D-Z Mus. 32,33 [Discantus 1]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 32,33 [Discantus 1]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 163-70 x 210-20 mm
Other Identifiers
  • CCM: ZwiR 32/33
  • Other catalogues/source: VollBM [see bibliography] 18; 545
  • Alternative names: MS XXXII,33
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 29 pieces from 19 composers
General Description

A Discantus I partbook from a set of eight volumes. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM). Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

Loss of pages in some books leaving several pieces incomplete.

DIAMM, 2022
Binding

Modern paper covers; partbooks now kept in modern green cardboard folder

DIAMM, 2017
Watermark

man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Partial original numbering of pieces.

DIAMM, 2017
Foliation

Modern foliation.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Magnificat, 22 motets = 25

(Clemens non Papa)-1, (Clemens non Papa/Crecquillon)-1, (A. Gabrieli)-4, (Gombert)-1, (Gombert/Josquin)-1, C. Hollander-1, (Jacotin/Jaquet of Mantua)-1, (Lassus)-2, Mahu [SM]-1, (Massaini)-1, (Phinot)-1, (Scandello)-2, (A. Schwartz)-1, Senfl [LS]-1, (Stabile)-1, (Vaet)-2, anon-3

8 paper partbooks (D1-43 folios, D2-41, A1-4, A2-43, T1-43, T2-29, B1-39, B2-42), 163-70 x 210-20. Most of A1 book now missing. No foliation or pagination. Partial original numbering of pieces. Modern paper covers; partbooks now kept in modern green cardboard folder. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM); see general index for other manuscripts copied by the same scribe. No initials or decoration. Watermark: man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–4 Patrem omnipotentem [Credo] (8vv) [Gombert]
Appears on: 1–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
4–5 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 4–5
Genres: Motet
Source Attribution: [Gombert/Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 II: Alleluia. Noli flere Maria alleluia [= Lugebat David Absalon pius pater]
5–6 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) -
Appears on: 5–6
Genres: Alleluia, Motet
6–9 Patrem omnipotentem [Credo] [Clemens non Papa]
Appears on: 6–9
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: [Credo] Patrem omnipotentem
9v–10 Da pacem Domine in diebus nostris SM [= Mahu]
Appears on: 9v–10
Genres: Motet
Source Attribution: SM [= Mahu]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
10v–11v Veni sancte spiritus reple tuorum corda (8vv) [M120] LS [= Senfl]
Appears on: 10v–11v
Genres: Motet, Veni sancte spiritus
Source Attribution: LS [= Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
11v–12 Estote ergo misericordes sicut et pater (7vv) [Lassus]
Appears on: 11v–12
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Estote ergo misericordes sicut et pater
12–13 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te [Clemens non Papa/Crecquillon]
Appears on: 12–13
Genres: Motet
Source Attribution: [Clemens non Papa/Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in coelum et coram te II: Quanti mercenarii in domo patris
13v–14v Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 13v–14v
Genres: Motet
15–16 Sancta Trinitas unus Deus miserere nobis (6vv) [Fevin/Jaquet of Mantua]
Appears on: 15–16
Genres: Motet
Source Attribution: [Fevin/Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis
16v–18 Salve regina (VIII - 8vv) [Vaet]
Appears on: 16v–18
Genres: Motet, Salve Regina
Source Attribution: [Vaet]
Voice: [no designation]
Languages: Latin
Voice Text: [Salve regina misericordie] Vita dulcedo II: Et vitam sempiternam fructum crucis
18v–19v Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum Anon. Anonymous
Appears on: 18v–19v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum II: Virtus sancti spiritus opus illud
19v–20v Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud - Anonymous
Appears on: 19v–20v
Genres: Motet
21–22 Egressus Jesus secessit in partes Tyri et Sidoni [Wert]
Appears on: 21–22
Genres: Motet
Source Attribution: [Wert]
Voice: [no designation]
Languages: Latin
Voice Text: Egressus Jesus secessit in partes Tyri
22v–24 Alleluia. Noli flere Maria [Scandello]
Appears on: 22v–24
Genres: Alleluia, Motet
Source Attribution: [Scandello]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Noli flere Maria alleluia
24v–25 Tanto tempore vobiscum sum et non cognovistis (8vv) [Phinot]
Appears on: 24v–25
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Tanto tempore vobiscum sum et non cognovistis
25v–26 Judaea et Jerusalem nolite timere cras [A. Schwartz]
Appears on: 25v–26
Genres: Motet
Source Attribution: [A. Schwartz]
Voice: [no designation]
Languages: Latin
Voice Text: Iudaea et Ierusalem nolite timere cras
26v–27 Decantabat populus Israel alleluia (7vv) [Lassus]
Appears on: 26v–27
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus Israel alleluia
27v–29 Jubilate Deo omnis terra servite Domino Anon. Anonymous
Appears on: 27v–29
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Iubilate deo omnis terra servite domino
29v–31 Magnificat octavi toni: Anima mea [K.440] [Scandello]
Appears on: 29v–31
Genres: BVM, Canticle, Magnificat
Source Attribution: [Scandello]
Voice: [no designation]
Languages: Latin
Voice Text: (Magnificat) [Octavi toni]: Anima mea dominum
General Note

double choir setting

31v–33 Miserere mei Deus - 1a pars (of 2): Miserere mei Deus secundum magnam Anon. Anonymous
Appears on: 31v–33
Genres: Miserere mei Deus, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei deus secundum magnam II: Tibi soli peccavi et malum coram
33–34v Miserere mei Deus - 2a pars (of 2): Tibi soli peccavi et malum coram - Anonymous
Appears on: 33–34v
Genres: Motet
34v–36v Maria Magdalene et altera Maria ibant (9vv) [Massaini]
Appears on: 34v–36v
Genres: Motet
Source Attribution: [Massaini]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalene et altera Maria ibant
36v–37v Casta novenarum jacet aula sub acta sororum Christianus Hollander
Appears on: 36v–37v
Genres: Motet
Source Attribution: Christianus Hollander
Voice: [no designation]
Languages: Latin
Voice Text: Casta novenarum iacet aula sub acta sororum
37v–39 Quaeramus cum pastoribus verbum incarnatum [Stabile]
Appears on: 37v–39
Genres: Motet
Source Attribution: [Stabile]
Voice: [no designation]
Languages: Latin
Voice Text: Quaeramus cum pastoribus verbum incarnatum
39–40 Hodie Christus natus est hodie salvator [A. Gabrieli]
Appears on: 39–40
Genres: Motet
Source Attribution: [A. Gabrieli]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator
40–41 Maria Magdalenae Maria Jacobi et Salome emerunt aromata [A. Gabrieli]
Appears on: 40–41
Genres: Motet
Source Attribution: [A. Gabrieli]
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et Salome emerunt aromata
41v–42 Congratulamini mihi omnes qui diligitis [A. Gabrieli]
Appears on: 41v–42
Genres: Motet
Source Attribution: [A. Gabrieli]
Voice: [no designation]
Languages: Latin
Voice Text: Congratulamini mihi omnes qui diligitis
42v–43 Quem vidistis pastores dicite annunciate [A. Gabrieli]
Appears on: 42v–43
Genres: Motet
Source Attribution: [A. Gabrieli]
Voice: [no designation]
Languages: Latin
Voice Text: Quem vidistis pastores dicite annunciate
Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gabrieli, Andrea (ca. 1532–1585)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Massaino, Tiburzio
Phinot, Dominique
Scandello, Antonio
Schwartz, Andreas
Senfl, Ludwig (ca. 1486–ca. 1543)
Stabile, Annibale (ca. 1535–1595)
Vaet, Jacobus (ca. 1529–ca. 1567)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Noli flere Maria 22v–24
Casta novenarum jacet aula sub acta sororum 36v–37v
Congratulamini mihi omnes qui diligitis 41v–42
Da pacem Domine in diebus nostris 9v–10
Decantabat populus Israel alleluia (7vv) 26v–27
Egressus Jesus secessit in partes Tyri et Sidoni 21–22
Estote ergo misericordes sicut et pater (7vv) 11v–12
Hodie Christus natus est hodie salvator 39–40
Jubilate Deo omnis terra servite Domino Anonymous 27v–29
Judaea et Jerusalem nolite timere cras 25v–26
Magnificat octavi toni: Anima mea [K.440] 29v–31
Maria Magdalenae Maria Jacobi et Salome emerunt aromata 40–41
Maria Magdalene et altera Maria ibant (9vv) 34v–36v
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus secundum magnam Anonymous 31v–33
Miserere mei Deus - 2a pars (of 2): Tibi soli peccavi et malum coram Anonymous 33–34v
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 12–13
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 13v–14v
Patrem omnipotentem [Credo] 6–9
Patrem omnipotentem [Credo] (8vv) 1–4
Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum Anonymous 18v–19v
Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud Anonymous 19v–20v
Quaeramus cum pastoribus verbum incarnatum 37v–39
Quem vidistis pastores dicite annunciate 42v–43
Salve regina (VIII - 8vv) 16v–18
Sancta Trinitas unus Deus miserere nobis (6vv) 15–16
Tanto tempore vobiscum sum et non cognovistis (8vv) 24v–25
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 4–5
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 5–6
Veni sancte spiritus reple tuorum corda (8vv) [M120] 10v–11v

Set: MS 32,33

Type: Partbooks

No images available

D-Z Mus. 32,33 [Altus 1]

No images available

D-Z Mus. 32,33 [Altus 2]

No images available

D-Z Mus. 32,33 [Bassus 1]

No images available

D-Z Mus. 32,33 [Bassus 2]

No images available

D-Z Mus. 32,33 [Discantus 1]

No images available

D-Z Mus. 32,33 [Discantus 2]

No images available

D-Z Mus. 32,33 [Tenor 1]

No images available

D-Z Mus. 32,33 [Tenor 2]

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 682. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 174 [Magnificat #440, listed here as anonymous, is by Scandello]. Notes: contents list (partial); incipits (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 38-9,204. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description