A Contratenor II Decani partbook from a set of six volumes. Main corpus copied by John Todd and Toby Brookinge; later additions by John White, Matthew Owen, Robert Softley, William Greggs, John Geeres, five unidentified scribes whose hands appear only in this source, and two other unidentified scribes: (1) also wrote most of DurC C1 and made additions in DurC C2 and DurC C8; (2) also made additions in DurC C2, DurC C8, DurC C15, and DurC C16 (Brian Crosby). Copied in Durham, for use by cathedral choir.
| Archive | Chapter Library, Durham, England (GB-DRc) |
|---|---|
| Shelfmark | Mus. C 5 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 286-95 x 180-8 mm |
| Other Identifiers |
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| Relationships |
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| Provenance |
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| Contents | Contains 96 compositions from 41 composers. |
General Description
Physical Description
Some folios missing, fragmentary, or in poor condition; extant folios restored and repaired.
Binding
Rebound in modern covers of dark brown leather over boards; portions of original leather covers incorporated in modern bindings. Covers and spines blind stamped or gold stamped with simple borders and voice designations.
Notation
not indicated
Ruling
Staff height 11-13
Foliation
Other numberings: Original ink numbering of pieces in main layer, 1-38 + 1-49 (missing pieces and numbering inconsistencies in some books).
Foliation
Modern pencil pagination in each book.
Decoration
No initials or decoration.
Index
Contratenor [I] Cantoris, and Tenor Cantoris books list full anthems and verse anthems separately; under each heading, pieces grouped alphabetically by first letter of text. Each partbook has modern index on loose sheets at front; pieces listed in order of appearance.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
3 Service sections, 150 anthems = 153 + 3 duplicates = 156
Aldrich-3, Alison-1, A. Batten-4, Blow-7, Bull-2, Byrd-10, Byrd/ (Coste)-1, Byrd/(T. Mudd II)-1, Child-2, M. East-1, Fido-1, Forcer-1, Foster-6, Geeres-2, Gibbons-8, Gibbons/(Byrd)-1, Gibbons/(N. Giles)-1, Gibbons/(Hooper)-1, N. Giles-6, N. Giles/ (Tomkins)-1, Greggs-1, Hall I-1, James Hawkins I-1, John Hawkins-1, Heseltine-1, Hilton the Elder-1, Hinde-1, Hooper -5, Humfrey-5, Humfrey-(Blow-W. Turner I)-1, J. Hutchinson-2, R. Hutchinson-2, M. Jeffries-1, (W. King)-1, H. Lawes-1, Loosemore-1, Morley-3, T. Mudd II/(Weelkes)-1, J. Mundy-4, J. Mundy/(Byrd)-1, (J. Mundy/Tallis)-1, J. or W.? Mundy/(Hooper)-1,(J. or W.? Mundy/R. Parsons I)-1, J. or W.? Mundy/ (Tallis)-1, W. Mundy/(R. Farrant/Hooper)-1, Nichols-2, W. Norris-1, Palmer-1, R. Parsons I-1, R. Parsons I/(Byrd/Strogers/R. White)-1, R. Parsons II [Robert Parsons de Exon]-1, Peerson-1, Portman-2, Preston-1, Purcell-4, Read-1, Rogers-1, Rutter-1, Edward Smith-2, Edward Smith/(W. Smith)-1, W. Smith-2, Tallis-1, Tallis/(Byrd)-1, D. Taylor I-1, Tomkins-6, W. Tucker-2, Tudway-1, W. Turner I-3, Tye-1, Ward-1, Warwick [Mr: Tho: Warrock]-1, Weelkes-2, M. or R.? White-1, R. or W.? White/(Hooper)-1, W. White-1, W. White/(R. White)-1, T. Wilson-1, Wise-2, Yarrow-1, anon-2
6 partbooks (Contratenor I Decani - i paper + ii parchment + 48 paper + i paper folios, Contratenor II Decani - i + iii + 46 + i paper, Contratenor [I] Cantoris - ii parchment + 101 paper + i parchment + i paper, Contratenor II Cantoris - i + 50 + i paper, Tenor Decani - i + 2 + 1 + 20 + 3+ 14: + 1 + 1+1 + i paper, Tenor Cantoris - i + iv + 59 + i + i paper), 286-95 x 180-8. MS C 7 (Contratenor [I] Cantoris) is composite of two originally separate manuscripts later bound together. Second manuscript (= new pp. [209]-414) belongs to present set; for description and contents of first manuscript (= new pp. l-[208]), see DurC C2. Some folios missing, fragmentary, or in poor condition; extant folios restored and repaired. Modern pencil pagination in each book. Original ink numbering of pieces in main layer, 1-38 + 1-49 (missing pieces and numbering inconsistencies in some books).
Rebound in modern covers of dark brown leather over boards; portions of original leather covers incorporated in modern bindings. Covers and spines blind stamped or gold stamped with simple borders and voice designations. Original indices on flyleaves of Contratenor I Decani, Contratenor II Decani, Contra-tenor [I] Cantoris, and Tenor Cantoris books list full anthems and verse anthems separately; under each heading, pieces grouped alphabetically by first letter of text. Each partbook has modern index on loose sheets at front; pieces listed in order of appearance.
Main corpus copied by John Todd and Toby Brookinge; later additions by John White, Matthew Owen, Robert Softley, William Greggs, John Geeres, five unidentified scribes whose hands appear only in this source, and two other unidentified scribes: (1) also wrote most of DurC C1 and made additions in DurC C2 and DurC C8; (2) also made additions in DurC C2, DurC C8, DurC C15, and DurC C16 (Brian Crosby). (See general index for other manuscripts copied by Todd, Brookinge, White, Owen, Softley, and Greggs). Staff height 11-13 (not consistent). No initials or decoration.
1620's (Brian Crosby), with additions extending into 18th century. Copied in Durham, for use by cathedral choir.
The inventory could not be loaded.
Sets
MSS Mus. C 4, C 5, C 6, C 7 [Part II], C 9, C 10
Partbooks · 6 sources
‡ denotes primary source study
Crosby, Brian. 1986. A Catalogue of Durham Cathedral Music Manuscripts. Oxford. Pages: 37.
Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems. London. Pages: 1-14, 21,99-112,147-51,331) EECM:LpCpTp(III, 215-23; XII,115-6,120,122; XIII,201-6; XIX,327; XXI, 198-9,201; XXIII,145ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Crosby, Brian. 1973-74. Durham Cathedral's Liturgical Music Manuscripts c. 1620-c. 1640. Durham University Journal, 46 [= New Series 35]: 40-51. Notes: physical description (partial); mention of MS; discussion.
Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1. London. Notes: contents list (partial); concordances (partial).
Morehen, John. 1969. The Sources of English Cathedral Music, c. 1617-c. 1644. Cambridge University, Unpublished Ph.D. dissertation. Pages: 59-67 Exs. 12,14. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Le Huray, Peter. 1960. Towards A Definitive Study of Pre-Restoration Anglican Service Music. Musica Disciplina, 14: 167-95. Pages: 171,187-92. Notes: physical description (partial); mention of MS; discussion.
Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XXIII,126-7,132. Notes: contents list (partial); concordances (partial).
Fellowes, Edmund H (editor). 1923-48. Tudor Church Music. London, Oxford et al. Pages: II, xxxiii-xxxvii; IV,xxx-xxxiii,xxxvii-xxxviii; V,xxiv-xxvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description