PL-WRu MS Brieg.Musik. K.28 [Discantus]

Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland

partbook: Last quarter of 16th century

Archive	Biblioteka Uniwersytecka, Wroclaw (Breslau), Poland (PL-WRu)
Shelfmark	MS Brieg.Musik. K.28 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	147 x 197 mm
Other Identifiers	CCM: WrocU 28
Notations	black void mensural
Copyists	Steurlein, Johannes Music
Relationships	Brieg (Brzeg) Gymnasium (owner)
Provenance	Brieg (Brzeg) Gymnasium , Brieg (Brzeg), Poland
Contents	Contains 46 compositions, 35 from 19 composers, 11 are anonymous.

General Description

A Discantus partbook from a set of five volumes, each of which consists of the prints RISM L933, RISM K992, RISM G2588, and Johann Steurlein: XXIIII. Weltliche Gesenge (Erfurt, 1575) with manuscript additions before and after each print. Copied by several scribes; scribal concordances with some other WrocU manuscripts. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

DIAMM, 2017

Binding

DIAMM, 2017

Watermark

Briquet #962; same mark also appears in WrocU 52 and WrocU 53.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 10-17mm (variable).

DIAMM, 2017

Foliation

New pencil foliation 1-133 (includes printed and manuscript folios in single system; some errors and omissions).

DIAMM, 2017

Decoration

Inked calligraphic initials

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

Nos 1-8 at beginning; after second print nos. 10-12; after 3rd print nos. 14-20; after 4th print nos. 22-25; at end nos. 27-47 (no.47 not in Tenor book).

Kuhn's catalogue numbers the intervening prints as 9 (the first 2 prints), 13, 21, 26.

DIAMM, 2021

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 1 Latin/German sacred piece, 5 German sacred pieces, 19 German secular pieces, 7 Italian secular pieces, 2 French secular pieces, 2 Latin secular pieces = 43

(G. Animuccia)-1, Cleve-1, Conversi-2, Ernestus-2, (G. Ferretti) -2, (Formellis)-1, Knöfel-1, Lange-1, Lange or Leuschner? [G.L.]-1, Lassus-10, Leuschner-2, J. Le Maistre/(Lassus)-1, Meiland-2, Philippe de Monte-1, Rore-1, (Senfl)-1, Striggio-1, Tilisch-1, Utendal-1, Wert-1, anon-9

5 paper partbooks, consisting of the prints RISM L933, RISM K992, RISM G2588, and Johann Steurlein: XXIIII. Weltliche Gesenge (Erfurt, 1575) with manuscript additions before and after each print (DA-52 folios each, T-10, B-50, Q.-51), 147 x 197. (Preceding count of folios includes only manuscript additions). New pencil foliation in each book—D: 1-133; A: 1-132; T: 1-91; B: 1-127; Q: 1-88 (includes printed and manuscript folios in single system; some errors and omissions).

Rebound in modern covers of black cardboard; each book has modern paper flyleaf at front and back. Original parchment covers cut from non-musical manuscript now bound in as second flyleaf at front and penultimate flyleaf at back in all books except T. No index. Copied by several scribes; scribal concordances with some other WrocU manuscripts described in this catalogue. Staff height 10-17 (variable). Inked calligraphic initials. Watermark is Briquet #962; same mark also appears in WrocU 52 and WrocU 53.

Last quarter of 16th century; date [15]87 at end of T book. Copied in Brieg (= Brzeg). Formerly owned by Brieg Gymnasial-Bibliothek; transferred to present location in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
(1)	Io vo gridando come spiritato la nott'el giorno	Girolamo Conversi	Conversi, Girolamo
Io vo gridando come spiritato la nott'el giorno Conversi, Girolamo Appears on: (1) Genres: Italian secular Source Attribution: Girolamo Conversi Number of voices: 5
(2)	Sola soletta io me ne vo cantando	Gironimo Converso [Jacobus Regnart, erased]	Conversi, Girolamo
Sola soletta io me ne vo cantando Conversi, Girolamo Appears on: (2) Genres: Italian secular Source Attribution: Gironimo Converso [Jacobus Regnart, erased] Number of voices: 5
(3)	Susanne un jour	Cipriano de Rore	Rore, Cipriano de (ca. 1515–1565)
Susanne un jour Rore, Cipriano de (ca. 1515–1565) Appears on: (3) Source Attribution: Cipriano de Rore Number of voices: 5 General Note Texted here in German: "Susannen frumb wolten Ir Ehr verletzen"
(4)	Vergangen ist mir gluck und heil	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Vergangen ist mir gluck und heil Lassus, Orlande de (ca. 1532–1594) Appears on: (4) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(5)	Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort Lassus, Orlande de (ca. 1532–1594) Appears on: (5) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(6)	Gross Lieb hat mich umfangen	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Gross Lieb hat mich umfangen Lassus, Orlande de (ca. 1532–1594) Appears on: (6) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(7)	Musica klang, Lieblicher g'sang, erquickt Allzeit	Philippus de Monte	Monte, Philippe de
Musica klang, Lieblicher g'sang, erquickt Allzeit Monte, Philippe de Appears on: (7) Genres: Lied Source Attribution: Philippus de Monte Number of voices: 5
(8)	O Gott gewer was Ich beger	Orlandus	Lassus, Orlande de (ca. 1532–1594)
O Gott gewer was Ich beger Lassus, Orlande de (ca. 1532–1594) Appears on: (8) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(10)	Wie eine Rose unter den dornen, so ist mein Freundin	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Wie eine Rose unter den dornen, so ist mein Freundin Lassus, Orlande de (ca. 1532–1594) Appears on: (10) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(11)	Wer wollt ir nicht sein in Ehren hold	Joan. de Cleve / J. Clev	Cleve, Johannes de (ca. 1528–1582)
Wer wollt ir nicht sein in Ehren hold Cleve, Johannes de (ca. 1528–1582) Appears on: (11) Genres: Lied Source Attribution: Joan. de Cleve / J. Clev Number of voices: 5
(12)	Ich armes Medlein klag mich sehr	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Ich armes Medlein klag mich sehr Lassus, Orlande de (ca. 1532–1594) Appears on: (12) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(14)	In dich hab Ich gehoffet	Alexander UUtendal	Utendal, Alexander (ca. 1530–1581)
In dich hab Ich gehoffet Utendal, Alexander (ca. 1530–1581) Appears on: (14) Genres: Lied, Sacred Song Source Attribution: Alexander UUtendal Number of voices: 4
(15)	O du mein einiger Augen Trost	Jacobus Meilandus	Meiland, Jacob (1542–1577)
O du mein einiger Augen Trost Meiland, Jacob (1542–1577) Appears on: (15) Genres: Lied Source Attribution: Jacobus Meilandus Number of voices: 4
(16)	Mit Lieb bin ich umfangen	Meilandus	Meiland, Jacob (1542–1577)
Mit Lieb bin ich umfangen Meiland, Jacob (1542–1577) Appears on: (16) Genres: Lied Source Attribution: Meilandus Number of voices: 4
(17)	Wann ich des morgens früh aufstan' [S320]	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Wann ich des morgens früh aufstan' [S320] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: (17) Genres: Song Number of voices: 4
(18)	Io vo gridando come disperato	Johannes Knöffel (Knöffell)	Knöfel, Johannes (ca. 1525–1617)
Io vo gridando come disperato Knöfel, Johannes (ca. 1525–1617) Appears on: (18) Genres: Madrigal Source Attribution: Johannes Knöffel (Knöffell) Number of voices: 4
(19)	Mir genüget, wie es Gott fügt	Matthias Ernestus	Ernestus, Matthias
Mir genüget, wie es Gott fügt Ernestus, Matthias Appears on: (19) Genres: Lied, Sacred Song Source Attribution: Matthias Ernestus Number of voices: 4
(20)	Jetzt scheiden bringt mir schwer und macht gantz traurig mich	Hieronymus Tilisch (Thilisch)	Tilisch, Hieronymus
Jetzt scheiden bringt mir schwer und macht gantz traurig mich Tilisch, Hieronymus Appears on: (20) Genres: Lied Source Attribution: Hieronymus Tilisch (Thilisch) Number of voices: 4
(22)	Es stund ein feines Blumelein in einem wurtzen Gartelein	-	Anonymous
Es stund ein feines Blumelein in einem wurtzen Gartelein Anonymous Appears on: (22) Genres: Lied Number of voices: 4
(23)	Mir liebet im grunen Mayen	-	Anonymous
Mir liebet im grunen Mayen Anonymous Appears on: (23) Genres: Lied General Note beginning of Tenor is missing from Tenor book
(24)	Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen	G.L. (Lange or Leuschner?)	Leuschner, Georg (?) Lange, Gregor (ca. 1540–1587) (?)
Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen Leuschner, Georg (?) Lange, Gregor (ca. 1540–1587) (?) Appears on: (24) Genres: Lied, Sacred Song Source Attribution: G.L. (Lange or Leuschner?) Number of voices: 5 Layout Discantus 2 is written at end of Quintus book
(25)	Je veu les cerfs du bois salir et boire a la fonteinne	-	Anonymous
Je veu les cerfs du bois salir et boire a la fonteinne Anonymous Appears on: (25) Genres: Chanson Number of voices: 4 General Note At end of Tenor is written the date "7 Jun A[nn]o 87"
(27)	Susanna se videns rapi stuprandam fraude	Jacobus le Maistre	Le Maistre, Jacobus (?) Lassus, Orlande de (ca. 1532–1594) (?)
Susanna se videns rapi stuprandam fraude Le Maistre, Jacobus (?) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: (27) Genres: Motet Source Attribution: Jacobus le Maistre Number of voices: 6
(28)	Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni	-	Anonymous
Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni Anonymous Appears on: (28) Genres: Motet Number of voices: 5
(28)	Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem	-	Anonymous
Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem Anonymous Appears on: (28) Genres: Motet Number of voices: 5
(29)	Ich hab ein frischen freien mut	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Ich hab ein frischen freien mut Lassus, Orlande de (ca. 1532–1594) Appears on: (29) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(30)	Susanna se videns rapi stuprandam fraude (5vv)	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Susanna se videns rapi stuprandam fraude (5vv) Lassus, Orlande de (ca. 1532–1594) Appears on: (30) Genres: Contrafactum, Motet Source Attribution: Orlandus Number of voices: 5
(31)	Cantate Domino canticum novum cantate	-	Formellis, Wilhelmus (ca. 1541–1582)
Cantate Domino canticum novum cantate Formellis, Wilhelmus (ca. 1541–1582) Appears on: (31) Genres: Motet Number of voices: 6
(32)	Speremus meliora omnes spem nomine sacro	Jacobus Wertt	Wert, Giaches [Jaches] de (1535–1596)
Speremus meliora omnes spem nomine sacro Wert, Giaches [Jaches] de (1535–1596) Appears on: (32) Genres: Motet Source Attribution: Jacobus Wertt Number of voices: 5
(33)	Delectare in Domino et dabit tibi petitiones cordis tui	Matthias Ernestus	Ernestus, Matthias
Delectare in Domino et dabit tibi petitiones cordis tui Ernestus, Matthias Appears on: (33) Genres: Motet Source Attribution: Matthias Ernestus Number of voices: 5
(34)	Nasce la gioia mia ogni volta	-	Animuccia, Giovanni (ca. 1520–1571)
Nasce la gioia mia ogni volta Animuccia, Giovanni (ca. 1520–1571) Appears on: (34) Genres: Italian secular Number of voices: 6
(35)	Nasce la pena mia non potendo mirar	Alexandro Striggio	Striggio, Alessandro (ca. 1536–1592)
Nasce la pena mia non potendo mirar Striggio, Alessandro (ca. 1536–1592) Appears on: (35) Genres: Italian secular Source Attribution: Alexandro Striggio Number of voices: 6
(36)	Tant vous alles doulx Guillemette	-	Anonymous
Tant vous alles doulx Guillemette Anonymous Appears on: (36) Genres: Chanson Number of voices: 6
(37)	Martini festum celebremus - 1a pars (of 2): Martini festum celebremus	Orlandus di Lassus	Lassus, Orlande de (ca. 1532–1594)
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus Lassus, Orlande de (ca. 1532–1594) Appears on: (37) Genres: Motet Source Attribution: Orlandus di Lassus Number of voices: 5
(37)	Martini festum celebremus - 2a pars (of 2): Plebs igitur concors	-	Lassus, Orlande de (ca. 1532–1594)
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors Lassus, Orlande de (ca. 1532–1594) Appears on: (37) Genres: Motet Number of voices: 5
(38)	In hoc festo gratulamini	-	Anonymous
In hoc festo gratulamini Anonymous Appears on: (38) Genres: Motet Number of voices: 5
(39)	Donna crudel, tu m'hai rubat' il core	-	Ferretti, Giovanni
Donna crudel, tu m'hai rubat' il core Ferretti, Giovanni Appears on: (39) Genres: Madrigal (Italian) Number of voices: 5
(40)	Hor va canzona mia non dubitare	-	Ferretti, Giovanni (?)
Hor va canzona mia non dubitare Ferretti, Giovanni (?) Appears on: (40) Genres: Madrigal (Italian) Number of voices: 5
(41)	Oft wuentsch ich dir ausz Hertzens begir	Gregorius Lang	Lange, Gregor (ca. 1540–1587)
Oft wuentsch ich dir ausz Hertzens begir Lange, Gregor (ca. 1540–1587) Appears on: (41) Genres: Lied Source Attribution: Gregorius Lang Number of voices: 5
(42)	Ich stund an einem morgen heimlich an einem ort	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Ich stund an einem morgen heimlich an einem ort Lassus, Orlande de (ca. 1532–1594) Appears on: (42) Genres: Lied Source Attribution: Orlandus Number of voices: 5
(43)	Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat	-	Anonymous
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat Anonymous Appears on: (43) Genres: Motet Number of voices: 5
(43)	Ego dormio - 2a pars (of 2): Anima mea liquefacta est	-	Anonymous
Ego dormio - 2a pars (of 2): Anima mea liquefacta est Anonymous Appears on: (43) Genres: Motet Number of voices: 5
(44)	Carole Slesiacae princeps dignissime gentis	-	Anonymous
Carole Slesiacae princeps dignissime gentis Anonymous Appears on: (44) Genres: Motet Number of voices: 6
(45)	Zwo fuerstiche Personen fein Heut treten in den Orden dein	-	Leuschner, Georg
Zwo fuerstiche Personen fein Heut treten in den Orden dein Leuschner, Georg Appears on: (45) Genres: Lied Number of voices: 6
(46)	Woll dem, der in Gottes furchte steht	Georgius Leuschnerus	Leuschner, Georg
Woll dem, der in Gottes furchte steht Leuschner, Georg Appears on: (46) Genres: Lied, Sacred Song Source Attribution: Georgius Leuschnerus Number of voices: 5
(47)	Schöns lieb, mich thut erfreuen dein Rosenfarber Mund	-	Anonymous
Schöns lieb, mich thut erfreuen dein Rosenfarber Mund Anonymous Appears on: (47) Genres: Lied Number of voices: 4 General Note this piece not copied in the Tenor book

Composer	Compositions
Animuccia, Giovanni (ca. 1520-1571)	Nasce la gioia mia ogni volta – (34)
Anonymous	Carole Slesiacae princeps dignissime gentis – (44) Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni – (28) Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem – (28) Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat – (43) Ego dormio - 2a pars (of 2): Anima mea liquefacta est – (43) Es stund ein feines Blumelein in einem wurtzen Gartelein – (22) In hoc festo gratulamini – (38) Je veu les cerfs du bois salir et boire a la fonteinne – (25) Mir liebet im grunen Mayen – (23) Schöns lieb, mich thut erfreuen dein Rosenfarber Mund – (47) Tant vous alles doulx Guillemette – (36)
Cleve, Johannes de (ca. 1528-1582)	Wer wollt ir nicht sein in Ehren hold – (11)
Conversi, Girolamo	Io vo gridando come spiritato la nott'el giorno – (1) Sola soletta io me ne vo cantando – (2)
Ernestus, Matthias	Delectare in Domino et dabit tibi petitiones cordis tui – (33) Mir genüget, wie es Gott fügt – (19)
Ferretti, Giovanni	Donna crudel, tu m'hai rubat' il core – (39) (?) Hor va canzona mia non dubitare – (40)
Formellis, Wilhelmus (ca. 1541-1582)	Cantate Domino canticum novum cantate – (31)
Knöfel, Johannes (ca. 1525-1617)	Io vo gridando come disperato – (18)
Lange, Gregor (ca. 1540-1587)	(?) Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen – (24) Oft wuentsch ich dir ausz Hertzens begir – (41)
Lassus, Orlande de (ca. 1532-1594)	Gross Lieb hat mich umfangen – (6) Ich armes Medlein klag mich sehr – (12) Ich hab ein frischen freien mut – (29) Ich stund an einem morgen heimlich an einem ort – (42) Martini festum celebremus - 1a pars (of 2): Martini festum celebremus – (37) Martini festum celebremus - 2a pars (of 2): Plebs igitur concors – (37) O Gott gewer was Ich beger – (8) (?) Susanna se videns rapi stuprandam fraude – (27) Susanna se videns rapi stuprandam fraude (5vv) – (30) Vergangen ist mir gluck und heil – (4) Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort – (5) Wie eine Rose unter den dornen, so ist mein Freundin – (10)
Le Maistre, Jacobus	(?) Susanna se videns rapi stuprandam fraude – (27)
Leuschner, Georg	(?) Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen – (24) Woll dem, der in Gottes furchte steht – (46) Zwo fuerstiche Personen fein Heut treten in den Orden dein – (45)
Meiland, Jacob (1542-1577)	Mit Lieb bin ich umfangen – (16) O du mein einiger Augen Trost – (15)
Monte, Philippe de	Musica klang, Lieblicher g'sang, erquickt Allzeit – (7)
Rore, Cipriano de (ca. 1515-1565)	Susanne un jour – (3)
Senfl, Ludwig (ca. 1486-ca. 1543)	Wann ich des morgens früh aufstan' [S320] – (17)
Striggio, Alessandro (ca. 1536-1592)	Nasce la pena mia non potendo mirar – (35)
Tilisch, Hieronymus	Jetzt scheiden bringt mir schwer und macht gantz traurig mich – (20)
Utendal, Alexander (ca. 1530-1581)	In dich hab Ich gehoffet – (14)
Wert, Giaches [Jaches] de (1535-1596)	Speremus meliora omnes spem nomine sacro – (32)

Composition	Composers (? Uncertain)	Folios / Pages
Cantate Domino canticum novum cantate	Formellis, Wilhelmus (ca. 1541–1582)	(31)
Carole Slesiacae princeps dignissime gentis	Anonymous	(44)
Cur procul a nobis - 1a pars (of 2): Cur procul a nobis discedis amice Frobeni	Anonymous	(28)
Cur procul a nobis - 2a pars (of 2): Pirithoum Theseus Pylades ceu semper Orestem	Anonymous	(28)
Delectare in Domino et dabit tibi petitiones cordis tui	Ernestus, Matthias	(33)
Donna crudel, tu m'hai rubat' il core	Ferretti, Giovanni	(39)
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat	Anonymous	(43)
Ego dormio - 2a pars (of 2): Anima mea liquefacta est	Anonymous	(43)
Es ist gewiszlich an der Zeitt, das Gottessohn wird kommen	Leuschner, Georg (?) Lange, Gregor (ca. 1540–1587) (?)	(24)
Es stund ein feines Blumelein in einem wurtzen Gartelein	Anonymous	(22)
Gross Lieb hat mich umfangen	Lassus, Orlande de (ca. 1532–1594)	(6)
Hor va canzona mia non dubitare	Ferretti, Giovanni (?)	(40)
Ich armes Medlein klag mich sehr	Lassus, Orlande de (ca. 1532–1594)	(12)
Ich hab ein frischen freien mut	Lassus, Orlande de (ca. 1532–1594)	(29)
Ich stund an einem morgen heimlich an einem ort	Lassus, Orlande de (ca. 1532–1594)	(42)
In dich hab Ich gehoffet	Utendal, Alexander (ca. 1530–1581)	(14)
In hoc festo gratulamini	Anonymous	(38)
Io vo gridando come disperato	Knöfel, Johannes (ca. 1525–1617)	(18)
Io vo gridando come spiritato la nott'el giorno	Conversi, Girolamo	(1)
Je veu les cerfs du bois salir et boire a la fonteinne	Anonymous	(25)
Jetzt scheiden bringt mir schwer und macht gantz traurig mich	Tilisch, Hieronymus	(20)
Martini festum celebremus - 1a pars (of 2): Martini festum celebremus	Lassus, Orlande de (ca. 1532–1594)	(37)
Martini festum celebremus - 2a pars (of 2): Plebs igitur concors	Lassus, Orlande de (ca. 1532–1594)	(37)
Mir genüget, wie es Gott fügt	Ernestus, Matthias	(19)
Mir liebet im grunen Mayen	Anonymous	(23)
Mit Lieb bin ich umfangen	Meiland, Jacob (1542–1577)	(16)
Musica klang, Lieblicher g'sang, erquickt Allzeit	Monte, Philippe de	(7)
Nasce la gioia mia ogni volta	Animuccia, Giovanni (ca. 1520–1571)	(34)
Nasce la pena mia non potendo mirar	Striggio, Alessandro (ca. 1536–1592)	(35)
O du mein einiger Augen Trost	Meiland, Jacob (1542–1577)	(15)
O Gott gewer was Ich beger	Lassus, Orlande de (ca. 1532–1594)	(8)
Oft wuentsch ich dir ausz Hertzens begir	Lange, Gregor (ca. 1540–1587)	(41)
Schöns lieb, mich thut erfreuen dein Rosenfarber Mund	Anonymous	(47)
Sola soletta io me ne vo cantando	Conversi, Girolamo	(2)
Speremus meliora omnes spem nomine sacro	Wert, Giaches [Jaches] de (1535–1596)	(32)
Susanna se videns rapi stuprandam fraude	Le Maistre, Jacobus (?) Lassus, Orlande de (ca. 1532–1594) (?)	(27)
Susanna se videns rapi stuprandam fraude (5vv)	Lassus, Orlande de (ca. 1532–1594)	(30)
Susanne un jour	Rore, Cipriano de (ca. 1515–1565)	(3)
Tant vous alles doulx Guillemette	Anonymous	(36)
Vergangen ist mir gluck und heil	Lassus, Orlande de (ca. 1532–1594)	(4)
Von dein etwegen bin Ich hier, Hertzlieb, vernim mein wort	Lassus, Orlande de (ca. 1532–1594)	(5)
Wann ich des morgens früh aufstan' [S320]	Senfl, Ludwig (ca. 1486–ca. 1543)	(17)
Wer wollt ir nicht sein in Ehren hold	Cleve, Johannes de (ca. 1528–1582)	(11)
Wie eine Rose unter den dornen, so ist mein Freundin	Lassus, Orlande de (ca. 1532–1594)	(10)
Woll dem, der in Gottes furchte steht	Leuschner, Georg	(46)
Zwo fuerstiche Personen fein Heut treten in den Orden dein	Leuschner, Georg	(45)

Set: MS Brieg.Musik. K.28

Type: Partbooks

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PL-WRu MS Brieg.Musik. K.28 [Altus]

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PL-WRu MS Brieg.Musik. K.28 [Bassus]

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PL-WRu MS Brieg.Musik. K.28 [Discantus]

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PL-WRu MS Brieg.Musik. K.28 [Quintus]

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PL-WRu MS Brieg.Musik. K.28 [Tenor]

‡ denotes primary source study

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV, 141, 150. Notes: physical description (partial); contents list (partial); concordances (partial).

Kuhn, Friedrich. 1896. Beschreibendes Verzeichnis der Alten Musikalien -Handschriften und Druckwerke-des Königlichen Gymnasiums zu Brieg. Monatshefte für Musikgeschichte, 28: . Pages: 17-20. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description