| Archive | Universitetsbiblioteket, Uppsala, Sweden (S-Uu) |
|---|---|
| Shelfmark | Vokalmusik i Handskrift 76a |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 205 x 142 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 71 compositions, 41 from 23 composers, 30 are anonymous. |
Two main scribes copied ff. 4-31, 37'-43, 68'-73, 78 and ff. 31'-37, 43'-57, 67'-68, 73'-77, respectively; third scribe copied ff. 1-3'; fourth scribe copied ff. 58'-66; fifth scribe made later additions on ff. 57'-58, top off. 58', and f. 77'. Copied in southwestern France (Howard M. Brown).
Also contains a number of song texts without music, not inventoried here (ff. 66r-66v, 78bis-r, 79r-81v).
Original covers of tan/brown parchment; remnants of four ties.
resembles Briquet #11543.
black void mensural
Staff height 13.
New pencil foliation, 1-81, on lower right rectos; modern ink foliation on upper right rectos parallels pencil foliation, but numbers generally appear only on every fifth folio.
Some inked calligraphic initials.
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 Kyrie, 1 Magnificat, 9 motets, 55 French secular pieces (1 without text; 8 incomplete), 2 textless pieces (1 incomplete) = 68
A. Agricola-2, (Binchois)-1, Bruhier-1, (Brumel)-1, (Caron)-1, (Compère)-4, (Compère/Obrecht)-1, (Dufay)-1, A. Févin-6, (A. Févin/Janequin)-1, (Gombert)-1, (Hayne van Ghizeghem)-6, Isaac-1, (Josquin)-2, Mire-1, (Morton)-2, Mouton-1, Ninot le Petit-1, (Obrecht)-1, Prioris-1, anon-32
i + 81 + i paper folios, 205 x 142. New pencil foliation, 1-81, on lower right rectos; modern ink foliation on upper right rectos parallels pencil foliation, but numbers generally appear only on every fifth folio. Original covers of tan/brown parchment; remnants of four ties. No index. Two main scribes copied ff. 4-31, 37'-43, 68'-73, 78 and ff. 31'-37, 43'-57, 67'-68, 73'-77, respectively; third scribe copied ff. 1-3'; fourth scribe copied ff. 58'-66; fifth scribe made later additions on ff. 57'-58, top off. 58', and f. 77'. Staff height 13. Some inked calligraphic initials. Watermark resembles Briquet #11543.
Ca. 1490-1520. Copied in southwestern France (Howard M. Brown).
Vol 4
Contents: 1 Magnificat, 10 motets, 1 motet-chanson (incomplete), 53 French secular pieces (2 without text; 6 incomplete), 1 Italian secular piece (incom-plete), 1 textless piece (incomplete) = 67
Composers: Add "Bridam? [Bride]-1"; change "Bruhier-l" to "Bruhier-2"; change "(Gombert)-1" to "(Gombert/Mouton/Verdelot)-1"; change "anon-32" to"anon-29."
The inventory could not be loaded.
‡ denotes primary source study
Rifkin, Joshua. 2010. Taking from the Rich: a Mistaken Attribution in Uppsala 76a. Revue de Musicologie, Vol. 96, no. 1: 181-187.
‡ Brown, Howard Mayer (editor). 1987. Uppsala Universitetsbiblioteket, vokalmusik I handskrift 76a. Renaissance Music in Facsimile, vol. 19. New York. Notes: facsimile, commentary, contents, discussion.
Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 58-60,195,235ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
‡ Brown, Howard Mayer. 1983. A 'New' Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report. Musica Disciplina, 37: 171-233. Notes: physical description (partial); contents list; concordances; transcription (partial); facsimile (partial); mention of MS; discussion.
Bernstein, Lawrence F. 1982. Notes on the Origin of the Parisian Chanson. The Journal of Musicology, 1: 275-326. Pages: 290, 293. Notes: physical description; mention of MS; discussion.
Brown, Howard Mayer. 1982. Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. Journal of the American Musicological Society, 35: 1-48. Pages: l-8. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance, vol. 2. New York. Pages: xxiii, xxx-xxxi, 70-85. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Atlas, Allan W. 1981. Review of Perkins, Leeman L: and Garey, Howard (eds.): "The Mellon Chansonnier" (New Haven and London, 1979). Journal of the American Musicological Society, 34: 132ff. Pages: 136. Notes: contents list (partial); concordances (partial).
Couchman, Jonathan Paul. 1980. The Lorraine Chansonnier: Antoine de Lorraine and the Court of Louis XII. Musica Disciplina, 34: 85-157. Pages: 154. Notes: contents list (partial); concordances (partial).
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NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description