F-CA MS C 647

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

non-music MS with music fragments: 13th century

Archive Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark MS C 647
Surface Parchment
Numbering System None
Format landscape
Measurements 378 x 267 mm
External Links
Provenance
  • France
Contents 5 pieces from 2 composers
General Description

Decretales Gregorii. 'Mirror image' offsets of pages removed from this book and now part of MS B 1328. A bifolio of the original manuscript was pasted down over each board: front board therefore has offset of ff 3v and 6: fragments of 3 motets with one by Philippe de Vitry; back board has offset of ff 4 and 5v: fragments of 2 motets.

See also Lerch's reconstruction of these and other fragments as 'F-CA(n)'.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

In parentheses is given the series and number in Lerch's re-foliation of the B 1328 fragments.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017

front board

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
front board (=L-I:11v) Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie -
Vitry, Philippe de (1291–1361)

Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie

Vitry, Philippe de (1291–1361)
Appears on: front board (=L-I:11v)
Genres: Motet
front board (=L-I:11v) Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco - Anonymous

Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco

Anonymous
Appears on: front board (=L-I:11v)
Genres: Motet
Voice: [no designation]
Languages: French
Voice Text: Se paour d’umble astinance par douce atrenpance / Diex, tant desir estre amé de m’amis / Concupisco
front board (=L-I:14) Par maintes fois / ... / Ave Maria - Anonymous

Par maintes fois / ... / Ave Maria

Anonymous
Appears on: front board (=L-I:14)
Genres: Motet
Voice: Triplum
Languages: French
Clef: c2
Voice: Motetus
Languages: insufficient
Clef: c2
Voice: Tenor
Languages: none
Clef: f3
General Note

Transmits mainly the Triplum, though this is damaged and has several lacunae. There are a few isolated notes and word fragments of the Motetus along the edge. Roughly half of the Tenor is visible at the bottom.
back board (=L-I:12) Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco - Anonymous

Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco

Anonymous
Appears on: back board (=L-I:12)
Genres: Motet
back board (=L-I:13v) ... / Fors perversa rotam / Tenor - Anonymous

... / Fors perversa rotam / Tenor

Anonymous
Appears on: back board (=L-I:13v)
Genres: Motet
Composer Compositions
Anonymous
Vitry, Philippe de (1291–1361)
Composition Composers (? Uncertain) Folios / Pages
... / Fors perversa rotam / Tenor Anonymous back board (=L-I:13v)
Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie
Vitry, Philippe de (1291–1361)
front board (=L-I:11v)
Par maintes fois / ... / Ave Maria Anonymous front board (=L-I:14)
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco Anonymous front board (=L-I:11v)
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco Anonymous back board (=L-I:12)

Images ©2000 Ville de Cambrai

Set: Cambrai fragments

Type: Fragments of a whole

F-CA Inc. B 56

No images available

F-CA Inc. B 135

F-CA Inc. B 144

F-CA Inc. B 145

F-CA Inc. B 165

F-CA Inc. B 166

F-CA Inc. C 52

F-CA MS B 220

F-CA MS B 322

F-CA MS B 447

F-CA MS B 1328

F-CA MS C 647

‡ denotes primary source study

Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter.

Fallows, David. 1976. L'origine du ms. 1328 de Cambrai. Revue de musicologie, 275-80.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Surface Note; DIAMM Note