I-TVd 29

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

partbooks: c. 1570-5 (Blackburn); c. 1575-81 (Bryant/Pozzobon)

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 29
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Format portrait
Measurements c. 240 x 170 mm
Other Identifiers
  • CCM: TrevBC 29
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 232 pieces from 39 composers
General Description

Previously believed destroyed by fire in 1944, but rediscovered badly charred in 1989 (Pozzobon1989; details of restoration and further discussion in BryPozz). Contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

175 motets: 1-79 in liturgical sequence (Christmas to Christmas), 80-99 in a further sequence Christmas to the feast of St Benedict (21 March) supplementing the first; then 100-127 for the common of saints, apostles etc; five motets in liturgical sequence 128-132; and the second series II: 1-43 entirely of Marian motets.

60 of the 175 motets (none from the second series) are contrafacta, in many cases adapted musically as well as re-texted with locally-specific texts, probably by Pietro Varisco, a priest at Treviso Cathedral, and the compiler and owner of the manuscript (BlackTrev).

Copied in Treviso by a single scribe, identified as Giovanni Ferrandino (BryPozz). Perhaps for use by cathedral choir or one of the city confraternities (BlackTrev); BryPozz argue that it was prepared for the Scuola di Santa Maria dei Battuti (a flagellant sect in Treviso); GlixonMDC that it was for Varisco's singers who serviced many churches in the city.

DIAMM, 2017
Binding

Covers featured Pietro Varisco's coat of arms

DIAMM, 2020
Binding

Parchment, bearing the coat of arms & initials of Varisco - P(resbyter) P(etrus) V(ariscus)

DIAMM, 2020
Notation

black void mensural

DIAMM, 2017
Ruling

9 staves per page - based on the surviving photographs of only some pages

DIAMM, 2020
Foliation

Alessi's catalogue numbers the motets in two series, 1-132 then II: 1-43

DIAMM, 2020
Index

appears to have had an index (Pozzobon1989)

DIAMM, 2020
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

175 motets

I. Alberti-1, G. Animuccia-1, Arcadelt-1, Berchem-2, Berchem/(Gombert/Jaquet of Mantua)-1, Caussin? [Arnoldi]-1, B. Comes-7, Contini-19, Corvo-3, Danckerts [Gislinus]-1, Garulli-3, Gombert-9, Gombert/(Jaquet of Mantua)-1, Gombert/(Lupi)-1, Jaquet of Mantua [Jachet]-8, Jaquet of Mantua/(Vermont)-1, Jhan of Ferrara [Metre Jan]-6, Jhan of Ferrara/(Jaquet of Mantua)-1, Lafage-1, Lassus-6, Lupi-1, Morales-2, Nasco-2, A. Palestrina-1, Palestrina [Jo. Petraloysius Praenestinus]-19, Perissone Cambio-1, Phinot-9, Portinaro-7, Richafort-1, Rore-10, Santacroce [Franc. Patav.]-1, Schaffen-1, Spalenza-1, Testore [Gulielmi Textoris]-1, Tudual-1, Willaert-19, Willaert/(Verdelot)-1, Zarlino-8, anon-15

5 paper partbooks. No further physical description available.

Ca. 1570-5. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Magnum misterium declaratur hodie quia creator Franc. Patav.
Appears on: 1
Genres: Motet
Source Attribution: Franc. Patav.
2 [Surge] illuminare Jerusalem - 1a pars (of 2): Surge illuminare Jerusalem Finot
Appears on: 2
Genres: Motet
Source Attribution: Finot
Concordances

in Gardane 1549-6 "Musica quinque vocum", texted "Illuminare Jerusalem"

2 [Surge] illuminare Jerusalem - 2a pars (of 2): Omnes de Saba -
Appears on: 2
Genres: Motet
3 Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda Morales
Appears on: 3
Genres: Motet
Source Attribution: Morales
3 Cum natus esset - 2a pars (of 3): At illi dixerunt -
Appears on: 3
Genres: Motet
3 Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant -
Appears on: 3
Genres: Motet
4 Descendit spiritus (=Tanto tempore) Finot
Appears on: 4
Genres: Contrafactum, Motet
Source Attribution: Finot
Concordances

contrafactum of 'Tanto tempore' - no. 24 in this ms

5 Antoni pater inclite qui cruciatos reficis Morales
Appears on: 5
Genres: Motet
Source Attribution: Morales
6 O lampas ardens Jachet
Appears on: 6
Genres: Motet
Source Attribution: Jachet
7 Egregie martir Sebastiane - 1a pars (of 2): Egregie martir Sebastiane Gombert
Appears on: 7
Genres: Motet
Source Attribution: Gombert
7 Egregie martir Sebastiane - 2a pars (of 2): Socius enim -
Appears on: 7
Genres: Motet
8 Diem festum - 1a pars (of 2): Diem festum sacratissime (=Signum salutis) Archadelt
Appears on: 8
Genres: Contrafactum, Motet
Source Attribution: Archadelt
Concordances

contrafactum of 'Signum salutis' (cf Treviso 30, where it is attr to Arcadelt; though RISM 1545-3 & 1555-11 attr to Crecquillon)

8 Diem festum - 2a pars (of 2): Dexteram eius (=Lapidem quem) -
Appears on: 8
Genres: Contrafactum, Motet
Concordances

contrafactum of 'Signum salutis' (cf Treviso 30, where it is attr to Arcadelt; though RISM 1545-3 & 1555-11 attr to Crecquillon)

9 Tu es vas - 1a pars (of 2): Tu es vas electionis (= Tua est potentia) Ghislinus
Appears on: 9
Genres: Contrafactum, Motet
Source Attribution: Ghislinus
General Note

contrafactum of Phinot's "Tua est potentia"

9 Tu es vas - 2a pars (of 2): Intercede pro nobis (= Creator omnium) -
Appears on: 9
Genres: Contrafactum, Motet
General Note

contrafactum of Phinot's "Tua est potentia"

10 Senex puerum portabat Scaffen
Appears on: 10
Genres: Motet
Source Attribution: Scaffen
11 Hodie beata Virgo Corvus
Appears on: 11
Genres: Motet
Source Attribution: Corvus
12 O martir egregie Comes
Appears on: 12
Genres: Motet
Source Attribution: Comes
13 Agatha laetissime - 1a pars (of 2): Agatha laetissime Finot
Appears on: 13
Genres: Contrafactum, Motet
Source Attribution: Finot
General Note

contrafactum of Phinot's "Auribus percipe Domine"

13 Agatha laetissime - 2a pars (of 2): Nobilissimis orta natalibus -
Appears on: 13
Genres: Contrafactum, Motet
General Note

contrafactum of Phinot's "Auribus percipe Domine"

14 Virgo martir - 1a pars (of 2): Virgo martir Comes
Appears on: 14
Genres: Contrafactum, Motet
Source Attribution: Comes
Concordances

contrafactum of "Domine ne longe facias"

14 Virgo martir - 2a pars (of 2): Ora pro nobis -
Appears on: 14
Genres: Contrafactum, Motet
Concordances

contrafactum of "Domine ne longe facias"

15 Tu es Petrus - 1a pars (of 2): Tu es Petrus Gombert
Appears on: 15
Genres: Motet
Source Attribution: Gombert
15 Tu es Petrus - 2a pars (of 2): Quodcunque legaveris -
Appears on: 15
Genres: Motet
16 Sancte Gregori Gombert
Appears on: 16
Genres: Contrafactum, Motet
Source Attribution: Gombert
Concordances

contrafactum of Lupi's "Sancti per fidem" (2a pars of "Isti sunt viri sancti")

17 O felix custos (=O fides spei columen) Jachet
Appears on: 17
Genres: Contrafactum, Motet
Source Attribution: Jachet
Concordances

contrafactum of "O fides spei columen" (2a pars of "O quam praeclara sunt"); so also is no 67 in this ms

18 Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria Gombert
Appears on: 18
Genres: Motet
Source Attribution: Gombert
18 Suscipe verbum - 2a pars (of 2): Paries quidem fîlium -
Appears on: 18
Genres: Motet
19 Gabriel nuntiavit Mariae - 1a pars (of 2): Gabriel nuntiavit Mariae Finot
Appears on: 19
Genres: Motet
Source Attribution: Finot
19 Gabriel nuntiavit Mariae - 2a pars (of 2): Pneumatis latet -
Appears on: 19
Genres: Motet
20 Sancte Marce evangelista Jo Lupi
Appears on: 20
Genres: Contrafactum, Motet
Source Attribution: Jo Lupi
Concordances

contrafactum of "Quae est ista" (2a pars of Lupi's "Vidi speciosam")

21 Beatissimus Marcus - 1a pars (of 2): Beatissimus Marcus Josef Zarlinus
Appears on: 21
Genres: Motet
Source Attribution: Josef Zarlinus
21 Beatissimus Marcus - 2a pars (of 2): Accepto Evangelista -
Appears on: 21
Genres: Motet
22 Ave confessor gloriose Liberalis (=Educes me) -
Appears on: 22
Genres: Contrafactum, Motet
Concordances

contrafactum of "Educes me" (2a pars of Verdelot's "In te DOmine speravi")

23 Hic est dies - 1a pars (of 2): Hic est dies egregius sanctissimi Liberalis Innocentius Alberti
Appears on: 23
Genres: Motet
Source Attribution: Innocentius Alberti
23 Hic est dies - 2a pars (of 2): Hodie beatum Liberalem -
Appears on: 23
Genres: Motet
24 Tanto tempore vobiscum sum et non cognovistis (8vv) Finot dominicus
Appears on: 24
Genres: Motet
Source Attribution: Finot dominicus
Concordances

see also no 4 'Descendit spiritus', same music with a contrafact text

25 In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus Jachet Berchem
Appears on: 25
Genres: Motet
Source Attribution: Jachet Berchem
25 In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc -
Appears on: 25
Genres: Motet
26 Nos autem gloriari oportet Joannes Baptista Corvus Novocomensis
Appears on: 26
Genres: Motet
Source Attribution: Joannes Baptista Corvus Novocomensis
27 Circuire possum - 1a pars (of 2): Circuire possum Domine Angeli Petraloysii proenestini
Appears on: 27
Genres: Motet
Source Attribution: Angeli Petraloysii proenestini
27 Circuire possum - 2a pars (of 2): In hac cruce -
Appears on: 27
Genres: Motet
28 Gloriosum diem - 1a pars (of 2): Gloriosum diem Tugdual
Appears on: 28
Genres: Motet
Source Attribution: Tugdual
28 Gloriosum diem - 2a pars (of 2): Tropheum crucis -
Appears on: 28
Genres: Motet
29 In ferventis olei (=Domine ante te) Gulielmi Textoris
Appears on: 29
Genres: Motet
Source Attribution: Gulielmi Textoris
Concordances

Contracfactum of "Domine ante te" (cf. Treviso 30)

30 Dum sacrum misterium Bernardini Garilli
Appears on: 30
Genres: Motet
Source Attribution: Bernardini Garilli
31 Gaudent in caelis Bernardini Garilli
Appears on: 31
Genres: Motet
Source Attribution: Bernardini Garilli
32 O sodales sancte Vindimialis et Florentii (=Miserere nostri Deus) Adriani Will(aert)
Appears on: 32
Genres: Contrafactum, Motet
Source Attribution: Adriani Will(aert)
Concordances

contrafactum of "Miserere nostri Deus" 1a pars.

33 O proles Hispanie pavor infidelium (6vv) Adrianus willaert
Appears on: 33
Genres: Motet
Source Attribution: Adrianus willaert
General Note

canon: fuga trium temporum in diapente intensum

34 Da ecclesiae tuae Metre jan
Appears on: 34
Genres: Motet
Source Attribution: Metre jan
General Note

Canon: "Ut iacet in primo; in quarta quoque ; secundo idipsum petens; pausas liquenda priores;"

35 Fuit homo missus a Deo Jo. Animuccia Florentinus
Appears on: 35
Genres: Motet
Source Attribution: Jo. Animuccia Florentinus
36 Hic est precursor dilectus Joannes Continus
Appears on: 36
Genres: Motet
Source Attribution: Joannes Continus
General Note

canon 'resolutio ex tenore'

37 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Gomberth
Appears on: 37
Genres: Motet
Source Attribution: Gomberth
37 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit -
Appears on: 37
Genres: Motet
38 Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram (6vv) Jo. Petraloysius Proenestinus
Appears on: 38
Genres: Motet
Source Attribution: Jo. Petraloysius Proenestinus
39 Sancte Paule apostole (5vv) (=Partus et integritas) Lafage
Appears on: 39
Genres: Motet
Source Attribution: Lafage
General Note

Canon in diapente remissum

Concordances

contrafactum of "Partus et integritas"; same contrafactum in Treviso 6 (no. 7)

40 Deus cuius dextera (=Deus qui nobis) Joannes Continus
Appears on: 40
Genres: Contrafactum, Motet
Source Attribution: Joannes Continus
General Note

contrafactum of "Deus qui nobis" (cf Treviso 5)

41 Christi martir sancte Chiliane (=Piu volte gia) Adrianus Vuillart
Appears on: 41
Genres: Motet
Source Attribution: Adrianus Vuillart
General Note

contrafactum of the first part of Willaert's "Piu volte gia dal bel sembiante"

42 Intervenientibus Domini (=O admirabile commercium) Jo. Continus
Appears on: 42
Genres: Motet
Source Attribution: Jo. Continus
General Note

contrafactum of "O admirabile commercium"

43 Mulier quae erat (= Domine quis habitabit) Cyprianus Rore
Appears on: 43
Genres: Motet
Source Attribution: Cyprianus Rore
General Note

contrafactum of 1a pars of "Domine quis habitabit"

44 Sancte Jacobe apostole - 1a pars (of 2): Sancte Jacobe apostole M. Jan
Appears on: 44
Genres: Motet
Source Attribution: M. Jan
General Note

Canon (therefore 6vv?): "Pro prima parte descende gradatim ; pro secunda parte scande gradatim."

44 Sancte Jacobe apostole - 2a pars (of 2): O lux et decus hispaniae -
Appears on: 44
Genres: Motet
General Note

Canon (therefore 6vv?): "Pro prima parte descende gradatim ; pro secunda parte scande gradatim."

45 O felix Anna ex styrpe David progenie II: O Anna purissima florem gerens Gomberth
Appears on: 45
Genres: Motet
Source Attribution: Gomberth
46 Benedictus redemptor - 1a pars (of 2): Benedictus redemptor Adrianus vuillart
Appears on: 46
Genres: Motet
Source Attribution: Adrianus vuillart
46 Benedictus redemptor - 2a pars (of 2): Magne pater sancte Dominice -
Appears on: 46
Genres: Motet
47 Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Johannem Gallicus (=B. Comes, see motet II: 15 below)
Appears on: 47
Genres: Motet
Source Attribution: Gallicus (=B. Comes, see motet II: 15 below)
General Note

1a pars only copied

48 Beatus Laurentius orabat dicens domine Adrianus vullaert
Appears on: 48
Genres: Motet
Source Attribution: Adrianus vullaert
General Note

canon in diapente remissum

49 O quam magnificum (=Texebat viridem) Joannes Continus
Appears on: 49
Genres: Motet
Source Attribution: Joannes Continus
Concordances

contrafactum of "Texebat viridem cloris", 1a pars. No. 66 ("Gaude et laetare") is a contracfactum of both parts of the same motet

50 Beatus Bernardus quasi vas auri solidum [B110] (=Domine Jesu Christe fili Dei) Adrianus
Appears on: 50
Genres: Motet
Source Attribution: Adrianus
General Note

contrafactum of "Domine Jesu Christe fili Dei vivi"; BlackTrev lists only a single pars (consistent with the original being in one pars), though Alessi specifies 2 partes - the 2a pars beginning at "Factus est quasi ignis effulgens"

51 Omnipotens sempiterne Deus (=O magnum misterium (1a pars)) -
Appears on: 51
Genres: Motet
General Note

contracfactum of 1a pars of "O magnum mysterium"

52 Presul sanctissime Augustine Maistre Jannes
Appears on: 52
Genres: Motet
Source Attribution: Maistre Jannes
53 Misit rex incredulus 1a pars (of 2): Misit rex incredulus (=Cum iucunditate) -
Appears on: 53
Genres: Motet
Concordances

contracfactum of "Cum iocunditate" - which is copied at II: 15 in this manuscript

53 Misit rex incredulus - 2a pars (of 2): Herodes enim (=Corde et animo) -
Appears on: 53
Genres: Motet
Concordances

contracfactum of "Cum iocunditate" - which is copied at II: 15 in this manuscript

54 Beate evangelista Mathei (=Assumpta est Maria (1a pars)) -
Appears on: 54
Genres: Motet
General Note

contracfactum of 1a pars of "Assumpta est Maria"

55 Clementissime Deus - 1a pars (of 2): Clementissime Deus M. Jann(es)
Appears on: 55
Genres: Motet
Source Attribution: M. Jann(es)
55 Clementissime Deus - 2a pars (of 2): Tu que sacer Hieronime -
Appears on: 55
Genres: Motet
56 Sancte Francisce Adrianus
Appears on: 56
Genres: Motet
Source Attribution: Adrianus
General Note

Fuga quattor temporum in dispente intensum

57 Gaudeamus II: Cantemus (=Quando fra l'altre donne) -
Appears on: 57
Genres: Motet
General Note

contrafactum of Willaert's "Quando fra l'altre donne"

58 Sacrae legis - 1a pars (of 2): Sacrae legis Christianae Maistre Jann(es)
Appears on: 58
Genres: Motet
Source Attribution: Maistre Jann(es)
58 Sacrae legis - 2a pars (of 2): Precamur -
Appears on: 58
Genres: Motet
59 Gaudeamus omnes (=Alleva manum) Adrianus
Appears on: 59
Genres: Motet
Source Attribution: Adrianus
Concordances

contrafactum of "Alleva manum", 2a pars of "Miserere nostri Deus" - cf. no 32 for the 1a pars

60 Deus qui nos (=Austriae stirpis) -
Appears on: 60
Genres: Motet
General Note

contrafactum of 1a pars of "Austriae stirpis"

61 Te gloriosus apostolorum Comes
Appears on: 61
Genres: Motet
Source Attribution: Comes
62 O quam gloriosum est regnum in quo Dominicus Finot
Appears on: 62
Genres: Motet
Source Attribution: Dominicus Finot
63 Sancti Dei omnes Jo. Continus
Appears on: 63
Genres: Motet
Source Attribution: Jo. Continus
64 Te gloriosus apostolorum chorus Dominicus Finot
Appears on: 64
Genres: Motet, Te Deum
Source Attribution: Dominicus Finot
65 O quam gloriosum Jo. Continus
Appears on: 65
Genres: Motet
Source Attribution: Jo. Continus
66 Gaude et laetare - 1a pars (of 2): Gaude et laetare (= Texebat viridem) -
Appears on: 66
Genres: Motet
Concordances

contrafactum of "Texebat viridem cloris". No. 49 ("O quam magnificum") is a contracfactum of the 1a pars of the same motet

66 Gaude et laetare - 2a pars (of 2): Gaude igitur Tarvisina civitas (= Texebat viridem, 2a pars) -
Appears on: 66
Genres: Motet
General Note

contrafactum of "Texebat viridem cloris". No. 49 ("O quam magnificum") is a contracfactum of the 1a pars only of the same motet

67 O praesul venerabilis (=O fides spei columen) -
Appears on: 67
Genres: Contrafactum, Motet
Concordances

contrafactum of "O fides spei columen" (2a pars of "O quam praeclara sunt"); so also is no 17 in this ms

68 O beatum virum Martinum Continus
Appears on: 68
Genres: Motet
Source Attribution: Continus
69 O beatum pontificem qui totis visceribus diligebat [De sancto Martino] Adrianus
Appears on: 69
Genres: Motet
Source Attribution: Adrianus
General Note

canon in subdiapente

70 Beatus Dei famulus - 1a pars (of 2): Beatus Dei famulus Proenestini
Appears on: 70
Genres: Contrafactum, Motet
Source Attribution: Proenestini
General Note

contrafactum: Alessi noted in 'La Capella Musicale di Treviso', p.215 "addattamento dal testo sul motetto 'Gaude Barbara'.": Blackburn's discovery of the 60 contrafact texts in Treviso 29 began from this brief comment.

70 Beatus Dei famulus - 2a pars (of 2): Gaude Tarvisina civitas -
Appears on: 70
Genres: Contrafactum, Motet
General Note

contrafactum of "Gaude Barbara" (2a pars)

71 Deus alma spes Petri Antonii Spalenza
Appears on: 71
Genres: Motet
Source Attribution: Petri Antonii Spalenza

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 124-128. Notes: transcription.

72 Prudens et vigilans Joannes Continus
Appears on: 72
Genres: Motet
Source Attribution: Joannes Continus
73 Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae M. Jannes
Appears on: 73
Genres: Motet
Source Attribution: M. Jannes
Concordances

Treviso 36, f. 15

73 Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus -
Appears on: 73
Genres: Motet
74 O sancte presul Nicolae - 1a pars (of 2): O sancte presul Nicolae Jo. Petraloysii proenestini
Appears on: 74
Genres: Motet
Source Attribution: Jo. Petraloysii proenestini
74 O sancte presul Nicolae - 2a pars (of 2): Gaude praesul optime -
Appears on: 74
Genres: Motet
75 Ave ignea columna - 1a pars (of 2): Ave ignea columna Perissonus
Appears on: 75
Genres: Contrafactum, Motet
Source Attribution: Perissonus
General Note

contrafactum of "Ad te Domine animam meam"

75 Ave ignea columna - 2a pars (of 2): O Dei electe -
Appears on: 75
Genres: Contrafactum, Motet
General Note

contrafactum of "Ad te Domine animam meam"

76 Columna es Jo. Petraloysius proenestinus
Appears on: 76
Genres: Motet
Source Attribution: Jo. Petraloysius proenestinus
77 In tua patientia - 1a pars (of 2): In tua patientia Gomberth
Appears on: 77
Genres: Contrafactum, Motet
Source Attribution: Gomberth
General Note

contrafactum of "Veni dilecta mea"

77 In tua patientia - 2a pars (of 2): Lucia virgo -
Appears on: 77
Genres: Contrafactum, Motet
General Note

contrafactum of "Nigra sum sed formosa", 2a pars of "Veni dilecta mea"

78 Quia vidisti me - 1a pars (of 2): Quia vidisti me Continus
Appears on: 78
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "Maria stabat ad monumentum"

78 Quia vidisti me - 2a pars (of 2): Infer digitum -
Appears on: 78
Genres: Contrafactum, Motet
General Note

contrafactum of "Maria stabat ad monumentum" (2a pars)

79 Hodie scietis (= Pulchrior Italicis) Cypriani Rore
Appears on: 79
Genres: Contrafactum, Motet
Source Attribution: Cypriani Rore
General Note

contrafactum of "Pulchrior Italicis"

80 Hodie Christus natus est Continus
Appears on: 80
Genres: Motet
Source Attribution: Continus
81 Patefactae sunt ianuae - 1a pars (of 2): Patefactae sunt ianuae Continus
Appears on: 81
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "Tempus est ut revertar"

81 Patefactae sunt ianuae - 2a pars (of 2): Mortem enim -
Appears on: 81
Genres: Contrafactum, Motet
General Note

contrafactum of "Nisi ego abiero", 2a pars of "Tempus est ut revertar"

82 In medio ecclaesiae - 1a pars (of 2): In medio ecclaesiae Proenestinus
Appears on: 82
Genres: Contrafactum, Motet
Source Attribution: Proenestinus
General Note

contrafactum of "O virgo simul et mater" (= II: 32 in this manuscript). The original has one pars; it is not clear whether that pars was divided to create the 2a pars of this motet, or whether the 2a pars was a contrafact of another motet (Alessi did not give incipits)

82 In medio ecclaesiae - 2a pars (of 2): Iucunditatem -
Appears on: 82
Genres: Contrafactum, Motet
General Note

1a pars is a contrafactum of "O virgo simul et mater" (= II: 32 in this manuscript). The original has one pars; it is not clear whether that pars was divided to create the 2a pars of this motet, or whether the 2a pars was a contrafact of another motet (Alessi did not give incipits)

83 Innocentes pro Christo Continus
Appears on: 83
Genres: Motet
Source Attribution: Continus
84 Silvester beatissimus (=Peccantem me) Proenestinus
Appears on: 84
Genres: Contrafactum, Motet
Source Attribution: Proenestinus
General Note

contrafactum of "Peccantem me quotidie"

85 Benedictus qui venit (=Laetentur celi (1a pars)) Continus
Appears on: 85
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "Laetentur caeli" (1a pars)

86 Videntes stellam magi gavisi sunt gaudio (2p. Et apertis thesauris suis obtulerunt) Orlandi Lassi
Appears on: 86
Genres: Motet
Source Attribution: Orlandi Lassi
87 Antoni pater (=Surrexit pastor bonus) Orlandi Lassi
Appears on: 87
Genres: Contrafactum, Motet
Source Attribution: Orlandi Lassi
General Note

contrafactum of "Surrexit pastor bonus" (1a pars only?)

88 Petre amas me - 1a pars (of 2): Petre amas me (= In Domino confido) Cyprianus Rore
Appears on: 88
Genres: Contrafactum, Motet
Source Attribution: Cyprianus Rore
General Note

contrafactum of "In Domino confido" (1a pars)

88 Petre amas me - 2a pars (of 2): Simon Joannis (= Dominus in templo) -
Appears on: 88
Genres: Contrafactum, Motet
General Note

contrafactum of "Dominus in templo sancto" (2a pars of "In Domino confido")

89 Sebastianus Dei cultor Joseph Zarlinus
Appears on: 89
Genres: Motet
Source Attribution: Joseph Zarlinus
General Note

canon in diapente intensum

90 Stans beata Agnes (=Enceladi Coeique soror} Jachet
Appears on: 90
Genres: Contrafactum, Motet
Source Attribution: Jachet
General Note

contrafactum of "Enceladi Coeique soror"

91 Laudemus Deum - 1a pars (of 2): Laudemus Deum Franc(isci) portinarii
Appears on: 91
Genres: Contrafactum, Motet
Source Attribution: Franc(isci) portinarii
General Note

contrafactum of "Sancta et immaculata" (see Portinaro motetti a cinque voci 1548)

91 Laudemus Deum - 2a pars (of 2): Hic est vas -
Appears on: 91
Genres: Contrafactum, Motet
General Note

contrafactum of "Sancta et immaculata" (see Portinaro motetti a cinque voci 1548)

92 Magnificemus Deum Jo Naschi
Appears on: 92
Genres: Motet
Source Attribution: Jo Naschi
93 Elegit te Deus - 1a pars (of 2): Elegit te Deus Orlandi Lassi
Appears on: 93
Genres: Contrafactum, Motet
Source Attribution: Orlandi Lassi
General Note

contrafactum of "Illustra faciem tuam" (1a pars)

93 Elegit te Deus - 2a pars (of 2): Immola Deo -
Appears on: 93
Genres: Contrafactum, Motet
General Note

contrafactum of "Quam magna multitudo", 2a pars of " "Illustra faciem tuam"

94 Deus qui beatum (=Ave vivens hostia) Continus
Appears on: 94
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "Ave vivens hostia"

95 O lux Italiae (=Veni in hortum meum) Orlandi Lassi
Appears on: 95
Genres: Contrafactum, Motet
Source Attribution: Orlandi Lassi
General Note

contrafactum of "Veni in hortum meum"

96 O Gregori (=Cantantibus organis, 1a pars) Cypriani Rore
Appears on: 96
Genres: Contrafactum, Motet
Source Attribution: Cypriani Rore
General Note

contrafactum of 1a pars of "Cantantibus organis"

97 Vocatus Joseph - 1a pars (of 2): Vocatus Joseph Bernardini Garilli
Appears on: 97
Genres: Motet
Source Attribution: Bernardini Garilli
97 Vocatus Joseph - 2a pars (of 2): Introduxit Jesus -
Appears on: 97
Genres: Motet
98 Laudemus Dominum - 1a pars (of 2): Laudemus Dominum (= Surge Petre) Continus
Appears on: 98
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "Surge Petre"

98 Laudemus Dominum - 2a pars (of 2): Benedictum sit (= Ego te) -
Appears on: 98
Genres: Contrafactum, Motet
General Note

contrafactum of "Surge Petre"

99 Hodie sanctus Benedictus (=Clodia quem genuit) Josephi Zarlini
Appears on: 99
Genres: Contrafactum, Motet
Source Attribution: Josephi Zarlini
General Note

contrafactum of "Clodia quem genuit"

100 Tradent enim vos in conciliis et in synagogis Jo. petraloysii proenestini
Appears on: 100
Genres: Motet
Source Attribution: Jo. petraloysii proenestini
101 Venite ad me omnes qui laboratis Gomberth
Appears on: 101
Genres: Motet
Source Attribution: Gomberth
102 Non vos me elegistis sed ego elegi vos Orlandi Lassi
Appears on: 102
Genres: Motet
Source Attribution: Orlandi Lassi
103 Virtute magna II: Repleti quidem -
Appears on: 103
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there); attr to Rore in a 1595 print & re-printed from there in Bernhard Meier's 'Rore opera omnia' though Meier expressed doubts about its authenticity.

Item Bibliography

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: vol 6 (p.XIII re authenticity).

104 Corona aurea super caput eius expressa II: Domine praevenisti eum in benedictionibus Jo. petraloysii proenestini
Appears on: 104
Genres: Motet
Source Attribution: Jo. petraloysii proenestini
105 Iste sanctus (=Ut te muneribus) Joannis Continus
Appears on: 105
Genres: Contrafactum, Motet
Source Attribution: Joannis Continus
General Note

contrafactum of "Ut te muneribus"

106 Qui vult venire (=Confitemini Domino) Orlandi Lassi
Appears on: 106
Genres: Contrafactum, Motet
Source Attribution: Orlandi Lassi
General Note

contrafactum of "Confitemini Domino"

107 Filiae Jerusalem - 1a pars (of 2): Filiae Jerusalem Jo. petraloysius proenestinus
Appears on: 107
Genres: Contrafactum, Motet
Source Attribution: Jo. petraloysius proenestinus
General Note

contrafactum of "Angelus Domini descendit de caelo" (1a pars)

107 Filiae Jerusalem - 2a pars (of 2): Quoniam confortavit -
Appears on: 107
Genres: Contrafactum, Motet
General Note

contrafactum of "Et introeuntes in monumentum viderunt", 2a pars of ""Angelus Domini descendit de caelo"

108 Istorum est enim regnum caelorum Dominicus Finot
Appears on: 108
Genres: Motet
Source Attribution: Dominicus Finot
109 Absterget Deus - 1a pars (of 2): Absterget Deus Franc(iscus) Portinarus
Appears on: 109
Genres: Motet
Source Attribution: Franc(iscus) Portinarus
109 Absterget Deus - 2a pars (of 2): Non exurient -
Appears on: 109
Genres: Motet
110 Gaudent in caelis Comes
Appears on: 110
Genres: Motet
Source Attribution: Comes
111 Haec est vera - 1a pars (of 2): Haec est vera fraternitas Proenestini
Appears on: 111
Genres: Contrafactum, Motet
Source Attribution: Proenestini
General Note

contrafactum of "Canite tuba in Sion" (1a pars)

111 Haec est vera - 2a pars (of 2): Ecce quam bonum -
Appears on: 111
Genres: Contrafactum, Motet
General Note

contrafactum of "Rorate caeli desuper", 2a pars of "Canite tuba in Sion"

112 Sacerdos et pontifex (=Sanctorum martyrum tuorum) Jo. Contini
Appears on: 112
Genres: Motet
Source Attribution: Jo. Contini
General Note

contrafactum of "Sanctorum martyrum tuorum"

113 Iuravit Dominus - 1a pars (of 2): Iuravit Dominus Gomberth
Appears on: 113
Genres: Contrafactum, Motet
Source Attribution: Gomberth
General Note

contrafactum of "Caeciliam cantate" (1a pars)

113 Iuravit Dominus - 2a pars (of 2): Dixit dominus -
Appears on: 113
Genres: Contrafactum, Motet
General Note

contrafactum of "Concordes igitur", 2a pars of "Caeciliam cantate"

114 Amavit eum Dominus (=O beatum pontificem) Joseph Zarlinus
Appears on: 114
Genres: Contrafactum, Motet
Source Attribution: Joseph Zarlinus
General Note

Fuga duorum temporum in diatesseron intensum

General Note

contrafactum of "O beatum pontificem"

115 Dum esset summus pontifex (=Da pacem) Franc(isci) portinarii
Appears on: 115
Genres: Contrafactum, Motet
Source Attribution: Franc(isci) portinarii
General Note

contrafactum of "Da pacem"

116 O doctor optime (=Creator omnium Deus (5vv)) Adriani will(aert)
Appears on: 116
Genres: Contrafactum, Motet
Source Attribution: Adriani will(aert)
General Note

Fuga duorum temporum in diatessaron intensum

Concordances

contrafactum of "Creator omnium Deus"

117 Similabo eum (=Repleatur os meum) Jachet
Appears on: 117
Genres: Contrafactum, Motet
Source Attribution: Jachet
General Note

fuga duorum temporum

General Note

contrafactum of "Repleatur os meum"

118 Iste est - 1a pars (of 2): Iste est qui ante Deum Continus
Appears on: 118
Genres: Contrafactum, Motet
Source Attribution: Continus
General Note

contrafactum of "O stupor et gaudium" (1a pars)

118 Iste est - 2a pars (of 2): Iste est qui contempsit -
Appears on: 118
Genres: Contrafactum, Motet
General Note

contrafactum of " In te signis radians", 2a pars of "O stupor et gaudium"

119 Hic vir despiciens mundum Ciprianus Rore
Appears on: 119
Genres: Contrafactum, Motet
Source Attribution: Ciprianus Rore
General Note

contrafactum of 1a pars of "Angustiae mihi"

120 Veni sponsa Christi Richaforth
Appears on: 120
Genres: Motet
Source Attribution: Richaforth
121 Prudentes virgines (= Exaudiat me Dominus) Cyprianus Rore
Appears on: 121
Genres: Contrafactum, Motet
Source Attribution: Cyprianus Rore
General Note

contrafactum of 1a pars of "Exaudiat me Dominus"

122 Veni electa mea - 1a pars (of 2): Veni electa mea Gomberth
Appears on: 122
Genres: Motet
Source Attribution: Gomberth
122 Veni electa mea - 2a pars (of 2): Diffusa est gratia in labiis tuis -
Appears on: 122
Genres: Motet
123 Regnum mundi - 1a pars (of 2): Regnum mundi (= Usquequo domine) Cyprianus
Appears on: 123
Genres: Contrafactum, Motet
Source Attribution: Cyprianus
General Note

contrafactum of "Usquequo domine oblivisceris me" (1a pars)

123 Regnum mundi - 2a pars (of 2): Exultavit cor meum (= Illumina oculos) -
Appears on: 123
Genres: Contrafactum, Motet
General Note

contrafactum of "Illumina oculos meos", 2a pars of "Usquequo domine oblivisceris me"

124 Veni sponsa Christi - Anonymous
Appears on: 124
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

125 Domus mea - 1a pars (of 2): Domus mea Comes
Appears on: 125
Genres: Motet
Source Attribution: Comes
125 Domus mea - 2a pars (of 2): Petite et accipietis -
Appears on: 125
Genres: Motet
126 Sanctificavit Dominus Proenestinus
Appears on: 126
Genres: Motet
Source Attribution: Proenestinus
127 O quam metuendus Proenestinus
Appears on: 127
Genres: Motet
Source Attribution: Proenestinus
128 Inclitae sanctae virginis Proenestinus
Appears on: 128
Genres: Motet
Source Attribution: Proenestinus
129 Fuit homo missus a deo cui nomen erat II: Erat Johannes in deserto praedicans Proenestinus
Appears on: 129
Genres: Motet
Source Attribution: Proenestinus
130 O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe Proenestinus
Appears on: 130
Genres: Motet
Source Attribution: Proenestinus
130 O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti -
Appears on: 130
Genres: Motet
131 Praeceptor bonum est - 1a pars (of 2): Praeceptor bonum est Proenestinus
Appears on: 131
Genres: Contrafactum, Motet
Source Attribution: Proenestinus
General Note

contrafactum of "Congrega Domine" (1a pars)

131 Praeceptor bonum est - 2a pars (of 2): Non enim -
Appears on: 131
Genres: Contrafactum, Motet
General Note

contrafactum of "Afflige opprimentes nos", 2a pars of "Congrega Domine"

132 Omnipotens sempiterne Deus qui huius diei Proenestinus
Appears on: 132
Genres: Motet
Source Attribution: Proenestinus
II: 1 Inviolata - 1a pars (of 2): Inviolata integra et casta es Jo. Nasco
Appears on: II: 1
Genres: Motet
Source Attribution: Jo. Nasco

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 135-142. Notes: transcription.

II: 1 Inviolata - 2a pars (of 2): Nostra ut pura -
Appears on: II: 1
Genres: Motet

Item Bibliography

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Pages: 1325-142. Notes: transcription.

II: 2 Descendi in ortum meum ut viderem poma Jachet
Appears on: II: 2
Genres: Motet
Source Attribution: Jachet
General Note

canon in diapente superius

II: 3 Qualis es dilecta mea dicite filiae Sion Jachet Berchem
Appears on: II: 3
Genres: Motet
Source Attribution: Jachet Berchem
II: 4 Gaude Maria virgo cunctas hereses sola (2p. Gabrielem archangelum credimus) Cipriani Rore
Appears on: II: 4
Genres: Motet
Source Attribution: Cipriani Rore
II: 5 Vidi speciosam Franc(Isci) portinarii
Appears on: II: 5
Genres: Motet
Source Attribution: Franc(Isci) portinarii
II: 6 O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera Adriani W(illaert)
Appears on: II: 6
Genres: Motet
Source Attribution: Adriani W(illaert)
General Note

canon in diapente superius

II: 6 O gloriosa domina - 2a pars (of 2): Maria mater gratiae -
Appears on: II: 6
Genres: Motet
II: 7 Ave quam colunt angeli - 1a pars (of 2): Ave quam colunt angeli Jachet
Appears on: II: 7
Genres: Motet
Source Attribution: Jachet
II: 7 Ave quam colunt angeli - 2a pars (of 2): Audi quid -
Appears on: II: 7
Genres: Motet
II: 8 Beata viscera Mariae virginis Adriani Will(aert)
Appears on: II: 8
Genres: Motet
Source Attribution: Adriani Will(aert)
II: 9 Sicut lilium - Anonymous

Sicut lilium

Anonymous
Appears on: II: 9
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

II: 10 Ecce tu pulchra Josephi Zarlini
Appears on: II: 10
Genres: Motet
Source Attribution: Josephi Zarlini
II: 11 Murus tuus dilecta - 1a pars (of 2): Murus tuus dilecta Jachet
Appears on: II: 11
Genres: Motet
Source Attribution: Jachet
General Note

canon in diatessaron superius

II: 11 Murus tuus dilecta - 2a pars (of 2): Ego murus sum -
Appears on: II: 11
Genres: Motet
II: 12 Si ignoras te O pulchra inter mulieres (2p. Surge propera amica mea columba) Cypriani Rore
Appears on: II: 12
Genres: Motet
Source Attribution: Cypriani Rore
II: 13 Virgo Maria II: Virgo Maria - Anonymous
Appears on: II: 13
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

II: 14 Ave virgo sponsa Dei sancti spiritus II: O Maria benedicta in mulieribus III: Igitur nos merito erata nostra Adriani Vuillart
Appears on: II: 14
Genres: Motet
Source Attribution: Adriani Vuillart
II: 15 Cum iucunditate - 1a pars (of 2): Cum iucunditate Bartholomei Comitis Gallici
Appears on: II: 15
Genres: Motet
Source Attribution: Bartholomei Comitis Gallici
Concordances

See also no. 53 ("Misit rex incredulus") which is a contrafactum of this motet

II: 15 Cum iucunditate - 2a pars (of 2): Corde et animo -
Appears on: II: 15
Genres: Motet
Concordances

See also no. 53 ("Misit rex incredulus") which is a contrafactum of this motet

II: 16 Virgo prudentissima Joseph Zarlini
Appears on: II: 16
Genres: Motet
Source Attribution: Joseph Zarlini
General Note

canon in diapente inferius

II: 17 Alma redemptoris - 1a pars (of 2): Alma redemptoris mater Jachet
Appears on: II: 17
Genres: Motet
Source Attribution: Jachet
II: 17 Alma redemptoris - 2a pars (of 2): Tu quae genuisti -
Appears on: II: 17
Genres: Motet
II: 18 Rosa de spinis - 1a pars (of 2): Rosa de spinis Arnoldi
Appears on: II: 18
Genres: Motet
Source Attribution: Arnoldi
II: 18 Rosa de spinis - 2a pars (of 2): Miranda salutatis -
Appears on: II: 18
Genres: Motet
II: 19 Osculetur me osculo oris sui quia meliora Dominici Finot
Appears on: II: 19
Genres: Motet
Source Attribution: Dominici Finot
II: 20 Adiuro vos Josephi Zarlini
Appears on: II: 20
Genres: Motet
Source Attribution: Josephi Zarlini
II: 21 Sicut cedrus - 1a pars (of 2): Sicut cedrus Francisci portinarii
Appears on: II: 21
Genres: Motet
Source Attribution: Francisci portinarii
II: 21 Sicut cedrus - 2a pars (of 2): In Plateis -
Appears on: II: 21
Genres: Motet
II: 22 Benedicta et venerabilis es virgo Maria Franc(isci) portinarii
Appears on: II: 22
Genres: Motet
Source Attribution: Franc(isci) portinarii
II: 23 Ave sanctissima Maria - Anonymous
Appears on: II: 23
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

II: 24 Surge propera amica mea Jo. Baptiste Corvi Novocomensis
Appears on: II: 24
Genres: Motet
Source Attribution: Jo. Baptiste Corvi Novocomensis
II: 25 Felix namque es II: Ora pro populo - Anonymous
Appears on: II: 25
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

II: 26 Ave regina caelorum Josephi Zarlini
Appears on: II: 26
Genres: Motet
Source Attribution: Josephi Zarlini
II: 27 Suscipe verbum - Anonymous

Suscipe verbum

Anonymous
Appears on: II: 27
Genres: Motet
Concordances

in Gardane 1549-6 "Musica quinque vocum" (also anonymous there)

II: 28 Ave virgo gratiosa [gloriosa] stella sole clarior Jachet
Appears on: II: 28
Genres: Motet
Source Attribution: Jachet
II: 29 Ave Maria alta stirpe Metre Jan
Appears on: II: 29
Genres: Motet
Source Attribution: Metre Jan
II: 30 Ave Maria ancilla - 1a pars (of 2): Ave Maria ancilla sanctae trinitatis -
Appears on: II: 30
Genres: Ave Maria, Motet
II: 30 Ave Maria ancilla - 2a pars (of 2): Ave Maria fons et pulchritudo confessorum -
Appears on: II: 30
Genres: Ave Maria, Motet
II: 31 Ave et gaude gloriosa virgo Adriani Vuillaert
Appears on: II: 31
Genres: Motet
Source Attribution: Adriani Vuillaert
Concordances

attributed to Willaert here & in Bologna Q27; anon in Piacenza s.s. (Quintus). Attr to "Simon ferrariensis" in RISM 1539-8 (no 16)

II: 32 O virgo simul et mater Proenestini
Appears on: II: 32
Genres: Motet
Source Attribution: Proenestini
General Note

no. 82 in this ms is a contrafactum of this motet

II: 33 Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus et benedictus Jo. Petr. Proenestini
Appears on: II: 33
Genres: Motet
Source Attribution: Jo. Petr. Proenestini
II: 34 Gaude et laetare Giacheti de Berquem
Appears on: II: 34
Genres: Motet
Source Attribution: Giacheti de Berquem
II: 35 Sub tuum praesidium Adriani Vuillert
Appears on: II: 35
Genres: Motet
Source Attribution: Adriani Vuillert
II: 36 Alma redemptoris mater (6vv) (2p. Tu quae genuisti) Adriani willaert
Appears on: II: 36
Genres: Alma redemptoris mater, Motet
Source Attribution: Adriani willaert
II: 37 Benedicta es caelorum regina (7vv) - 1a pars (of 2): Benedicta es caelorum regina et mundi Adriani willaert
Appears on: II: 37
Genres: Motet
Source Attribution: Adriani willaert
General Note

Fuga trium temporum in diapente et oto temporum in diapason

II: 37 Benedicta es caelorum regina (7vv) - 2a pars (of 2): Per illud ave prolatum et tuum -
Appears on: II: 37
Genres: Motet
General Note

Fuga trium temporum in diapente et oto temporum in diapason

II: 38 Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) Adriani vuillaert
Appears on: II: 38
Genres: Motet
Source Attribution: Adriani vuillaert
II: 39 Salve sancta parens - 1a pars (of 2): Salve sancta parens Adriani vuillaert
Appears on: II: 39
Genres: Motet
Source Attribution: Adriani vuillaert
II: 39 Salve sancta parens - 2a pars (of 2): Virgo Dei genetrix -
Appears on: II: 39
Genres: Motet
II: 40 Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud) Adriani vuillaert
Appears on: II: 40
Genres: Motet
Source Attribution: Adriani vuillaert
II: 41 Regina caeli Francisci portinarii
Appears on: II: 41
Genres: BVM, Motet, Regina caeli laetare
Source Attribution: Francisci portinarii
II: 42 Conceptio tua Dei genitrix virgo gaudium Gomberth
Appears on: II: 42
Genres: Motet
Source Attribution: Gomberth
II: 43 Hodie beata virgo Continus
Appears on: II: 43
Genres: Motet
Source Attribution: Continus
Composer Compositions
Alberti, Innocentio (ca. 1535–1615)
Animuccia, Giovanni (ca. 1520–1571)
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Berchem, Jacques (ca. 1505–1567)
Caussin, Ernold (ca. 1510–ca. 1548)
Comes, Bartholomeus
Contino, Giovanni
Corvo, Giovanni Battista
Crecquillon, Thomas (ca. 1505–ca. 1557)
Danckerts, Ghiselin
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485–1538)
Garulli, Bernardino
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Lupi, Johannes (ca. 1506–1539)
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Nasco, Jan
Palestrina, Angelo
Palestrina, Giovanni Pierluigi da (1525–1594)
Patavino, Francesco (ca. 1487–ca. 1556)
Perissone Cambio
Phinot, Dominique
Portinari, Francesco (ca. 1520–ca. 1577)
Richafort, Jean (ca. 1480–ca. 1550)
Rore, Cipriano de (ca. 1515–1565)
Schaffen, Henri
Spalenza, Pietr’Antonio
Testori, Guglielmus
Tudual
Verdelot, Philippe (ca. 1480–ca. 1532)
Vermont, Pierre
Willaert, Adrian (ca. 1490–1562)
Zarlino, Gioseffo (1517–1590)
Composition Composers (? Uncertain) Folios / Pages
[Surge] illuminare Jerusalem - 1a pars (of 2): Surge illuminare Jerusalem 2
[Surge] illuminare Jerusalem - 2a pars (of 2): Omnes de Saba 2
Absterget Deus - 1a pars (of 2): Absterget Deus 109
Absterget Deus - 2a pars (of 2): Non exurient 109
Adiuro vos II: 20
Agatha laetissime - 1a pars (of 2): Agatha laetissime 13
Agatha laetissime - 2a pars (of 2): Nobilissimis orta natalibus 13
Alma redemptoris - 1a pars (of 2): Alma redemptoris mater II: 17
Alma redemptoris - 2a pars (of 2): Tu quae genuisti II: 17
Alma redemptoris mater (6vv) (2p. Tu quae genuisti) II: 36
Amavit eum Dominus (=O beatum pontificem) 114
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 73
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 73
Antoni pater (=Surrexit pastor bonus) 87
Antoni pater inclite qui cruciatos reficis 5
Assumpsit Jesus - 1a pars (of 2): Assumpsit Jesus Petrum et Johannem 47
Ave confessor gloriose Liberalis (=Educes me) 22
Ave et gaude gloriosa virgo II: 31
Ave ignea columna - 1a pars (of 2): Ave ignea columna 75
Ave ignea columna - 2a pars (of 2): O Dei electe 75
Ave Maria alta stirpe II: 29
Ave Maria ancilla - 1a pars (of 2): Ave Maria ancilla sanctae trinitatis II: 30
Ave Maria ancilla - 2a pars (of 2): Ave Maria fons et pulchritudo confessorum II: 30
Ave quam colunt angeli - 1a pars (of 2): Ave quam colunt angeli II: 7
Ave quam colunt angeli - 2a pars (of 2): Audi quid II: 7
Ave regina caelorum II: 26
Ave sanctissima Maria Anonymous II: 23
Ave virgo gratiosa [gloriosa] stella sole clarior II: 28
Ave virgo sponsa Dei sancti spiritus II: O Maria benedicta in mulieribus III: Igitur nos merito erata nostra II: 14
Beata viscera Mariae virginis II: 8
Beate evangelista Mathei (=Assumpta est Maria (1a pars)) 54
Beatissimus Marcus - 1a pars (of 2): Beatissimus Marcus 21
Beatissimus Marcus - 2a pars (of 2): Accepto Evangelista 21
Beatus Bernardus quasi vas auri solidum [B110] (=Domine Jesu Christe fili Dei) 50
Beatus Dei famulus - 1a pars (of 2): Beatus Dei famulus 70
Beatus Dei famulus - 2a pars (of 2): Gaude Tarvisina civitas 70
Beatus Laurentius orabat dicens domine 48
Benedicta es caelorum regina (7vv) - 1a pars (of 2): Benedicta es caelorum regina et mundi II: 37
Benedicta es caelorum regina (7vv) - 2a pars (of 2): Per illud ave prolatum et tuum II: 37
Benedicta et venerabilis es virgo Maria II: 22
Benedictus qui venit (=Laetentur celi (1a pars)) 85
Benedictus redemptor - 1a pars (of 2): Benedictus redemptor 46
Benedictus redemptor - 2a pars (of 2): Magne pater sancte Dominice 46
Christi martir sancte Chiliane (=Piu volte gia) 41
Circuire possum - 1a pars (of 2): Circuire possum Domine 27
Circuire possum - 2a pars (of 2): In hac cruce 27
Clementissime Deus - 1a pars (of 2): Clementissime Deus 55
Clementissime Deus - 2a pars (of 2): Tu que sacer Hieronime 55
Columna es 76
Conceptio tua Dei genitrix virgo gaudium II: 42
Corona aurea super caput eius expressa II: Domine praevenisti eum in benedictionibus 104
Cum iucunditate - 1a pars (of 2): Cum iucunditate II: 15
Cum iucunditate - 2a pars (of 2): Corde et animo II: 15
Cum natus esset - 1a pars (of 3): Cum natus esset Jesus in Bethlehem Juda 3
Cum natus esset - 2a pars (of 3): At illi dixerunt 3
Cum natus esset - 3a pars (of 3): Et ecce stela quam viderant 3
Da ecclesiae tuae 34
Descendi in ortum meum ut viderem poma II: 2
Descendit spiritus (=Tanto tempore) 4
Deus alma spes 71
Deus cuius dextera (=Deus qui nobis) 40
Deus qui beatum (=Ave vivens hostia) 94
Deus qui nos (=Austriae stirpis) 60
Diem festum - 1a pars (of 2): Diem festum sacratissime (=Signum salutis) 8
Diem festum - 2a pars (of 2): Dexteram eius (=Lapidem quem) 8
Domus mea - 1a pars (of 2): Domus mea 125
Domus mea - 2a pars (of 2): Petite et accipietis 125
Dum esset summus pontifex (=Da pacem) 115
Dum sacrum misterium 30
Ecce tu pulchra II: 10
Egregie martir Sebastiane - 1a pars (of 2): Egregie martir Sebastiane 7
Egregie martir Sebastiane - 2a pars (of 2): Socius enim 7
Elegit te Deus - 1a pars (of 2): Elegit te Deus 93
Elegit te Deus - 2a pars (of 2): Immola Deo 93
Felix namque es II: Ora pro populo Anonymous II: 25
Filiae Jerusalem - 1a pars (of 2): Filiae Jerusalem 107
Filiae Jerusalem - 2a pars (of 2): Quoniam confortavit 107
Fuit homo missus a Deo 35
Fuit homo missus a deo cui nomen erat II: Erat Johannes in deserto praedicans 129
Gabriel nuntiavit Mariae - 1a pars (of 2): Gabriel nuntiavit Mariae 19
Gabriel nuntiavit Mariae - 2a pars (of 2): Pneumatis latet 19
Gaude et laetare II: 34
Gaude et laetare - 1a pars (of 2): Gaude et laetare (= Texebat viridem) 66
Gaude et laetare - 2a pars (of 2): Gaude igitur Tarvisina civitas (= Texebat viridem, 2a pars) 66
Gaude Maria virgo cunctas hereses sola (2p. Gabrielem archangelum credimus) II: 4
Gaudeamus II: Cantemus (=Quando fra l'altre donne) 57
Gaudeamus omnes (=Alleva manum) 59
Gaudent in caelis 31
Gaudent in caelis 110
Gloriosum diem - 1a pars (of 2): Gloriosum diem 28
Gloriosum diem - 2a pars (of 2): Tropheum crucis 28
Haec est vera - 1a pars (of 2): Haec est vera fraternitas 111
Haec est vera - 2a pars (of 2): Ecce quam bonum 111
Hic est dies - 1a pars (of 2): Hic est dies egregius sanctissimi Liberalis 23
Hic est dies - 2a pars (of 2): Hodie beatum Liberalem 23
Hic est precursor dilectus 36
Hic vir despiciens mundum 119
Hodie beata Virgo 11
Hodie beata virgo II: 43
Hodie Christus natus est 80
Hodie sanctus Benedictus (=Clodia quem genuit) 99
Hodie scietis (= Pulchrior Italicis) 79
In ferventis olei (=Domine ante te) 29
In illo tempore dixit Jesus - 1a pars (of 2): In illo tempore dixit Jesus 25
In illo tempore dixit Jesus - 2a pars (of 2): Dicebant ergo quid est hoc 25
In medio ecclaesiae - 1a pars (of 2): In medio ecclaesiae 82
In medio ecclaesiae - 2a pars (of 2): Iucunditatem 82
In tua patientia - 1a pars (of 2): In tua patientia 77
In tua patientia - 2a pars (of 2): Lucia virgo 77
Inclitae sanctae virginis 128
Innocentes pro Christo 83
Intervenientibus Domini (=O admirabile commercium) 42
Inviolata - 1a pars (of 2): Inviolata integra et casta es II: 1
Inviolata - 2a pars (of 2): Nostra ut pura II: 1
Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) II: 38
Iste est - 1a pars (of 2): Iste est qui ante Deum 118
Iste est - 2a pars (of 2): Iste est qui contempsit 118
Iste sanctus (=Ut te muneribus) 105
Istorum est enim regnum caelorum 108
Iuravit Dominus - 1a pars (of 2): Iuravit Dominus 113
Iuravit Dominus - 2a pars (of 2): Dixit dominus 113
Laudemus Deum - 1a pars (of 2): Laudemus Deum 91
Laudemus Deum - 2a pars (of 2): Hic est vas 91
Laudemus Dominum - 1a pars (of 2): Laudemus Dominum (= Surge Petre) 98
Laudemus Dominum - 2a pars (of 2): Benedictum sit (= Ego te) 98
Magnificemus Deum 92
Magnum misterium declaratur hodie quia creator 1
Misit rex incredulus - 2a pars (of 2): Herodes enim (=Corde et animo) 53
Misit rex incredulus 1a pars (of 2): Misit rex incredulus (=Cum iucunditate) 53
Mulier quae erat (= Domine quis habitabit) 43
Murus tuus dilecta - 1a pars (of 2): Murus tuus dilecta II: 11
Murus tuus dilecta - 2a pars (of 2): Ego murus sum II: 11
Non vos me elegistis sed ego elegi vos 102
Nos autem gloriari oportet 26
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 69
O beatum virum Martinum 68
O doctor optime (=Creator omnium Deus (5vv)) 116
O felix Anna ex styrpe David progenie II: O Anna purissima florem gerens 45
O felix custos (=O fides spei columen) 17
O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera II: 6
O gloriosa domina - 2a pars (of 2): Maria mater gratiae II: 6
O Gregori (=Cantantibus organis, 1a pars) 96
O lampas ardens 6
O lux et decus Hispaniae - 1a pars (of 2): O lux et decus Hispaniae sanctissime Jacobe 130
O lux et decus Hispaniae - 2a pars (of 2): O singulare ornamentum qui meruisti 130
O lux Italiae (=Veni in hortum meum) 95
O martir egregie 12
O praesul venerabilis (=O fides spei columen) 67
O proles Hispanie pavor infidelium (6vv) 33
O quam gloriosum 65
O quam gloriosum est regnum in quo 62
O quam magnificum (=Texebat viridem) 49
O quam metuendus 127
O sancte presul Nicolae - 1a pars (of 2): O sancte presul Nicolae 74
O sancte presul Nicolae - 2a pars (of 2): Gaude praesul optime 74
O sodales sancte Vindimialis et Florentii (=Miserere nostri Deus) 32
O virgo simul et mater II: 32
Omnipotens sempiterne Deus (=O magnum misterium (1a pars)) 51
Omnipotens sempiterne Deus qui huius diei 132
Osculetur me osculo oris sui quia meliora II: 19
Patefactae sunt ianuae - 1a pars (of 2): Patefactae sunt ianuae 81
Patefactae sunt ianuae - 2a pars (of 2): Mortem enim 81
Petre amas me - 1a pars (of 2): Petre amas me (= In Domino confido) 88
Petre amas me - 2a pars (of 2): Simon Joannis (= Dominus in templo) 88
Praeceptor bonum est - 1a pars (of 2): Praeceptor bonum est 131
Praeceptor bonum est - 2a pars (of 2): Non enim 131
Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud) II: 40
Presul sanctissime Augustine 52
Prudens et vigilans 72
Prudentes virgines (= Exaudiat me Dominus) 121
Qualis es dilecta mea dicite filiae Sion II: 3
Qui vult venire (=Confitemini Domino) 106
Quia vidisti me - 1a pars (of 2): Quia vidisti me 78
Quia vidisti me - 2a pars (of 2): Infer digitum 78
Regina caeli II: 41
Regnum mundi - 1a pars (of 2): Regnum mundi (= Usquequo domine) 123
Regnum mundi - 2a pars (of 2): Exultavit cor meum (= Illumina oculos) 123
Rosa de spinis - 1a pars (of 2): Rosa de spinis II: 18
Rosa de spinis - 2a pars (of 2): Miranda salutatis II: 18
Sacerdos et pontifex (=Sanctorum martyrum tuorum) 112
Sacrae legis - 1a pars (of 2): Sacrae legis Christianae 58
Sacrae legis - 2a pars (of 2): Precamur 58
Salve sancta parens - 1a pars (of 2): Salve sancta parens II: 39
Salve sancta parens - 2a pars (of 2): Virgo Dei genetrix II: 39
Sancta et immaculata virginitas quibus te II: Benedicta tu in mulieribus et benedictus II: 33
Sancte Francisce 56
Sancte Gregori 16
Sancte Jacobe apostole - 1a pars (of 2): Sancte Jacobe apostole 44
Sancte Jacobe apostole - 2a pars (of 2): O lux et decus hispaniae 44
Sancte Marce evangelista 20
Sancte Paule apostole (5vv) (=Partus et integritas) 39
Sancti Dei omnes 63
Sanctificavit Dominus 126
Sebastianus Dei cultor 89
Senex puerum portabat 10
Si ignoras te O pulchra inter mulieres (2p. Surge propera amica mea columba) II: 12
Sicut cedrus - 1a pars (of 2): Sicut cedrus II: 21
Sicut cedrus - 2a pars (of 2): In Plateis II: 21
Sicut lilium Anonymous II: 9
Silvester beatissimus (=Peccantem me) 84
Similabo eum (=Repleatur os meum) 117
Stans beata Agnes (=Enceladi Coeique soror} 90
Sub tuum praesidium II: 35
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 37
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit 37
Surge propera amica mea II: 24
Suscipe verbum Anonymous II: 27
Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria 18
Suscipe verbum - 2a pars (of 2): Paries quidem fîlium 18
Tanto tempore vobiscum sum et non cognovistis (8vv) 24
Te gloriosus apostolorum 61
Te gloriosus apostolorum chorus 64
Tradent enim vos in conciliis et in synagogis 100
Tu es Petrus - 1a pars (of 2): Tu es Petrus 15
Tu es Petrus - 2a pars (of 2): Quodcunque legaveris 15
Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram (6vv) 38
Tu es vas - 1a pars (of 2): Tu es vas electionis (= Tua est potentia) 9
Tu es vas - 2a pars (of 2): Intercede pro nobis (= Creator omnium) 9
Veni electa mea - 1a pars (of 2): Veni electa mea 122
Veni electa mea - 2a pars (of 2): Diffusa est gratia in labiis tuis 122
Veni sponsa Christi 120
Veni sponsa Christi Anonymous 124
Venite ad me omnes qui laboratis 101
Videntes stellam magi gavisi sunt gaudio (2p. Et apertis thesauris suis obtulerunt) 86
Vidi speciosam II: 5
Virgo Maria II: Virgo Maria Anonymous II: 13
Virgo martir - 1a pars (of 2): Virgo martir 14
Virgo martir - 2a pars (of 2): Ora pro nobis 14
Virgo prudentissima II: 16
Virtute magna II: Repleti quidem 103
Vocatus Joseph - 1a pars (of 2): Vocatus Joseph 97
Vocatus Joseph - 2a pars (of 2): Introduxit Jesus 97

denotes primary source study

Glixon, Jonathan. 1997. Review of "Musica devozione città" (Bryant/Pozzobon). Notes: discussion of purpose/use of ms.

Bryant, David, and Michele Pozzobon. 1995. Musica devozione città: la Scuola di Santa Maria dei Battuti (e un suo manoscritto musicale) nella Treviso del Rinascimento. Fondazione Benetton studi ricerche. 253. Treviso: Editrice Canova. Notes: description; discussion; contents (partial); transcriptions (partial).

Pozzobon, Michele. 1989. Review of "Music for Treviso Cathedral" (Blackburn). Notes: in postscript, reports the unexpected survival of ms 29 (& others).

Blackburn, Bonnie J. 1987. Music for Treviso Cathedral in the Late Sixteenth Century: A Reconstruction of the Lost Manuscripts 29 and 30. vi+162. London: Royal Musical Association. Notes: contents list; concordances (partial); discussion.

Blackburn, Bonnie J (editor). 1980-. Johannes Lupi: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: (I, xxv, xxxi. Notes: contents list (partial); concordances (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 341-3, 346, 350, 369, 371-2, 388, 390, 412, 453-4, 478, 492, 522-3, 532, 812) LowBV:LpGp(207, 213, 223. Notes: contents list (partial); concordances (partial).

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 228-34. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138-9, 143ff, 199ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 185, 209-18. Notes: mention of MS; contents list (partial).

Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 173-232. Pages: 207, 213, 223. Notes: contents list (partial); concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description