F-CA Inc. B 145

Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France

non-music MS with music fragments: 14th century

Archive Le Labo (formerly Médiathèque d'agglomération de Cambrai, and Bibliothèque Municipale/Bibliothèque Comunale), Cambrai, France (F-CA)
Shelfmark Inc. B 145
Surface Parchment
Numbering System None
Format portrait
Measurements boards 315 x 222; front fragment 31 x 35; back pastedown 295 x 210 mm
External Links
Provenance
  • France
Contents 5 pieces from 2 composers
General Description

Sermones Bernardi (Tomus II). A rear guard leaf contains music; front & rear boards have 'mirror image' offsets of pages which FallowsCA suggested were part of MS B 1328 (front board = f. 7v, a motet of Philippe de Vitry,. Lerch instead considers this, and the rear leaf/board, to be different leaves from the same original manuscript. A fragment of the original front leaf remains, left behind when the page was removed. Back leaf and offset: fragment of an otherwise unknown Gloria.

See also Lerch's reconstruction of these and other fragments as 'F-CA(n)'.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

In parentheses is given the series and number in Lerch's re-foliation of the B 1328 fragments.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017

front board

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
front (=L-I:7v) C... / F... / Tenor - Anonymous

C... / F... / Tenor

Anonymous
Appears on: front (=L-I:7v)
Genres: Motet
Voice: Triplum
Languages: Latin
Clef: [c2]
Voice Text: C...
Voice: Motetus
Languages: Latin
Clef: c3
Voice Text: F...
Voice: Tenor
Languages: none
Clef: f2
Voice Text: Tenor
General Note

Offset only; apparently unique, though extant offset is extremely damaged, with several lacunae (including the entire left side of the triplum, which must have been visible when Lerch inventoried the Cambrai fragments but which is now covered by the modern binding). Legible words (and fragments thereof) indicate Latin for both upper-voices. Tenor color appears to repeat in diminution, which corresponds to a final extended, untexted hocket section in the upper voices. (Final sonority on F-c-f allows Triplum clef to be surmised as c2, at least at the end of the motet.)
i (L-I:2v) Gloria fragment - Anonymous

Gloria fragment

Anonymous
Appears on: i (L-I:2v)
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria (fragm.)
i_v (L-I:2) [Mass of Tournai]: Et in terra pax [Gloria] -
[Master of the Royal Motets] (?)

[Mass of Tournai]: Et in terra pax [Gloria]

[Master of the Royal Motets] (?)
Appears on: i_v (L-I:2)
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria (et in terra pax)
General Note

Coussemaker, Messe, 2-13; CMM 13, 2-8; PMFC I, 111-119
i_v (L-I:2v) Et in terra pax [Gloria] - Anonymous

Et in terra pax [Gloria]

Anonymous
Appears on: i_v (L-I:2v)
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria (fragm.) [offset]
General Note

Coussemaker, Messe, 2-13; CMM 13, 2-8; PMFC I, 111-119
back (=L-I:2v) Et in terra pax [Gloria] - Anonymous

Et in terra pax [Gloria]

Anonymous
Appears on: back (=L-I:2v)
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Gloria (fragm.) [offset]
Composer Compositions
Anonymous
[Master of the Royal Motets]
Composition Composers (? Uncertain) Folios / Pages
[Mass of Tournai]: Et in terra pax [Gloria]
[Master of the Royal Motets] (?)
i_v (L-I:2)
C... / F... / Tenor Anonymous front (=L-I:7v)
Et in terra pax [Gloria] Anonymous i_v (L-I:2v)
Et in terra pax [Gloria] Anonymous back (=L-I:2v)
Gloria fragment Anonymous i (L-I:2v)

Images ©2000 Ville de Cambrai

Set: Cambrai fragments

Type: Fragments of a whole

F-CA Inc. B 56

No images available

F-CA Inc. B 135

F-CA Inc. B 144

F-CA Inc. B 145

F-CA Inc. B 165

F-CA Inc. B 166

F-CA Inc. C 52

F-CA MS B 220

F-CA MS B 322

F-CA MS B 447

F-CA MS B 1328

F-CA MS C 647

‡ denotes primary source study

Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter.

Fallows, David. 1976. L'origine du ms. 1328 de Cambrai. Revue de musicologie, 275-80.

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Richard Dudas

Saturday, 25 July, 2020

corrected link to MS B 1328 in general description

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Surface Note; DIAMM Note