D-Z Mus. 13,3

Ratsschulbibliothek, Zwickau, Germany

partbook: 2nd half of 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mus. 13,3
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	200 x 166 mm
Other Identifiers	CCM: ZwiR 13/3 Other catalogues/source: VollBM [see bibliography] 213 Alternative names: MS XIII,3
Notations	black void mensural
Relationships	Faber, Heinrich (ca. 1500–1552) (author (of treatise))
Provenance	Zwickau? Bavaria, Germany
Contents	37 pieces from 6 composers

General Description

Faber's treatise 'Musica poetica,' with two later additions, appended to exemplar of printed music treatise by Heinrich Faber (Ad musicam practicam introductio [Nuremberg: Berg and Neuber, 1550]). Treatise copied by a single scribe; later additions (ff. 26'-27 and 28') copied by different hand. Copied in Zwickau?

DIAMM, 2017

Binding

Original covers of tan leather tooled with decorative designs.

DIAMM, 2017

Notation

black void mensural; some examples in chant notation

DIAMM, 2017

Ruling

8-, 9, or 10-line staves

DIAMM, 2017

Foliation

Modern pencil foliation, 1-35, in manuscript section

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Treatise on music (see below), with polyphonic examples:

71 pieces*

*36 are short textless cadential formulas; 9 have motet texts underlaid, or are identified as motets by titles, etc.; one item is textless excerpt from Mass Ordinary section. Other examples textless and unidentified.

Hähnel [Galliculi]/(Förster)-1, Isaac-2, Josquin-4, Josquin/(N. Champion)-1, Josquin/(La Rue)-1, anon-62*

'Some anonymous examples presumably composed by Heinrich Faber.

35 paper folios, 200 x 166, appended to exemplar of printed music treatise by Heinrich Faber (Ad musicam practicam introductio [Nuremberg: Berg and Neuber, 1550]). Manuscript section contains Faber's treatise "Musica poetica," with two later additions. Modern pencil foliation, 1-35, in manuscript section. Original covers of tan leather tooled with decorative designs. A few examples in chant notation, but most music in white mensural notation. Some examples in choirbook format; others in quasi-score format on 8-, 9-, or 10-line staves. Treatise copied by a single scribe; later additions (ff. 26'-27 and 28') copied by different hand. No initials or decoration.

Second half of 16th century. Copied in Zwickau?

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	untexted example	Anon.	-
untexted example - Appears on: 2 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
2–2v	untexted example	Anon.	-
untexted example - Appears on: 2–2v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
3	untexted example	Anon.	-
untexted example - Appears on: 3 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
3	untexted example	Anon.	-
untexted example - Appears on: 3 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
3v	untexted example	Anon.	-
untexted example - Appears on: 3v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
3v	untexted example	Anon.	-
untexted example - Appears on: 3v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
4	untexted example	Anon.	-
untexted example - Appears on: 4 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
4v	Hodie Deus homo factus	Isaaco [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
Hodie Deus homo factus Isaac, Heinrich (ca. 1450–1517) Appears on: 4v Genres: Motet Source Attribution: Isaaco [= Isaac] Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo factus
4v–5	untexted example	Anon.	-
untexted example - Appears on: 4v–5 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
6–6v	Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	Josquini/[La Rue]	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) Despres, Josquin (ca. 1450–1521) Appears on: 6–6v Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Josquini/[La Rue] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Gloria of Missa] De beata Virgine 3.3
6v–7	De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Josquini/[Champion]	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?) Appears on: 6v–7 Genres: Motet Source Attribution: Josquini/[Champion] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars II of De profundis clamavi ad te domine] 15.11
10	untexted example	Isaac	Isaac, Heinrich (ca. 1450–1517)
untexted example Isaac, Heinrich (ca. 1450–1517) Appears on: 10 Genres: textless Source Attribution: Isaac Voice: [no designation] Languages: none Voice Text: Textless example
10–10v	Mirabilia testimonia tua domine ideo 18.2 II: Justus es domine Mandasti justiciam	Josquini	Despres, Josquin (ca. 1450–1521)
Mirabilia testimonia tua domine ideo 18.2 II: Justus es domine Mandasti justiciam Despres, Josquin (ca. 1450–1521) Appears on: 10–10v Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars I of Mirabilia testimonia tua domine] 18.1
10v	Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Josquini	Despres, Josquin (ca. 1450–1521)
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) Despres, Josquin (ca. 1450–1521) Appears on: 10v Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars III of Domine exaudi orationem meam] 16.5
11	untexted example	Anon.	-
untexted example - Appears on: 11 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
11v	Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus	Josquini	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus Despres, Josquin (ca. 1450–1521) Appears on: 11v Genres: Motet Source Attribution: Josquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars II of Domine ne in furore tuo arguas me] 16.7
12	untexted example	Anon.	-
untexted example - Appears on: 12 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
12–12v	untexted example	Anon.	-
untexted example - Appears on: 12–12v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
12v	untexted example	Anon.	-
untexted example - Appears on: 12v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
13	untexted example	Anon.	-
untexted example - Appears on: 13 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
13	untexted example	Anon.	-
untexted example - Appears on: 13 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
13v	untexted example	Anon.	-
untexted example - Appears on: 13v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
13v	Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu)	Galliculi [= Hähnel]/[Förster]	Galliculus, Johannes (?) Forster, Johannes (?)
Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu) Galliculus, Johannes (?) Forster, Johannes (?) Appears on: 13v Genres: Motet Source Attribution: Galliculi [= Hähnel]/[Förster] Voice: [no designation] Languages: Latin Voice Text: Quare fremuerunt gentes [excerpt]
14	untexted example	Anon.	-
untexted example - Appears on: 14 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
14–14v	Domine ne in furore 16.7 (excerpt)	Josquin	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.7 (excerpt) Despres, Josquin (ca. 1450–1521) Appears on: 14–14v Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Domine ne in furore tuo arguas me] 16.7
16	untexted example	Anon.	-
untexted example - Appears on: 16 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
16v	untexted example	Anon.	-
untexted example - Appears on: 16v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
17–18v	27 short cadential formulas	Anon.	Anonymous
27 short cadential formulas Anonymous Appears on: 17–18v Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 27 short cadential formulas
19	untexted example	Anon.	-
untexted example - Appears on: 19 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
19v–20	9 short cadential formulas	Anon.	Anonymous
9 short cadential formulas Anonymous Appears on: 19v–20 Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 9 short cadential formulas
22	untexted example	Anon.	-
untexted example - Appears on: 22 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
22	untexted example	Anon.	-
untexted example - Appears on: 22 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
23	untexted example	Anon.	-
untexted example - Appears on: 23 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
23–23v	untexted example	Anon.	-
untexted example - Appears on: 23–23v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
23v–24	untexted example	Anon.	-
untexted example - Appears on: 23v–24 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
26v–27	Nunc dimittis servum tuum Domine	Anon.	Anonymous
Nunc dimittis servum tuum Domine Anonymous Appears on: 26v–27 Genres: Canticle Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum domine
28v	Miserere mei et exaudi orationem meam	Anon.	Anonymous
Miserere mei et exaudi orationem meam Anonymous Appears on: 28v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Miserere mei et exaudi orationem meam

Composer	Compositions
Anonymous	27 short cadential formulas – 17–18v 9 short cadential formulas – 19v–20 Miserere mei et exaudi orationem meam – 28v Nunc dimittis servum tuum Domine – 26v–27 untexted example – 23v–24 untexted example – 4 untexted example – 4v–5 untexted example – 12 untexted example – 12–12v untexted example – 12v untexted example – 23–23v untexted example – 13 untexted example – 13 untexted example – 19 untexted example – 3 untexted example – 22 untexted example – 3v untexted example – 22 untexted example – 13v untexted example – 14 untexted example – 23 untexted example – 2–2v untexted example – 16v untexted example – 2 untexted example – 3 untexted example – 3v untexted example – 16 untexted example – 11
Champion, Nicolas (ca. 1475–1533)	(?) De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 6v–7
Despres, Josquin (ca. 1450–1521)	De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 6v–7 Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) – 10v Domine ne in furore 16.7 (excerpt) – 14–14v Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus – 11v Mirabilia testimonia tua domine ideo 18.2 II: Justus es domine Mandasti justiciam – 10–10v Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu) – 6–6v
Forster, Johannes	(?) Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu) – 13v
Galliculus, Johannes	(?) Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu) – 13v
Isaac, Heinrich (ca. 1450–1517)	Hodie Deus homo factus – 4v untexted example – 10

Composition	Composers (? Uncertain)	Folios / Pages
27 short cadential formulas	Anonymous	17–18v
9 short cadential formulas	Anonymous	19v–20
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)	6v–7
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Despres, Josquin (ca. 1450–1521)	10v
Domine ne in furore 16.7 (excerpt)	Despres, Josquin (ca. 1450–1521)	14–14v
Domine ne in furore 16.7 - 2a pars (of 2): Turbatus est a furore oculus meus	Despres, Josquin (ca. 1450–1521)	11v
Hodie Deus homo factus	Isaac, Heinrich (ca. 1450–1517)	4v
Mirabilia testimonia tua domine ideo 18.2 II: Justus es domine Mandasti justiciam	Despres, Josquin (ca. 1450–1521)	10–10v
Miserere mei et exaudi orationem meam	Anonymous	28v
Missa Beata Virgine = Missa Coronata 3.3: Gloria (excerpt: Cum sancto spiritu)	Despres, Josquin (ca. 1450–1521)	6–6v
Nunc dimittis servum tuum Domine	Anonymous	26v–27
Quare fremuerunt gentes et populi meditati (2p. Dirumpamus vincula eorum et proiiciamus; 3p. Dominus dixit ad me filius meus es tu)	Galliculus, Johannes (?) Forster, Johannes (?)	13v
untexted example	-	2
untexted example	-	2–2v
untexted example	-	3
untexted example	-	3
untexted example	-	3v
untexted example	-	3v
untexted example	-	4
untexted example	-	4v–5
untexted example	Isaac, Heinrich (ca. 1450–1517)	10
untexted example	-	11
untexted example	-	12
untexted example	-	12–12v
untexted example	-	12v
untexted example	-	13
untexted example	-	13
untexted example	-	13v
untexted example	-	14
untexted example	-	16
untexted example	-	16v
untexted example	-	19
untexted example	-	22
untexted example	-	22
untexted example	-	23
untexted example	-	23–23v
untexted example	-	23v–24

‡ denotes primary source study

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: III, 118-20. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 147ff, passim. Notes: contents list (partial); mention of MS; discussion.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: I,36,185, 195 11,28,46-7. Notes: contents list (partial); incipits (partial); mention of MS; discussion.

Gurlitt, Wilibald. 1940-46. Der Begriff der sortisatio in der deutschen Kompositionslehre des 16. Jahrhunderts. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 194-211. Pages: 199,207-8. Notes: physical description (partial); transcription (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 122-3. Notes: physical description (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description