PL-WRu MS Brieg.Musik. K.28 [Discantus]

Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland

partbook: Last quarter of 16th century

Archive Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland (PL-WRu)
Shelfmark MS Brieg.Musik. K.28 [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 147 x 197 mm
Other Identifiers
  • CCM: WrocU 28
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 46 pieces from 20 composers
General Description

A Discantus partbook from a set of five volumes, each of which consists of the prints RISM L933, RISM K992, RISM G2588, and Johann Steurlein: XXIIII. Weltliche Gesenge (Erfurt, 1575) with manuscript additions before and after each print. Copied by several scribes; scribal concordances with some other WrocU manuscripts. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

DIAMM, 2017
Binding

Rebound in modern covers of black cardboard; each book has modern paper flyleaf at front and back. Original parchment covers cut from non-musical manuscript now bound in as second flyleaf at front and penultimate flyleaf at back in all books except Tenor.

DIAMM, 2017
Watermark

Briquet #962; same mark also appears in WrocU 52 and WrocU 53.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 10-17mm (variable).

DIAMM, 2017
Foliation

New pencil foliation 1-133 (includes printed and manuscript folios in single system; some errors and omissions).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Nos 1-8 at beginning; after second print nos. 10-12; after 3rd print nos. 14-20; after 4th print nos. 22-25; at end nos. 27-47 (no.47 not in Tenor book).

Kuhn's catalogue numbers the intervening prints as 9 (the first 2 prints), 13, 21, 26.

DIAMM, 2021
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 1 Latin/German sacred piece, 5 German sacred pieces, 19 German secular pieces, 7 Italian secular pieces, 2 French secular pieces, 2 Latin secular pieces = 43

(G. Animuccia)-1, Cleve-1, Conversi-2, Ernestus-2, (G. Ferretti) -2, (Formellis)-1, Knöfel-1, Lange-1, Lange or Leuschner? [G.L.]-1, Lassus-10, Leuschner-2, J. Le Maistre/(Lassus)-1, Meiland-2, Philippe de Monte-1, Rore-1, (Senfl)-1, Striggio-1, Tilisch-1, Utendal-1, Wert-1, anon-9

5 paper partbooks, consisting of the prints RISM L933, RISM K992, RISM G2588, and Johann Steurlein: XXIIII. Weltliche Gesenge (Erfurt, 1575) with manuscript additions before and after each print (DA-52 folios each, T-10, B-50, Q.-51), 147 x 197. (Preceding count of folios includes only manuscript additions). New pencil foliation in each book—D: 1-133; A: 1-132; T: 1-91; B: 1-127; Q: 1-88 (includes printed and manuscript folios in single system; some errors and omissions).

Rebound in modern covers of black cardboard; each book has modern paper flyleaf at front and back. Original parchment covers cut from non-musical manuscript now bound in as second flyleaf at front and penultimate flyleaf at back in all books except T. No index. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Staff height 10-17 (variable). Inked calligraphic initials. Watermark is Briquet #962; same mark also appears in WrocU 52 and WrocU 53.

Last quarter of 16th century; date [15]87 at end of T book. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Io vo gridando come spiritato la nott'el giorno Girolamo Conversi
Appears on: (1)
Genres: Italian secular
Source Attribution: Girolamo Conversi
(2) Sola soletta io me ne vo cantando Gironimo Converso [Jacobus Regnart, erased]
Appears on: (2)
Genres: Italian secular
Source Attribution: Gironimo Converso [Jacobus Regnart, erased]
(3) Susanne un jour Cipriano de Rore
Appears on: (3)
Source Attribution: Cipriano de Rore
General Note

Texted here in German: "Susannen frumb wolten Ir Ehr verletzen"

(4) Vergangen ist mir gluck und heil Orlandus
Appears on: (4)
Genres: Lied
Source Attribution: Orlandus
(5) Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort Orlandus
Appears on: (5)
Genres: Lied
Source Attribution: Orlandus
(6) Gross Lieb hat mich umfangen Orlandus
Appears on: (6)
Genres: Lied
Source Attribution: Orlandus
(7) Musica klang, Lieblicher g'sang, erquickt Allzeit Philippus de Monte
Appears on: (7)
Genres: Lied
Source Attribution: Philippus de Monte
(8) O Gott gewer was Ich beger Orlandus
Appears on: (8)
Genres: Lied
Source Attribution: Orlandus
(10) Wie eine Rose unter den dornen, so ist mein Freundin Orlandus
Appears on: (10)
Genres: Lied
Source Attribution: Orlandus
(11) Wer wollt ir nicht sein in Ehren hold Joan. de Cleve / J. Clev
Appears on: (11)
Genres: Lied
Source Attribution: Joan. de Cleve / J. Clev
(12) Ich armes Medlein klag mich sehr Orlandus
Appears on: (12)
Genres: Lied
Source Attribution: Orlandus
(14) In dich hab Ich gehoffet Alexander UUtendal
Appears on: (14)
Genres: Lied, Sacred Song
Source Attribution: Alexander UUtendal
(15) O du mein einiger Augen Trost Jacobus Meilandus
Appears on: (15)
Genres: Lied
Source Attribution: Jacobus Meilandus
(16) Mit Lieb bin ich umfangen Meilandus
Appears on: (16)
Genres: Lied
Source Attribution: Meilandus
(17) Wann ich des morgens früh aufstan' [S320] -
Appears on: (17)
Genres: Song
(18) Io vo gridando come disperato Johannes Knöffel (Knöffell)
Appears on: (18)
Genres: Madrigal
Source Attribution: Johannes Knöffel (Knöffell)
(19) Mir genüget, wie es Gott fügt Matthias Ernestus
Appears on: (19)
Genres: Lied, Sacred Song
Source Attribution: Matthias Ernestus
(20) Jetzt scheiden bringt mir schwer und macht gantz traurig mich Hieronymus Tilisch (Thilisch)
Appears on: (20)
Genres: Lied
Source Attribution: Hieronymus Tilisch (Thilisch)
(22) Es stund ein feines Blumelein in einem wurtzen Gartelein - Anonymous
Appears on: (22)
Genres: Lied
(23) Mir liebet im grunen Mayen - Anonymous
Appears on: (23)
Genres: Lied
General Note

beginning of Tenor is missing from Tenor book

(24) Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen G.L. (Lange or Leuschner?)
Appears on: (24)
Genres: Lied, Sacred Song
Source Attribution: G.L. (Lange or Leuschner?)
Layout

Discantus 2 is written at end of Quintus book

(25) Je veu les cerfs du bois salir et boire a la fonteinne - Anonymous
Appears on: (25)
Genres: Chanson
General Note

At end of Tenor is written the date "7 Jun A[nn]o 87"

(27) Susanna se videns rapi stuprandam fraude Jacobus le Maistre
Appears on: (27)
Genres: Motet
Source Attribution: Jacobus le Maistre
(28) Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni - Anonymous
Appears on: (28)
Genres: Motet
(28) Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem - Anonymous
Appears on: (28)
Genres: Motet
(29) Ich hab ein frischen freien mut Orlandus
Appears on: (29)
Genres: Lied
Source Attribution: Orlandus
(30) Susanna se videns rapi stuprandam fraude (5vv) Orlandus
Appears on: (30)
Genres: Contrafactum, Motet
Source Attribution: Orlandus
(31) Cantate Domino canticum novum cantate -
Appears on: (31)
Genres: Motet
(32) Speremus meliora omnes spem nomine sacro Jacobus Wertt
Appears on: (32)
Genres: Motet
Source Attribution: Jacobus Wertt
(33) Delectare in Domino et dabit tibi petitiones cordis tui Matthias Ernestus
Appears on: (33)
Genres: Motet
Source Attribution: Matthias Ernestus
(34) Nasce la gioia mia ogni volta -
Appears on: (34)
Genres: Italian secular
(35) Nasce la pena mia non potendo mirar Alexandro Striggio
Appears on: (35)
Genres: Italian secular
Source Attribution: Alexandro Striggio
(36) Tant vous alles doulx Guillemette - Anonymous
Appears on: (36)
Genres: Chanson
(37) Martini festum celebremus - 1a pars (of 2): Martini festum celebremus Orlandus di Lassus
Appears on: (37)
Genres: Motet
Source Attribution: Orlandus di Lassus
(37) Martini festum celebremus - 2a pars (of 2): Plebs igitur concors -
Appears on: (37)
Genres: Motet
(38) In hoc festo gratulamini - Anonymous
Appears on: (38)
Genres: Motet
(39) Donna crudel, tu m'hai rubat' il core -
Appears on: (39)
Genres: Madrigal (Italian)
(40) Hor va canzona mia non dubitare -
Appears on: (40)
Genres: Madrigal (Italian)
(41) Oft wuentsch ich dir ausz Hertzens begir Gregorius Lang
Appears on: (41)
Genres: Lied
Source Attribution: Gregorius Lang
(42) Ich stund an einem morgen heimlich an einem ort Orlandus
Appears on: (42)
Genres: Lied
Source Attribution: Orlandus
(43) Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat - Anonymous
Appears on: (43)
Genres: Motet
(43) Ego dormio - 2a pars (of 2): Anima mea liquefacta est - Anonymous
Appears on: (43)
Genres: Motet
(44) Carole Slesiacae princeps dignissime gentis - Anonymous
Appears on: (44)
Genres: Motet
(45) Zwo fuerstiche Personen fein Heut treten in den Orden dein -
Appears on: (45)
Genres: Lied
(46) Woll dem, der in Gottes furchte steht Georgius Leuschnerus
Appears on: (46)
Genres: Lied, Sacred Song
Source Attribution: Georgius Leuschnerus
(47) Schöns lieb, mich thut erfreuen dein Rosenfarber Mund - Anonymous
Appears on: (47)
Genres: Lied
General Note

this piece not copied in the Tenor book

Composer Compositions
Animuccia, Giovanni (ca. 1520–1571)
Anonymous
Cleve, Johannes de (ca. 1528–1582)
Conversi, Girolamo
Ernestus, Matthias
Ferretti, Giovanni
Formellis, Wilhelmus (ca. 1541–1582)
Knöfel, Johannes (ca. 1525–1617)
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Jacobus
Leuschner, Georg
Meiland, Jacob (1542–1577)
Monte, Philippe de
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Striggio, Alessandro (ca. 1536–1592)
Tilisch, Hieronymus
Utendal, Alexander (ca. 1530–1581)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Cantate Domino canticum novum cantate (31)
Carole Slesiacae princeps dignissime gentis Anonymous (44)
Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni Anonymous (28)
Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem Anonymous (28)
Delectare in Domino et dabit tibi petitiones cordis tui (33)
Donna crudel, tu m'hai rubat' il core (39)
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat Anonymous (43)
Ego dormio - 2a pars (of 2): Anima mea liquefacta est Anonymous (43)
Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen (24)
Es stund ein feines Blumelein in einem wurtzen Gartelein Anonymous (22)
Gross Lieb hat mich umfangen (6)
Hor va canzona mia non dubitare (40)
Ich armes Medlein klag mich sehr (12)
Ich hab ein frischen freien mut (29)
Ich stund an einem morgen heimlich an einem ort (42)
In dich hab Ich gehoffet (14)
In hoc festo gratulamini Anonymous (38)
Io vo gridando come disperato (18)
Io vo gridando come spiritato la nott'el giorno (1)
Je veu les cerfs du bois salir et boire a la fonteinne Anonymous (25)
Jetzt scheiden bringt mir schwer und macht gantz traurig mich (20)
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus (37)
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors (37)
Mir genüget, wie es Gott fügt (19)
Mir liebet im grunen Mayen Anonymous (23)
Mit Lieb bin ich umfangen (16)
Musica klang, Lieblicher g'sang, erquickt Allzeit (7)
Nasce la gioia mia ogni volta (34)
Nasce la pena mia non potendo mirar (35)
O du mein einiger Augen Trost (15)
O Gott gewer was Ich beger (8)
Oft wuentsch ich dir ausz Hertzens begir (41)
Schöns lieb, mich thut erfreuen dein Rosenfarber Mund Anonymous (47)
Sola soletta io me ne vo cantando (2)
Speremus meliora omnes spem nomine sacro (32)
Susanna se videns rapi stuprandam fraude (27)
Susanna se videns rapi stuprandam fraude (5vv) (30)
Susanne un jour (3)
Tant vous alles doulx Guillemette Anonymous (36)
Vergangen ist mir gluck und heil (4)
Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort (5)
Wann ich des morgens früh aufstan' [S320] (17)
Wer wollt ir nicht sein in Ehren hold (11)
Wie eine Rose unter den dornen, so ist mein Freundin (10)
Woll dem, der in Gottes furchte steht (46)
Zwo fuerstiche Personen fein Heut treten in den Orden dein (45)

denotes primary source study

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, 141, 150. Notes: physical description (partial); contents list (partial); concordances (partial).

Kuhn, Friedrich. 1896. Beschreibendes Verzeichnis der Alten Musikalien -Handschriften und Druckwerke-des Königlichen Gymnasiums zu Brieg. Monatshefte für Musikgeschichte, . Pages: 17-20. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description