Copied by two or three scribes, who also wrote portions of TrevBC 7, 9, 10, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Copied in Treviso, for use by cathedral choir.
| Archive | Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd) |
|---|---|
| Shelfmark | 8 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 510 x 367 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 76 compositions, 58 from 24 composers, 18 are anonymous. |
General Description
Binding
Rebound in new covers of brown boards
Watermark
(1) anchor in circle surmounted by six-pointed star, with initials 'N C'; (2) lion with initial 'A'; (3) crossed arrows with six-pointed star. None are in Briquet.
Notation
black void mensural; a few voice parts copied in square chant
Ruling
Staff height variable (19-23)
Foliation
Original ink foliation, 1-127 ('65' applied to two consecutive folios; numbers 26/27, 34/35, 42/43, 58/59, 81/82, 95/96, 121/122 applied respectively to single folios, but counted as two folios by enumeration in each case).
Decoration
Inked calligraphic initials
Index
Original index on recto of second flyleaf at front lists pieces in order of appearance.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 Mass Proper sections, 1 hymn, 48 motets = 53
Arcadelt-1, Berchem-1, Billon-1, Ciera-1, (B. Comes)-1, (Courtois)-1, C. Festa-1, Garnier [Guarnier]-1, Gero-1, Gombert-1, Jaquet of Mantua [Jachet]-2, Jhan of Ferrara [Metre Jan]-3, Jhan of Ferrara/(Jaquet of Mantua)-1, Lupino [Lupino Anconitano]-1, Mouton/Lhéritier)-1, Nasco-3, Olivetus-1, (Phinot)-1, Silva/(Josquin)-1, Tudual-1, Verdelot-1, Willaert-l0, anon-17
ii + 121 + ii paper folios, 510 x 367. Original ink foliation, 1-127 ("65" applied to two consecutive folios; numbers 26/27, 34/35, 42/43, 58/59, 81/82, 95/96, 121/122 applied respectively to single folios, but counted as two folios by enumeration in each case). Rebound in new covers of brown boards. Original index on recto of second flyleaf at front lists pieces in order of appearance.
A few voice parts copied in square chant notation; all other music in white mensural notation. Copied by two or three scribes, who also wrote portions of TrevBC 7, 9, 10, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Staff height variable (19-23). Inked calligraphic initials. Watermarks (none in Briquet): (1) anchor in circle surmounted by six-pointed star, with initials "N C"; (2) lion with initial "A"; (3) crossed arrows with six-pointed star.
1556-69 (dates in manuscript). Copied in Treviso, for use by cathedral choir.
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‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350, 365, 388-9, 414, 419, 421, 440-2, 445-6, 453, 474, 495-6, 812. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 40, 44, 92, 167, 437, 445. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-2, 195, 299. Notes: contents list (partial); incipits (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 85, 129, 132, 165. Notes: contents list (partial); concordances (partial); incipits (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 147, 149, 155, 169-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxii, xlv, liii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso. Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description