D-AN VI.g.18

Staatliche Bibliothek, Ansbach, Germany

manuscript of polyphony: 1566-7

Archive Staatliche Bibliothek, Ansbach, Germany (D-AN)
Shelfmark VI.g.18
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 566 x 410 mm
Other Identifiers
  • CCM: AnsbachS 18
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 47 pieces from 8 composers
General Description

Copied mostly by Friedrich Lindner (inscription inside front cover), in service 1565-74 at Ansbach court chapel. Two additional scribes: first worked together with Lindner on some pieces; second added last motet on ff. 171'-175. Copied in Ansbach, for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

DIAMM, 2017
Binding

Original covers of brown leather stamped in gold with date 1566 and title 'Cantiones sex et quinqué vocum'; remnants of green ribbon ties.

DIAMM, 2017
Watermark

(1) resembles Briquet #1243; (2) salt shaker (see Briquet #2169ff for general pattern)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1566-7 (dates in manuscript).

DIAMM, 2017
Ruling

Staff height 32 (29 on ff. 171'-175)

DIAMM, 2017
Foliation

Original ink foliation, 1-175 omitting 96

DIAMM, 2017
Decoration

Large green and red inked initials in plain block style; foliation, voice designations, and rubrics in red ink.

DIAMM, 2017
Index

Original index on ff. [ii'-iii] lists pieces in order of appearance (index now incomplete; f. [iii] partly torn away).

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

23 motets

Clemens non Papa-1, Hoyoul-1, Lassus-16, Le Maistre-2, Meiland-1, Riccio-1, Wert/(Lassus)-l

iv + 175 paper folios, 566 x 410. Original ink foliation, 1-175. Original covers of brown leather stamped in gold with date 1566 and title "Cantiones sex et quinqué vocum"; remnants of green ribbon ties. Original index on ff. [ii'-iii] lists pieces in order of appearance (index now incomplete; f. [iii] partly torn away). Copied mostly by Friedrich Lindner (inscription inside front cover), in service 1565-74 at Ansbach court chapel; see general index for other manuscripts copied by the same scribe. Two additional scribes: first worked together with Lindner on some pieces; second added last motet on ff. 171'-175. Staff height 32 (29 on ff. 171'-175). Large green and red inked initials in plain block style; foliation, voice designations, and rubrics in red ink. Watermarks: (1) resembles Briquet #1243; (2) salt shaker (see Briquet #2169ff for general pattern).

1566-7 (dates in manuscript). Copied in Ansbach, for use by court chapel of Georg Friedrich, Margrave of Ansbach-Brandenburg (1543-1603).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
ii_v–iii index - -

index

Appears on: ii_v–iii
General Note

incomplete - half of f. iii has been torn out

0v–11 Beatus vir qui non abiit in consilio Orlandus
Appears on: 0v–11
Genres: Hymn
Source Attribution: Orlandus
11v–16 In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar Orlandus
Appears on: 11v–16
Genres: Motet
Source Attribution: Orlandus
16v–21 In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium -
Appears on: 16v–21
Genres: Motet
21v–24 Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem Orlandus
Appears on: 21v–24
Genres: Motet
Source Attribution: Orlandus
24v–28 Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris -
Appears on: 24v–28
Genres: Motet
28v–32 Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orlandus
Appears on: 28v–32
Genres: Motet
Source Attribution: Orlandus
32v–36 Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae -
Appears on: 32v–36
Genres: Motet
36v–38 Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet -
Appears on: 36v–38
Genres: Motet
38v–41 Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi -
Appears on: 38v–41
Genres: Motet
41v–45 In monte Oliveti oravi ad patrem Orlandus
Appears on: 41v–45
Genres: Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: In monte Oliveti, orabat [for 'oravit'] ad patrem
45v–49 Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis Orlandus
Appears on: 45v–49
Genres: Motet
Source Attribution: Orlandus
49v–53 Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David -
Appears on: 49v–53
Genres: Motet
53v–54 Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit -
Appears on: 53v–54
Genres: Motet
54v–58 Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis -
Appears on: 54v–58
Genres: Motet
58v–61 Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium Orlandus
Appears on: 58v–61
Genres: Motet
Source Attribution: Orlandus
61v–64 Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos -
Appears on: 61v–64
Genres: Motet
64v–65 Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala -
Appears on: 64v–65
Genres: Motet
65v–68 Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es -
Appears on: 65v–68
Genres: Motet
68v–72 Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac Orlandus
Appears on: 68v–72
Genres: Motet
Source Attribution: Orlandus
72v–76 Locutus sum - 2a pars (of 2): Fac mecum signum in bonum -
Appears on: 72v–76
Genres: Motet
76v–79 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me Orlandus
Appears on: 76v–79
Genres: Motet
Source Attribution: Orlandus
79v–83 Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 79v–83
Genres: Motet
83v–88 Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu Orlandus
Appears on: 83v–88
Genres: Motet
Source Attribution: Orlandus
88v–92 Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes -
Appears on: 88v–92
Genres: Motet
92v–95 O mors - 1a pars (of 2): O mors quam amara est memoria homini Orlandus
Appears on: 92v–95
Genres: Motet
Source Attribution: Orlandus
95v–99 O mors - 2a pars (of 2): O mors bonum est iuditium tuum -
Appears on: 95v–99
Genres: Motet
99v–105 Quin praefers rebus bona Matth: Le Maistre
Appears on: 99v–105
Genres: Motet
Source Attribution: Matth: Le Maistre
105v–109 Audi tellus - 1a pars (of 3): Audi tellus audi magni maris limbus Orlandus
Appears on: 105v–109
Genres: Motet
Source Attribution: Orlandus
109v–111 Audi tellus - 2a pars (of 3): Ubi Plato ubi Porphirius ubi Tullius -
Appears on: 109v–111
Genres: Motet
111v–114 Audi tellus - 3a pars (of 3): Ubi David rex doctissimus ubi Salomon -
Appears on: 111v–114
Genres: Motet
114v–119 Adjuva me - 1a pars (of 2): Adjuva me Domine Matthaus Le Maistre
Appears on: 114v–119
Genres: Motet
Source Attribution: Matthaus Le Maistre
119v–122 Adjuva me - 2a pars (of 2): Servus tuus ego sum -
Appears on: 119v–122
Genres: Motet
122v–126 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra Clemens non Papa
Appears on: 122v–126
Genres: Motet
Source Attribution: Clemens non Papa
126v–131 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 126v–131
Genres: Motet
131v–135 Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum Jacques de Wert
Appears on: 131v–135
Genres: Motet
Source Attribution: Jacques de Wert
135v–139 Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam -
Appears on: 135v–139
Genres: Motet
139v–144 De ore prudentis procedit mel alleluia Orlandus
Appears on: 139v–144
Genres: Motet
Source Attribution: Orlandus
144v–148 In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum Balduinus Hoyou:
Appears on: 144v–148
Genres: Motet
Source Attribution: Balduinus Hoyou:
148v–154 In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea et refugium meum es tu -
Appears on: 148v–154
Genres: Motet
154v–157 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlandus
Appears on: 154v–157
Genres: Alleluia, Motet
Source Attribution: Orlandus
157v–160 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 157v–160
Genres: Alleluia
160v–164 Quis est homo qui timet Dominum? Orlandus
Appears on: 160v–164
Genres: Motet
Source Attribution: Orlandus
164v–167 Haec est vita aeterna ut congnoscant te J. Meilandus
Appears on: 164v–167
Genres: Motet
Source Attribution: J. Meilandus
167v–169 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Orlandus
Appears on: 167v–169
Genres: Motet
Source Attribution: Orlandus
169v–171 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 169v–171
Genres: Motet
171v–175 Derelinquat impius viam suam Theodorus Riccius
Appears on: 171v–175
Genres: Motet
Source Attribution: Theodorus Riccius
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Hoyoul, Balduin
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Meiland, Jacob (1542–1577)
Riccio, Teodoro
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Adjuva me - 1a pars (of 2): Adjuva me Domine 114v–119
Adjuva me - 2a pars (of 2): Servus tuus ego sum 119v–122
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 154v–157
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 157v–160
Audi tellus - 1a pars (of 3): Audi tellus audi magni maris limbus 105v–109
Audi tellus - 2a pars (of 3): Ubi Plato ubi Porphirius ubi Tullius 109v–111
Audi tellus - 3a pars (of 3): Ubi David rex doctissimus ubi Salomon 111v–114
Beatus qui intelligit - 2a pars (of 2): Dominus opem ferat illi super lectum doloris 24v–28
Beatus qui intelligit - 1a pars (of 2): Beatus qui intelligit super egenum et pauperem 21v–24
Beatus vir qui non abiit in consilio 0v–11
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 122v–126
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 126v–131
De ore prudentis procedit mel alleluia 139v–144
Derelinquat impius viam suam 171v–175
Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu 83v–88
Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes 88v–92
Haec est vita aeterna ut congnoscant te 164v–167
In monte Oliveti oravi ad patrem 41v–45
In te Domine speravi (6vv) - 1a pars (of 2): In te Domine speravi non confundar 11v–16
In te Domine speravi (6vv) - 2a pars (of 2): Quoniam fortitudo mea et refugium 16v–21
In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar in aeternum 144v–148
In te Domine speravi - 2a pars (of 2): Quoniam fortitudo mea et refugium meum es tu 148v–154
Jesu nostra redemptio - 1a pars (of 4): Jesu nostra redemptio amor et desiderium 58v–61
Jesu nostra redemptio - 2a pars (of 4): Inferni claustra penetrans tuos 61v–64
Jesu nostra redemptio - 3a pars (of 4): Ipsa te cogat pietas ut mala 64v–65
Jesu nostra redemptio - 4a pars (of 4): Tu esto nostrum gaudium qui es 65v–68
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 28v–32
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae 32v–36
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet 36v–38
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi 38v–41
Locutus sum - 1a pars (of 2): Locutus sum in lingua mea notum fac 68v–72
Locutus sum - 2a pars (of 2): Fac mecum signum in bonum 72v–76
O mors - 1a pars (of 2): O mors quam amara est memoria homini 92v–95
O mors - 2a pars (of 2): O mors bonum est iuditium tuum 95v–99
Quin praefers rebus bona 99v–105
Quis est homo qui timet Dominum? 160v–164
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 167v–169
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 169v–171
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 76v–79
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 79v–83
Transeunte Domino - 1a pars (of 2): Transeunte Domino clamabat caecus ad eum 131v–135
Transeunte Domino - 2a pars (of 2): Et ait illi Jesus quid vis ut faciam 135v–139
Vexilla regis - 1a pars (of 4): Vexilla regis prodeunt fulget crucis 45v–49
Vexilla regis - 2a pars (of 4): Impleta sunt quae concinit David 49v–53
Vexilla regis - 3a pars (of 4): Beata cuius brachiis secli pependit 53v–54
Vexilla regis - 4a pars (of 4): O crux ave spes unica hoc passionis 54v–58

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 176, 178. Notes: contents list (partial); concordances (partial).

Butler, Bartlett Russell. 1970. Liturgical Music in Sixteenth-Century Nürnberg. A Socio-Musical Study. University of Illinois, Unpublished Ph.D. dissertation. Pages: 576-8. Notes: mention of MS; facsimile (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 3ff. Notes: contents list (partial); concordances (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 819. Notes: physical description (partial).

Schmidt, Günther. 1956. Die Musik am Hofe der Markgrafen von BrandenburgAnsbach.  Kassel and Basel. Pages: 19. Notes: mention of MS.

Bruner, Ludwig. 1913. Katalog der K. Regierungsbibliothek in Ansbach.  Ansbach. Pages: 236. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description