H-Bn MS Bártfa 9 (c)

Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary

partbook: after 1614

Archive Országos Széchényi Könyvtár (National Széchényi Library), Budapest, Hungary (H-Bn)
Shelfmark MS Bártfa 9 (c)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 210 x 170 mm
Other Identifiers
  • CCM: BudOS 9
Copyists
Relationships
Provenance
Contents 50 pieces from 27 composers
General Description

A Tenor partbook from an incomplete set of four volumes; there may have been 8 volumes originally. Copied by several scribes one of whom was Zacharias Zarewutius. From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library in Budapest in 1915.

DIAMM, 2023
Physical Description

Pages missing at the beginning of all books; the numbering of pieces now begins at 11 (although the D2 book retains the part for no.3 and 3 unnumbered pieces before it). Nos. 19-21, 49, 51 are also missing in all books, and 9(d) has lost all the pieces except nos. 24-31. Several other pieces have missing parts in one or more of the surviving books; and several books have damage to some of the remaining pages.

DIAMM, 2023
Binding

New paper covers (CCM) or possibly half-leather (MurTVB).

DIAMM, 2023
Notation

not indicated

DIAMM, 2017
Date

Latest datable piece is the motet by J. Kemp, printed in 1634

DIAMM, 2023
Foliation

Other numberings: Pieces numbered

DIAMM, 2017
Foliation

New foliation

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

31 motets, 24 German sacred pieces = 55

(Balbi)-1, Bonhomme [Bonomi]-1, (Dulichius)-3, (Erthel)-1, (Franck)-1, (Grimm)-1, Gumpelzhaimer-6, (Händl)-4, (Hartmann)-1, (Hassler)-1, (Hemmerlen)-1, (Knöfel)-1, Leoni-3, Löwenstern [Apelles]-1, (H. Praetorius)-2, (J. Praetorius II)-1, (M. Praetorius)-1, Ramella-1, (Savetta)-1, (Verdelot)-1, (Vulpius)-2, (Weissensee)-1, (Zangius)-2, anon-17

4 paper partbooks (D2-32 folios, A-22, T-i + 29, D1/B-4), 210 x 170. New foliation; pieces numbered. New paper covers. No index. One scribe.

After 1614 (MurTVB). From the Church of St. Aegidi in Bártfa (= Bartfeld = Bardejov). Brought to the National Library n Budapest in 1915.

Vol 4

Contents: 1 canticle, 29 motets, 1 Latin/German sacred piece, 24 German sacred pieces =55

Composers: (Balbi)-1, (Bonhomme)-1, (Dulichius)-3, (Erthel)-1, (Franck)-2, (Gesius)-2, (Grimm)-2, Gumpelzhaimer-6, (Händl)-5, (Hartmann/S. Rühling) -1, (Hassler)-1, (Hemmerlen)-1, (Lange)-1, Leoni-3, Löwenstern [Balth: Apellis]-2, (H. Praetorius)-2, (J. Praetorius II)-1, (M. Praetorius)-1, Ramella-1, (Raselius)-1, (Richafort/Verdelot)-1, (Savetta)-1, (Vulpius)-2, (Weissensee)-1, (Zangius)-2, anon-10

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(11) Domine quando veneris judicare terram [Handl]
Appears on: (11)
Genres: Motet
Source Attribution: [Handl]
(12) Amavit eum Dominus (2p. Induit eum Dominus) [Handl]
Appears on: (12)
Genres: Motet
Source Attribution: [Handl]
(13) Media vita in morte sumus quem querimus [Handl]
Appears on: (13)
Genres: Motet
Source Attribution: [Handl]
(14) Videns Dominus flentes sorores [H. Praetorius]
Appears on: (14)
Genres: Motet
Source Attribution: [H. Praetorius]
(15) Also hatt Gott die Welt geliebt [Andreas Raselius]
Appears on: (15)
Genres: Sacred Song
Source Attribution: [Andreas Raselius]
(16) Veniet tempus in quo salvabitur populus [Handl]
Appears on: (16)
Genres: Motet
Source Attribution: [Handl]
(17) Si bona suscepimus [Hans Leo Hassler]
Appears on: (17)
Genres: Motet
Source Attribution: [Hans Leo Hassler]
(18) Wenn mein Stundlein vorhanden (2p. [text not known]) (8vv) [M. Praetorius]
Appears on: (18)
Genres: Motet
Source Attribution: [M. Praetorius]
(22) Vom Himmel hoch da komm ich her - Anonymous
Appears on: (22)
Genres: Motet
Concordances

appears in Bartfa mss only

(23) Congratulamini nunc omnes - 1a pars (of 3): Congratulamini nunc omnes [Zangius]
Appears on: (23)
Genres: Motet
Source Attribution: [Zangius]
(23) Congratulamini nunc omnes - 3a pars (of 3): Joseph was da -
Appears on: (23)
Genres: Motet
General Note

Here as 2a pars, 'heavily edited' (MurTVB)

(24) Auf dich mein Gott und Herr allein [Gumpelzhaimer]
Appears on: (24)
Genres: Motet
Source Attribution: [Gumpelzhaimer]
General Note

2 voice parts in 9(d)?

(25) Was mein Gott will [Gumpelzhaimer]
Appears on: (25)
Genres: Motet
Source Attribution: [Gumpelzhaimer]
(26) Von Gfertigkeit [Gumpelzhaimer]
Appears on: (26)
Genres: Motet
Source Attribution: [Gumpelzhaimer]
(27) Nunc dimittis servum tuum [Gumpelzhaimer]
Appears on: (27)
Genres: Motet
Source Attribution: [Gumpelzhaimer]
(28) Pater noster [Gumpelzhaimer]
Appears on: (28)
Genres: Motet, Pater noster
Source Attribution: [Gumpelzhaimer]
General Note

2 voice parts in 9(d)

(29) Jubilate Deo omnis terra Adam Gumpelzhaimer
Appears on: (29)
Genres: Motet
Source Attribution: Adam Gumpelzhaimer
General Note

2 voice parts in 9(d)

(30) Hortus conclusus Pierre Bonhomme
Appears on: (30)
Genres: Motet
Source Attribution: Pierre Bonhomme
(31) Veni dilecte mi (2p. Veni cito) Giovanni Francesco Ramella
Appears on: (31)
Genres: Motet
Source Attribution: Giovanni Francesco Ramella
(32) Ego dormio et cor meum vigilat Leone Leoni
Appears on: (32)
Genres: Motet
Source Attribution: Leone Leoni
(33) Nigra sum sed formosa [Leoni]
Appears on: (33)
Genres: Motet
Source Attribution: [Leoni]
(34) Tota pulchra es amica mea [Balbi]
Appears on: (34)
Genres: Motet
Source Attribution: [Balbi]
(35) Adjuro vos filiae Jerusalem Leone Leoni
Appears on: (35)
Genres: Motet
Source Attribution: Leone Leoni
(36) Quam pulchra es amica mea [Antonio Savetta]
Appears on: (36)
Genres: Motet
Source Attribution: [Antonio Savetta]
(37) Non est bonum hominem [Vulpius]
Appears on: (37)
Genres: Motet
Source Attribution: [Vulpius]
(38) Veni in hortum meum [Jacob Praetorius II]
Appears on: (38)
Genres: Motet
Source Attribution: [Jacob Praetorius II]
(39) Ein freundlich Weib erfreuet ihren Mann ... denn ein keusches Weib erfrischt sie ihm sein Herz [Weissensee]
Appears on: (39)
Genres: Song
Source Attribution: [Weissensee]
Concordances

concordance: Dresden Mus. Löb. 4 (no.119), 42 (no.17)

(40) Tobias sprach: ich will heute nicht essen - Anonymous
Appears on: (40)
Genres: Motet
Concordances

This is not Grimm's setting; appears in Bartfa mss only

(41) Da antwortet Laban und Bethuel (2p. Da sprachen sie: lasst uns die Dirne rufen) - Anonymous
Appears on: (41)
Genres: Motet
Concordances

concordances: Cod. Guelf. 324 Mus. Handsch.(no.54), Danzig 4012 (no.113), Zwickau Mus.80,3 (no.44). This is not Grimm's setting.

(42) Ich sucht des Nachts in meinem Bette [Melchior Franck]
Appears on: (42)
Genres: Motet
Source Attribution: [Melchior Franck]
(43) Ich bin schwarz, aber gar lieblich [Melchior Franck]
Appears on: (43)
Genres: Motet
Source Attribution: [Melchior Franck]
(44) Mein Freund komme in seinen Garten [Hartmann/Ruhling?]
Appears on: (44)
Genres: Motet
Source Attribution: [Hartmann/Ruhling?]
Concordances

concordances: Zwickau 69.2.61 (no.90) attr to Ruhling; anon in Zwickau 80,3 (no.40), Neustadt an der Orla N 39 (no.29), Levoca 13994 (f. 154)

(45) Nescio cur hodie laetetur - Anonymous
Appears on: (45)
Genres: Motet
Concordances

concordance: Sammlung Bohn 317

(46) Dilectus mei mihi (10vv) [Zangius]
Appears on: (46)
Genres: Motet
Source Attribution: [Zangius]
(47) Drei schone Ding sein [Gesius]
Appears on: (47)
Genres: Motet
Source Attribution: [Gesius]
(53) Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) [Handl]
Appears on: (53)
Genres: Motet
Source Attribution: [Handl]
(48) Beati omnes qui timent Dominum (2p.Ecce sic benedicetur homo qui timet Dominum) -
Appears on: (48)
Genres: Motet
General Note

In this book copied out of sequence after no.53

(54) Steh auf meine Freundin [Dulichius]
Appears on: (54)
Genres: Motet
Source Attribution: [Dulichius]
(55) Mein Freund komme in seinen Garten (2p. Mein Freund komme) [Dulichius]
Appears on: (55)
Genres: Motet
Source Attribution: [Dulichius]
(56) Ich schlafe aber mein Herz wachet (2p. [text unknown]) Balthasar [Apellis] Löwenstern [=M. Apelles?]
Appears on: (56)
Genres: Motet
Source Attribution: Balthasar [Apellis] Löwenstern [=M. Apelles?]
(57) Quam pulchra es et quam decora [Dulichius]
Appears on: (57)
Genres: Motet
Source Attribution: [Dulichius]
(58) Mein Freund ist mein [Grimm]
Appears on: (58)
Genres: Motet
Source Attribution: [Grimm]
(59) Veni dilecte mi [Vulpius]
Appears on: (59)
Genres: Motet
Source Attribution: [Vulpius]
(60) Vivendo morimur, moriendo vivimus - Anonymous
Appears on: (60)
Genres: Motet
Concordances

unicum

(61) Vita quid est hominum - Anonymous
Appears on: (61)
Genres: Motet
Concordances

unicum

(62) Aus der Tiefe ruf ich Herr [Georg Geisler/Gesius?]
Appears on: (62)
Genres: Motet
Source Attribution: [Georg Geisler/Gesius?]
Concordances

anon in Bartfa 7 (no.18), 21 (no.56), Zwickau 99 (no.73); attr to Geisler in Sammlung Bohn 22 (no.10), 24 (no.30); to Gesius in Levoca 13991 (f.6v)

(63) Wie der Hirsch schreiet nach frischen Wasser [Apelles von Lowenstern]
Appears on: (63)
Genres: Motet
Source Attribution: [Apelles von Lowenstern]
(64) Quoties diem illum considero [Sebastian Erthel (Ertl)]
Appears on: (64)
Genres: Motet
Source Attribution: [Sebastian Erthel (Ertl)]
(65) Der Mensch vom Weib geboren [Johann Kemp II]
Appears on: (65)
Genres: Motet
Source Attribution: [Johann Kemp II]
(66) Euge serve bone - Anonymous

Euge serve bone

Anonymous
Appears on: (66)
Genres: Motet
Concordances

unicum

Composer Compositions
Anonymous
Apelles, Matthias
Apellis, Balthasar
Balbi, Lodovico (ca. 1545–ca. 1604)
Bonhomme, Pierre
Dulichius, Philipp
Ertl, Sebastian (ca. 1550–1618)
Franck, Melchior
Geisler, Georg
Gesius, Bartholomäus (ca. 1555–1613)
Grimm, Heinrich
Gumpelzhaimer, Adam (1559–1625)
Handl (Gallus), Jacobus (1550–1591)
Hartmann, Heinrich
Hassler, Hans Leo (1564–1612)
Kemp (II), Johann
Leoni, Leone
Praetorius II, Jacob
Praetorius, Hieronymus (1560–1629)
Praetorius, Michael
Ramella, Giovanni Francesco
Raselius, Andreas (ca. 1563–1602)
Ruhling, Samuel
Savetta, Antonio
Vulpius, Melchior (ca. 1570–1615)
Weissensee, Friedrich
Zangius, Nikolaus
Composition Composers (? Uncertain) Folios / Pages
Adjuro vos filiae Jerusalem (35)
Also hatt Gott die Welt geliebt (15)
Amavit eum Dominus (2p. Induit eum Dominus) (12)
Auf dich mein Gott und Herr allein (24)
Aus der Tiefe ruf ich Herr (62)
Beati omnes qui timent Dominum (2p.Ecce sic benedicetur homo qui timet Dominum) (48)
Congratulamini nunc omnes - 1a pars (of 3): Congratulamini nunc omnes (23)
Congratulamini nunc omnes - 3a pars (of 3): Joseph was da (23)
Da antwortet Laban und Bethuel (2p. Da sprachen sie: lasst uns die Dirne rufen) Anonymous (41)
Der Mensch vom Weib geboren (65)
Dilectus mei mihi (10vv) (46)
Domine quando veneris judicare terram (11)
Drei schone Ding sein (47)
Ego dormio et cor meum vigilat (32)
Ein freundlich Weib erfreuet ihren Mann ... denn ein keusches Weib erfrischt sie ihm sein Herz (39)
Euge serve bone Anonymous (66)
Gratia Dei sum id quod sum et gratia (2p. Bonum certamen certavi cursu ne consummavi) (53)
Hortus conclusus (30)
Ich bin schwarz, aber gar lieblich (43)
Ich schlafe aber mein Herz wachet (2p. [text unknown]) (56)
Ich sucht des Nachts in meinem Bette (42)
Jubilate Deo omnis terra (29)
Media vita in morte sumus quem querimus (13)
Mein Freund ist mein (58)
Mein Freund komme in seinen Garten (44)
Mein Freund komme in seinen Garten (2p. Mein Freund komme) (55)
Nescio cur hodie laetetur Anonymous (45)
Nigra sum sed formosa (33)
Non est bonum hominem (37)
Nunc dimittis servum tuum (27)
Pater noster (28)
Quam pulchra es amica mea (36)
Quam pulchra es et quam decora (57)
Quoties diem illum considero (64)
Si bona suscepimus (17)
Steh auf meine Freundin (54)
Tobias sprach: ich will heute nicht essen Anonymous (40)
Tota pulchra es amica mea (34)
Veni dilecte mi (59)
Veni dilecte mi (2p. Veni cito) (31)
Veni in hortum meum (38)
Veniet tempus in quo salvabitur populus (16)
Videns Dominus flentes sorores (14)
Vita quid est hominum Anonymous (61)
Vivendo morimur, moriendo vivimus Anonymous (60)
Vom Himmel hoch da komm ich her Anonymous (22)
Von Gfertigkeit (26)
Was mein Gott will (25)
Wenn mein Stundlein vorhanden (2p. [text not known]) (8vv) (18)
Wie der Hirsch schreiet nach frischen Wasser (63)

Set: MS Bártfa 9 (a-d)

Type: Partbooks

No images available

H-Bn MS Bártfa 9 (a)

No images available

H-Bn MS Bártfa 9 (b)

No images available

H-Bn MS Bártfa 9 (c)

No images available

H-Bn MS Bártfa 9 (d)

denotes primary source study

Murányi, Robert Arpad. 1991. Thematisches Verzeichnis der Musiksammlung von Bartfeld (Bártfa).  Bonn: Gudrun Schröder. Pages: XXIII, 40-44.

Gombosi, Otto Johannes. 1932. Quellen aus dem 16.-17. Jh. zur Geschichte der Musikpflege in Bartfeld (Bártfa) und Oberungarn. Ungarische Jahrbücher, 331-40. Pages: 335. Notes: mention of MS.

Gombosi, Otto Johannes. 1929. Die Musikalien der Pfarr- kirche zu St. Aegidi in Bartfa. Festschrift für Johannes Wolf zu seinem Sechzigsten Geburtstage,  Berlin. Pages: 40, 44. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description