I-TVd 8

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1556-69

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 8
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 510 x 367 mm
Other Identifiers
  • CCM: TrevBC 8
  • olim (Former shelfmark): L
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents Contains 76 compositions, 58 from 24 composers, 18 are anonymous.
General Description

Copied by two or three scribes, who also wrote portions of TrevBC 7, 9, 10, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Binding

Rebound in new covers of brown boards

DIAMM, 2017
Watermark

(1) anchor in circle surmounted by six-pointed star, with initials 'N C'; (2) lion with initial 'A'; (3) crossed arrows with six-pointed star. None are in Briquet.

DIAMM, 2017
Notation

black void mensural; a few voice parts copied in square chant

DIAMM, 2017
Ruling

Staff height variable (19-23)

DIAMM, 2017
Foliation

Original ink foliation, 1-127 ('65' applied to two consecutive folios; numbers 26/27, 34/35, 42/43, 58/59, 81/82, 95/96, 121/122 applied respectively to single folios, but counted as two folios by enumeration in each case).

DIAMM, 2017
Decoration

Inked calligraphic initials

DIAMM, 2017
Index

Original index on recto of second flyleaf at front lists pieces in order of appearance.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Mass Proper sections, 1 hymn, 48 motets = 53

Arcadelt-1, Berchem-1, Billon-1, Ciera-1, (B. Comes)-1, (Courtois)-1, C. Festa-1, Garnier [Guarnier]-1, Gero-1, Gombert-1, Jaquet of Mantua [Jachet]-2, Jhan of Ferrara [Metre Jan]-3, Jhan of Ferrara/(Jaquet of Mantua)-1, Lupino [Lupino Anconitano]-1, Mouton/Lhéritier)-1, Nasco-3, Olivetus-1, (Phinot)-1, Silva/(Josquin)-1, Tudual-1, Verdelot-1, Willaert-l0, anon-17

ii + 121 + ii paper folios, 510 x 367. Original ink foliation, 1-127 ("65" applied to two consecutive folios; numbers 26/27, 34/35, 42/43, 58/59, 81/82, 95/96, 121/122 applied respectively to single folios, but counted as two folios by enumeration in each case). Rebound in new covers of brown boards. Original index on recto of second flyleaf at front lists pieces in order of appearance.

A few voice parts copied in square chant notation; all other music in white mensural notation. Copied by two or three scribes, who also wrote portions of TrevBC 7, 9, 10, 11b, 13, 14, 16, 19, 22, and several other TrevBC manuscripts not within scope of this catalogue. Staff height variable (19-23). Inked calligraphic initials. Watermarks (none in Briquet): (1) anchor in circle surmounted by six-pointed star, with initials "N C"; (2) lion with initial "A"; (3) crossed arrows with six-pointed star.

1556-69 (dates in manuscript). Copied in Treviso, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1v–? Si satis digne 4 Ciera Hipp.
Appears on: 1v–?
Genres: Hymn
Source Attribution: Ciera Hipp.
Number of voices: 4
5v–6 Fratres scientes 4 - Anonymous

Fratres scientes

Anonymous
Appears on: 5v–6
Genres: Motet
Number of voices: 4
6v–? In illo tempore miserunt Judaei 4 Metre Jan
Appears on: 6v–?
Genres: Motet
Source Attribution: Metre Jan
Number of voices: 4
9v–10 Ecce Dominus veniet 4 - Anonymous
Appears on: 9v–10
Genres: Motet
Number of voices: 4
10v–11 Veni Domine et noli tardare relaxa facinora 4 Verdeloth
Appears on: 10v–11
Genres: Motet
Source Attribution: Verdeloth
Number of voices: 4
11v–12 Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria 5 Gombert
Appears on: 11v–12
Genres: Motet
Source Attribution: Gombert
Number of voices: 5
12v–13 Suscipe verbum - 2a pars (of 2): Paries quidem fîlium 5 -
Appears on: 12v–13
Genres: Motet
Number of voices: 5
13v–14 Ecce Dominus veniet et omnes sancti eius 5 Willaert Adrian
Appears on: 13v–14
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 5
14v–15 Veni Domine 5 - Anonymous

Veni Domine

Anonymous
Appears on: 14v–15
Genres: Motet
Number of voices: 5
15v–16 Veni Domine - 1a pars (of 2): Veni Domine 6 Archadelt
Appears on: 15v–16
Genres: Motet
Source Attribution: Archadelt
Number of voices: 6
General Note

One voice repeats the same text & music thoughout - "Veni domine et noli tardare" ; with the canon "Canon factus est obediens usque ad mortem"

16v–17 Veni Domine - 2a pars (of 2): Veni ad liberandum 6 -
Appears on: 16v–17
Genres: Motet
Number of voices: 6
General Note

Again one voice repeats continuously the words & music "veni Domine et noli tardare"

17v–18 Factum est verbum - 1a pars (of 2): Factum est verbum Domini super Joannem 6 Jachet Berchem
Appears on: 17v–18
Genres: Motet
Source Attribution: Jachet Berchem
Number of voices: 6
18v–19 Factum est verbum - 2a pars (of 2): Ego vox clamantis in deserto 6 -
Appears on: 18v–19
Genres: Motet
Number of voices: 6
20v–21 Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es 6 Willaert Adrian
Appears on: 20v–21
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
21v–22 Obsecro Domine - 2a pars (of 2): Qui regis Israel intende 6 -
Appears on: 21v–22
Genres: Motet
Number of voices: 6
22v–23 Laetare nova Sion - 1a pars (of 2): Laetare nova Sion et jubilate gentes 4 Silva Andrea
Appears on: 22v–23
Genres: Motet
Source Attribution: Silva Andrea
Number of voices: 4
23v–? Laetare nova Sion - 2a pars (of 2): Cantate canticum dulce 4 -
Appears on: 23v–?
Genres: Motet
Number of voices: 4
27v–28 [Vox de caelis] Catharinae redditur - 1a pars (of 3): Vox de caelis - Catharinae redditur 5 C Porta
Appears on: 27v–28
Genres: Hymn
Source Attribution: C Porta
Number of voices: 5
28v–29 [Vox de caelis] Catharinae redditur - 2a pars (of 3): Haec audiens - Laeta surrexit 5 -
Appears on: 28v–29
Genres: Hymn
Number of voices: 5
28v–29 [Vox de caelis] Catharinae redditur - 3a pars (of 3): Gloria patri - Sicut erat in principio] 5 -
Appears on: 28v–29
Genres: Hymn
Number of voices: 5
29v–30 Os justi meditabitur 5 C Porta
Appears on: 29v–30
Genres: Motet
Source Attribution: C Porta
Number of voices: 5
30v–32 Me expectaverunt 5 C Porta
Appears on: 30v–32
Genres: Motet
Source Attribution: C Porta
Number of voices: 5
32v–36 [Dilexisti] Justitiam Vs. [Eructavit cor meum] Dico ego opera; R. [Gloria patri] Sicut erat in principio] 5 C Porta
Appears on: 32v–36
Genres: Hymn
Source Attribution: C Porta
Number of voices: 5
36v–38 In tua patientia permanens 4 (anon)
Appears on: 36v–38
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
38v–39 In tua patientia 4 (anon)
Appears on: 38v–39
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
39v–40 In tua patientia 4 - Anonymous

In tua patientia

Anonymous
Appears on: 39v–40
Genres: Motet
Number of voices: 4
40v–43 Per te Lucia 5 - Anonymous

Per te Lucia

Anonymous
Appears on: 40v–43
Genres: Motet
Number of voices: 5
43v–44 Simile est regnum - 1a pars (of 3): Simile est regnum caelorum 4 - Anonymous
Appears on: 43v–44
Genres: Motet
Number of voices: 4
44v–45 Simile est regnum - 2a pars (of 3): Media autem 4 - Anonymous
Appears on: 44v–45
Genres: Motet
Number of voices: 4
45v–47 Simile est regnum - 3a pars (of 3): Dum autem iret 4 - Anonymous
Appears on: 45v–47
Genres: Motet
Number of voices: 4
47v–48 Genuit puerpera - 1a pars (of 2): Genuit puerpera 4 Metre Jan [Jachet de Mantua]
Appears on: 47v–48
Genres: Motet
Source Attribution: Metre Jan [Jachet de Mantua]
Number of voices: 4
48v–49 Genuit puerpera - 2a pars (of 2): Angelus ad pastores 4 -
Appears on: 48v–49
Genres: Motet
Number of voices: 4
49v–51 Hodie salvator mundi natus est venite 4 Moton J.
Appears on: 49v–51
Genres: Motet
Source Attribution: Moton J.
Number of voices: 4
51v–52 Notum fecit Dominus - 1a pars (of 2): Notum fecit Dominus - - Anonymous
Appears on: 51v–52
Genres: Motet
52v–53 Notum fecit Dominus - 2a pars (of 2): Dies sanctificationis il;luxit 4 - Anonymous
Appears on: 52v–53
Genres: Motet
Number of voices: 4
53v–55 O miracula - 1a pars (of 2): O miracula 4 - Anonymous
Appears on: 53v–55
Genres: Motet
Number of voices: 4
55v–? O miracula - 2a pars (of 2): Mirabilis et inexquisita Compago 4 - Anonymous
Appears on: 55v–?
Genres: Motet
Number of voices: 4
59v–60 Patefacte sunt janue - 1a pars (of 2): Patefacte sunt janue caeli Christi martyri 4 Willaert Adrian
Appears on: 59v–60
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
60v–61 Patefacte sunt janue - 2a pars (of 2): Mortem enim quam salvator noster 4 -
Appears on: 60v–61
Genres: Motet
Number of voices: 4
61v–62 Stephanus servus Dei - 1a pars (of 2): Stephanus servus Dei 4 Jachet
Appears on: 61v–62
Genres: Motet
Source Attribution: Jachet
Number of voices: 4
62v–63 Stephanus servus Dei - 2a pars (of 2): Cum igitur saxorum 4 -
Appears on: 62v–63
Genres: Motet
Number of voices: 4
63v–64 Beatus Stephanus - 1a pars (of 2): Beatus Stephanus 4 Willaert Adrian
Appears on: 63v–64
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
64v–65 Beatus Stephanus - 2a pars (of 2): Et evidentes vultum eius 4 -
Appears on: 64v–65
Genres: Motet
Number of voices: 4
65v–66 Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum, In diebus illis 4 Guarnier
Appears on: 65v–66
Genres: Motet
Source Attribution: Guarnier
Number of voices: 4
Concordances

=Gardano, "Motetti del frutto" Primus liber cum quatuor vocibus.

66v–67 Lectio actuum apostolorum - 2a pars (of 2): Surrexerunt autem 4 -
Appears on: 66v–67
Genres: Motet
Number of voices: 4
67v–68 Joannes apostolus - 1a pars (of 2): Joannes apostolus 4 Willaert Adrian
Appears on: 67v–68
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
68v–69 Joannes apostolus - 2a pars (of 2): Ecclesiam tuam 4 -
Appears on: 68v–69
Genres: Motet
Number of voices: 4
69v–70 Beatus Johannes apostolus - 1a pars (of 2): Beatus Johannes apostolus 4 (anon)
Appears on: 69v–70
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
70v–71 Beatus Johannes apostolus - 2a pars (of 2): Ipse est qui evangelii fluenta 4 -
Appears on: 70v–71
Genres: Motet
Number of voices: 4
72v–74 Silvestor beatissimus 6 - Anonymous
Appears on: 72v–74
Genres: Motet
Number of voices: 6
General Note

one voice repeats continuously "Sancte Silvestor ora pro nobis"

74v–78 Statuit ei Dominus testamentum Vs. [Memento Domine David] Et omnis mansueudinis; R. [Gloria patri] Sicut erat in principio 5 C Porta
Appears on: 74v–78
Genres: Hymn
Source Attribution: C Porta
Number of voices: 5
78v–82 Intret in conspectu tuo 5 C Porta
Appears on: 78v–82
Genres: Motet
Source Attribution: C Porta
Number of voices: 5
82v–83 O splendor summe radians 4 - Anonymous
Appears on: 82v–83
Genres: Motet
Number of voices: 4
83v–85 Antoni pastor inclite 4 (anon)
Appears on: 83v–85
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
85v–87 O quam mira 4 Olivetus Nic(olaus)
Appears on: 85v–87
Genres: Motet
Source Attribution: Olivetus Nic(olaus)
Number of voices: 4
87v–89 Armorum fortissime - 1a pars (of 2): Armorum fortissime ductor Sebastiane 4 Willaert Adrian
Appears on: 87v–89
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
89v–90 Armorum fortissime - 2a pars (of 2): Te igitur martir 4 -
Appears on: 89v–90
Genres: Motet
Number of voices: 4
90v–91 O beate Sebastiane 4 Lupino Anconitano (ie of Ancona)
Appears on: 90v–91
Genres: Motet
Source Attribution: Lupino Anconitano (ie of Ancona)
Number of voices: 4
91v–93 Beatus est et bene tibi 5 - Anonymous
Appears on: 91v–93
Genres: Motet
Number of voices: 5
93v–96 Passer invenit sibi domum 4 Metre Jan
Appears on: 93v–96
Genres: Motet
Source Attribution: Metre Jan
Number of voices: 4
96v–98 Die michi unus - 1a pars (of 3): Die michi unus 4 - Anonymous
Appears on: 96v–98
Genres: Motet
Number of voices: 4
General Note

A catechistic text, a list

98v–100 Die michi unus - 2a pars (of 3): Die michi sex - - Anonymous
Appears on: 98v–100
Genres: Motet
100v–101 Die michi unus - 3a pars (of 3): Die michi undecim 3°pars - - Anonymous
Appears on: 100v–101
Genres: Motet
100v–101 Cum inducerunt 4 Gero Jhan
Appears on: 100v–101
Genres: Motet
Source Attribution: Gero Jhan
Number of voices: 4
101v–103 In illo tempore postquam impleti sunt (5vv) 5 Festa Costanzo
Appears on: 101v–103
Genres: Motet
Source Attribution: Festa Costanzo
Number of voices: 5
103v–105 Postquam impleti sunt dies purgationis 5 Billon Jhan
Appears on: 103v–105
Genres: Motet
Source Attribution: Billon Jhan
Number of voices: 5
105v–108 Adorna thalamum tuum Sion et suscipe 5 Tugdual
Appears on: 105v–108
Genres: Motet
Source Attribution: Tugdual
Number of voices: 5
108v–109 In die solemnitatis - 1a pars (of 2): In die solemnitatis 4 Metre Jan
Appears on: 108v–109
Genres: Motet
Source Attribution: Metre Jan
Number of voices: 4
109v–110 In die solemnitatis - 2a pars (of 2): Pro lege tua 4 -
Appears on: 109v–110
Genres: Motet
Number of voices: 4
110v–112 Magnificemus Deum 5 Nasco Joan
Appears on: 110v–112
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 5
112v–116 O martir egregie 5 (anon)
Appears on: 112v–116
Genres: Motet
Source Attribution: (anon)
Number of voices: 5
116v–118 Cecus sedebat - 1a pars (of 2): Cecus sedebat secus viam transeunte Domino 5 (anon)
Appears on: 116v–118
Genres: Motet
Source Attribution: (anon)
Number of voices: 5
118v–120 Cecus sedebat - 2a pars (of 2): Stans autem Jesus iussit eum adduci 5 -
Appears on: 118v–120
Genres: Motet
Number of voices: 5
122v–124 Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 4 Adrianus
Appears on: 122v–124
Genres: Ave Maria, Motet
Source Attribution: Adrianus
Number of voices: 4
124v–126 Ave Maria 4 Nasco Joan
Appears on: 124v–126
Genres: Ave Maria, BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
126v–127 Virgo mater ecclesiae 4 (anon)
Appears on: 126v–127
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Berchem, Jacques (ca. 1505-1567)
Billon, Jhan de
Ciera, Ippolito (1546-1561)
Comes, Bartholomeus
Despres, Josquin (ca. 1450-1521)
Ferrara, Maistre Jhan of (ca. 1485-1538)
Festa, Costanzo (ca. 1485-1545)
Garnier
Gero, Jhan
Gombert, Nicolas (ca. 1495-ca. 1560)
Lheritier, Jean (ca. 1480-ca. 1551)
Lupino, Francesco
Mantua, Jacquet de (1483-1559)
Mouton, Jean (ca. 1459-1522)
Nasco, Jan
Obrecht, Jacobus (ca. 1457-1505)
Olivetus, Nicolaus
Phinot, Dominique
Porta, Costanzo
Silva, Andreas de (ca. 1475-ca. 1522)
Tudual
Verdelot, Philippe (ca. 1480-ca. 1532)
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
[Dilexisti] Justitiam Vs. [Eructavit cor meum] Dico ego opera; R. [Gloria patri] Sicut erat in principio] 32v–36
[Vox de caelis] Catharinae redditur - 1a pars (of 3): Vox de caelis - Catharinae redditur 27v–28
[Vox de caelis] Catharinae redditur - 2a pars (of 3): Haec audiens - Laeta surrexit 28v–29
[Vox de caelis] Catharinae redditur - 3a pars (of 3): Gloria patri - Sicut erat in principio] 28v–29
Adorna thalamum tuum Sion et suscipe 105v–108
Antoni pastor inclite 83v–85
Armorum fortissime - 1a pars (of 2): Armorum fortissime ductor Sebastiane 87v–89
Armorum fortissime - 2a pars (of 2): Te igitur martir 89v–90
Ave Maria 124v–126
Beatus est et bene tibi Anonymous 91v–93
Beatus Johannes apostolus - 1a pars (of 2): Beatus Johannes apostolus 69v–70
Beatus Johannes apostolus - 2a pars (of 2): Ipse est qui evangelii fluenta 70v–71
Beatus Stephanus - 1a pars (of 2): Beatus Stephanus 63v–64
Beatus Stephanus - 2a pars (of 2): Et evidentes vultum eius 64v–65
Cecus sedebat - 1a pars (of 2): Cecus sedebat secus viam transeunte Domino 116v–118
Cecus sedebat - 2a pars (of 2): Stans autem Jesus iussit eum adduci 118v–120
Cum inducerunt 100v–101
Die michi unus - 1a pars (of 3): Die michi unus Anonymous 96v–98
Die michi unus - 2a pars (of 3): Die michi sex Anonymous 98v–100
Die michi unus - 3a pars (of 3): Die michi undecim 3°pars Anonymous 100v–101
Ecce Dominus veniet Anonymous 9v–10
Ecce Dominus veniet et omnes sancti eius 13v–14
Factum est verbum - 1a pars (of 2): Factum est verbum Domini super Joannem 17v–18
Factum est verbum - 2a pars (of 2): Ego vox clamantis in deserto 18v–19
Fratres scientes Anonymous 5v–6
Genuit puerpera - 1a pars (of 2): Genuit puerpera 47v–48
Genuit puerpera - 2a pars (of 2): Angelus ad pastores 48v–49
Hodie salvator mundi natus est venite 49v–51
In die solemnitatis - 1a pars (of 2): In die solemnitatis 108v–109
In die solemnitatis - 2a pars (of 2): Pro lege tua 109v–110
In illo tempore miserunt Judaei 6v–?
In illo tempore postquam impleti sunt (5vv) 101v–103
In tua patientia 38v–39
In tua patientia Anonymous 39v–40
In tua patientia permanens 36v–38
Intret in conspectu tuo 78v–82
Joannes apostolus - 1a pars (of 2): Joannes apostolus 67v–68
Joannes apostolus - 2a pars (of 2): Ecclesiam tuam 68v–69
Laetare nova Sion - 1a pars (of 2): Laetare nova Sion et jubilate gentes 22v–23
Laetare nova Sion - 2a pars (of 2): Cantate canticum dulce 23v–?
Lectio actuum apostolorum - 1a pars (of 2): Lectio actuum apostolorum, In diebus illis 65v–66
Lectio actuum apostolorum - 2a pars (of 2): Surrexerunt autem 66v–67
Magnificemus Deum 110v–112
Me expectaverunt 30v–32
Notum fecit Dominus - 1a pars (of 2): Notum fecit Dominus Anonymous 51v–52
Notum fecit Dominus - 2a pars (of 2): Dies sanctificationis il;luxit Anonymous 52v–53
O beate Sebastiane 90v–91
O martir egregie 112v–116
O miracula - 1a pars (of 2): O miracula Anonymous 53v–55
O miracula - 2a pars (of 2): Mirabilis et inexquisita Compago Anonymous 55v–?
O quam mira 85v–87
O splendor summe radians Anonymous 82v–83
Obsecro Domine - 1a pars (of 2): Obsecro Domine mitte quem missurus es 20v–21
Obsecro Domine - 2a pars (of 2): Qui regis Israel intende 21v–22
Os justi meditabitur 29v–30
Passer invenit sibi domum 93v–96
Patefacte sunt janue - 1a pars (of 2): Patefacte sunt janue caeli Christi martyri 59v–60
Patefacte sunt janue - 2a pars (of 2): Mortem enim quam salvator noster 60v–61
Pater noster (4vv) - 2a pars (of 2): Ave Maria gratia plena Dominus tecum 122v–124
Per te Lucia Anonymous 40v–43
Postquam impleti sunt dies purgationis 103v–105
Si satis digne 1v–?
Silvestor beatissimus Anonymous 72v–74
Simile est regnum - 1a pars (of 3): Simile est regnum caelorum Anonymous 43v–44
Simile est regnum - 2a pars (of 3): Media autem Anonymous 44v–45
Simile est regnum - 3a pars (of 3): Dum autem iret Anonymous 45v–47
Statuit ei Dominus testamentum Vs. [Memento Domine David] Et omnis mansueudinis; R. [Gloria patri] Sicut erat in principio 74v–78
Stephanus servus Dei - 1a pars (of 2): Stephanus servus Dei 61v–62
Stephanus servus Dei - 2a pars (of 2): Cum igitur saxorum 62v–63
Suscipe verbum - 1a pars (of 2): Suscipe verbum virgo Maria 11v–12
Suscipe verbum - 2a pars (of 2): Paries quidem fîlium 12v–13
Veni Domine Anonymous 14v–15
Veni Domine - 1a pars (of 2): Veni Domine 15v–16
Veni Domine - 2a pars (of 2): Veni ad liberandum 16v–17
Veni Domine et noli tardare relaxa facinora 10v–11
Virgo mater ecclesiae 126v–127

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350, 365, 388-9, 414, 419, 421, 440-2, 445-6, 453, 474, 495-6, 812. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2.  Tutzing. Pages: 40, 44, 92, 167, 437, 445. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-2, 195, 299. Notes: contents list (partial); incipits (partial).

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2.  American Institute of Musicology. Pages: 85, 129, 132, 165. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 147, 149, 155, 169-70. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxii, xlv, liii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description