E-V 16

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

partbook: Mid 16th century

Archive Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V)
Shelfmark 16
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 199 x 280 mm
Other Identifiers
  • CCM: VallaC 16
Notations
  • black void mensural
External Links
Provenance
  • Valladolid? Spain
Contents 18 pieces from 11 composers
General Description

A single Quintus partbook from a set originally of five volumes. Copied by several scribes. Copied in Valladolid? Probably owned by the Spanish royal court.

Cristina Urchueguía, 2010
Binding

Original covers of brown leather tooled with rectangular designs; paper label inscribed 'Quinta Vox.'

Cristina Urchueguía, 2010
Watermark

only fragments visible

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Ruling

Staff height 15

Cristina Urchueguía, 2010
Foliation

New pencil foliation, 1-20, beginning on fol. 2; the last folio is not numbered.

Cristina Urchueguía, 2010
Decoration

Inked calligraphic initials tinted with yellow or light brown wash

Cristina Urchueguía, 2010
Surface

paper

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Agnus, 15 motets (2 incomplete) =17

Becerra-1, Gombert-1, Hellinck [Lupus]-1, (Jaquet of Mantua)-1, Jaquet of Mantua [Jaquet]/(Jhan of Ferrara)-1, Jaquet of Mantua/(Lupus)-1, (Josquin)-1, (Lassus)-2, Lupi/(Berchem/Gombert)-1, Morales-4, anon-3

1 paper partbook (Q-i + 20 + i folios), 199 x 280. New pencil foliation, 1-20. Original covers of brown leather tooled with rectangular designs; paper label inscribed "Quinta Vox." No index. Copied by several scribes. Staff height 15. Inked calligraphic initials tinted with yellow or light brown wash. c.

Mid 16th century, with a few later additions. Copied in Valladolid?

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Patefacte sunt janue caeli Christi martiri Gonbert(!)
Appears on: 1
Genres: Motet
Source Attribution: Gonbert(!)
Voice: [no designation]
Languages: Latin
Voice Text: Patefacte sunt janue celi Christi martiri
1v–2 Regina caeli laetare alleluia II: Resurrexit sicut dixit alleluia Anon. Anonymous
Appears on: 1v–2
Genres: Motet, Regina caeli laetare
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare alleluia II: Resurrexit sicut dixit alleluia
2v–3 Alleluia. Dies sanctificatus illuxit nobis Anon. Anonymous
Appears on: 2v–3
Genres: Alleluia, Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus illuxit nobis
3–4 Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) [Jaquet of Mantua]
Appears on: 3–4
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te vestimentis tuis II: Si diligis me Simon Petre pasce oves
4v–8 Missa Tristezas me matan Morales
Appears on: 4v–8
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: [Missa Tristezas me matan]
8v–9v Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 8v–9v
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iusta crucem 25.9 II: Eya mater fons amoris me sentire
10 Confiteor Deo omnipotenti Beatae Mariae II: Ideo deprecor virginem Mariam Jaquet [of Mantua]/[Jhan of Ferrara]
Appears on: 10
Genres: Motet
Source Attribution: Jaquet [of Mantua]/[Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor deo omnipotenti beate Marie II: Ydeo deprecor virginum Mariam [incomplete]
11–11v Pater noster qui es in caelis Anon. Anonymous
Appears on: 11–11v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
12 Missa Mater Patris: Agnus Dei Lupus [Hellinck]
Appears on: 12
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Lupus [Hellinck]
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei qui tollis peccata [from Missa Mater patris]
12v–13 Aspice Domine quia facta est desolata Jaqueto [of Mantua]/[Lupus]
Appears on: 12v–13
Genres: Motet
Source Attribution: Jaqueto [of Mantua]/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata
13–14 Expurgate vetus fermentum ut sitis nova II: Mortuus est enim propter delicta Johannes Lupi/[Berchem/Gombert]
Appears on: 13–14
Genres: Motet
Source Attribution: Johannes Lupi/[Berchem/Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Expurgate vetus fermentum ut sitis nova II: Mortuus est [enim] propter delicta
14v–15v Verbum iniquum et dolosum longe fac a me II: Duo rogavi te ne deneges mihi Morales
Appears on: 14v–15v
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum longe fac a me II: Duo rogavi te ne deneges michi
16–16v Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius [Lassus]
Appears on: 16–16v
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Confitemini domino et invocate nomen eius II: Narrate omnia mirabilia eius
17 Videntes stellam magi gavisi sunt gaudio (2p. Et apertis thesauris suis obtulerunt) [Lassus]
Appears on: 17
Genres: Motet
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: [Videntes stellam magi gavisi sunt gaudio] (Pars I missing) II: Et apertis thesauris suys obtulerun[t]
17v–18 O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur Morales
Appears on: 17v–18
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
18v Manus tuae Domine fecerunt me (5vv) Morales
Appears on: 18v
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Manus tue domine fecerunt me et plasmaverunt
19–19v Veni Domine et noli tardare veni visitare Lorenco de Becerra
Appears on: 19–19v
Genres: Motet
Source Attribution: Lorenco de Becerra
Voice: [no designation]
Languages: Latin
Voice Text: Veni domine et noli tardare veni visitare
19v–20 Videns Dominus flentes sorores Lazari Anon. Anonymous
Appears on: 19v–20
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Videns dominus flentes sorores Lazari
Composer Compositions
Anonymous
Becerra, Lorenco de
Berchem, Jacques (ca. 1505–1567)
Despres, Josquin (ca. 1450–1521)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Lassus, Orlande de (ca. 1532–1594)
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Dies sanctificatus illuxit nobis Anonymous 2v–3
Aspice Domine quia facta est desolata 12v–13
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 16–16v
Confiteor Deo omnipotenti Beatae Mariae II: Ideo deprecor virginem Mariam 10
Expurgate vetus fermentum ut sitis nova II: Mortuus est enim propter delicta 13–14
Manus tuae Domine fecerunt me (5vv) 18v
Missa Mater Patris: Agnus Dei 12
Missa Tristezas me matan 4v–8
O sacrum convivium - 1a pars (of 2): O sacrum convivium in quo Christus sumitur 17v–18
Patefacte sunt janue caeli Christi martiri 1
Pater noster qui es in caelis Anonymous 11–11v
Regina caeli laetare alleluia II: Resurrexit sicut dixit alleluia Anonymous 1v–2
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 8v–9v
Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) 3–4
Veni Domine et noli tardare veni visitare 19–19v
Verbum iniquum et dolosum longe fac a me II: Duo rogavi te ne deneges mihi 14v–15v
Videns Dominus flentes sorores Lazari Anonymous 19v–20
Videntes stellam magi gavisi sunt gaudio (2p. Et apertis thesauris suis obtulerunt) 17

denotes primary source study

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.).  Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.

Cummings, Anthony M. 1983. A Florentine Sacred Repertory from the Medici Restoration (Manuscript II. I. 232 [Olim Magi. XIX. 58; Gaddi 1113] of the Biblioteca Nazionale Centrale, Florence): Bibliography and History. Acta Musicologica, 267-332. Pages: 307-8. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 341, 369, 813. Notes: contents list (partial); concordances (partial).

Russell, Eleanor. 1978-80. A new manuscript source for the music of Cristobal de Morales: Morales' 'Lost' Missa pro Defunctis and early Spanish requiem traditions. Anuário Musical, 9-49. Pages: 43. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143,145. Notes: contents list (partial); concordances (partial).

Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 59ff. Pages: 82. Notes: physical description; contents list; incipitsst of contents (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description