Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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1 | Magnum misterium declaratur hodie quia creator | Franc. Patav. | |
Appears on:
1
Genres:
Motet
Source Attribution:
Franc. Patav.
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2 | [Surge] illuminare Jerusalem - 1a pars (of 2): Surge illuminare Jerusalem | Finot | |
Appears on:
2
Genres:
Motet
Source Attribution:
Finot
Concordancesin Gardane 1549-6 "Musica quinque vocum", texted "Illuminare Jerusalem" |
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2 | [Surge] illuminare Jerusalem - 2a pars (of 2): Omnes de Saba | - | |
Appears on:
2
Genres:
Motet
|
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3 | Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda | Morales | |
Appears on:
3
Genres:
Motet
Source Attribution:
Morales
|
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3 | Cum natus esset - 2a pars (of 3): At illi dixerunt | - | |
Appears on:
3
Genres:
Motet
|
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3 | Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant | - | |
Appears on:
3
Genres:
Motet
|
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4 | Descendit spiritus (=Tanto tempore) | Finot | |
Appears on:
4
Genres:
Contrafactum, Motet
Source Attribution:
Finot
Concordancescontrafactum of 'Tanto tempore' - no. 24 in this ms |
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5 | Antoni pater inclite qui cruciatos reficis | Morales | |
Appears on:
5
Genres:
Motet
Source Attribution:
Morales
|
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6 | O lampas ardens | Jachet | |
Appears on:
6
Genres:
Motet
Source Attribution:
Jachet
|
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7 | Egregie martir Sebastiane - 1a pars (of 2): Egregie martir Sebastiane | Gombert | |
Appears on:
7
Genres:
Motet
Source Attribution:
Gombert
|
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7 | Egregie martir Sebastiane - 2a pars (of 2): Socius enim | - | |
Appears on:
7
Genres:
Motet
|
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8 | Diem festum - 1a pars (of 2): Diem festum sacratissime (=Signum salutis) | Archadelt | |
Appears on:
8
Genres:
Contrafactum, Motet
Source Attribution:
Archadelt
Concordancescontrafactum of 'Signum salutis' (cf Treviso 30, where it is attr to Arcadelt; though RISM 1545-3 & 1555-11 attr to Crecquillon) |
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8 | Diem festum - 2a pars (of 2): Dexteram eius (=Lapidem quem) | - | |
Appears on:
8
Genres:
Contrafactum, Motet
Concordancescontrafactum of 'Signum salutis' (cf Treviso 30, where it is attr to Arcadelt; though RISM 1545-3 & 1555-11 attr to Crecquillon) |
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9 | Tu es vas - 1a pars (of 2): Tu es vas electionis (= Tua est potentia) | Ghislinus | |
Appears on:
9
Genres:
Contrafactum, Motet
Source Attribution:
Ghislinus
General Notecontrafactum of Phinot's "Tua est potentia" |
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9 | Tu es vas - 2a pars (of 2): Intercede pro nobis (= Creator omnium) | - | |
Appears on:
9
Genres:
Contrafactum, Motet
General Notecontrafactum of Phinot's "Tua est potentia" |
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10 | Senex puerum portabat | Scaffen | |
Appears on:
10
Genres:
Motet
Source Attribution:
Scaffen
|
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11 | Hodie beata Virgo | Corvus | |
Appears on:
11
Genres:
Motet
Source Attribution:
Corvus
|
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12 | O martir egregie | Comes | |
Appears on:
12
Genres:
Motet
Source Attribution:
Comes
|
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13 | Agatha laetissime - 1a pars (of 2): Agatha laetissime | Finot | |
Appears on:
13
Genres:
Contrafactum, Motet
Source Attribution:
Finot
General Notecontrafactum of Phinot's "Auribus percipe Domine" |
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13 | Agatha laetissime - 2a pars (of 2): Nobilissimis orta natalibus | - | |
Appears on:
13
Genres:
Contrafactum, Motet
General Notecontrafactum of Phinot's "Auribus percipe Domine" |
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14 | Virgo martir - 1a pars (of 2): Virgo martir | Comes | |
Appears on:
14
Genres:
Contrafactum, Motet
Source Attribution:
Comes
Concordancescontrafactum of "Domine ne longe facias" |
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14 | Virgo martir - 2a pars (of 2): Ora pro nobis | - | |
Appears on:
14
Genres:
Contrafactum, Motet
Concordancescontrafactum of "Domine ne longe facias" |
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15 | Tu es Petrus - 1a pars (of 2): Tu es Petrus | Gombert |
Moreau, Simon
(?)
|
Appears on:
15
Genres:
Motet
Source Attribution:
Gombert
|
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15 | Tu es Petrus - 2a pars (of 2): Quodcunque legaveris | - |
Moreau, Simon
(?)
|
Appears on:
15
Genres:
Motet
|
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16 | Sancte Gregori | Gombert | |
Appears on:
16
Genres:
Contrafactum, Motet
Source Attribution:
Gombert
Concordancescontrafactum of Lupi's "Sancti per fidem" (2a pars of "Isti sunt viri sancti") |
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17 | O felix custos (=O fides spei columen) | Jachet | |
Appears on:
17
Genres:
Contrafactum, Motet
Source Attribution:
Jachet
Concordancescontrafactum of "O fides spei columen" (2a pars of "O quam praeclara sunt"); so also is no 67 in this ms |
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18 | Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria | Gombert | |
Appears on:
18
Genres:
Motet
Source Attribution:
Gombert
|
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18 | Suscipe verbum - 2a pars (of 2): Paries quidem fîlium | - | |
Appears on:
18
Genres:
Motet
|
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19 | Gabriel nuntiavit Mariae - 1a pars (of 2): Gabriel nuntiavit Mariae | Finot | |
Appears on:
19
Genres:
Motet
Source Attribution:
Finot
|
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19 | Gabriel nuntiavit Mariae - 2a pars (of 2): Pneumatis latet | - | |
Appears on:
19
Genres:
Motet
|
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20 | Sancte Marce evangelista | Jo Lupi | |
Appears on:
20
Genres:
Contrafactum, Motet
Source Attribution:
Jo Lupi
Concordancescontrafactum of "Quae est ista" (2a pars of Lupi's "Vidi speciosam") |
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21 | Beatissimus Marcus - 1a pars (of 2): Beatissimus Marcus | Josef Zarlinus | |
Appears on:
21
Genres:
Motet
Source Attribution:
Josef Zarlinus
|
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21 | Beatissimus Marcus - 2a pars (of 2): Accepto Evangelista | - | |
Appears on:
21
Genres:
Motet
|
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22 | Ave confessor gloriose Liberalis (=Educes me) | - | |
Appears on:
22
Genres:
Contrafactum, Motet
Concordancescontrafactum of "Educes me" (2a pars of Verdelot's "In te DOmine speravi") |
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23 | Hic est dies - 1a pars (of 2): Hic est dies egregius sanctissimi Liberalis | Innocentius Alberti | |
Appears on:
23
Genres:
Motet
Source Attribution:
Innocentius Alberti
|
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23 | Hic est dies - 2a pars (of 2): Hodie beatum Liberalem | - | |
Appears on:
23
Genres:
Motet
|
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24 | Tanto tempore vobiscum sum et non cognovistis (8vv) | Finot dominicus | |
Appears on:
24
Genres:
Motet
Source Attribution:
Finot dominicus
Concordancessee also no 4 'Descendit spiritus', same music with a contrafact text |
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25 | In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus | Jachet Berchem | |
Appears on:
25
Genres:
Motet
Source Attribution:
Jachet Berchem
|
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25 | In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc | - | |
Appears on:
25
Genres:
Motet
|
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26 | Nos autem gloriari oportet | Joannes Baptista Corvus Novocomensis | |
Appears on:
26
Genres:
Motet
Source Attribution:
Joannes Baptista Corvus Novocomensis
|
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27 | Circuire possum - 1a pars (of 2): Circuire possum Domine | Angeli Petraloysii proenestini | |
Appears on:
27
Genres:
Motet
Source Attribution:
Angeli Petraloysii proenestini
|
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27 | Circuire possum - 2a pars (of 2): In hac cruce | - | |
Appears on:
27
Genres:
Motet
|
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28 | Gloriosum diem - 1a pars (of 2): Gloriosum diem | Tugdual | |
Appears on:
28
Genres:
Motet
Source Attribution:
Tugdual
|
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28 | Gloriosum diem - 2a pars (of 2): Tropheum crucis | - | |
Appears on:
28
Genres:
Motet
|
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29 | In ferventis olei (=Domine ante te) | Gulielmi Textoris | |
Appears on:
29
Genres:
Motet
Source Attribution:
Gulielmi Textoris
ConcordancesContracfactum of "Domine ante te" (cf. Treviso 30) |
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30 | Dum sacrum misterium | Bernardini Garilli | |
Appears on:
30
Genres:
Motet
Source Attribution:
Bernardini Garilli
|
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31 | Gaudent in caelis | Bernardini Garilli | |
Appears on:
31
Genres:
Motet
Source Attribution:
Bernardini Garilli
|
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32 | O sodales sancte Vindimialis et Florentii (=Miserere nostri Deus) | Adriani Will(aert) | |
Appears on:
32
Genres:
Contrafactum, Motet
Source Attribution:
Adriani Will(aert)
Concordancescontrafactum of "Miserere nostri Deus" 1a pars. |
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33 | O proles Hispanie pavor infidelium (6vv) | Adrianus willaert | |
Appears on:
33
Genres:
Motet
Source Attribution:
Adrianus willaert
General Notecanon: fuga trium temporum in diapente intensum |
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34 | Da ecclesiae tuae | Metre jan | |
Appears on:
34
Genres:
Motet
Source Attribution:
Metre jan
General NoteCanon: "Ut iacet in primo; in quarta quoque ; secundo idipsum petens; pausas liquenda priores;" |
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35 | Fuit homo missus a Deo | Jo. Animuccia Florentinus | |
Appears on:
35
Genres:
Motet
Source Attribution:
Jo. Animuccia Florentinus
|
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36 | Hic est precursor dilectus | Joannes Continus | |
Appears on:
36
Genres:
Motet
Source Attribution:
Joannes Continus
General Notecanon 'resolutio ex tenore' |
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37 | Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis | Gomberth | |
Appears on:
37
Genres:
Motet
Source Attribution:
Gomberth
|
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37 | Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit | - | |
Appears on:
37
Genres:
Motet
|
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38 | Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram (6vv) | Jo. Petraloysius Proenestinus | |
Appears on:
38
Genres:
Motet
Source Attribution:
Jo. Petraloysius Proenestinus
|
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39 | Sancte Paule apostole (5vv) (=Partus et integritas) | Lafage | |
Appears on:
39
Genres:
Motet
Source Attribution:
Lafage
General NoteCanon in diapente remissum Concordancescontrafactum of "Partus et integritas"; same contrafactum in Treviso 6 (no. 7) |
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40 | Deus cuius dextera (=Deus qui nobis) | Joannes Continus | |
Appears on:
40
Genres:
Contrafactum, Motet
Source Attribution:
Joannes Continus
General Notecontrafactum of "Deus qui nobis" (cf Treviso 5) |
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41 | Christi martir sancte Chiliane (=Piu volte gia) | Adrianus Vuillart | |
Appears on:
41
Genres:
Motet
Source Attribution:
Adrianus Vuillart
General Notecontrafactum of the first part of Willaert's "Piu volte gia dal bel sembiante" |
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42 | Intervenientibus Domini (=O admirabile commercium) | Jo. Continus | |
Appears on:
42
Genres:
Motet
Source Attribution:
Jo. Continus
General Notecontrafactum of "O admirabile commercium" |
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43 | Mulier quae erat (= Domine quis habitabit) | Cyprianus Rore | |
Appears on:
43
Genres:
Motet
Source Attribution:
Cyprianus Rore
General Notecontrafactum of 1a pars of "Domine quis habitabit" |
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44 | Sancte Jacobe apostole - 1a pars (of 2): Sancte Jacobe apostole | M. Jan | |
Appears on:
44
Genres:
Motet
Source Attribution:
M. Jan
General NoteCanon (therefore 6vv?): "Pro prima parte descende gradatim ; pro secunda parte scande gradatim." |
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44 | Sancte Jacobe apostole - 2a pars (of 2): O lux et decus hispaniae | - | |
Appears on:
44
Genres:
Motet
General NoteCanon (therefore 6vv?): "Pro prima parte descende gradatim ; pro secunda parte scande gradatim." |
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45 | O felix Anna ex styrpe David progenie II: O Anna purissima florem gerens | Gomberth | |
Appears on:
45
Genres:
Motet
Source Attribution:
Gomberth
|
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46 | Benedictus redemptor - 1a pars (of 2): Benedictus redemptor | Adrianus vuillart | |
Appears on:
46
Genres:
Motet
Source Attribution:
Adrianus vuillart
|
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46 | Benedictus redemptor - 2a pars (of 2): Magne pater sancte Dominice | - | |
Appears on:
46
Genres:
Motet
|
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47 | Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Johannem | Gallicus (=B. Comes, see motet II: 15 below) | |
Appears on:
47
Genres:
Motet
Source Attribution:
Gallicus (=B. Comes, see motet II: 15 below)
General Note1a pars only copied |
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48 | Beatus Laurentius orabat dicens domine | Adrianus vullaert | |
Appears on:
48
Genres:
Motet
Source Attribution:
Adrianus vullaert
General Notecanon in diapente remissum |
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49 | O quam magnificum (=Texebat viridem) | Joannes Continus | |
Appears on:
49
Genres:
Motet
Source Attribution:
Joannes Continus
Concordancescontrafactum of "Texebat viridem cloris", 1a pars. No. 66 ("Gaude et laetare") is a contracfactum of both parts of the same motet |
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50 | Beatus Bernardus quasi vas auri solidum [B110] (=Domine Jesu Christe fili Dei) | Adrianus | |
Appears on:
50
Genres:
Motet
Source Attribution:
Adrianus
General Notecontrafactum of "Domine Jesu Christe fili Dei vivi"; BlackTrev lists only a single pars (consistent with the original being in one pars), though Alessi specifies 2 partes - the 2a pars beginning at "Factus est quasi ignis effulgens" |
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51 | Omnipotens sempiterne Deus (=O magnum misterium (1a pars)) | - | |
Appears on:
51
Genres:
Motet
General Notecontracfactum of 1a pars of "O magnum mysterium" |
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52 | Presul sanctissime Augustine | Maistre Jannes | |
Appears on:
52
Genres:
Motet
Source Attribution:
Maistre Jannes
|
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53 | Misit rex incredulus 1a pars (of 2): Misit rex incredulus (=Cum iucunditate) | - | |
Appears on:
53
Genres:
Motet
Concordancescontracfactum of "Cum iocunditate" - which is copied at II: 15 in this manuscript |
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53 | Misit rex incredulus - 2a pars (of 2): Herodes enim (=Corde et animo) | - | |
Appears on:
53
Genres:
Motet
Concordancescontracfactum of "Cum iocunditate" - which is copied at II: 15 in this manuscript |
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54 | Beate evangelista Mathei (=Assumpta est Maria (1a pars)) | - | |
Appears on:
54
Genres:
Motet
General Notecontracfactum of 1a pars of "Assumpta est Maria" |
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55 | Clementissime Deus - 1a pars (of 2): Clementissime Deus | M. Jann(es) | |
Appears on:
55
Genres:
Motet
Source Attribution:
M. Jann(es)
|
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55 | Clementissime Deus - 2a pars (of 2): Tu que sacer Hieronime | - | |
Appears on:
55
Genres:
Motet
|
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56 | Sancte Francisce | Adrianus | |
Appears on:
56
Genres:
Motet
Source Attribution:
Adrianus
General NoteFuga quattor temporum in dispente intensum |
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57 | Gaudeamus II: Cantemus (=Quando fra l'altre donne) | - | |
Appears on:
57
Genres:
Motet
General Notecontrafactum of Willaert's "Quando fra l'altre donne" |
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58 | Sacrae legis - 1a pars (of 2): Sacrae legis Christianae | Maistre Jann(es) | |
Appears on:
58
Genres:
Motet
Source Attribution:
Maistre Jann(es)
|
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58 | Sacrae legis - 2a pars (of 2): Precamur | - | |
Appears on:
58
Genres:
Motet
|
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59 | Gaudeamus omnes (=Alleva manum) | Adrianus | |
Appears on:
59
Genres:
Motet
Source Attribution:
Adrianus
Concordancescontrafactum of "Alleva manum", 2a pars of "Miserere nostri Deus" - cf. no 32 for the 1a pars |
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60 | Deus qui nos (=Austriae stirpis) | - | |
Appears on:
60
Genres:
Motet
General Notecontrafactum of 1a pars of "Austriae stirpis" |
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61 | Te gloriosus apostolorum | Comes | |
Appears on:
61
Genres:
Motet
Source Attribution:
Comes
|
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62 | O quam gloriosum est regnum in quo | Dominicus Finot | |
Appears on:
62
Genres:
Motet
Source Attribution:
Dominicus Finot
|
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63 | Sancti Dei omnes | Jo. Continus | |
Appears on:
63
Genres:
Motet
Source Attribution:
Jo. Continus
|
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64 | Te gloriosus apostolorum chorus | Dominicus Finot | |
Appears on:
64
Genres:
Motet, Te Deum
Source Attribution:
Dominicus Finot
|
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65 | O quam gloriosum | Jo. Continus | |
Appears on:
65
Genres:
Motet
Source Attribution:
Jo. Continus
|
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66 | Gaude et laetare - 1a pars (of 2): Gaude et laetare (= Texebat viridem) | - | |
Appears on:
66
Genres:
Motet
Concordancescontrafactum of "Texebat viridem cloris". No. 49 ("O quam magnificum") is a contracfactum of the 1a pars of the same motet |
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66 | Gaude et laetare - 2a pars (of 2): Gaude igitur Tarvisina civitas (= Texebat viridem, 2a pars) | - | |
Appears on:
66
Genres:
Motet
General Notecontrafactum of "Texebat viridem cloris". No. 49 ("O quam magnificum") is a contracfactum of the 1a pars only of the same motet |
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67 | O praesul venerabilis (=O fides spei columen) | - | |
Appears on:
67
Genres:
Contrafactum, Motet
Concordancescontrafactum of "O fides spei columen" (2a pars of "O quam praeclara sunt"); so also is no 17 in this ms |
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68 | O beatum virum Martinum | Continus | |
Appears on:
68
Genres:
Motet
Source Attribution:
Continus
|
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69 | O beatum pontificem qui totis visceribus diligebat [De sancto Martino] | Adrianus | |
Appears on:
69
Genres:
Motet
Source Attribution:
Adrianus
General Notecanon in subdiapente |
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70 | Beatus Dei famulus - 1a pars (of 2): Beatus Dei famulus | Proenestini | |
Appears on:
70
Genres:
Contrafactum, Motet
Source Attribution:
Proenestini
General Notecontrafactum: Alessi noted in 'La Capella Musicale di Treviso', p.215 "addattamento dal testo sul motetto 'Gaude Barbara'.": Blackburn's discovery of the 60 contrafact texts in Treviso 29 began from this brief comment. |
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70 | Beatus Dei famulus - 2a pars (of 2): Gaude Tarvisina civitas | - | |
Appears on:
70
Genres:
Contrafactum, Motet
General Notecontrafactum of "Gaude Barbara" (2a pars) |
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71 | Deus alma spes | Petri Antonii Spalenza | |
Appears on:
71
Genres:
Motet
Source Attribution:
Petri Antonii Spalenza
Item BibliographyBlackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 124-128. Notes: transcription. |
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72 | Prudens et vigilans | Joannes Continus | |
Appears on:
72
Genres:
Motet
Source Attribution:
Joannes Continus
|
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73 | Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae | M. Jannes | |
Appears on:
73
Genres:
Motet
Source Attribution:
M. Jannes
ConcordancesTreviso 36, f. 15 |
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73 | Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus | - | |
Appears on:
73
Genres:
Motet
|
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74 | O sancte presul Nicolae - 1a pars (of 2): O sancte presul Nicolae | Jo. Petraloysii proenestini | |
Appears on:
74
Genres:
Motet
Source Attribution:
Jo. Petraloysii proenestini
|
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74 | O sancte presul Nicolae - 2a pars (of 2): Gaude praesul optime | - | |
Appears on:
74
Genres:
Motet
|
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75 | Ave ignea columna - 1a pars (of 2): Ave ignea columna | Perissonus | |
Appears on:
75
Genres:
Contrafactum, Motet
Source Attribution:
Perissonus
General Notecontrafactum of "Ad te Domine animam meam" |
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75 | Ave ignea columna - 2a pars (of 2): O Dei electe | - | |
Appears on:
75
Genres:
Contrafactum, Motet
General Notecontrafactum of "Ad te Domine animam meam" |
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76 | Columna es | Jo. Petraloysius proenestinus | |
Appears on:
76
Genres:
Motet
Source Attribution:
Jo. Petraloysius proenestinus
|
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77 | In tua patientia - 1a pars (of 2): In tua patientia | Gomberth | |
Appears on:
77
Genres:
Contrafactum, Motet
Source Attribution:
Gomberth
General Notecontrafactum of "Veni dilecta mea" |
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77 | In tua patientia - 2a pars (of 2): Lucia virgo | - | |
Appears on:
77
Genres:
Contrafactum, Motet
General Notecontrafactum of "Nigra sum sed formosa", 2a pars of "Veni dilecta mea" |
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78 | Quia vidisti me - 1a pars (of 2): Quia vidisti me | Continus | |
Appears on:
78
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "Maria stabat ad monumentum" |
|||
78 | Quia vidisti me - 2a pars (of 2): Infer digitum | - | |
Appears on:
78
Genres:
Contrafactum, Motet
General Notecontrafactum of "Maria stabat ad monumentum" (2a pars) |
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79 | Hodie scietis (= Pulchrior Italicis) | Cypriani Rore | |
Appears on:
79
Genres:
Contrafactum, Motet
Source Attribution:
Cypriani Rore
General Notecontrafactum of "Pulchrior Italicis" |
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80 | Hodie Christus natus est | Continus | |
Appears on:
80
Genres:
Motet
Source Attribution:
Continus
|
|||
81 | Patefactae sunt ianuae - 1a pars (of 2): Patefactae sunt ianuae | Continus | |
Appears on:
81
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "Tempus est ut revertar" |
|||
81 | Patefactae sunt ianuae - 2a pars (of 2): Mortem enim | - | |
Appears on:
81
Genres:
Contrafactum, Motet
General Notecontrafactum of "Nisi ego abiero", 2a pars of "Tempus est ut revertar" |
|||
82 | In medio ecclaesiae - 1a pars (of 2): In medio ecclaesiae | Proenestinus | |
Appears on:
82
Genres:
Contrafactum, Motet
Source Attribution:
Proenestinus
General Notecontrafactum of "O virgo simul et mater" (= II: 32 in this manuscript). The original has one pars; it is not clear whether that pars was divided to create the 2a pars of this motet, or whether the 2a pars was a contrafact of another motet (Alessi did not give incipits) |
|||
82 | In medio ecclaesiae - 2a pars (of 2): Iucunditatem | - | |
Appears on:
82
Genres:
Contrafactum, Motet
General Note1a pars is a contrafactum of "O virgo simul et mater" (= II: 32 in this manuscript). The original has one pars; it is not clear whether that pars was divided to create the 2a pars of this motet, or whether the 2a pars was a contrafact of another motet (Alessi did not give incipits) |
|||
83 | Innocentes pro Christo | Continus | |
Appears on:
83
Genres:
Motet
Source Attribution:
Continus
|
|||
84 | Silvester beatissimus (=Peccantem me) | Proenestinus | |
Appears on:
84
Genres:
Contrafactum, Motet
Source Attribution:
Proenestinus
General Notecontrafactum of "Peccantem me quotidie" |
|||
85 | Benedictus qui venit (=Laetentur celi (1a pars)) | Continus | |
Appears on:
85
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "Laetentur caeli" (1a pars) |
|||
86 | Videntes stellam magi gavisi sunt gaudio (2p. Et apertis thesauris suis obtulerunt) | Orlandi Lassi | |
Appears on:
86
Genres:
Motet
Source Attribution:
Orlandi Lassi
|
|||
87 | Antoni pater (=Surrexit pastor bonus) | Orlandi Lassi | |
Appears on:
87
Genres:
Contrafactum, Motet
Source Attribution:
Orlandi Lassi
General Notecontrafactum of "Surrexit pastor bonus" (1a pars only?) |
|||
88 | Petre amas me - 1a pars (of 2): Petre amas me (= In Domino confido) | Cyprianus Rore | |
Appears on:
88
Genres:
Contrafactum, Motet
Source Attribution:
Cyprianus Rore
General Notecontrafactum of "In Domino confido" (1a pars) |
|||
88 | Petre amas me - 2a pars (of 2): Simon Joannis (= Dominus in templo) | - | |
Appears on:
88
Genres:
Contrafactum, Motet
General Notecontrafactum of "Dominus in templo sancto" (2a pars of "In Domino confido") |
|||
89 | Sebastianus Dei cultor | Joseph Zarlinus | |
Appears on:
89
Genres:
Motet
Source Attribution:
Joseph Zarlinus
General Notecanon in diapente intensum |
|||
90 | Stans beata Agnes (=Enceladi Coeique soror} | Jachet | |
Appears on:
90
Genres:
Contrafactum, Motet
Source Attribution:
Jachet
General Notecontrafactum of "Enceladi Coeique soror" |
|||
91 | Laudemus Deum - 1a pars (of 2): Laudemus Deum | Franc(isci) portinarii | |
Appears on:
91
Genres:
Contrafactum, Motet
Source Attribution:
Franc(isci) portinarii
General Notecontrafactum of "Sancta et immaculata" (see Portinaro motetti a cinque voci 1548) |
|||
91 | Laudemus Deum - 2a pars (of 2): Hic est vas | - | |
Appears on:
91
Genres:
Contrafactum, Motet
General Notecontrafactum of "Sancta et immaculata" (see Portinaro motetti a cinque voci 1548) |
|||
92 | Magnificemus Deum | Jo Naschi | |
Appears on:
92
Genres:
Motet
Source Attribution:
Jo Naschi
|
|||
93 | Elegit te Deus - 1a pars (of 2): Elegit te Deus | Orlandi Lassi | |
Appears on:
93
Genres:
Contrafactum, Motet
Source Attribution:
Orlandi Lassi
General Notecontrafactum of "Illustra faciem tuam" (1a pars) |
|||
93 | Elegit te Deus - 2a pars (of 2): Immola Deo | - | |
Appears on:
93
Genres:
Contrafactum, Motet
General Notecontrafactum of "Quam magna multitudo", 2a pars of " "Illustra faciem tuam" |
|||
94 | Deus qui beatum (=Ave vivens hostia) | Continus | |
Appears on:
94
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "Ave vivens hostia" |
|||
95 | O lux Italiae (=Veni in hortum meum) | Orlandi Lassi | |
Appears on:
95
Genres:
Contrafactum, Motet
Source Attribution:
Orlandi Lassi
General Notecontrafactum of "Veni in hortum meum" |
|||
96 | O Gregori (=Cantantibus organis, 1a pars) | Cypriani Rore | |
Appears on:
96
Genres:
Contrafactum, Motet
Source Attribution:
Cypriani Rore
General Notecontrafactum of 1a pars of "Cantantibus organis" |
|||
97 | Vocatus Joseph - 1a pars (of 2): Vocatus Joseph | Bernardini Garilli | |
Appears on:
97
Genres:
Motet
Source Attribution:
Bernardini Garilli
|
|||
97 | Vocatus Joseph - 2a pars (of 2): Introduxit Jesus | - | |
Appears on:
97
Genres:
Motet
|
|||
98 | Laudemus Dominum - 1a pars (of 2): Laudemus Dominum (= Surge Petre) | Continus | |
Appears on:
98
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "Surge Petre" |
|||
98 | Laudemus Dominum - 2a pars (of 2): Benedictum sit (= Ego te) | - | |
Appears on:
98
Genres:
Contrafactum, Motet
General Notecontrafactum of "Surge Petre" |
|||
99 | Hodie sanctus Benedictus (=Clodia quem genuit) | Josephi Zarlini | |
Appears on:
99
Genres:
Contrafactum, Motet
Source Attribution:
Josephi Zarlini
General Notecontrafactum of "Clodia quem genuit" |
|||
100 | Tradent enim vos in conciliis et in synagogis | Jo. petraloysii proenestini | |
Appears on:
100
Genres:
Motet
Source Attribution:
Jo. petraloysii proenestini
|
|||
101 | Venite ad me omnes qui laboratis | Gomberth | |
Appears on:
101
Genres:
Motet
Source Attribution:
Gomberth
|
|||
102 | Non vos me elegistis sed ego elegi vos | Orlandi Lassi | |
Appears on:
102
Genres:
Motet
Source Attribution:
Orlandi Lassi
|
|||
103 | Virtute magna II: Repleti quidem | - | |
Appears on:
103
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there); attr to Rore in a 1595 print & re-printed from there in Bernhard Meier's 'Rore opera omnia' though Meier expressed doubts about its authenticity. Item BibliographyMeier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: vol 6 (p.XIII re authenticity). |
|||
104 | Corona aurea super caput eius expressa II: Domine praevenisti eum in benedictionibus | Jo. petraloysii proenestini | |
Appears on:
104
Genres:
Motet
Source Attribution:
Jo. petraloysii proenestini
|
|||
105 | Iste sanctus (=Ut te muneribus) | Joannis Continus | |
Appears on:
105
Genres:
Contrafactum, Motet
Source Attribution:
Joannis Continus
General Notecontrafactum of "Ut te muneribus" |
|||
106 | Qui vult venire (=Confitemini Domino) | Orlandi Lassi | |
Appears on:
106
Genres:
Contrafactum, Motet
Source Attribution:
Orlandi Lassi
General Notecontrafactum of "Confitemini Domino" |
|||
107 | Filiae Jerusalem - 1a pars (of 2): Filiae Jerusalem | Jo. petraloysius proenestinus | |
Appears on:
107
Genres:
Contrafactum, Motet
Source Attribution:
Jo. petraloysius proenestinus
General Notecontrafactum of "Angelus Domini descendit de caelo" (1a pars) |
|||
107 | Filiae Jerusalem - 2a pars (of 2): Quoniam confortavit | - | |
Appears on:
107
Genres:
Contrafactum, Motet
General Notecontrafactum of "Et introeuntes in monumentum viderunt", 2a pars of ""Angelus Domini descendit de caelo" |
|||
108 | Istorum est enim regnum caelorum | Dominicus Finot | |
Appears on:
108
Genres:
Motet
Source Attribution:
Dominicus Finot
|
|||
109 | Absterget Deus - 1a pars (of 2): Absterget Deus | Franc(iscus) Portinarus | |
Appears on:
109
Genres:
Motet
Source Attribution:
Franc(iscus) Portinarus
|
|||
109 | Absterget Deus - 2a pars (of 2): Non exurient | - | |
Appears on:
109
Genres:
Motet
|
|||
110 | Gaudent in caelis | Comes | |
Appears on:
110
Genres:
Motet
Source Attribution:
Comes
|
|||
111 | Haec est vera - 1a pars (of 2): Haec est vera fraternitas | Proenestini | |
Appears on:
111
Genres:
Contrafactum, Motet
Source Attribution:
Proenestini
General Notecontrafactum of "Canite tuba in Sion" (1a pars) |
|||
111 | Haec est vera - 2a pars (of 2): Ecce quam bonum | - | |
Appears on:
111
Genres:
Contrafactum, Motet
General Notecontrafactum of "Rorate caeli desuper", 2a pars of "Canite tuba in Sion" |
|||
112 | Sacerdos et pontifex (=Sanctorum martyrum tuorum) | Jo. Contini | |
Appears on:
112
Genres:
Motet
Source Attribution:
Jo. Contini
General Notecontrafactum of "Sanctorum martyrum tuorum" |
|||
113 | Iuravit Dominus - 1a pars (of 2): Iuravit Dominus | Gomberth | |
Appears on:
113
Genres:
Contrafactum, Motet
Source Attribution:
Gomberth
General Notecontrafactum of "Caeciliam cantate" (1a pars) |
|||
113 | Iuravit Dominus - 2a pars (of 2): Dixit dominus | - | |
Appears on:
113
Genres:
Contrafactum, Motet
General Notecontrafactum of "Concordes igitur", 2a pars of "Caeciliam cantate" |
|||
114 | Amavit eum Dominus (=O beatum pontificem) | Joseph Zarlinus | |
Appears on:
114
Genres:
Contrafactum, Motet
Source Attribution:
Joseph Zarlinus
General NoteFuga duorum temporum in diatesseron intensum General Notecontrafactum of "O beatum pontificem" |
|||
115 | Dum esset summus pontifex (=Da pacem) | Franc(isci) portinarii | |
Appears on:
115
Genres:
Contrafactum, Motet
Source Attribution:
Franc(isci) portinarii
General Notecontrafactum of "Da pacem" |
|||
116 | O doctor optime (=Creator omnium Deus (5vv)) | Adriani will(aert) | |
Appears on:
116
Genres:
Contrafactum, Motet
Source Attribution:
Adriani will(aert)
General NoteFuga duorum temporum in diatessaron intensum Concordancescontrafactum of "Creator omnium Deus" |
|||
117 | Similabo eum (=Repleatur os meum) | Jachet | |
Appears on:
117
Genres:
Contrafactum, Motet
Source Attribution:
Jachet
General Notefuga duorum temporum General Notecontrafactum of "Repleatur os meum" |
|||
118 | Iste est - 1a pars (of 2): Iste est qui ante Deum | Continus | |
Appears on:
118
Genres:
Contrafactum, Motet
Source Attribution:
Continus
General Notecontrafactum of "O stupor et gaudium" (1a pars) |
|||
118 | Iste est - 2a pars (of 2): Iste est qui contempsit | - | |
Appears on:
118
Genres:
Contrafactum, Motet
General Notecontrafactum of " In te signis radians", 2a pars of "O stupor et gaudium" |
|||
119 | Hic vir despiciens mundum | Ciprianus Rore | |
Appears on:
119
Genres:
Contrafactum, Motet
Source Attribution:
Ciprianus Rore
General Notecontrafactum of 1a pars of "Angustiae mihi" |
|||
120 | Veni sponsa Christi | Richaforth | |
Appears on:
120
Genres:
Motet
Source Attribution:
Richaforth
|
|||
121 | Prudentes virgines (= Exaudiat me Dominus) | Cyprianus Rore | |
Appears on:
121
Genres:
Contrafactum, Motet
Source Attribution:
Cyprianus Rore
General Notecontrafactum of 1a pars of "Exaudiat me Dominus" |
|||
122 | Veni electa mea - 1a pars (of 2): Veni electa mea | Gomberth | |
Appears on:
122
Genres:
Motet
Source Attribution:
Gomberth
|
|||
122 | Veni electa mea - 2a pars (of 2): Diffusa est gratia in labiis tuis | - | |
Appears on:
122
Genres:
Motet
|
|||
123 | Regnum mundi - 1a pars (of 2): Regnum mundi (= Usquequo domine) | Cyprianus | |
Appears on:
123
Genres:
Contrafactum, Motet
Source Attribution:
Cyprianus
General Notecontrafactum of "Usquequo domine oblivisceris me" (1a pars) |
|||
123 | Regnum mundi - 2a pars (of 2): Exultavit cor meum (= Illumina oculos) | - | |
Appears on:
123
Genres:
Contrafactum, Motet
General Notecontrafactum of "Illumina oculos meos", 2a pars of "Usquequo domine oblivisceris me" |
|||
124 | Veni sponsa Christi | - | Anonymous |
Veni sponsa ChristiAnonymous
Appears on:
124
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
|||
125 | Domus mea - 1a pars (of 2): Domus mea | Comes | |
Appears on:
125
Genres:
Motet
Source Attribution:
Comes
|
|||
125 | Domus mea - 2a pars (of 2): Petite et accipietis | - | |
Appears on:
125
Genres:
Motet
|
|||
126 | Sanctificavit Dominus | Proenestinus | |
Appears on:
126
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
127 | O quam metuendus | Proenestinus | |
Appears on:
127
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
128 | Inclitae sanctae virginis | Proenestinus | |
Appears on:
128
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
129 | Fuit homo missus a deo cui nomen erat II: Erat Johannes in deserto praedicans | Proenestinus | |
Appears on:
129
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
130 | O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe | Proenestinus | |
Appears on:
130
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
130 | O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti | - | |
Appears on:
130
Genres:
Motet
|
|||
131 | Praeceptor bonum est - 1a pars (of 2): Praeceptor bonum est | Proenestinus | |
Appears on:
131
Genres:
Contrafactum, Motet
Source Attribution:
Proenestinus
General Notecontrafactum of "Congrega Domine" (1a pars) |
|||
131 | Praeceptor bonum est - 2a pars (of 2): Non enim | - | |
Appears on:
131
Genres:
Contrafactum, Motet
General Notecontrafactum of "Afflige opprimentes nos", 2a pars of "Congrega Domine" |
|||
132 | Omnipotens sempiterne Deus qui huius diei | Proenestinus | |
Appears on:
132
Genres:
Motet
Source Attribution:
Proenestinus
|
|||
II: 1 | Inviolata - 1a pars (of 2): Inviolata integra et casta es | Jo. Nasco | |
Appears on:
II: 1
Genres:
Motet
Source Attribution:
Jo. Nasco
Item BibliographyBlackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 135-142. Notes: transcription. |
|||
II: 1 | Inviolata - 2a pars (of 2): Nostra ut pura | - | |
Appears on:
II: 1
Genres:
Motet
Item BibliographyBlackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 1325-142. Notes: transcription. |
|||
II: 2 | Descendi in ortum meum ut viderem poma | Jachet | |
Appears on:
II: 2
Genres:
Motet
Source Attribution:
Jachet
General Notecanon in diapente superius |
|||
II: 3 | Qualis es dilecta mea dicite filiae Sion | Jachet Berchem | |
Appears on:
II: 3
Genres:
Motet
Source Attribution:
Jachet Berchem
|
|||
II: 4 | Gaude Maria virgo cunctas hereses sola (2p. Gabrielem archangelum credimus) | Cipriani Rore | |
Appears on:
II: 4
Genres:
Motet
Source Attribution:
Cipriani Rore
|
|||
II: 5 | Vidi speciosam | Franc(Isci) portinarii | |
Appears on:
II: 5
Genres:
Motet
Source Attribution:
Franc(Isci) portinarii
|
|||
II: 6 | O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera | Adriani W(illaert) | |
Appears on:
II: 6
Genres:
Motet
Source Attribution:
Adriani W(illaert)
General Notecanon in diapente superius |
|||
II: 6 | O gloriosa domina - 2a pars (of 2): Maria mater gratiae | - | |
Appears on:
II: 6
Genres:
Motet
|
|||
II: 7 | Ave quam colunt angeli - 1a pars (of 2): Ave quam colunt angeli | Jachet | |
Appears on:
II: 7
Genres:
Motet
Source Attribution:
Jachet
|
|||
II: 7 | Ave quam colunt angeli - 2a pars (of 2): Audi quid | - | |
Appears on:
II: 7
Genres:
Motet
|
|||
II: 8 | Beata viscera Mariae virginis | Adriani Will(aert) | |
Appears on:
II: 8
Genres:
Motet
Source Attribution:
Adriani Will(aert)
|
|||
II: 9 | Sicut lilium | - | Anonymous |
Sicut liliumAnonymous
Appears on:
II: 9
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
|||
II: 10 | Ecce tu pulchra | Josephi Zarlini | |
Appears on:
II: 10
Genres:
Motet
Source Attribution:
Josephi Zarlini
|
|||
II: 11 | Murus tuus dilecta - 1a pars (of 2): Murus tuus dilecta | Jachet | |
Appears on:
II: 11
Genres:
Motet
Source Attribution:
Jachet
General Notecanon in diatessaron superius |
|||
II: 11 | Murus tuus dilecta - 2a pars (of 2): Ego murus sum | - | |
Appears on:
II: 11
Genres:
Motet
|
|||
II: 12 | Si ignoras te O pulchra inter mulieres (2p. Surge propera amica mea columba) | Cypriani Rore | |
Appears on:
II: 12
Genres:
Motet
Source Attribution:
Cypriani Rore
|
|||
II: 13 | Virgo Maria II: Virgo Maria | - | Anonymous |
Virgo Maria II: Virgo MariaAnonymous
Appears on:
II: 13
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
|||
II: 14 | Ave virgo sponsa Dei sancti spiritus II: O Maria benedicta in mulieribus III: Igitur nos merito erata nostra | Adriani Vuillart | |
Appears on:
II: 14
Genres:
Motet
Source Attribution:
Adriani Vuillart
|
|||
II: 15 | Cum iucunditate - 1a pars (of 2): Cum iucunditate | Bartholomei Comitis Gallici | |
Appears on:
II: 15
Genres:
Motet
Source Attribution:
Bartholomei Comitis Gallici
ConcordancesSee also no. 53 ("Misit rex incredulus") which is a contrafactum of this motet |
|||
II: 15 | Cum iucunditate - 2a pars (of 2): Corde et animo | - | |
Appears on:
II: 15
Genres:
Motet
ConcordancesSee also no. 53 ("Misit rex incredulus") which is a contrafactum of this motet |
|||
II: 16 | Virgo prudentissima | Joseph Zarlini | |
Appears on:
II: 16
Genres:
Motet
Source Attribution:
Joseph Zarlini
General Notecanon in diapente inferius |
|||
II: 17 | Alma redemptoris - 1a pars (of 2): Alma redemptoris mater | Jachet | |
Appears on:
II: 17
Genres:
Motet
Source Attribution:
Jachet
|
|||
II: 17 | Alma redemptoris - 2a pars (of 2): Tu quae genuisti | - | |
Appears on:
II: 17
Genres:
Motet
|
|||
II: 18 | Rosa de spinis - 1a pars (of 2): Rosa de spinis | Arnoldi | |
Appears on:
II: 18
Genres:
Motet
Source Attribution:
Arnoldi
|
|||
II: 18 | Rosa de spinis - 2a pars (of 2): Miranda salutatis | - | |
Appears on:
II: 18
Genres:
Motet
|
|||
II: 19 | Osculetur me osculo oris sui quia meliora | Dominici Finot | |
Appears on:
II: 19
Genres:
Motet
Source Attribution:
Dominici Finot
|
|||
II: 20 | Adiuro vos | Josephi Zarlini | |
Appears on:
II: 20
Genres:
Motet
Source Attribution:
Josephi Zarlini
|
|||
II: 21 | Sicut cedrus - 1a pars (of 2): Sicut cedrus | Francisci portinarii | |
Appears on:
II: 21
Genres:
Motet
Source Attribution:
Francisci portinarii
|
|||
II: 21 | Sicut cedrus - 2a pars (of 2): In Plateis | - | |
Appears on:
II: 21
Genres:
Motet
|
|||
II: 22 | Benedicta et venerabilis es virgo Maria | Franc(isci) portinarii | |
Appears on:
II: 22
Genres:
Motet
Source Attribution:
Franc(isci) portinarii
|
|||
II: 23 | Ave sanctissima Maria | - | Anonymous |
Ave sanctissima MariaAnonymous
Appears on:
II: 23
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
|||
II: 24 | Surge propera amica mea | Jo. Baptiste Corvi Novocomensis | |
Appears on:
II: 24
Genres:
Motet
Source Attribution:
Jo. Baptiste Corvi Novocomensis
|
|||
II: 25 | Felix namque es II: Ora pro populo | - | Anonymous |
Felix namque es II: Ora pro populoAnonymous
Appears on:
II: 25
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
|||
II: 26 | Ave regina caelorum | Josephi Zarlini | |
Appears on:
II: 26
Genres:
Motet
Source Attribution:
Josephi Zarlini
|
|||
II: 27 | Suscipe verbum | - | Anonymous |
Suscipe verbumAnonymous
Appears on:
II: 27
Genres:
Motet
Concordancesin Gardane 1549-6 "Musica quinque vocum" (also anonymous there) |
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II: 28 | Ave virgo gratiosa [gloriosa] stella sole clarior | Jachet |
Vermont, Pierre
(?)
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Appears on:
II: 28
Genres:
Motet
Source Attribution:
Jachet
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II: 29 | Ave Maria alta stirpe | Metre Jan | |
Appears on:
II: 29
Genres:
Motet
Source Attribution:
Metre Jan
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II: 30 | Ave Maria ancilla - 1a pars (of 2): Ave Maria ancilla sanctae trinitatis | - | |
Appears on:
II: 30
Genres:
Ave Maria, Motet
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II: 30 | Ave Maria ancilla - 2a pars (of 2): Ave Maria fons et pulchritudo confessorum | - | |
Appears on:
II: 30
Genres:
Ave Maria, Motet
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II: 31 | Ave et gaude gloriosa virgo | Adriani Vuillaert | |
Appears on:
II: 31
Genres:
Motet
Source Attribution:
Adriani Vuillaert
Concordancesattributed to Willaert here & in Bologna Q27; anon in Piacenza s.s. (Quintus). Attr to "Simon ferrariensis" in RISM 1539-8 (no 16) |
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II: 32 | O virgo simul et mater | Proenestini | |
Appears on:
II: 32
Genres:
Motet
Source Attribution:
Proenestini
General Noteno. 82 in this ms is a contrafactum of this motet |
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II: 33 | Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus et benedictus | Jo. Petr. Proenestini | |
Appears on:
II: 33
Genres:
Motet
Source Attribution:
Jo. Petr. Proenestini
|
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II: 34 | Gaude et laetare | Giacheti de Berquem | |
Appears on:
II: 34
Genres:
Motet
Source Attribution:
Giacheti de Berquem
|
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II: 35 | Sub tuum praesidium | Adriani Vuillert | |
Appears on:
II: 35
Genres:
Motet
Source Attribution:
Adriani Vuillert
|
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II: 36 | Alma redemptoris mater (6vv) (2p. Tu quae genuisti) | Adriani willaert | |
Appears on:
II: 36
Genres:
Alma redemptoris mater, Motet
Source Attribution:
Adriani willaert
|
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II: 37 | Benedicta es caelorum regina (7vv) - 1a pars (of 2): Benedicta es caelorum regina et mundi | Adriani willaert | |
Appears on:
II: 37
Genres:
Motet
Source Attribution:
Adriani willaert
General NoteFuga trium temporum in diapente et oto temporum in diapason |
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II: 37 | Benedicta es caelorum regina (7vv) - 2a pars (of 2): Per illud ave prolatum et tuum | - | |
Appears on:
II: 37
Genres:
Motet
General NoteFuga trium temporum in diapente et oto temporum in diapason |
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II: 38 | Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) | Adriani vuillaert | |
Appears on:
II: 38
Genres:
Motet
Source Attribution:
Adriani vuillaert
|
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II: 39 | Salve sancta parens - 1a pars (of 2): Salve sancta parens | Adriani vuillaert | |
Appears on:
II: 39
Genres:
Motet
Source Attribution:
Adriani vuillaert
|
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II: 39 | Salve sancta parens - 2a pars (of 2): Virgo Dei genetrix | - | |
Appears on:
II: 39
Genres:
Motet
|
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II: 40 | Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud) | Adriani vuillaert | |
Appears on:
II: 40
Genres:
Motet
Source Attribution:
Adriani vuillaert
|
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II: 41 | Regina caeli | Francisci portinarii | |
Appears on:
II: 41
Genres:
BVM, Motet, Regina caeli laetare
Source Attribution:
Francisci portinarii
|
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II: 42 | Conceptio tua Dei genitrix virgo gaudium | Gomberth | |
Appears on:
II: 42
Genres:
Motet
Source Attribution:
Gomberth
|
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II: 43 | Hodie beata virgo | Continus | |
Appears on:
II: 43
Genres:
Motet
Source Attribution:
Continus
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