno -
Appears on: 2v–3
Genres: Madrigal (Italian)
3v–4 Ahime dov'è'l bel viso in cui solea -
Appears on: 3v–4
Genres: Madrigal (Italian)
4–4v Se per colpa del vostro fiero sdegno -
Appears on: 4–4v
Genres: Madrigal (Italian)
4v–5 Quand' io pens' al martire amor che tu -
Appears on: 4v–5
Genres: Madrigal (Italian)
5v–6 Ancidetemi pur grievi martiri che'l viver -
Appears on: 5v–6
Genres: Italian secular
6–6v Madonna ohime ch'io ardo -
Appears on: 6–6v
Genres: Madrigal (Italian)
6v–7 Deh dimm' amor se l'alma di costei -
Appears on: 6v–7
Genres: Madrigal (Italian)
7–8 Nuova donna m'apparve -
Appears on: 7–8
Genres: Madrigal (Italian)
8–8v Ben m'e nemico il mio destin fallace -
Appears on: 8–8v
Genres: Madrigal (Italian)
8v–9 Dolce pegno d'amore -
Appears on: 8v–9
Genres: Madrigal (Italian)
9v–10 Il bianco e dolce cigno cantando more -
Appears on: 9v–10
Genres: Madrigal (Italian)
10–10v Poss'io morir di mala morte s'io non v'amo -
Appears on: 10–10v
Genres: Madrigal (Italian)
10v–11 Dunque credete ch' io voglia o possa mai -
Appears on: 10v–11
Genres: Madrigal (Italian)
11–11v O felici occhi miei -
Appears on: 11–11v
Genres: Madrigal (Italian)
11v–12v Occhi miei lassi mentre ch'io vi giro -
Appears on: 11v–12v
Genres: Madrigal (Italian)
12v–13 Il ciel che rado virtu tanta mostra -
Appears on: 12v–13
Genres: Madrigal (Italian)
13–14 Voi ve n' andat' al cielo occhi beati -
Appears on: 13–14
Genres: Italian secular, Madrigal (Italian)
14–14v Io vorrei pur fuggir -
Appears on: 14–14v
Genres: Madrigal (Italian)
14v–15v Io mi pensai che spento -
Appears on: 14v–15v
Genres: Madrigal (Italian)
15v–16v Lasso quand' io gli occhi alzo -
Appears on: 15v–16v
Genres: Madrigal (Italian)
16v–17 Madonna s'io credessi -
Appears on: 16v–17
Genres: Madrigal (Italian)
General Note

2a pars: Et se vi par ch'en forsi

17–17v Per alti monti e per selv' aspre -
Appears on: 17–17v
Genres: Madrigal (Italian)
18–18v Se saper donna curi -
Appears on: 18–18v
Genres: Madrigal (Italian)
18v–19 Coppia d'Amica cui de beltà -
Appears on: 18v–19
Genres: Madrigal (Italian)
19v–20 O chioma di fin oro, o front' altera - Anonymous
Appears on: 19v–20
Genres: Madrigal (Italian)
20–20v Donna fra i più bei volti honesti e chiari -
Appears on: 20–20v
Genres: Madrigal (Italian)
20v–21v Se come dite ogn'hor bella ui paio -
Appears on: 20v–21v
Genres: Madrigal (Italian)
21v–22 Donna da vostr' oltraggi - Anonymous
Appears on: 21v–22
Genres: Madrigal (Italian)
22–23 Nasce fra l'herb' un fiore -
Appears on: 22–23
Genres: Madrigal (Italian)
23–23v Nova angioletta sovra l'ale accorta - Anonymous
Appears on: 23–23v
Genres: Madrigal (Italian)
23v–24v Amorosi pensieri che di dolore -
Appears on: 23v–24v
Genres: Madrigal (Italian)
24v–25 Ne piu concenti lagrime -
Appears on: 24v–25
Genres: Madrigal (Italian)
25–25v Chi può fiso mirar - Anonymous
Appears on: 25–25v
Genres: Madrigal (Italian)
25v–26 Saria pur tempo omai -
Appears on: 25v–26
Genres: Madrigal (Italian)
26–26v Ite tristi sospiri -
Appears on: 26–26v
Genres: Madrigal (Italian)
27–27v Occhi mirand' in voi -
Appears on: 27–27v
Genres: Madrigal (Italian)
27v–28 Se 'l pensier amoroso congn' hor -
Appears on: 27v–28
Genres: Madrigal (Italian)
28v–29 Languir non mi fa amore -
Appears on: 28v–29
Genres: Madrigal (Italian)
29–30 Infra bianche rugiade e verdi fronde -
Appears on: 29–30
Genres: Madrigal (Italian)
30–30v Quando con dolce suono -
Appears on: 30–30v
Genres: Madrigal (Italian)
30v–31 Ver' inferno e'l mio petto ver' infernale -
Appears on: 30v–31
Genres: Italian secular, Madrigal (Italian)
31–31v Quanti travagli e pene, quant' ogn' hor dogli e morti -
Appears on: 31–31v
Genres: Madrigal (Italian)
31v–32v Dai dolci campi elisi -
Appears on: 31v–32v
Genres: Madrigal (Italian)
32v–33 Che piu foco al mio foco -
Appears on: 32v–33
Genres: Madrigal (Italian)
33–33v Il vago e dolce sguardo -
Appears on: 33–33v
Genres: Madrigal (Italian)
33v–34 Ogn' hor per voi sospiro donne -
Appears on: 33v–34
Genres: Madrigal (Italian)
34v–35 Amore a tal gioia -
Appears on: 34v–35
Genres: Madrigal (Italian)
General Note

2a pars: Per ch'el dolor

35–35v Io dovea ben pensarmi -
Appears on: 35–35v
Genres: Madrigal (Italian)
35v–36 Non cerchero giammai - Anonymous
Appears on: 35v–36
Genres: Madrigal (Italian)
36v–37 Se vi piace -
Appears on: 36v–37
Genres: Madrigal (Italian)
37–37v Non ch'io non voglio mai altro pensiero -
Appears on: 37–37v
Genres: Madrigal (Italian)
37v–38 Madonna s' io v' offendo -
Appears on: 37v–38
Genres: Madrigal (Italian)
38–38v Parol' estreme anz' ultimi sospiri -
Appears on: 38–38v
Genres: Madrigal (Italian)
39 Deh come trista dei esser fiorenza -
Appears on: 39
Genres: Madrigal (Italian)
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Corteccia, (Pier) Francesco
Festa, Costanzo (ca. 1485–1545)
Layolle, Francesco de
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Ahime dov'è'l bel viso in cui solea 3v–4
Amore a tal gioia 34v–35
Amorosi pensieri che di dolore 23v–24v
Ancidetemi pur grievi martiri che'l viver 5v–6
Ardea tutt'a voi presso 2–2v
Ben m'e nemico il mio destin fallace 8–8v
Che piu foco al mio foco 32v–33
Chi può fiso mirar Anonymous 25–25v
Coppia d'Amica cui de beltà 18v–19
Dai dolci campi elisi 31v–32v
Deh come trista dei esser fiorenza 39
Deh dimm' amor se l'alma di costei 6v–7
Divini occhi sereni occhi sempre di gratia 1v–2
Dolce pegno d'amore 8v–9
Donna da vostr' oltraggi Anonymous 21v–22
Donna fra i più bei volti honesti e chiari 20–20v
Dunque credete ch' io voglia o possa mai 10v–11
Il bianco e dolce cigno cantando more 9v–10
Il ciel che rado virtu tanta mostra 12v–13
Il vago e dolce sguardo 33–33v
Infra bianche rugiade e verdi fronde 29–30
Io dovea ben pensarmi 35–35v
Io mi pensai che spento 14v–15v
Io vorrei pur fuggir 14–14v
Ite tristi sospiri 26–26v
Languir non mi fa amore 28v–29
Lasso quand' io gli occhi alzo 15v–16v
Madonna ohime ch'io ardo 6–6v
Madonna s' io v' offendo 37v–38
Madonna s'io credessi 16v–17
Nasce fra l'herb' un fiore 22–23
Ne piu concenti lagrime 24v–25
Non cerchero giammai Anonymous 35v–36
Non ch'io non voglio mai altro pensiero 37–37v
Nova angioletta sovra l'ale accorta Anonymous 23–23v
Nuova donna m'apparve 7–8
O chioma di fin oro, o front' altera Anonymous 19v–20
O felici occhi miei 11–11v
Occhi miei lassi mentre ch'io vi giro 11v–12v
Occhi mirand' in voi 27–27v
Ogn' hor per voi sospiro donne 33v–34
Parol' estreme anz' ultimi sospiri 38–38v
Per alti monti e per selv' aspre 17–17v
Poss'io morir di mala morte s'io non v'amo 10–10v
Quand' io pens' al martire amor che tu 4v–5
Quando con dolce suono 30–30v
Quanti travagli e pene, quant' ogn' hor dogli e morti 31–31v
Saria pur tempo omai 25v–26
Se 'l pensier amoroso congn' hor 27v–28
Se come dite ogn'hor bella ui paio 20v–21v
Se di mostrarvi a pieno 2v–3
Se per colpa del vostro fiero sdegno 4–4v
Se saper donna curi 18–18v
Se vi piace 36v–37
Ver' inferno e'l mio petto ver' infernale 30v–31
Voi ve n' andat' al cielo occhi beati 13–14

Set: MSS Magliabechi XIX. 99-102

Type: Partbooks

No images available

I-Fn MS Magl. XIX.99

No images available

I-Fn MS Magl. XIX.100

No images available

I-Fn MS Magl. XIX.101

No images available

I-Fn MS Magl. XIX.102

denotes primary source study

D'Accone, Frank A (editor). 1985-. Collected Sacred Works. Vol. XI [several additional volumes projected] of Music of the Florentine Renaissance. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VIII,xxi-xxvi. Notes: contents list (partial); concordances (partial).

Haar, James. 1978. Madrigals from the Last Florentine Republic. Essays Presented to Myron P. Gilmore, 383-403. Florence. Pages: 384,394-8. Notes: contents list (partial); concordances (partial).

D'Accone, Frank A (editor). 1969. Francesco de Layolle: Collected Secular Works for 2, 3, 4 and 5 Voices. Vols. Ill and IV of Music of the Florentine Renaissance. Corpus mensurabilis musicae. 32. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xviii. Notes: mention of MS.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II, 60. Notes: physical description; contents list (partial); concordances (partial).

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 36-7. Notes: physical description; contents list.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries.  Los Angeles. Pages: 63. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description