‡ denotes primary source study
Weiss, Susan Forscher. 1985. The Manuscript Bologna, Civico Museo Bibliografico Musicale, Codex Q 18 (olim 143): A Bolognese Instrumental Collection of the Early Cinquecento. University of Maryland, Unpublished Ph.D. dissertation.
Pages: 344.
Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London.
Pages: 343.
Notes: contents list (partial); incipits (partial).
Staehelin, Martin. 1978. Neue Quellen zur mehrstimmigen Musik des 15. und 16. Jahrhunderts in der Schweiz. Schweizer Beiträge zur Musikwissenschaft, 57-83.
Pages: 74-6, Abb. 9.
Notes: physical description; contents list; concordances; incipits (partial); facsimile (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart.
Pages: I,xlvi,28,30,81; III,49.
Notes: physical description; contents list (partial); concordances (partial).
Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, .
Pages: 5,55 [erroneously referred to as MS S. 284].
Notes: mention of MS; contents list (partial).