PL-WRu MS Brieg.Musik. K.52 [Discantus]

Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland

partbook: Last quarter of 16th century

Archive	Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland (PL-WRu)
Shelfmark	MS Brieg.Musik. K.52 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	148 x 201 mm
Other Identifiers	CCM: WrocU 52
Notations	black void mensural
Relationships	Brieg (Brzeg) Gymnasium (owner)
Provenance	Brieg (Brzeg) Gymnasium , Brieg (Brzeg), Poland
Contents	53 pieces from 9 composers

General Description

A Discantus partbook from a set of three volumes, each of which consists of the print RISM U119, with manuscript additions preceding and following the print. Copied by several scribes; scribal concordances with some other WrocU manuscripts. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

DIAMM, 2017

Binding

Rebound in modern covers of black cardboard; each book has modern paper flyleaf at front and back. Original parchment covers cut from non-musical manuscript now bound in as second flyleaf at front and penultimate flyleaf at back of each book

DIAMM, 2017

Watermark

Briquet #962; same mark also appears in WrocU 28 and WrocU 53

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 10-17mm (variable)

DIAMM, 2017

Foliation

Sporadic new pencil foliation in some books.

DIAMM, 2017

Decoration

A few inked initials, mostly in calligraphic style

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Kuhn's catalogue numbers the print as 4. 3 ms pieces are copied at the beginning (1-3); the remainder after the print (5-54). Nos 7-30 are a complete copy of Scandello's "El primo libro de le canzoni napoletane a 4 voci"(Nuremberg 1566/1572/1583).

DIAMM, 2021

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, 7 German sacred pieces, 31 Italian secular pieces (2 with addi-tional German text underlaid), 11 German secular pieces, 2 French secular pieces, 1 Latin secular piece = 53

G. Animuccia-1, Clemens non Papa-1, Knöfel [J.K.]-2, Lassus -1, Scandello-24, Senfl-1, Spatz-2, anon-21

3 paper partbooks, each consisting of the print RISM U119, with manuscript additions preceding and following the print (D-48 folios, T-50, B-46), 148 x 201. (Preceding count of folios includes only manuscript additions). Many folios in T book now fragmentary and in very poor condition, apparently due to water or fire damage; folios later repaired and covered with transparent protective material. Sporadic new pencil foliation in some books. Rebound in modern covers of black cardboard; each book has modern paper flyleaf at front and back. Original parchment covers cut from non-musical manuscript now bound in as second flyleaf at front and penultimate flyleaf at back of each book. No index. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Staff height 10-17 (variable). A few inked initials, mostly in calligraphic style. Watermark is Briquet #962; same mark also appears in WrocU 28 and WrocU 53.

Last quarter of 16th century. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(1)	Den Vater dort oben wollen wir nun loben	-	Anonymous
Den Vater dort oben wollen wir nun loben Anonymous Appears on: (1) Genres: Hymn
(2)	Wann ich des morgens früh aufstan' [S320]	Ludovicus Senfflius / Semffelius	Senfl, Ludwig (ca. 1486–ca. 1543)
Wann ich des morgens früh aufstan' [S320] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: (2) Genres: Song Source Attribution: Ludovicus Senfflius / Semffelius
(3)	Emille fai d'una bella matina	-	Anonymous
Emille fai d'una bella matina Anonymous Appears on: (3) Genres: Madrigal (Italian)
(5)	Ich weiss mir ein Medlein hubsch und fein	-	Anonymous
Ich weiss mir ein Medlein hubsch und fein Anonymous Appears on: (5) Genres: Lied
(6)	Surrexit pastor bonus qui animam suam	Orlandus di Lassus	Lassus, Orlande de (ca. 1532–1594)
Surrexit pastor bonus qui animam suam Lassus, Orlande de (ca. 1532–1594) Appears on: (6) Genres: Motet Source Attribution: Orlandus di Lassus
(7)	S'io canto et tu mi spacci	Antonius Scandellus	Scandello, Antonio
S'io canto et tu mi spacci Scandello, Antonio Appears on: (7) Genres: Canzon Source Attribution: Antonius Scandellus
(8)	O Dio, che pena	Antonius Scandellus	Scandello, Antonio
O Dio, che pena Scandello, Antonio Appears on: (8) Genres: Canzon Source Attribution: Antonius Scandellus
(9)	Tu sei la causa de la morte mia	Antonius Scandellus	Scandello, Antonio
Tu sei la causa de la morte mia Scandello, Antonio Appears on: (9) Genres: Canzon Source Attribution: Antonius Scandellus
(10)	Mai piu me fid' a femine trafane	Antonius Scandellus	Scandello, Antonio
Mai piu me fid' a femine trafane Scandello, Antonio Appears on: (10) Genres: Canzon Source Attribution: Antonius Scandellus
(11)	Bella che tieni li capigli d'oro	Antonius Scandellus	Scandello, Antonio
Bella che tieni li capigli d'oro Scandello, Antonio Appears on: (11) Genres: Canzon Source Attribution: Antonius Scandellus
(12)	Haveva na gallina capelluta	Antonius Scandellus	Scandello, Antonio
Haveva na gallina capelluta Scandello, Antonio Appears on: (12) Genres: Canzon Source Attribution: Antonius Scandellus
(13)	Sta notte me sonnai	Antonius Scandellus	Scandello, Antonio
Sta notte me sonnai Scandello, Antonio Appears on: (13) Genres: Canzon Source Attribution: Antonius Scandellus
(14)	Quanto debbe allegrarse	Antonius Scandellus	Scandello, Antonio
Quanto debbe allegrarse Scandello, Antonio Appears on: (14) Genres: Canzon Source Attribution: Antonius Scandellus
(15)	O dolce vita mia	Antonius Scandellus	Scandello, Antonio
O dolce vita mia Scandello, Antonio Appears on: (15) Genres: Canzon Source Attribution: Antonius Scandellus
(16)	Tu mi fai star scontient' et infelice	Antonius Scandellus	Scandello, Antonio
Tu mi fai star scontient' et infelice Scandello, Antonio Appears on: (16) Genres: Canzon Source Attribution: Antonius Scandellus
(17)	In tutto voi ch'io moro	Antonius Scandellus	Scandello, Antonio
In tutto voi ch'io moro Scandello, Antonio Appears on: (17) Genres: Canzon Source Attribution: Antonius Scandellus
(18)	Sia maledet' amor e tu crudele	Antonius Scandellus	Scandello, Antonio
Sia maledet' amor e tu crudele Scandello, Antonio Appears on: (18) Genres: Canzon Source Attribution: Antonius Scandellus
(19)	Vita mia bella	Antonius Scandellus	Scandello, Antonio
Vita mia bella Scandello, Antonio Appears on: (19) Genres: Canzon Source Attribution: Antonius Scandellus
(20)	Voria che tu cantass' una canzone	Antonius Scandellus	Scandello, Antonio
Voria che tu cantass' una canzone Scandello, Antonio Appears on: (20) Genres: Canzon Source Attribution: Antonius Scandellus
(21)	Core mio bello	Antonius Scandellus	Scandello, Antonio
Core mio bello Scandello, Antonio Appears on: (21) Genres: Canzon Source Attribution: Antonius Scandellus
(22)	Donna crudel tu m'hai robat' il core	Antonius Scandellus	Scandello, Antonio
Donna crudel tu m'hai robat' il core Scandello, Antonio Appears on: (22) Genres: Canzon Source Attribution: Antonius Scandellus
(23)	Mill' anni sono che non t'agio vista	Antonius Scandellus	Scandello, Antonio
Mill' anni sono che non t'agio vista Scandello, Antonio Appears on: (23) Genres: Canzon Source Attribution: Antonius Scandellus
(24)	Preparati madonna a darm' aita	Antonius Scandellus	Scandello, Antonio
Preparati madonna a darm' aita Scandello, Antonio Appears on: (24) Genres: Canzon Source Attribution: Antonius Scandellus
(25)	Se tu pensassi che cos' e vechiezza	Antonius Scandellus	Scandello, Antonio
Se tu pensassi che cos' e vechiezza Scandello, Antonio Appears on: (25) Genres: Canzon Source Attribution: Antonius Scandellus
(26)	Meschina me chi nova la lancella	Antonius Scandellus	Scandello, Antonio
Meschina me chi nova la lancella Scandello, Antonio Appears on: (26) Genres: Canzon Source Attribution: Antonius Scandellus
(27)	Bonzorno Madonna	Antonius Scandellus	Scandello, Antonio
Bonzorno Madonna Scandello, Antonio Appears on: (27) Genres: Canzon Source Attribution: Antonius Scandellus
(28)	Bona sera, come stai cor mio	Antonius Scandellus	Scandello, Antonio
Bona sera, come stai cor mio Scandello, Antonio Appears on: (28) Genres: Canzon Source Attribution: Antonius Scandellus
(29)	Io segua chi mi fugge	Antonius Scandellus	Scandello, Antonio
Io segua chi mi fugge Scandello, Antonio Appears on: (29) Genres: Canzon Source Attribution: Antonius Scandellus
(30)	Se per sentir dolor	Antonius Scandellus	Scandello, Antonio
Se per sentir dolor Scandello, Antonio Appears on: (30) Genres: Canzon Source Attribution: Antonius Scandellus
(31)	Wir wollen trauren lassen, wer Lust zu trauren hat	Albertus Spatz	Spatz, Albertus
Wir wollen trauren lassen, wer Lust zu trauren hat Spatz, Albertus Appears on: (31) Genres: Lied Source Attribution: Albertus Spatz
(32)	Das thuen die Studenten werth	Albertus Spatz	Spatz, Albertus
Das thuen die Studenten werth Spatz, Albertus Appears on: (32) Genres: Lied Source Attribution: Albertus Spatz
(33)	Ach Pawr lass mir die Roselein stahn	-	Anonymous
Ach Pawr lass mir die Roselein stahn Anonymous Appears on: (33) Genres: Lied
(34)	Chie pass per questa strada	-	Anonymous
Chie pass per questa strada Anonymous Appears on: (34) Genres: Madrigal (Italian)
(35)	La pecora vocanto	-	Anonymous
La pecora vocanto Anonymous Appears on: (35) Genres: Madrigal (Italian)
(36)	Lob singet alle Gott im hochsten thron (=Cantate Dominum)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Lob singet alle Gott im hochsten thron (=Cantate Dominum) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: (36) Genres: Motet Source Attribution: Clemens non Papa
(37)	Uns ist geborn ein Kindelein (4vv)	J.K. [=Knofel]	Knöfel, Johannes (ca. 1525–1617)
Uns ist geborn ein Kindelein (4vv) Knöfel, Johannes (ca. 1525–1617) Appears on: (37) Genres: Hymn Source Attribution: J.K. [=Knofel]
(38)	Das alte Jahr hatt nun sein Endt	-	Anonymous
Das alte Jahr hatt nun sein Endt Anonymous Appears on: (38) Genres: Lied
(39)	Uns ist ein kindlein heut geborn (5vv)	J.K. [=Knofel]	Knöfel, Johannes (ca. 1525–1617)
Uns ist ein kindlein heut geborn (5vv) Knöfel, Johannes (ca. 1525–1617) Appears on: (39) Genres: Sacred Song Source Attribution: J.K. [=Knofel]
(40)	Gelobet seistu Jesu Christ, das du Mensch geboren bist	-	Anonymous
Gelobet seistu Jesu Christ, das du Mensch geboren bist Anonymous Appears on: (40) Genres: Hymn
(41)	O bella fusa ch me fa cantare = Frohlich in Ehren kan uns niemand wehren	-	Anonymous
O bella fusa ch me fa cantare = Frohlich in Ehren kan uns niemand wehren Anonymous Appears on: (41) Genres: Madrigal (Italian)
(42)	O chi mantzia mia = Entlaubt ist uns der Walde	-	Anonymous
O chi mantzia mia = Entlaubt ist uns der Walde Anonymous Appears on: (42) Genres: Madrigal (Italian)
(43)	Susanne un jour d'amour sollicitee	-	Anonymous
Susanne un jour d'amour sollicitee Anonymous Appears on: (43) Genres: Chanson General Note marked 'ad aequales'
(44)	Ir Herren sagt mir ohn Alles beschwer	-	Anonymous
Ir Herren sagt mir ohn Alles beschwer Anonymous Appears on: (44) Genres: Lied
(45)	Vita mia dolce, tu mi fai morir	-	Anonymous
Vita mia dolce, tu mi fai morir Anonymous Appears on: (45) Genres: Madrigal (Italian)
(46)	Tant vous alles doulx Guillemette	-	Anonymous
Tant vous alles doulx Guillemette Anonymous Appears on: (46) Genres: Chanson Concordances Berlin (formerly Breslau) Sammlung Bohn 15, 17
(47)	Nasce la gioia mia ogni volta	Gio. Animucia	Animuccia, Giovanni (ca. 1520–1571)
Nasce la gioia mia ogni volta Animuccia, Giovanni (ca. 1520–1571) Appears on: (47) Genres: Italian secular Source Attribution: Gio. Animucia
(48)	Standet auff, ir Bruder all	-	Anonymous
Standet auff, ir Bruder all Anonymous Appears on: (48) Genres: Lied General Note annotated, "Die trunckene Metten genandt"
(49)	Von Gott ist mir nach Hertzens gir	-	Anonymous
Von Gott ist mir nach Hertzens gir Anonymous Appears on: (49) Genres: Lied
(50)	Biszweilen frolichkeit, nicht Allzeit Traurigkeit	-	Anonymous
Biszweilen frolichkeit, nicht Allzeit Traurigkeit Anonymous Appears on: (50) Genres: Lied
(51)	Der Wein und Musica zu rechter zeitt	-	Anonymous
Der Wein und Musica zu rechter zeitt Anonymous Appears on: (51) Genres: Lied
(52)	Proficiat ir lieben Herren Gott gsegne euch	-	Glanner, Caspar
Proficiat ir lieben Herren Gott gsegne euch Glanner, Caspar Appears on: (52) Genres: Sacred Song
(53)	Wie kan und mag ich doch frohlich sein. Galliarda	-	Anonymous
Wie kan und mag ich doch frohlich sein. Galliarda Anonymous Appears on: (53) Genres: Galliard, Lied
(54)	Ut olim in silvis et in fluminibus habitare Nymphis placuit	-	Anonymous
Ut olim in silvis et in fluminibus habitare Nymphis placuit Anonymous Appears on: (54) Genres: Motet

Composer	Compositions
Animuccia, Giovanni (ca. 1520–1571)	Nasce la gioia mia ogni volta – (47)
Anonymous	Ach Pawr lass mir die Roselein stahn – (33) Biszweilen frolichkeit, nicht Allzeit Traurigkeit – (50) Chie pass per questa strada – (34) Das alte Jahr hatt nun sein Endt – (38) Den Vater dort oben wollen wir nun loben – (1) Der Wein und Musica zu rechter zeitt – (51) Emille fai d'una bella matina – (3) Gelobet seistu Jesu Christ, das du Mensch geboren bist – (40) Ich weiss mir ein Medlein hubsch und fein – (5) Ir Herren sagt mir ohn Alles beschwer – (44) La pecora vocanto – (35) O bella fusa ch me fa cantare = Frohlich in Ehren kan uns niemand wehren – (41) O chi mantzia mia = Entlaubt ist uns der Walde – (42) Standet auff, ir Bruder all – (48) Susanne un jour d'amour sollicitee – (43) Tant vous alles doulx Guillemette – (46) Ut olim in silvis et in fluminibus habitare Nymphis placuit – (54) Vita mia dolce, tu mi fai morir – (45) Von Gott ist mir nach Hertzens gir – (49) Wie kan und mag ich doch frohlich sein. Galliarda – (53)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Lob singet alle Gott im hochsten thron (=Cantate Dominum) – (36)
Glanner, Caspar	Proficiat ir lieben Herren Gott gsegne euch – (52)
Knöfel, Johannes (ca. 1525–1617)	Uns ist ein kindlein heut geborn (5vv) – (39) Uns ist geborn ein Kindelein (4vv) – (37)
Lassus, Orlande de (ca. 1532–1594)	Surrexit pastor bonus qui animam suam – (6)
Scandello, Antonio	Bella che tieni li capigli d'oro – (11) Bona sera, come stai cor mio – (28) Bonzorno Madonna – (27) Core mio bello – (21) Donna crudel tu m'hai robat' il core – (22) Haveva na gallina capelluta – (12) In tutto voi ch'io moro – (17) Io segua chi mi fugge – (29) Mai piu me fid' a femine trafane – (10) Meschina me chi nova la lancella – (26) Mill' anni sono che non t'agio vista – (23) O Dio, che pena – (8) O dolce vita mia – (15) Preparati madonna a darm' aita – (24) Quanto debbe allegrarse – (14) S'io canto et tu mi spacci – (7) Se per sentir dolor – (30) Se tu pensassi che cos' e vechiezza – (25) Sia maledet' amor e tu crudele – (18) Sta notte me sonnai – (13) Tu mi fai star scontient' et infelice – (16) Tu sei la causa de la morte mia – (9) Vita mia bella – (19) Voria che tu cantass' una canzone – (20)
Senfl, Ludwig (ca. 1486–ca. 1543)	Wann ich des morgens früh aufstan' [S320] – (2)
Spatz, Albertus	Das thuen die Studenten werth – (32) Wir wollen trauren lassen, wer Lust zu trauren hat – (31)

Composition	Composers (? Uncertain)	Folios / Pages
Ach Pawr lass mir die Roselein stahn	Anonymous	(33)
Bella che tieni li capigli d'oro	Scandello, Antonio	(11)
Biszweilen frolichkeit, nicht Allzeit Traurigkeit	Anonymous	(50)
Bona sera, come stai cor mio	Scandello, Antonio	(28)
Bonzorno Madonna	Scandello, Antonio	(27)
Chie pass per questa strada	Anonymous	(34)
Core mio bello	Scandello, Antonio	(21)
Das alte Jahr hatt nun sein Endt	Anonymous	(38)
Das thuen die Studenten werth	Spatz, Albertus	(32)
Den Vater dort oben wollen wir nun loben	Anonymous	(1)
Der Wein und Musica zu rechter zeitt	Anonymous	(51)
Donna crudel tu m'hai robat' il core	Scandello, Antonio	(22)
Emille fai d'una bella matina	Anonymous	(3)
Gelobet seistu Jesu Christ, das du Mensch geboren bist	Anonymous	(40)
Haveva na gallina capelluta	Scandello, Antonio	(12)
Ich weiss mir ein Medlein hubsch und fein	Anonymous	(5)
In tutto voi ch'io moro	Scandello, Antonio	(17)
Io segua chi mi fugge	Scandello, Antonio	(29)
Ir Herren sagt mir ohn Alles beschwer	Anonymous	(44)
La pecora vocanto	Anonymous	(35)
Lob singet alle Gott im hochsten thron (=Cantate Dominum)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(36)
Mai piu me fid' a femine trafane	Scandello, Antonio	(10)
Meschina me chi nova la lancella	Scandello, Antonio	(26)
Mill' anni sono che non t'agio vista	Scandello, Antonio	(23)
Nasce la gioia mia ogni volta	Animuccia, Giovanni (ca. 1520–1571)	(47)
O bella fusa ch me fa cantare = Frohlich in Ehren kan uns niemand wehren	Anonymous	(41)
O chi mantzia mia = Entlaubt ist uns der Walde	Anonymous	(42)
O Dio, che pena	Scandello, Antonio	(8)
O dolce vita mia	Scandello, Antonio	(15)
Preparati madonna a darm' aita	Scandello, Antonio	(24)
Proficiat ir lieben Herren Gott gsegne euch	Glanner, Caspar	(52)
Quanto debbe allegrarse	Scandello, Antonio	(14)
S'io canto et tu mi spacci	Scandello, Antonio	(7)
Se per sentir dolor	Scandello, Antonio	(30)
Se tu pensassi che cos' e vechiezza	Scandello, Antonio	(25)
Sia maledet' amor e tu crudele	Scandello, Antonio	(18)
Sta notte me sonnai	Scandello, Antonio	(13)
Standet auff, ir Bruder all	Anonymous	(48)
Surrexit pastor bonus qui animam suam	Lassus, Orlande de (ca. 1532–1594)	(6)
Susanne un jour d'amour sollicitee	Anonymous	(43)
Tant vous alles doulx Guillemette	Anonymous	(46)
Tu mi fai star scontient' et infelice	Scandello, Antonio	(16)
Tu sei la causa de la morte mia	Scandello, Antonio	(9)
Uns ist ein kindlein heut geborn (5vv)	Knöfel, Johannes (ca. 1525–1617)	(39)
Uns ist geborn ein Kindelein (4vv)	Knöfel, Johannes (ca. 1525–1617)	(37)
Ut olim in silvis et in fluminibus habitare Nymphis placuit	Anonymous	(54)
Vita mia bella	Scandello, Antonio	(19)
Vita mia dolce, tu mi fai morir	Anonymous	(45)
Von Gott ist mir nach Hertzens gir	Anonymous	(49)
Voria che tu cantass' una canzone	Scandello, Antonio	(20)
Wann ich des morgens früh aufstan' [S320]	Senfl, Ludwig (ca. 1486–ca. 1543)	(2)
Wie kan und mag ich doch frohlich sein. Galliarda	Anonymous	(53)
Wir wollen trauren lassen, wer Lust zu trauren hat	Spatz, Albertus	(31)

Set: MS Brieg.Musik. K.52

Type: Partbooks

No images available

PL-WRu MS Brieg.Musik. K.52 [Bassus]

No images available

PL-WRu MS Brieg.Musik. K.52 [Discantus]

No images available

PL-WRu MS Brieg.Musik. K.52 [Tenor]

‡ denotes primary source study

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, 142,150. Notes: physical description (partial); contents list (partial); concordances (partial).

Kuhn, Friedrich. 1896. Beschreibendes Verzeichnis der Alten Musikalien -Handschriften und Druckwerke-des Königlichen Gymnasiums zu Brieg. Monatshefte für Musikgeschichte, . Pages: 33-5. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Ruling Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description