F-CA MS C 647

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

non-music MS with music fragments: 13th century

Archive	Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark	MS C 647
Surface	Parchment
Numbering System	None
Format	landscape
Measurements	378 x 267 mm
External Links	Selected images of all Cambrai MSS
Provenance	France
Contents	5 pieces from 3 composers

General Description

Decretales Gregorii. 'Mirror image' offsets of pages removed from this book and now part of MS B 1328. A bifolio of the original manuscript was pasted down over each board: front board therefore has offset of ff 3v and 6: fragments of 3 motets with one by Philippe de Vitry; back board has offset of ff 4 and 5v: fragments of 2 motets.

See also Lerch's reconstruction of these and other fragments as 'F-CA(n)'.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

In parentheses is given the series and number in Lerch's re-foliation of the B 1328 fragments.

DIAMM, 2017

Surface

Parchment

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
front board (=L-I:11v)	Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie	-	Vitry, Philippe de (1291–1361)
Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie Vitry, Philippe de (1291–1361) Appears on: front board (=L-I:11v) Genres: Motet
front board (=L-I:11v)	Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco	-	Anonymous
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco Anonymous Appears on: front board (=L-I:11v) Genres: Motet Voice: [no designation] Languages: French Voice Text: Se paour d’umble astinance par douce atrenpance / Diex, tant desir estre amé de m’amis / Concupisco
front board (=L-I:14)	Par maintes fois ay oy recorder	-	Vaillant, Jacob (fl. 1360–90)
Par maintes fois ay oy recorder Vaillant, Jacob (fl. 1360–90) Appears on: front board (=L-I:14) Genres: Motet
back board (=L-I:12)	Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco	-	Anonymous
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco Anonymous Appears on: back board (=L-I:12) Genres: Motet
back board (=L-I:13v)	... / Fors perversa rotam / Tenor	-	Anonymous
... / Fors perversa rotam / Tenor Anonymous Appears on: back board (=L-I:13v) Genres: Motet

Composer	Compositions
Anonymous	... / Fors perversa rotam / Tenor – back board (=L-I:13v) Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco – back board (=L-I:12) Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco – front board (=L-I:11v)
Vaillant, Jacob (fl. 1360–90)	Par maintes fois ay oy recorder – front board (=L-I:14)
Vitry, Philippe de (1291–1361)	Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie – front board (=L-I:11v)

Composition	Composers (? Uncertain)	Folios / Pages
... / Fors perversa rotam / Tenor	Anonymous	back board (=L-I:13v)
Cum statua Nabugodonosor metallina / Hugo princeps invidie / Magister invidie	Vitry, Philippe de (1291–1361)	front board (=L-I:11v)
Par maintes fois ay oy recorder	Vaillant, Jacob (fl. 1360–90)	front board (=L-I:14)
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco	Anonymous	front board (=L-I:11v)
Se paour d’umble astinance par douce atrenpance / Dieux, tant desir estre amé de m’amis / Concupisco	Anonymous	back board (=L-I:12)

Set: Cambrai fragments

Type: Fragments of a whole

No images available

‡ denotes primary source study

Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter.

Fallows, David. 1976. L'origine du ms. 1328 de Cambrai. Revue de musicologie, 275-80.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Surface Note; DIAMM Note