PL-WRu MS Brieg.Musik. K.36 [Discantus]

Biblioteka Uniwersytecka, Wrocław, Poland

partbook: 1592

Archive	Biblioteka Uniwersytecka, Wrocław, Poland (PL-WRu)
Shelfmark	MS Brieg.Musik. K.36 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	152 x 201 mm
Other Identifiers	CCM: WrocU 36
Notations	black void mensural
Relationships	Brieg (Brzeg) Gymnasium (owner)
Provenance	Brieg (Brzeg) Gymnasium , Brzeg, Poland
Contents	Contains 41 compositions, 24 from 16 composers, 17 are anonymous.

General Description

A Discantus partbook from a set of six volumes, each of which consists of the prints RISM 1585/17, RISM L981, and RISM S2300, with manuscript additions between ther prints. Copied by several scribes; scribal concordances with some other WrocU manuscripts. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

DIAMM, 2017

Binding

Original covers of white/tan leather, tooled with ornamental border designs, voice designations, date 1592, and initials 'GLB'; metal clasps

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Sporadic new pencil foliation.

DIAMM, 2017

Decoration

Inked calligraphic initials; edges of folios tinted red.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Nos. 1-2 are at the beginning of the book, and no.3 follows the 1st print; nos. 5-7 follow the 2nd print; nos. 9-12 follow the 3rd print; nos. 14-40 are at the end of the book. (Kuhn numbers the prints as 4, 8, 13.)

DIAMM, 2021

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 canticle, 18 motets, 5 German sacred pieces, 12 German secular pieces, 1 macaronic secular piece = 37

Baccusi-1, Clemens non Papa-1, (Ernestus)-1, (Jacobus Galliculus) -1, Händl-2, (Hassler)-1, Lange-5, Lassus [Orlandj]-1, Musti-1, A. Padovano-1, Palestrina [Joan: Petro Loisio.]-1, C. Porta-1, Scandello-1, (Speiser)-1, Taglia-1, Zangius-1, anon-16

6 paper partbooks, consisting of the prints RISM 1585/17, RISM L981, and RISM S2300, with manuscript additions preceding and following each print (D-150 folios, A-168, T-166, B-166, Q-77, S-220), 152 x 201. Sporadic new pencil foliation. Ca. 110-130 folios in DATBQ, and ca. 200 folios in S have blank staves only. Original covers of white/tan leather, tooled with ornamental border designs, voice designations, date 1592, and initials "GLB"; metal clasps. No index. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Inked calligraphic initials; edges of folios tinted red.

1592 (date on covers); some additions may extend into early 17th century. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
(1)	Domine a lingua dolosa et ab insidiis inimicorum meorum libera me	5	Hannibal: Patavinus	Padovano, Annibale
Domine a lingua dolosa et ab insidiis inimicorum meorum libera me Padovano, Annibale Appears on: (1) Genres: Motet Source Attribution: Hannibal: Patavinus Number of voices: 5
(2)	Nolite timere - 1a pars (of 2): Nolite timere, praedicate verbum Dei omni creaturae	6	-	Anonymous
Nolite timere - 1a pars (of 2): Nolite timere, praedicate verbum Dei omni creaturae Anonymous Appears on: (2) Genres: Motet Number of voices: 6
(2)	Nolite timere - 2a pars (of 2): Estote ergo prudentes sicut serpentes	6	-	Anonymous
Nolite timere - 2a pars (of 2): Estote ergo prudentes sicut serpentes Anonymous Appears on: (2) Genres: Motet Number of voices: 6
(3)	Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit	6	-	Handl (Gallus), Jacobus (1550–1591)
Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit Handl (Gallus), Jacobus (1550–1591) Appears on: (3) Genres: Motet Number of voices: 6
(3)	Elisabeth Zachariae - 2a pars (of 2): Johannes est nomen eius vinum et siceram	6	-	Handl (Gallus), Jacobus (1550–1591)
Elisabeth Zachariae - 2a pars (of 2): Johannes est nomen eius vinum et siceram Handl (Gallus), Jacobus (1550–1591) Appears on: (3) Genres: Motet Number of voices: 6
(5)	Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari	5	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: (5) Genres: Motet Source Attribution: Clemens non Papa Number of voices: 5
(5)	Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit	5	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: (5) Genres: Motet Number of voices: 5
(6)	Surge propera amica mea speciosa mea	6	Pietro Taglia	Taglia, Pietro
Surge propera amica mea speciosa mea Taglia, Pietro Appears on: (6) Genres: Motet Source Attribution: Pietro Taglia Number of voices: 6
(7)	Der ehlich Stand ist ehrenwert / Der Ehliche standt ist Ehrenn werdt	6	-	Galliculus, Johannes
Der ehlich Stand ist ehrenwert / Der Ehliche standt ist Ehrenn werdt Galliculus, Johannes Appears on: (7) Genres: Motet Number of voices: 6
(9)	Nunc dimittis servum tuum Domine	6	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Nunc dimittis servum tuum Domine Lassus, Orlande de (ca. 1532–1594) Appears on: (9) Genres: Canticle, Motet Source Attribution: Orlandi Number of voices: 6
(10)	Angeli laetantur de mirando opere tanto	7	Jacobi Hendelii	Handl (Gallus), Jacobus (1550–1591)
Angeli laetantur de mirando opere tanto Handl (Gallus), Jacobus (1550–1591) Appears on: (10) Genres: Motet Source Attribution: Jacobi Hendelii Number of voices: 7
(11)	Decantabat populus Israel, Alleluia	8	-	Anonymous
Decantabat populus Israel, Alleluia Anonymous Appears on: (11) Genres: Motet Number of voices: 8 General Note double-choir setting
(12)	Christus in his terris semper sibi colligit agmen	6	-	Anonymous
Christus in his terris semper sibi colligit agmen Anonymous Appears on: (12) Genres: Motet Number of voices: 6
(14)	Der ehlich Stand ist lobenswert dieweil (2p. Drum wünschen wir Bräutigam und der Braut)	6	Gregorius Lang	Lange, Gregor (ca. 1540–1587)
Der ehlich Stand ist lobenswert dieweil (2p. Drum wünschen wir Bräutigam und der Braut) Lange, Gregor (ca. 1540–1587) Appears on: (14) Genres: Lied, Sacred Song Source Attribution: Gregorius Lang Number of voices: 6
(15)	Ein treues Herz ist ehren werd	6	-	Lange, Gregor (ca. 1540–1587)
Ein treues Herz ist ehren werd Lange, Gregor (ca. 1540–1587) Appears on: (15) Genres: Lied, Sacred Song Number of voices: 6
(16)	O holdseliges Bild, erzeig dich nicht so wild	5	-	Lange, Gregor (ca. 1540–1587)
O holdseliges Bild, erzeig dich nicht so wild Lange, Gregor (ca. 1540–1587) Appears on: (16) Genres: Lied, Sacred Song Number of voices: 5
(17)	O abscheuliches Bild, wie stelstu dich so wld	5	-	Anonymous
O abscheuliches Bild, wie stelstu dich so wld Anonymous Appears on: (17) Genres: Lied, Sacred Song Number of voices: 5
(18)	Mein Herz und gmutt ist ganz (gar) in lieb entzundt	5	-	Anonymous
Mein Herz und gmutt ist ganz (gar) in lieb entzundt Anonymous Appears on: (18) Genres: Lied Number of voices: 5
(19)	Was kann auf dieser Erden, basz einem wiederfahrn	5	-	Lange, Gregor (ca. 1540–1587)
Was kann auf dieser Erden, basz einem wiederfahrn Lange, Gregor (ca. 1540–1587) Appears on: (19) Genres: Lied Number of voices: 5
(20)	Mein Herz und Hort ich muss nu fort	5	-	Anonymous
Mein Herz und Hort ich muss nu fort Anonymous Appears on: (20) Genres: Lied Number of voices: 5
(21)	Herzlieb ich bit lass du Ja nicht dein lieb gegen mir erkalten	5	-	Anonymous
Herzlieb ich bit lass du Ja nicht dein lieb gegen mir erkalten Anonymous Appears on: (21) Genres: Lied Number of voices: 5
(22)	Ach schones Bild wolt ihr euch nicht versonen	5	-	Anonymous
Ach schones Bild wolt ihr euch nicht versonen Anonymous Appears on: (22) Genres: Lied Number of voices: 5
(23)	Ein feines schwarzbraun magdelein, das liebet sehr im Herzen (das liebet mir ob allen)	4	-	Anonymous
Ein feines schwarzbraun magdelein, das liebet sehr im Herzen (das liebet mir ob allen) Anonymous Appears on: (23) Genres: Lied Number of voices: 4
(24)	Mein Herz nach Gottes willen hat ihm (mir) gebildet ein	4	-	Anonymous
Mein Herz nach Gottes willen hat ihm (mir) gebildet ein Anonymous Appears on: (24) Genres: Lied Number of voices: 4
(25)	Ich bin die Henne	5	Nicolaus Zangii	Zangius, Nikolaus
Ich bin die Henne Zangius, Nikolaus Appears on: (25) Genres: Lied Source Attribution: Nicolaus Zangii Number of voices: 5
(26)	In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	6	Antonius Haslerus	Hassler, Hans Leo (1564–1612)
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion Hassler, Hans Leo (1564–1612) Appears on: (26) Genres: Motet Source Attribution: Antonius Haslerus Number of voices: 6
(26)	In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem	6	-	Hassler, Hans Leo (1564–1612)
In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem Hassler, Hans Leo (1564–1612) Appears on: (26) Genres: Motet Number of voices: 6
(27)	Veni in ortum meum charissima mea	6	-	Speiser, Johann Caspar
Veni in ortum meum charissima mea Speiser, Johann Caspar Appears on: (27) Genres: Motet Number of voices: 6
(28)	Dilectus meus mihi et ego illi	6	Constantinus Porta	Porta, Costanzo Porta, Franciscus (?)
Dilectus meus mihi et ego illi Porta, Costanzo Porta, Franciscus (?) Appears on: (28) Genres: Motet Source Attribution: Constantinus Porta Number of voices: 6
(29)	O Domine Jesu Christe adoro te in cruce	6	Joan: Petro Loisio:	Palestrina, Giovanni Pierluigi da (1525–1594)
O Domine Jesu Christe adoro te in cruce Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: (29) Genres: Motet Source Attribution: Joan: Petro Loisio: Number of voices: 6
(30)	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	6	Hipolitus Baccusius	Baccusi, Ippolito (ca. 1550–1609)
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini Baccusi, Ippolito (ca. 1550–1609) Appears on: (30) Genres: Motet Source Attribution: Hipolitus Baccusius Number of voices: 6
(30)	Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris	6	-	Baccusi, Ippolito (ca. 1550–1609)
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris Baccusi, Ippolito (ca. 1550–1609) Appears on: (30) Genres: Motet Number of voices: 6
(32)	Cantate domino canticum novum (8vv)	8	-	Anonymous
Cantate domino canticum novum (8vv) Anonymous Appears on: (32) Genres: Motet Number of voices: 8
(33)	Praeceptor per totam noctem laborantes nihil cepimus	5	-	Anonymous
Praeceptor per totam noctem laborantes nihil cepimus Anonymous Appears on: (33) Genres: Motet Number of voices: 5
(34)	Di pensier impensier io vo pensando / Im Maien hortt man die hannen krehen	5	-	Anonymous
Di pensier impensier io vo pensando / Im Maien hortt man die hannen krehen Anonymous Appears on: (34) Genres: Madrigal (Italian) Number of voices: 5
(35)	Domine ad quem ibimus verba vitae aeternae habes	4	-	Anonymous
Domine ad quem ibimus verba vitae aeternae habes Anonymous Appears on: (35) Genres: Motet Number of voices: 4
(36)	Omnes sitientes venite ad aquas	5	Gregorius Langius	Lange, Gregor (ca. 1540–1587)
Omnes sitientes venite ad aquas Lange, Gregor (ca. 1540–1587) Appears on: (36) Genres: Motet Source Attribution: Gregorius Langius Number of voices: 5
(37)	O Domine Jesu Christe, adoro te in cruce vulneratum	5	Joan: Baptistae Musti	Musti, Giovanni Baptista
O Domine Jesu Christe, adoro te in cruce vulneratum Musti, Giovanni Baptista Appears on: (37) Genres: Motet Source Attribution: Joan: Baptistae Musti Number of voices: 5
(38)	Nun last uns Gott dem Herren	4	-	Anonymous
Nun last uns Gott dem Herren Anonymous Appears on: (38) Genres: Lied, Sacred Song Number of voices: 4
(39)	Lasst singen und Gott loben	4	-	Anonymous
Lasst singen und Gott loben Anonymous Appears on: (39) Genres: Sacred Song Number of voices: 4
(40)	Lobet den Herren, den er ist sehr freundlich	4	Antonius Scandellus	Scandello, Antonio
Lobet den Herren, den er ist sehr freundlich Scandello, Antonio Appears on: (40) Genres: Lied, Sacred Song Source Attribution: Antonius Scandellus Number of voices: 4

Composer	Compositions
Anonymous	Ach schones Bild wolt ihr euch nicht versonen – (22) Cantate domino canticum novum (8vv) – (32) Christus in his terris semper sibi colligit agmen – (12) Decantabat populus Israel, Alleluia – (11) Di pensier impensier io vo pensando / Im Maien hortt man die hannen krehen – (34) Domine ad quem ibimus verba vitae aeternae habes – (35) Ein feines schwarzbraun magdelein, das liebet sehr im Herzen (das liebet mir ob allen) – (23) Herzlieb ich bit lass du Ja nicht dein lieb gegen mir erkalten – (21) Lasst singen und Gott loben – (39) Mein Herz nach Gottes willen hat ihm (mir) gebildet ein – (24) Mein Herz und Hort ich muss nu fort – (20) Mein Herz und gmutt ist ganz (gar) in lieb entzundt – (18) Nolite timere - 1a pars (of 2): Nolite timere, praedicate verbum Dei omni creaturae – (2) Nolite timere - 2a pars (of 2): Estote ergo prudentes sicut serpentes – (2) Nun last uns Gott dem Herren – (38) O abscheuliches Bild, wie stelstu dich so wld – (17) Praeceptor per totam noctem laborantes nihil cepimus – (33)
Baccusi, Ippolito (ca. 1550-1609)	Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini – (30) Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris – (30)
Clemens non Papa, Jacob (ca. 1510-ca. 1556)	Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari – (5) Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit – (5)
Galliculus, Johannes	Der ehlich Stand ist ehrenwert / Der Ehliche standt ist Ehrenn werdt – (7)
Handl (Gallus), Jacobus (1550-1591)	Angeli laetantur de mirando opere tanto – (10) Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit – (3) Elisabeth Zachariae - 2a pars (of 2): Johannes est nomen eius vinum et siceram – (3)
Hassler, Hans Leo (1564-1612)	In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion – (26) In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem – (26)
Lange, Gregor (ca. 1540-1587)	Der ehlich Stand ist lobenswert dieweil (2p. Drum wünschen wir Bräutigam und der Braut) – (14) Ein treues Herz ist ehren werd – (15) O holdseliges Bild, erzeig dich nicht so wild – (16) Omnes sitientes venite ad aquas – (36) Was kann auf dieser Erden, basz einem wiederfahrn – (19)
Lassus, Orlande de (ca. 1532-1594)	Nunc dimittis servum tuum Domine – (9)
Musti, Giovanni Baptista	O Domine Jesu Christe, adoro te in cruce vulneratum – (37)
Padovano, Annibale	Domine a lingua dolosa et ab insidiis inimicorum meorum libera me – (1)
Palestrina, Giovanni Pierluigi da (1525-1594)	O Domine Jesu Christe adoro te in cruce – (29)
Porta, Costanzo	Dilectus meus mihi et ego illi – (28)
Porta, Franciscus	(?) Dilectus meus mihi et ego illi – (28)
Scandello, Antonio	Lobet den Herren, den er ist sehr freundlich – (40)
Speiser, Johann Caspar	Veni in ortum meum charissima mea – (27)
Taglia, Pietro	Surge propera amica mea speciosa mea – (6)
Zangius, Nikolaus	Ich bin die Henne – (25)

Composition	Composers (? Uncertain)	Folios / Pages
Ach schones Bild wolt ihr euch nicht versonen	Anonymous	(22)
Angeli laetantur de mirando opere tanto	Handl (Gallus), Jacobus (1550–1591)	(10)
Cantate domino canticum novum (8vv)	Anonymous	(32)
Christus in his terris semper sibi colligit agmen	Anonymous	(12)
Decantabat populus Israel, Alleluia	Anonymous	(11)
Der ehlich Stand ist ehrenwert / Der Ehliche standt ist Ehrenn werdt	Galliculus, Johannes	(7)
Der ehlich Stand ist lobenswert dieweil (2p. Drum wünschen wir Bräutigam und der Braut)	Lange, Gregor (ca. 1540–1587)	(14)
Di pensier impensier io vo pensando / Im Maien hortt man die hannen krehen	Anonymous	(34)
Dilectus meus mihi et ego illi	Porta, Costanzo Porta, Franciscus (?)	(28)
Domine a lingua dolosa et ab insidiis inimicorum meorum libera me	Padovano, Annibale	(1)
Domine ad quem ibimus verba vitae aeternae habes	Anonymous	(35)
Ein feines schwarzbraun magdelein, das liebet sehr im Herzen (das liebet mir ob allen)	Anonymous	(23)
Ein treues Herz ist ehren werd	Lange, Gregor (ca. 1540–1587)	(15)
Elisabeth Zachariae - 1a pars (of 2): Elisabeth Zachariae magnum virum genuit	Handl (Gallus), Jacobus (1550–1591)	(3)
Elisabeth Zachariae - 2a pars (of 2): Johannes est nomen eius vinum et siceram	Handl (Gallus), Jacobus (1550–1591)	(3)
Herzlieb ich bit lass du Ja nicht dein lieb gegen mir erkalten	Anonymous	(21)
Ich bin die Henne	Zangius, Nikolaus	(25)
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion	Hassler, Hans Leo (1564–1612)	(26)
In convertendo Dominus - 2a pars (of 2): Converte Domine captivitatem	Hassler, Hans Leo (1564–1612)	(26)
Innuebant patri - 1a pars (of 2): Innuebant patri eius quae vellet vocari	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(5)
Innuebant patri - 2a pars (of 2): Apertum est os Zachariae et prophetavit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(5)
Lasst singen und Gott loben	Anonymous	(39)
Lobet den Herren, den er ist sehr freundlich	Scandello, Antonio	(40)
Mein Herz nach Gottes willen hat ihm (mir) gebildet ein	Anonymous	(24)
Mein Herz und gmutt ist ganz (gar) in lieb entzundt	Anonymous	(18)
Mein Herz und Hort ich muss nu fort	Anonymous	(20)
Nolite timere - 1a pars (of 2): Nolite timere, praedicate verbum Dei omni creaturae	Anonymous	(2)
Nolite timere - 2a pars (of 2): Estote ergo prudentes sicut serpentes	Anonymous	(2)
Nun last uns Gott dem Herren	Anonymous	(38)
Nunc dimittis servum tuum Domine	Lassus, Orlande de (ca. 1532–1594)	(9)
O abscheuliches Bild, wie stelstu dich so wld	Anonymous	(17)
O Domine Jesu Christe adoro te in cruce	Palestrina, Giovanni Pierluigi da (1525–1594)	(29)
O Domine Jesu Christe, adoro te in cruce vulneratum	Musti, Giovanni Baptista	(37)
O holdseliges Bild, erzeig dich nicht so wild	Lange, Gregor (ca. 1540–1587)	(16)
Omnes sitientes venite ad aquas	Lange, Gregor (ca. 1540–1587)	(36)
Praeceptor per totam noctem laborantes nihil cepimus	Anonymous	(33)
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini	Baccusi, Ippolito (ca. 1550–1609)	(30)
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum de utero matris	Baccusi, Ippolito (ca. 1550–1609)	(30)
Surge propera amica mea speciosa mea	Taglia, Pietro	(6)
Veni in ortum meum charissima mea	Speiser, Johann Caspar	(27)
Was kann auf dieser Erden, basz einem wiederfahrn	Lange, Gregor (ca. 1540–1587)	(19)

Set: MS Brieg.Musik. K.36

Type: Partbooks

No images available

PL-WRu MS Brieg.Musik. K.36 [Altus]

No images available

PL-WRu MS Brieg.Musik. K.36 [Bassus]

No images available

PL-WRu MS Brieg.Musik. K.36 [Discantus]

No images available

PL-WRu MS Brieg.Musik. K.36 [Quintus]

No images available

PL-WRu MS Brieg.Musik. K.36 [Sextus]

No images available

PL-WRu MS Brieg.Musik. K.36 [Tenor]

‡ denotes primary source study

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 13. Notes: contents list (partial); concordances (partial).

Kuhn, Friedrich. 1896. Beschreibendes Verzeichnis der Alten Musikalien -Handschriften und Druckwerke-des Königlichen Gymnasiums zu Brieg. Monatshefte für Musikgeschichte, 28: . Pages: 21-4. Notes: physical description (partial); contents list; concordances (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description