I-TVd 4

Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy

manuscript of polyphony: 1559-69

Archive Biblioteca Capitolare del Duomo di Treviso, Treviso, Italy (I-TVd)
Shelfmark 4
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Surface Paper
Other Identifiers
  • CCM: TrevBC 4
  • olim (Former shelfmark): F
Notations
  • black void mensural
Relationships
Provenance
Contents Contains 91 compositions, 61 from 21 composers, 30 are anonymous.
General Description

Dexcribed as a 'motet book of average dimensions' ('libro mezan de motetti') in wooden covers. No further physical description available. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Motets grouped by feast; copied in order of liturgical calendar (August 4 through December 26). Copied in Treviso, for use by cathedral choir.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1559-69 (dates in manuscript), with additions to ca. 1575.

DIAMM, 2017
Foliation

ff. 73-77 missing

DIAMM, 2020
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

4 Mass Proper sections, 1 Magnificat, 2 hymns, 68 motets (several incomplete) = 75

Arcadelt-4, Barges-1, Bovain-1, Contini-1, C. Festa-1, Jaquet of Mantua-3, Jhan of Ferrara [Metre Jam]-9, (Lassus)-1, (F. Layolle)-1, Lhéritier-2, Lupino-1, Menchini-2, Morales-2 + 1?, (Morel)-1, Nasco-10, Olivetus-1, Rore/(P. Animuccia)-1, Ruffo-1, Santacroce [Franc. Pat.]-1, Spalenza-1, Verdelot-1, (Vermont)-1, Werrecore [Math. Ruer.]-1, Willaert [Adrian]-9, anon-17

Ca. 114 paper folios. No further physical description available. Motets grouped by feast; copied in order of liturgical calendar (August 4 through December 26).

1559-69 (dates in manuscript), with additions to ca. 1575. Copied in Treviso, for use by cathedral choir. Destroyed in 1944, but contents known from thematic catalogue made by chapter archivist Giovanni d'Alessi.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
1v–3 Benedictus redemptor - 1a pars (of 2): Benedictus redemptor 5 Willaert Adrian
Appears on: 1v–3
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 5
3v–4 Levita Laurentius 4 - Anonymous

Levita Laurentius

Anonymous
Appears on: 3v–4
Genres: Motet
Number of voices: 4
General Note

damaged by ink corrosion

4v–5 Levita Laurentius 4 Metre Jam
Appears on: 4v–5
Genres: Hymn
Source Attribution: Metre Jam
Number of voices: 4
5v–6 Levita Laurentius - 1a pars (of 2): Levita Laurentius 4 Verdeloth
Appears on: 5v–6
Genres: Motet
Source Attribution: Verdeloth
Number of voices: 4
5v–6 Levita Laurentius - 2a pars (of 2): Beatus Laurentius dum in craticula - -
Appears on: 5v–6
Genres: Motet
6v–7 Dum proeliaretur - 1a pars (of 2): Dum proeliaretur fortiter 5 Metre Jam
Appears on: 6v–7
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 5
7v–8 Dum proeliaretur - 2a pars (of 2): O felix nox incendium 5 -
Appears on: 7v–8
Genres: Motet
Number of voices: 5
8v–9 Beatus Laurentius orabat dicens domine 6 Willaert Adrian
Appears on: 8v–9
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
9v–10 In craticula te Deum non negavi 6 Willaert Adrian
Appears on: 9v–10
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
10v–11 O quam magnificum 4 Lerithier Jo
Appears on: 10v–11
Genres: Motet
Source Attribution: Lerithier Jo
Number of voices: 4
11v–12 Deus qui es gloriosus 4 Metre Jam
Appears on: 11v–12
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 4
12v–13 Roche beatissime 4 Jan Metre
Appears on: 12v–13
Genres: Motet
Source Attribution: Jan Metre
Number of voices: 4
13v–14 Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri 6 Willaert Adrian
Appears on: 13v–14
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
14v–15 Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis 6 -
Appears on: 14v–15
Genres: Motet
Number of voices: 6
15v–16 Omnipotens sempiterne Deus 4 Willaert Adrian
Appears on: 15v–16
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
16v–17 Laetare sancta mater ecclesia - 1a pars (of 2): Laetare sancta mater ecclesia quia salvator 5 Willaert Adrian
Appears on: 16v–17
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 5
17v–18 Laetare sancta mater ecclesia - 2a pars (of 2): Augustine lux doctorum fundamentum 5 -
Appears on: 17v–18
Genres: Motet
Number of voices: 5
18v–19 Presul sanctissime e auguste 5 Jachet de Mantua
Appears on: 18v–19
Genres: Motet
Source Attribution: Jachet de Mantua
Number of voices: 5
19v–20 Presul sanctissime Augustine 6 Metre Jam
Appears on: 19v–20
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 6
20v–23 Misso Herodes spiculatore 4 Olivetus Nic(olaus)
Appears on: 20v–23
Genres: Motet
Source Attribution: Olivetus Nic(olaus)
Number of voices: 4
23v–24a Veni electa mea 4 Nasco Joan
Appears on: 23v–24a
Genres: BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
24a v–24b Vidi speciosam 4 Nasco Joan
Appears on: 24a v–24b
Genres: BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
24b v–25a Ista est speciosa 4 Nasco Joan
Appears on: 24b v–25a
Genres: BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
25a v–25b Ornatam in monilibus 4 Nasco Joan
Appears on: 25a v–25b
Genres: BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
25b v–25c Tota pulchra es 4 Nasco Joan
Appears on: 25b v–25c
Genres: BVM, Motet
Source Attribution: Nasco Joan
Number of voices: 4
25c v–27 Virgo prudentissima 4 Nasco Joan
Appears on: 25c v–27
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
27v–28 Total pulchra es 4 - Anonymous

Total pulchra es

Anonymous
Appears on: 27v–28
Genres: Motet
Number of voices: 4
28v–29 Andreas Christi famulus - 1a pars (of 2): Andrea Christi famulus 5 - Anonymous
Appears on: 28v–29
Genres: Motet
Number of voices: 5
General Note

Superius 2 repeats continually "Sancte Andrea ora pro nobis" while the others sing the text of the motet

28v–29 Andrea Christi famulus - 2a pars (of 2): Videns Andrea crucem 5 - Anonymous
Appears on: 28v–29
Genres: Motet
Number of voices: 5
29v–30 Omnes fideles Christi 4 - Anonymous
Appears on: 29v–30
Genres: Antiphon
Number of voices: 4
General Note

Basso in gregorian notation

30v–31 Dum sacrum misterium 4 - Anonymous
Appears on: 30v–31
Genres: Antiphon
Number of voices: 4
General Note

Bassus in gregorian notation

31v–32 Benedicite Dominum 4 Nasco Joan
Appears on: 31v–32
Genres: Introit
Source Attribution: Nasco Joan
Number of voices: 4
32v–33 Princeps gloriose (Michael archangelus) 4 - Anonymous
Appears on: 32v–33
Genres: Motet
Number of voices: 4
33v–34 Collaudamus venerantes (I) 4 - Anonymous
Appears on: 33v–34
Genres: Hymn
Number of voices: 4
General Note

Setting of 2nd and 4th (last) verses with Amen.

34v–35 Archangeli Christi 4 Nasco Joan
Appears on: 34v–35
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
35v–36 Dum sacrum misterium 4 Lupino F
Appears on: 35v–36
Genres: Motet
Source Attribution: Lupino F
Number of voices: 4
36v–37 Veni Sancte Michael - 1a pars (of 2): Veni Sancte Michael Archangele 4 - Anonymous
Appears on: 36v–37
Genres: Motet
Number of voices: 4
37v–38 Veni Sancte Michael - 2a pars (of 2): Defende nos in proelio 4 - Anonymous
Appears on: 37v–38
Genres: Motet
Number of voices: 4
38v–39 Alleluia concussum est mare 4 B.A. (=Antonino Barges)
Appears on: 38v–39
Genres: Alleluia, Gradual
Source Attribution: B.A. (=Antonino Barges)
Number of voices: 4
39v–40 Dum sacrum misterium 4 - Anonymous
Appears on: 39v–40
Genres: Antiphon
Number of voices: 4
40v–42 Veni dive Michael (6vv) 6 - Anonymous
Appears on: 40v–42
Genres: Motet
Number of voices: 6
42v–44 Collaudamus venerantes (II) 4 - Anonymous
Appears on: 42v–44
Genres: Hymn
Number of voices: 4
44v–45 Quasi stella matutina splendet 4 Festa Costanzo
Appears on: 44v–45
Genres: Motet
Source Attribution: Festa Costanzo
Number of voices: 4
45v–48 O doctor optime 5 Ruffo Vincenzo
Appears on: 45v–48
Genres: Motet
Source Attribution: Ruffo Vincenzo
Number of voices: 5
48v–49 Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes et laetemur 4 Metre Jam
Appears on: 48v–49
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 4
49v–50 Gaudeamus omnes - 2a pars (of 2): Gaudent in caelis animae sanctorum 4 -
Appears on: 49v–50
Genres: Motet
Number of voices: 4
50v–51 Ceciderunt seniores - 1a pars (of 2): Ceciderunt seniores 4 Bovain
Appears on: 50v–51
Genres: Motet
Source Attribution: Bovain
Number of voices: 4
51v–52 Ceciderunt seniores - 2a pars (of 2): Et vox de trono 4 -
Appears on: 51v–52
Genres: Motet
Number of voices: 4
52v–54 Gaudent in caelis animae sanctorum 5 Archadelt
Appears on: 52v–54
Genres: Motet
Source Attribution: Archadelt
Number of voices: 5
54v–56 Laudem dicite Deo nostro 5 Cipriano de Rore
Appears on: 54v–56
Genres: Motet
Source Attribution: Cipriano de Rore
Number of voices: 5
56v–57 Omnes sancti et sanctae (5vv) 5 - Anonymous
Appears on: 56v–57
Genres: Motet
Number of voices: 5
57v–59 Sancti Dei omnes 5 Continus Joannes
Appears on: 57v–59
Genres: Motet
Source Attribution: Continus Joannes
Number of voices: 5
59v–62 Omnes sancti et sanctae (6vv) - 1a pars (of 3): Omnes sancti et sanctae 6 - Anonymous
Appears on: 59v–62
Genres: Motet
Number of voices: 6
62v–64 Omnes sancti et sanctae (6vv) - 2a pars (of 3): Mirificavit Dominus 6 - Anonymous
Appears on: 62v–64
Genres: Motet
Number of voices: 6
64v–65 Omnes sancti et sanctae (6vv) - 3a pars (of 3): [Sicut erat - Amen?] 6 - Anonymous
Appears on: 64v–65
Genres: Motet
Number of voices: 6
65v–66 Gaude et laetare - 1a pars (of 2): Gaude et laetare 6 Morales
Appears on: 65v–66
Genres: Motet
Source Attribution: Morales
Number of voices: 6
66v–67 Gaude et laetare - 2a pars (of 2): Jubilemus - -
Appears on: 66v–67
Genres: Motet
67v–68 Martinus Abrahae 4? - Anonymous

Martinus Abrahae

Anonymous
Appears on: 67v–68
Genres: Motet
Number of voices: 4?
General Note

completely illegible due to ink corrosion

68v–69 O beatum pontificem - 1a pars (of 2): O beatum pontificem 4 Lerithier Jo
Appears on: 68v–69
Genres: Motet
Source Attribution: Lerithier Jo
Number of voices: 4
69v–70 O beatum pontificem - 2a pars (of 2): O sanctissima anima 4 -
Appears on: 69v–70
Genres: Motet
Number of voices: 4
70v–71 O beatum Martinum 5 Archadelt
Appears on: 70v–71
Genres: Motet
Source Attribution: Archadelt
Number of voices: 5
71v–72v O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 6 Willaert Adrian
Appears on: 71v–72v
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 6
General Note

incomplete: ff. 73-77 missing

78 Inclita Sancta - Ave virginum gemma ? - Anonymous
Appears on: 78
Genres: Motet
Number of voices: ?
General Note

incomplete: ff. 73-77 missing

78v–79 Virgo sancta Catherina 4 - Anonymous
Appears on: 78v–79
Genres: Motet
Number of voices: 4
General Note

partly illegible owing to ink corrosion

79v–80 Ave virginum gemma sancta Katherina 4 Willaert Adrian
Appears on: 79v–80
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
80v–81 O gemma clarissima Katherina virgo sanctissima 4 Willaert Adrian
Appears on: 80v–81
Genres: Motet
Source Attribution: Willaert Adrian
Number of voices: 4
81v–84 Ave virginum gemma Catherina ave sponsa II: O sanctissima Christi virgo Chaterina 6 Archadelt
Appears on: 81v–84
Genres: Motet
Source Attribution: Archadelt
Number of voices: 6
84v–85 Mihi autem nimis honorati 5 - Anonymous
Appears on: 84v–85
Genres: Introit
Number of voices: 5
85v–86 Mihi autem nimis 5 - Anonymous

Mihi autem nimis

Anonymous
Appears on: 85v–86
Genres: Introit
Number of voices: 5
86v–87 Alleluja - In odorem 4 - Anonymous
Appears on: 86v–87
Genres: Alleluia, Gradual
Number of voices: 4
87v–89 Cum pervenisset Andreas 5 Menchini Benedetto da Pistoia
Appears on: 87v–89
Genres: Motet
Source Attribution: Menchini Benedetto da Pistoia
Number of voices: 5
89v–90 Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 4 Metre Jam
Appears on: 89v–90
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 4
90v–91 Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 4 -
Appears on: 90v–91
Genres: Motet
Number of voices: 4
91v–93 Doctor bonus 4 Metre Jam
Appears on: 91v–93
Genres: Motet
Source Attribution: Metre Jam
Number of voices: 4
93v–95 Hodie Christus natus est (7vv) 7 - Anonymous
Appears on: 93v–95
Genres: Motet
Number of voices: 7
95v–96 Stephanus autem 4 - Anonymous

Stephanus autem

Anonymous
Appears on: 95v–96
Genres: Motet
Number of voices: 4
General Note

Bassus in gregorian notation. Polyphony begins at 'Plenus gratia'

96v–97 Sepelierunt Stephanum 4 - Anonymous
Appears on: 96v–97
Genres: Motet
Number of voices: 4
General Note

Bassus in gregorian notation. Polyphony begins at 'Vivi timorati'

97v–98 Recordare Domine - 1a pars (of 2): Recordare Domine testamenti tui 4 (anon)
Appears on: 97v–98
Genres: Motet
Source Attribution: (anon)
Number of voices: 4
97v–98 Recordare Domine - 2a pars (of 2): Quiescat jam Domine - -
Appears on: 97v–98
Genres: Motet
98v–99 Recordare Domine testamenti tui et dic 5 Archadelt
Appears on: 98v–99
Genres: Motet
Source Attribution: Archadelt
Number of voices: 5
99v–100 Da pacem Domine (I) 6 - Anonymous
Appears on: 99v–100
Genres: Motet
Number of voices: 6
100v–101 Da pacem Domine (II) 6 - Anonymous
Appears on: 100v–101
Genres: Motet
Number of voices: 6
101v–102 Da pacem Domine (III) 6 - Anonymous
Appears on: 101v–102
Genres: Motet
Number of voices: 6
102v–103 Precamur te Pater omnipotens 4 Patavino Francesco (Santacroce)
Appears on: 102v–103
Genres: Motet
Source Attribution: Patavino Francesco (Santacroce)
Number of voices: 4
103v–104 Congregati sunt gentes 5 - Anonymous
Appears on: 103v–104
Genres: Motet
Number of voices: 5
104v–105 Congregati sunt inimici nostri et gloriantur 6 Ruer Math.
Appears on: 104v–105
Genres: Motet
Source Attribution: Ruer Math.
Number of voices: 6
105v–107 Congregati sunt 5 Menchini Benedetto da Pistoia
Appears on: 105v–107
Genres: Motet
Source Attribution: Menchini Benedetto da Pistoia
Number of voices: 5
107v–115 Magnificat 1 toni (8vv): Et exultavit 8 Spallenza Pietrantonio
Appears on: 107v–115
Genres: BVM, Canticle, Magnificat
Source Attribution: Spallenza Pietrantonio
Number of voices: 8
115v–? In principio - 1a pars (of 3): In principio erat Verbum 4 Nasco Joan
Appears on: 115v–?
Genres: Motet
Source Attribution: Nasco Joan
Number of voices: 4
115v–? In principio - 2a pars (of 3): Fuit homo missus a Deo 4 -
Appears on: 115v–?
Genres: Motet
Number of voices: 4
115v–? In principio - 3a pars (of 3): Erat ille lux 4 -
Appears on: 115v–?
Genres: Motet
Number of voices: 4
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Barges, Antonio (1547–65)
Boyvin, Jacques
Contino, Giovanni
Ferrara, Maistre Jhan of (ca. 1485-1538)
Festa, Costanzo (ca. 1485-1545)
Lheritier, Jean (ca. 1480-ca. 1551)
Lupino, Francesco
Mantua, Jacquet de (1483-1559)
Menchini da Pistoia, Benedetto
Morales, Cristóbal de (ca. 1500-1553)
Nasco, Jan
Olivetus, Nicolaus
Patavino, Francesco (ca. 1487-ca. 1556)
Rore, Cipriano de (ca. 1515-1565)
Ruffo, Vincenzo (ca. 1508-1587)
Spalenza, Pietr’Antonio
Verdelot, Philippe (ca. 1480-ca. 1532)
Vermont, Pierre
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490-1562)
Composition Composers (? Uncertain) Folios / Pages
Alleluia concussum est mare 38v–39
Alleluja - In odorem Anonymous 86v–87
Ambulans Jesus - 1a pars (of 2): Ambulans Jesus juxta mare Galileae 89v–90
Ambulans Jesus - 2a pars (of 2): [At illi continuo] Relictis retibus 90v–91
Andrea Christi famulus - 2a pars (of 2): Videns Andrea crucem Anonymous 28v–29
Andreas Christi famulus - 1a pars (of 2): Andrea Christi famulus Anonymous 28v–29
Archangeli Christi 34v–35
Ave virginum gemma Catherina ave sponsa II: O sanctissima Christi virgo Chaterina 81v–84
Ave virginum gemma sancta Katherina 79v–80
Beatus Bernardus [B163] - 1a pars (of 2): Beatus Bernardus quasi vas auri 13v–14
Beatus Bernardus [B163] - 2a pars (of 2): Factus est quasi ignis 14v–15
Beatus Laurentius orabat dicens domine 8v–9
Benedicite Dominum 31v–32
Benedictus redemptor - 1a pars (of 2): Benedictus redemptor 1v–3
Ceciderunt seniores - 1a pars (of 2): Ceciderunt seniores 50v–51
Ceciderunt seniores - 2a pars (of 2): Et vox de trono 51v–52
Collaudamus venerantes (I) Anonymous 33v–34
Collaudamus venerantes (II) Anonymous 42v–44
Congregati sunt 105v–107
Congregati sunt gentes Anonymous 103v–104
Congregati sunt inimici nostri et gloriantur 104v–105
Cum pervenisset Andreas 87v–89
Da pacem Domine (I) Anonymous 99v–100
Da pacem Domine (II) Anonymous 100v–101
Da pacem Domine (III) Anonymous 101v–102
Deus qui es gloriosus 11v–12
Doctor bonus 91v–93
Dum proeliaretur - 1a pars (of 2): Dum proeliaretur fortiter 6v–7
Dum proeliaretur - 2a pars (of 2): O felix nox incendium 7v–8
Dum sacrum misterium Anonymous 30v–31
Dum sacrum misterium 35v–36
Dum sacrum misterium Anonymous 39v–40
Gaude et laetare - 1a pars (of 2): Gaude et laetare 65v–66
Gaude et laetare - 2a pars (of 2): Jubilemus 66v–67
Gaudeamus omnes - 1a pars (of 2): Gaudeamus omnes et laetemur 48v–49
Gaudeamus omnes - 2a pars (of 2): Gaudent in caelis animae sanctorum 49v–50
Gaudent in caelis animae sanctorum 52v–54
Hodie Christus natus est (7vv) Anonymous 93v–95
In craticula te Deum non negavi 9v–10
In principio - 1a pars (of 3): In principio erat Verbum 115v–?
In principio - 2a pars (of 3): Fuit homo missus a Deo 115v–?
In principio - 3a pars (of 3): Erat ille lux 115v–?
Inclita Sancta - Ave virginum gemma Anonymous 78
Ista est speciosa 24b v–25a
Laetare sancta mater ecclesia - 1a pars (of 2): Laetare sancta mater ecclesia quia salvator 16v–17
Laetare sancta mater ecclesia - 2a pars (of 2): Augustine lux doctorum fundamentum 17v–18
Laudem dicite Deo nostro 54v–56
Levita Laurentius Anonymous 3v–4
Levita Laurentius 4v–5
Levita Laurentius - 1a pars (of 2): Levita Laurentius 5v–6
Levita Laurentius - 2a pars (of 2): Beatus Laurentius dum in craticula 5v–6
Magnificat 1 toni (8vv): Et exultavit 107v–115
Martinus Abrahae Anonymous 67v–68
Mihi autem nimis Anonymous 85v–86
Mihi autem nimis honorati Anonymous 84v–85
Misso Herodes spiculatore 20v–23
O beatum Martinum 70v–71
O beatum pontificem - 1a pars (of 2): O beatum pontificem 68v–69
O beatum pontificem - 2a pars (of 2): O sanctissima anima 69v–70
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 71v–72v
O doctor optime 45v–48
O gemma clarissima Katherina virgo sanctissima 80v–81
O quam magnificum 10v–11
Omnes fideles Christi Anonymous 29v–30
Omnes sancti et sanctae (5vv) Anonymous 56v–57
Omnes sancti et sanctae (6vv) - 1a pars (of 3): Omnes sancti et sanctae Anonymous 59v–62
Omnes sancti et sanctae (6vv) - 2a pars (of 3): Mirificavit Dominus Anonymous 62v–64
Omnes sancti et sanctae (6vv) - 3a pars (of 3): [Sicut erat - Amen?] Anonymous 64v–65
Omnipotens sempiterne Deus 15v–16
Ornatam in monilibus 25a v–25b
Precamur te Pater omnipotens 102v–103
Presul sanctissime Augustine 19v–20
Presul sanctissime e auguste 18v–19
Princeps gloriose (Michael archangelus) Anonymous 32v–33
Quasi stella matutina splendet 44v–45
Recordare Domine - 1a pars (of 2): Recordare Domine testamenti tui 97v–98
Recordare Domine - 2a pars (of 2): Quiescat jam Domine 97v–98
Recordare Domine testamenti tui et dic 98v–99
Roche beatissime 12v–13
Sancti Dei omnes 57v–59
Sepelierunt Stephanum Anonymous 96v–97
Stephanus autem Anonymous 95v–96
Tota pulchra es 25b v–25c
Total pulchra es Anonymous 27v–28
Veni dive Michael (6vv) Anonymous 40v–42
Veni electa mea 23v–24a
Veni Sancte Michael - 1a pars (of 2): Veni Sancte Michael Archangele Anonymous 36v–37
Veni Sancte Michael - 2a pars (of 2): Defende nos in proelio Anonymous 37v–38
Vidi speciosam 24a v–24b
Virgo prudentissima 25c v–27
Virgo sancta Catherina Anonymous 78v–79

denotes primary source study

Pozzobon, Michele. 1989. Review of "Music for Treviso Cathedral" (Blackburn). Pages: 255-256. Notes: contents list (partial); description (partial).

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 348, 370, 388, 440, 475, 481, 811. Notes: contents list (partial); concordances (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191-3, 310. Notes: contents list (partial); incipits (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 133, 137, 174-5, 203-4, 218-9, 221-2. Notes: contents list (partial); concordances (partial); incipits (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 149, 153. Notes: mention of MS; contents list (partial); concordances (partial).

Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo.  Venice. Pages: 260. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv. Notes: contents list (partial); mention of MS; discussion.

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 298-9. Notes: contents list (partial); concordances (partial); incipits (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, x. Notes: contents list (partial); concordances (partial).

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, x-xi. Notes: contents list (partial); concordances (partial).

d'Alessi, Giovanni. 1954. La Cappella musicale del Duomo di Treviso.  Vedelago (Treviso). Pages: 184, 209ff. Notes: mention of MS; contents list (partial).

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Edward Tambling

Thursday, 24 November, 2022

Concordance identified: 'Quasi matutina' (by Festa is also in Capp. Sist. 20

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Date Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description