Composite of several originally separate fascicles later bound together. Original choirbook-layout pieces were separated by pages of blank staves, which were later used to add pieces in lute tablature (on ff. 3, 13'-14', 50, 60'-61, 62, 86'-87, 108'-112, 128'-129, 142'-162').Music in mensural notation copied by a single scribe; lute intabulations are later additions by a different scribe, who also wrote most of lute tablature additions in UppsU 76c (Thomas G. MacCracken). Of French origin (BernNO); possibly copied in Troyes or vicinity. Early (original?) owner was Thomas Gillesson, a priest of Troyes diocese (inscription on f. 2).
S-Uu Vokalmusik i Handskrift 76b
Universitetsbiblioteket, Uppsala, Sweden
manuscript of polyphony: c. 1515
| Archive | Universitetsbiblioteket, Uppsala, Sweden (S-Uu) |
|---|---|
| Shelfmark | Vokalmusik i Handskrift 76b |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 276 x 193 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 126 compositions, 81 from 15 composers, 45 are anonymous. |
General Description
Binding
Original covers of brown leather blind tooled with ornamental designs; modern spine
Watermark
(1) generally resembles Briquet #12510 (several variants); (2) pot with crown; (3) small pot; (4) candlestick; (5) shield surmounted by cross; (6) Gothic letter 'N'.
Notation
black void mensural; lute tablature
Foliation
New pencil foliation, 1-166, on lower right rectos (one original folio now missing between new ff. 73/74, one between ff. 77/78, two each between ff. 151/152, 152/153, one or two following f. 162).
Decoration
No initials or decoration.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 Masses, 1 Sanctus-Agnus pair, 8 motets, 13 French secular pieces, 2 textless pieces = 33*
*Above summary excludes later additions in lute tablature on ff. 3, 13'-14', 50, 60'-61, 62, 86'-87, 108'-112, 128'-129, 142'-162'.
(A. Févin)-3, (M. Forestier)-1, M. Forestier/(Josquin)-1, Josquin -4, (Josquin/La Rue)-1, (La Rue)-1, Mouton-8, anon-14
166 paper folios of an original 174 or more, 276 x 193. Composite of several originally separate fascicles later bound together. New pencil foliation, 1-166, on lower right rectos (one original folio now missing between new ff. 73/74, one between ff. 77/78, two each between ff. 151/152, 152/153, one or two following f. 162). Original covers of brown leather blind tooled with ornamental designs; modern spine. No index. Music in mensural notation copied by a single scribe; lute intabulations are later additions by a different scribe, who also wrote most of lute tablature additions in UppsU 76c (Thomas G. MacCracken). No initials or decoration. Watermarks: (1) generally resembles Briquet #12510 (several variants); (2) pot with crown; (3) small pot; (4) candlestick; (5) shield surmounted by cross; (6) Gothic letter "N".
Ca. 1515? (BernNO), with lute tablature additions in second half of 16th century. Of French origin (BernNO); possibly copied in Troyes or vicinity. Early (original?) owner was Thomas Gillesson, a priest of Troyes diocese (inscription on f. 2).
Vol 4
Composers: Add "(Divitis/A. Févin)-1"; change "(A. Févin)-3" to "(A. Févin)-2." Date: Ca. 1515-35, with lute tablature additions ca. 1570-90 (MacCrackenU).
The inventory could not be loaded.
‡ denotes primary source study
MacCracken, Thomas Gregg (editor). 1986. Uppsala, Universitetsbiblioteket, MS Vokalmusik i Handskrift 76b. Renaissance Music in Facsimile, vol. 20. New York. Notes: physical description; contents list; facsimile; discussion.
MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances; transcription (partial); texts (partial); facsimile (partial); mention of MS; discussion.
Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 290, 294. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, vol. 6. 201-42. Munich. Pages: 236. Notes: contents list (partial); concordances (partial).
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 672-3. Notes: contents list (partial); concordances (partial).
Benthem, Jaap van. 1976. Kompositorisches Verfahren in Josquins Proportionskanon Agnus Dei. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26: 9-16. Pages: 10, 15. Notes: contents list (partial).
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 91, 93, 96, 98, 102. Notes: contents list (partial); concordances (partial).
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David Wyatt
Friday, 19 January, 2018
URL added
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description