E-V 15

Catedral Metropolitana, Archivo de Música, Valladolid, Spain

partbook: Second quarter of 16th century

Archive Catedral Metropolitana, Archivo de Música, Valladolid, Spain (E-V)
Shelfmark 15
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 171 x 236 mm
Other Identifiers
  • CCM: VallaC 15
Notations
  • black void mensural
External Links
Provenance
  • Italy
Contents 24 pieces from 19 composers
General Description

A single partbook containing music for various parts. Copied by one main scribe and several additional scribes. Provenance undetermined; repertory and script suggest main layer may be of Italian origin.

DIAMM, 2017
Binding

Original front cover of tan parchment, inscribed 'Tenor'; back cover torn off.

DIAMM, 2017
Watermark

Only fragments of watermark visible

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 18-19

DIAMM, 2017
Foliation

New pencil foliation, 1-22

DIAMM, 2017
Decoration

Inked calligraphic initials.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 motets, 2 textless pieces = 22

(C. Festa)-1, (Gombert)-1, (Jaquet of Mantua)-1, Jaquet of Mantua [Jacquet]/(Conseil)-1, Jaquet of Mantua/(Lupus)-1, (Jaquet of Mantua/Vermont)-1, (Jhan of Ferrara)-1, Josquin-1, Lhéritier-1, Martinez-1, (Mouton)-1, (Mouton/Richafort)-1, (L. Padovano)-1, (Silva)-1, Verdelot-2, Verdelot/(Josquin)-1, anon-5

1 paper partbook (Various parts-i + 22 folios), 171 x 236. New pencil foliation, 1-22. Original front cover of tan parchment, inscribed "Tenor"; back cover torn off. No index. Copied by one main scribe and several additional scribes. Staff height 18-19. Inked calligraphic initials. Only fragments of watermark visible.

Second quarter of 16th century. Provenance undetermined; repertory and script suggest main layer may be of Italian origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Pater noster (2p. Ave Maria) 20.9 [Josquin]
Appears on: 1–2
Genres: Ave Maria, Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis (Tenor for Pars I, altus for Pars II (see also under ff. 21v-22)) 20.9 II: Ave Maria gratia plena dominus tecum
2–3 Sancta Maria virgo virginum Verdelot/[Josquin]
Appears on: 2–3
Genres: Motet
Source Attribution: Verdelot/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo virginum [A2 only] 25.6
3–3v Ave regina caelorum (6vv) Jacquet [of Mantua]/[Conseil]
Appears on: 3–3v
Genres: Motet
Source Attribution: Jacquet [of Mantua]/[Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum mater regis angelorum
3v–4 Pater noster qui es yn caelis Anon. Anonymous
Appears on: 3v–4
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es yn celis
5–6v Pater noster/Ave Maria (5vv) - 1a pars (of 2): Pater noster qui es in caelis [Jhan of Ferrara]
Appears on: 5–6v
Genres: Ave Maria, Motet, Pater noster
Source Attribution: [Jhan of Ferrara]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis II: Ave Maria gratia plena dominus tecum
5–6v Pater noster/Ave Maria (5vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum -
Appears on: 5–6v
Genres: Ave Maria, Motet
6v–7v Nigra sum sed formosa filia Jerusalem Lerithier
Appears on: 6v–7v
Genres: Motet
Source Attribution: Lerithier
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa filia Ierusalem
7v–8v Ave virgo gratiosa [gloriosa] stella sole clarior [Jaquet of Mantua/Vermont]
Appears on: 7v–8v
Genres: Motet
Source Attribution: [Jaquet of Mantua/Vermont]
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo gratiosa stella sole clarior
8v–9v Aspice Domine quia facta est desolata Jacquet [of Mantua]/[Lupus]
Appears on: 8v–9v
Genres: Motet
Source Attribution: Jacquet [of Mantua]/[Lupus]
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine quia facta est desolata
9v Nigra sum sed formosa [Silva]
Appears on: 9v
Genres: Motet
Source Attribution: [Silva]
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa
10–11 Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) [Verdelot]
Appears on: 10–11
Genres: Motet
Source Attribution: [Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Victime pascali laudes immolent Christiani II: Sepulcrum Christi viventis et gloriam
11–12 Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) [Mouton/Richafort]
Appears on: 11–12
Genres: Motet
Source Attribution: [Mouton/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Christus resurgens ex mortuis jam non II: Mortu[u]s est enim propter delicta
12–12v Quam pulcra es et decora á3 [C. Festa]
Appears on: 12–12v
Genres: Motet
Source Attribution: [C. Festa]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra es et quam decora
13–13v O sacrum convivium in quo Christus sumitur [Jaquet of Mantua]
Appears on: 13–13v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: O sacrum convivium in quo Christus sumitur
13v–14 Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram [L. Padovano]
Appears on: 13v–14
Genres: Motet
Source Attribution: [L. Padovano]
Voice: [no designation]
Languages: Latin
Voice Text: Tu es Petrus et super hanc petram
14v Dulcis amica Dei rosa vernans atque decora [Gombert]
Appears on: 14v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Dulcis amica dei rosa vernans et decora
15–16 Ave virgo gloriosa stella sole clarior Anon. Anonymous
Appears on: 15–16
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo gloriosa stella sole clarior
16–17 Surge amica mea speciosa mea et veni II: O pulcherima mulierum vulnerasti cor Anon. Anonymous
Appears on: 16–17
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Surge amica mea speciosa mea et veni II: O pulcherima mulierum vulnerasti cor
17v–18 Homo quidam fecit caenam magnam et misit [Mouton]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam fecit cenam magnam et misit
18–19 untexted Anon. -

untexted

Appears on: 18–19
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless
19 untexted Anon. -

untexted

Appears on: 19
Source Attribution: Anon.
Voice: [no designation]
Languages: none
Voice Text: Textless [incomplete]
20v–21 Regina caeli laetare aleluia Martinez
Appears on: 20v–21
Genres: Motet, Regina caeli laetare
Source Attribution: Martinez
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare aleluia
21v–22 Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum Jusquin
Appears on: 21v–22
Genres: Ave Maria, Motet
Source Attribution: Jusquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum 20.9 [Pars II of Pater noster qui es in celis] [D only]
22v Dignare me laudare te virgo sacrata Virelhot [= Verdelot]
Appears on: 22v
Genres: Motet
Source Attribution: Virelhot [= Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dignare me laudare te virgo sacrata
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Berchem, Jacques (ca. 1505–1567)
Bizcargui, Gonzalo Martinez de (–ca. 1538)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Lheritier, Jean (ca. 1480–ca. 1551)
Mantua, Jacquet de (1483–1559)
Mouton, Jean (ca. 1459–1522)
Padovano [Patavus], Laurus
Richafort, Jean (ca. 1480–ca. 1550)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vermont, Pierre
Composition Composers (? Uncertain) Folios / Pages
Aspice Domine quia facta est desolata 8v–9v
Ave regina caelorum (6vv) 3–3v
Ave virgo gloriosa stella sole clarior Anonymous 15–16
Ave virgo gratiosa [gloriosa] stella sole clarior 7v–8v
Christus resurgens de mortuis jam non (2p. Mortuus est enim propter delicta) 11–12
Dignare me laudare te virgo sacrata 22v
Dulcis amica Dei rosa vernans atque decora 14v
Homo quidam fecit caenam magnam et misit 17v–18
Nigra sum sed formosa 9v
Nigra sum sed formosa filia Jerusalem 6v–7v
O sacrum convivium in quo Christus sumitur 13–13v
Pater noster (2p. Ave Maria) 20.9 1–2
Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 21v–22
Pater noster qui es yn caelis Anonymous 3v–4
Pater noster/Ave Maria (5vv) - 1a pars (of 2): Pater noster qui es in caelis 5–6v
Pater noster/Ave Maria (5vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 5–6v
Quam pulcra es et decora á3 12–12v
Regina caeli laetare aleluia 20v–21
Sancta Maria virgo virginum 2–3
Surge amica mea speciosa mea et veni II: O pulcherima mulierum vulnerasti cor Anonymous 16–17
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram 13v–14
Victimae paschali laudes immolent Christiani (2p. Sepulcrum Christi viventis et gloriam) 10–11

denotes primary source study

López Calo, S.J., José. 2007. La música en la Catedral de Valladolid (8 vols.).  Valladolid: Ayuntamiento de Valladolid. Notes: description; contents.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 347, 369, 390, 481-2, 813. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9, 110, 217. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 143-4, 200 [two "Ave regina celorum" settings (#18-19) listed as being in VallaC 15, but only #19 actually in this manuscript]. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv-xlvi [the "Nigra sum" in VallaC 15 = #18 of edition]. Notes: physical description (partial); contents list (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 280-l, 310-2. Notes: contents list (partial); concordances (partial); incipits (partial).

Anglès, Higinio. 1948. El Archivo Musical de la Catedral de Valladolid. Anuário Musical, 59ff. Pages: 81-2. Notes: physical description; contents list.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XII, xxii, xxiv-xxvi [referred to as MS s.s.]. Notes: physical description; contents list (partial); concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description