An Altus partbook from a set of four volumes, each consisting of the print RISM 1544/19, with manuscript addition following print in all but the Tenor partbook. Probably copied by Jacob Hagenbach. Copied in Basel. Originally owned by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith; owned later by Hagenbach's grandson, Johann Jakob Hagenbach. Probably acquired by present library from latter's estate in 1649.
| Archive | Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu) |
|---|---|
| Shelfmark | kk IV 21 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 120 x 175 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 3 compositions, 2 from 1 composer, 1 is anonymous. |
General Description
Binding
Rebound in 1985 in modern covers of dark brown leather over pasteboard, gold stamped with voice designations. The original covers (identical in style to those of BasU F.IX.59-62), in very poor condition, are still preserved; modern covers designed to match style of original.
Watermark
(1) generally resembles Briquet #4981-2; (2) resembles Briquet #12382
Notation
not indicated
Ruling
Staff height 11
Foliation
Modern pencil foliation in each book includes printed and manuscript folios in single system.
Decoration
No initials or decoration in manuscript addition, but 14 watercolour and pen illustrations in printed T book are probably work of Jacob Hagenbach.
Surface
paper
Census Catalogue of Music Description
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1 motet
(Hagenbach?)
4 paper partbooks, each consisting of the print RISM 1544/19, with manuscript addition following print in DAB books (D-i + 79 [print] + 11 [manuscript] folios, A-i + 85 + 15, B-i + 77 + 11), 120 x 175 (T book measures 130 x 190). Modern pencil foliation in each book includes printed and manuscript folios in single system. Rebound in 1985 in modern covers of dark brown leather over pasteboard, gold stamped with voice designations. Original covers (identical in style to those of BasU F.IX.59-62), in very poor condition, still preserved; modern covers designed to match style of original. Probably copied by Jacob Hagenbach (see below), who also wrote BasU F.IX.59-62, portions of BasU F.X. 17-20, and manuscript addition in BasU F.IX.63 (KmetzH). Staff height 11. No initials or decoration in manuscript addition, but 14 watercolor and pen illustrations in printed T book are probably work of Jacob Hagenbach. Watermarks: (1) generally resembles Briquet #4981-2; (2) resembles Briquet #12382.
Ca. 1560 (KmetzH). Copied in Basel. Originally owned by Jacob Hagenbach (1533-ca. 1566), a Basel goldsmith; owned later by Hagenbach's grandson, Johann Jakob Hagenbach. Probably acquired by present library from latter's estate in 1649.
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Sets
Select a set to see its sources.
kk.IV. 19-22
Partbooks · 3 sources
‡ denotes primary source study
Kmetz, John. 1988. Die Handschriften der Universitätsbibliothek Basel: Musikhandschriften des 16. Jahrhunderts. Katalog und quellenkritische Untersuchung. Basel. Pages: Study and edition by John Kmetz to appear as Vol. XIV of SMD. Notes: physical description; contents list; facsimile (partial); mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description