E-Tc Ms. 21

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1549

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 21
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 695 x 480 mm
Other Identifiers
  • CCM: ToleBC 21
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 47 pieces from 13 composers
General Description

Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.

Cristina Urchueguía, 2010
Binding

Original covers of brown leather over wooden boards; remnants of clasps.

Cristina Urchueguía, 2010
Notation

black void mensural

Cristina Urchueguía, 2010
Foliation

Original ink foliation 1-125 beginning on fol. 3

Cristina Urchueguía, 2010
Decoration

Illuminated miniatures and borders; painted initials and inked initials in various colors. Attributions and voice designations appear within decorative scroll designs. Coat of arms of Juan Martínez Silíceo, Archbishop of Toledo 1546-57, on f. 3'. Decoration is work of Francisco de Buitrago (NooneT).

Cristina Urchueguía, 2010
Index

Original index on ff. [ii-ii'] lists all pieces in order of appearance, with attributions.

Cristina Urchueguía, 2010
Surface

parchment

Cristina Urchueguía, 2010
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 1 Requiem Mass, 1 Kyrie, 1 Agnus, 9 psalms, 2 office hymns, 1 processional hymn, 1 set of Lamentations, 27 motets, 1 litany, 1 Spanish secular piece = 46

Boluda-2, Compère-1, Escobar-1, Josquin-2, Morales-10, Pastrana-1, Peñalosa-9, Peñalosa/(Escobar)-1, Peñalosa/(Josquin)-1, F. Torre-3, Torrentes-4, Torrentes/(Morales)-1, Willaert [Villar]/(Obrecht)-1, anon-9

ii + 125 parchment folios, 695 x 480. Original ink foliation, 1-125. Original covers of brown leather over wooden boards; remnants of clasps. Original index on ff. [ii-ii'] lists all pieces in order of appearance, with attributions. Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Illuminated miniatures and borders; painted initials and inked initials in various colors. Attributions and voice designations appear within decorative scroll designs. Coat of arms of Juan Martínez Silíceo, Archbishop of Toledo 1546-57, on f. 3'. Decoration is work of Francisco de Buitrago (NooneT).

1549 (date in manuscript). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Kyrie eleison Gines de Boluda
Boluda, Ginés de

Kyrie eleison

Boluda, Ginés de
Appears on: 1v–2
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Gines de Boluda
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie eleison
3v–5 Missa Feria: KSA Gines de Boluda
Boluda, Ginés de

Missa Feria: KSA

Boluda, Ginés de
Appears on: 3v–5
Genres: Agnus Dei, Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Gines de Boluda
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Missa de Feria [KSA]
5v–6r Lamentations (D1): Incipit lamentatio Hieremiae prophetae -
Morales, Cristóbal de (ca. 1500–1553) (?)

Lamentations (D1): Incipit lamentatio Hieremiae prophetae

Morales, Cristóbal de (ca. 1500–1553) (?)
Appears on: 5v–6r
Genres: Lamentations
General Note

Del Sol argues that this 'preface' to Morales's Lamentations (5) is not by him
6v–18 Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum Morales
Morales, Cristóbal de (ca. 1500–1553)

Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 6v–18
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit lamentatio Hieremie prophete Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Hierusalem convertere ad dominum deum
General Note

Del Sol argues that the sections on folios 6v-12, 17v-18 are authentic, but the 'Daleth' section on 12v-17r is not by Morales

Concordances

Del Sol lists E-BAE 4 - but BAE is not recognised as a RISM siglum?
19v–23 Vidi aquam Egredentiem de templo Morales
Morales, Cristóbal de (ca. 1500–1553)

Vidi aquam Egredentiem de templo

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 19v–23
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: (Vidi aquam) Egredentiem de templo
23v–25 Victimae paschali laudes immolent Christiani Agnus redemit oves Morales
Morales, Cristóbal de (ca. 1500–1553)

Victimae paschali laudes immolent Christiani Agnus redemit oves

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 23v–25
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: [Victimae paschali laudes immolent Christiani] Agnus redemit oves
25v–27 Regina caeli laetare (5vv) Morales
Morales, Cristóbal de (ca. 1500–1553)

Regina caeli laetare (5vv)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 25v–27
Genres: Motet, Regina caeli laetare
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare aleluia
27v–29 Regina caeli laetare (4vv) Morales
Morales, Cristóbal de (ca. 1500–1553)

Regina caeli laetare (4vv)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 27v–29
Genres: Motet, Regina caeli laetare
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare aleluia
29v–30 Juicio fuerte sera dado y muy cruel Morales
Morales, Cristóbal de (ca. 1500–1553)

Juicio fuerte sera dado y muy cruel

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 29v–30
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Juicio fuerte sera dado y muy cruel
30v–31 Ad tante nativitatis invitemur laetitia Morales
Morales, Cristóbal de (ca. 1500–1553)

Ad tante nativitatis invitemur laetitia

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 30v–31
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Ad tante nativitatis invitemur letitia
31v–32 Salva nos stella maris tu que tenes Morales
Morales, Cristóbal de (ca. 1500–1553)

Salva nos stella maris tu que tenes

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 31v–32
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Salva nos stella maris tu que tenes
32v–34 Gloria laus et honor tibi sit rex Christe Israel es tu rex Davidis et inclita Torrentes/[Morales]
Morales, Cristóbal de (ca. 1500–1553) (?)
Torrentes, Andres de (?)

Gloria laus et honor tibi sit rex Christe Israel es tu rex Davidis et inclita

Morales, Cristóbal de (ca. 1500–1553) (?)
Torrentes, Andres de (?)
Appears on: 32v–34
Genres: Motet
Source Attribution: Torrentes/[Morales]
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria laus et honor tibi sit rex Christe] Israel es tu rex Davidis et inclita
34v–35 Circumdederunt me gemitus mortis dolores Morales
Morales, Cristóbal de (ca. 1500–1553)

Circumdederunt me gemitus mortis dolores

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 34v–35
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Circumdederunt me gemitus mortis dolores
35v–41 In exitu Israel Domus Jacob de populo Torrentes
Torrentes, Andres de

In exitu Israel Domus Jacob de populo

Torrentes, Andres de
Appears on: 35v–41
Genres: Motet, Psalm
Source Attribution: Torrentes
Voice: [no designation]
Languages: Latin
Voice Text: (In exitu Israel) Domus Iacob de populo
41v–42 O sapientia disponens omnia nos doce Torrentes
Torrentes, Andres de

O sapientia disponens omnia nos doce

Torrentes, Andres de
Appears on: 41v–42
Genres: Motet
Source Attribution: Torrentes
Voice: [no designation]
Languages: Latin
Voice Text: O sapientia disponens omnia nos doce
42v–43 Veni creator spiritus mentes tuorum Torrentes
Torrentes, Andres de

Veni creator spiritus mentes tuorum

Torrentes, Andres de
Appears on: 42v–43
Genres: Veni creator spiritus
Source Attribution: Torrentes
Voice: [no designation]
Languages: Latin
Voice Text: Veni creator spiritus mentes tuorum
43v–47 Missa L'homme armé super voces musicales 6.3: Agnus Dei Jusquin
Despres, Josquin (ca. 1450–1521)

Missa L'homme armé super voces musicales 6.3: Agnus Dei

Despres, Josquin (ca. 1450–1521)
Appears on: 43v–47
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Jusquin
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei [= Agnus III from Missa L'homme armé super voces musicales] 6.3
47v–53 Kyrie eleison. Qui passurus advenisti Anon. Anonymous

Kyrie eleison. Qui passurus advenisti

Anonymous
Appears on: 47v–53
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Kyrie eleison. Qui passurus advenisti
53v–56 Pater noster (4vv) (2p. Ave Maria gratia plena) Villar [= Willaert]/[Obrecht]
Willaert, Adrian (ca. 1490–1562)
Obrecht, Jacobus (ca. 1457–1505) (?)

Pater noster (4vv) (2p. Ave Maria gratia plena)

Willaert, Adrian (ca. 1490–1562)
Obrecht, Jacobus (ca. 1457–1505) (?)
Appears on: 53v–56
Genres: Ave Maria, Motet, Pater noster
Source Attribution: Villar [= Willaert]/[Obrecht]
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
56v–58 Clamabat autem mulier Cananaea ad Dominum Escobar
Escobar, Pedro de

Clamabat autem mulier Cananaea ad Dominum

Escobar, Pedro de
Appears on: 56v–58
Genres: Motet
Source Attribution: Escobar
Voice: [no designation]
Languages: Latin
Voice Text: Clamabat autem mulier Cananea ad dominum
58v–62 Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum Lusset [Compère]
Compère, Loyset (ca. 1445–1518)

Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum

Compère, Loyset (ca. 1445–1518)
Appears on: 58v–62
Genres: Ave Maria, Motet
Source Attribution: Lusset [Compère]
Voice: [no designation]
Languages: Latin
Voice Text: Ave Maria gratia plena dominus tecum II: Sancte Michael ora pro nobis ad dominum
62v–64 Sancta mater istud agas crucifixi 25.8 Peñalosa/[Josquin]
Despres, Josquin (ca. 1450–1521) (?)
Penalosa, Francisco de

Sancta mater istud agas crucifixi 25.8

Despres, Josquin (ca. 1450–1521) (?)
Penalosa, Francisco de
Appears on: 62v–64
Genres: Motet
Source Attribution: Peñalosa/[Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta mater istud agas crucifixi fige 25.8
64v–67 O domina sanctissima O piissima Peñalosa
Penalosa, Francisco de

O domina sanctissima O piissima

Penalosa, Francisco de
Appears on: 64v–67
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: O domina sanctissima O piissima
67v–69 Emendemus in melius quae ignoranter Peñalosa
Penalosa, Francisco de

Emendemus in melius quae ignoranter

Penalosa, Francisco de
Appears on: 67v–69
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter
69v–71 Tribularer si nescirem misericordias tuas Peñalosa
Penalosa, Francisco de

Tribularer si nescirem misericordias tuas

Penalosa, Francisco de
Appears on: 69v–71
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Tribularer si nescirem misericordias tuas
71v–73 Pater noster qui es in caelis Peñalosa
Penalosa, Francisco de

Pater noster qui es in caelis

Penalosa, Francisco de
Appears on: 71v–73
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Pater noster qui es in celis
73v–75 Domine Jesu Christe qui neminem vis Peñalosa
Penalosa, Francisco de

Domine Jesu Christe qui neminem vis

Penalosa, Francisco de
Appears on: 73v–75
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Domine Iesu Christe qui neminem vis
75v–78 In passione positus Jesus qui pro nobis Peñalosa
Penalosa, Francisco de

In passione positus Jesus qui pro nobis

Penalosa, Francisco de
Appears on: 75v–78
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: In pasione positus Iesus qui pro nobis
78v–82 Memorare piissima opprobria et crudeles Peñalosa/[Escobar]
Penalosa, Francisco de (?)
Escobar, Pedro de (?)

Memorare piissima opprobria et crudeles

Penalosa, Francisco de (?)
Escobar, Pedro de (?)
Appears on: 78v–82
Genres: Motet
Source Attribution: Peñalosa/[Escobar]
Voice: [no designation]
Languages: Italian
Voice Text: Memorare piissima opprobria et crudeles
82v–84 Versa est in lutum citara mea et organum Peñalosa
Penalosa, Francisco de

Versa est in lutum citara mea et organum

Penalosa, Francisco de
Appears on: 82v–84
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Versa est in lutum citara mea et organum
84v–87 Domine memento mei dum veneris in regnum Pastrana
Pastrana, Pedro de (1490–ca. 1558)

Domine memento mei dum veneris in regnum

Pastrana, Pedro de (1490–ca. 1558)
Appears on: 84v–87
Genres: Motet
Source Attribution: Pastrana
Voice: [no designation]
Languages: Latin
Voice Text: Domine memento mei dum veneris in regnum
87v–90 Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam Peñalosa
Penalosa, Francisco de

Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam

Penalosa, Francisco de
Appears on: 87v–90
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Precor te domine Iesu Christe propter illam
90v Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 90v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
91 Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 91
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
91v Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 91v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
92 Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 92
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
92v Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 92v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
93 Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 93
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
93v Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 93v
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
94 Ps. 109: Dixit Dominus Domino meo Anon. Anonymous

Ps. 109: Dixit Dominus Domino meo

Anonymous
Appears on: 94
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ps. 109: Dixit dominus domino meo
94v–96 Inter vestibulum et altare plorabant Peñalosa
Penalosa, Francisco de

Inter vestibulum et altare plorabant

Penalosa, Francisco de
Appears on: 94v–96
Genres: Motet
Source Attribution: Peñalosa
Voice: [no designation]
Languages: Latin
Voice Text: Inter vestibulum et altare plorabant
96v–97 Tibi Christe splendor patris vita virtus Torrentes
Torrentes, Andres de

Tibi Christe splendor patris vita virtus

Torrentes, Andres de
Appears on: 96v–97
Genres: Motet
Source Attribution: Torrentes
Voice: [no designation]
Languages: Latin
Voice Text: Tibi Christe splendor patris vita virtus
97v–118 Missa Requiem (5vv) Morales
Morales, Cristóbal de (ca. 1500–1553)

Missa Requiem (5vv)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 97v–118
Genres: Mass Ordinary, Requiem
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Missa de Requiem
118v–121 Absolve quaesumus Domine / Requiem aeternam 26.1 Jusquin
Despres, Josquin (ca. 1450–1521)

Absolve quaesumus Domine / Requiem aeternam 26.1

Despres, Josquin (ca. 1450–1521)
Appears on: 118v–121
Genres: Motet
Source Attribution: Jusquin
Voice: [no designation]
Languages: Latin
Voice Text: Absolve quesumus domine/Requiem eternam 26.1
121v–122 Ne recorderis dirige dum veneris / Kyrie eleison Francisco de la Torre
Guerrero, Francisco (?)
Morales, Cristóbal de (ca. 1500–1553) (?)
Torre, Francisco de la

Ne recorderis dirige dum veneris / Kyrie eleison

Guerrero, Francisco (?)
Morales, Cristóbal de (ca. 1500–1553) (?)
Torre, Francisco de la
Appears on: 121v–122
Genres: Responsory, Verse
Source Attribution: Francisco de la Torre
Voice: [no designation]
Languages: Latin
Voice Text: Ne recorderis dirige dum veneris
General Note

Contradictory ascription in Inventar Tarazona, Nr. 11: Sanabria, s. 1.3.3, S. 364
122v–124 Libera me Domine quando caeli dum veneris Francisco de la Torre
Torre, Francisco de la

Libera me Domine quando caeli dum veneris

Torre, Francisco de la
Appears on: 122v–124
Genres: Responsory
Source Attribution: Francisco de la Torre
Voice: [no designation]
Languages: Latin
Voice Text: Libera me domine quando celi dum veneris
124v–125 Paucitas antequam vadam manus kyrie [F. Torre]
Torre, Francisco de la

Paucitas antequam vadam manus kyrie

Torre, Francisco de la
Appears on: 124v–125
Genres: Mass Ordinary, Troped Kyrie
Source Attribution: [F. Torre]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: Paucitas antequam vadam manus kyrie
Composer Compositions
Anonymous
Boluda, Ginés de
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Escobar, Pedro de
Guerrero, Francisco
Morales, Cristóbal de (ca. 1500–1553)
Obrecht, Jacobus (ca. 1457–1505)
Pastrana, Pedro de (1490–ca. 1558)
Penalosa, Francisco de
Torre, Francisco de la
Torrentes, Andres de
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Absolve quaesumus Domine / Requiem aeternam 26.1
Despres, Josquin (ca. 1450–1521)
118v–121
Ad tante nativitatis invitemur laetitia
Morales, Cristóbal de (ca. 1500–1553)
30v–31
Ave Maria gratia plena Dominus tecum II: Sancte Michael ora pro nobis ad Dominum
Compère, Loyset (ca. 1445–1518)
58v–62
Circumdederunt me gemitus mortis dolores
Morales, Cristóbal de (ca. 1500–1553)
34v–35
Clamabat autem mulier Cananaea ad Dominum
Escobar, Pedro de
56v–58
Domine Jesu Christe qui neminem vis
Penalosa, Francisco de
73v–75
Domine memento mei dum veneris in regnum
Pastrana, Pedro de (1490–ca. 1558)
84v–87
Emendemus in melius quae ignoranter
Penalosa, Francisco de
67v–69
Gloria laus et honor tibi sit rex Christe Israel es tu rex Davidis et inclita
Morales, Cristóbal de (ca. 1500–1553) (?)
Torrentes, Andres de (?)
32v–34
In exitu Israel Domus Jacob de populo
Torrentes, Andres de
35v–41
In passione positus Jesus qui pro nobis
Penalosa, Francisco de
75v–78
Inter vestibulum et altare plorabant
Penalosa, Francisco de
94v–96
Juicio fuerte sera dado y muy cruel
Morales, Cristóbal de (ca. 1500–1553)
29v–30
Kyrie eleison
Boluda, Ginés de
1v–2
Kyrie eleison. Qui passurus advenisti Anonymous 47v–53
Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum
Morales, Cristóbal de (ca. 1500–1553)
6v–18
Lamentations (D1): Incipit lamentatio Hieremiae prophetae
Morales, Cristóbal de (ca. 1500–1553) (?)
5v–6r
Libera me Domine quando caeli dum veneris
Torre, Francisco de la
122v–124
Memorare piissima opprobria et crudeles
Penalosa, Francisco de (?)
Escobar, Pedro de (?)
78v–82
Missa Feria: KSA
Boluda, Ginés de
3v–5
Missa L'homme armé super voces musicales 6.3: Agnus Dei
Despres, Josquin (ca. 1450–1521)
43v–47
Missa Requiem (5vv)
Morales, Cristóbal de (ca. 1500–1553)
97v–118
Ne recorderis dirige dum veneris / Kyrie eleison
Guerrero, Francisco (?)
Morales, Cristóbal de (ca. 1500–1553) (?)
Torre, Francisco de la
121v–122
O domina sanctissima O piissima
Penalosa, Francisco de
64v–67
O sapientia disponens omnia nos doce
Torrentes, Andres de
41v–42
Pater noster (4vv) (2p. Ave Maria gratia plena)
Willaert, Adrian (ca. 1490–1562)
Obrecht, Jacobus (ca. 1457–1505) (?)
53v–56
Pater noster qui es in caelis
Penalosa, Francisco de
71v–73
Paucitas antequam vadam manus kyrie
Torre, Francisco de la
124v–125
Precor te Domine - 1a pars (of 2): Precor te Domine Jesu Christe propter illam
Penalosa, Francisco de
87v–90
Ps. 109: Dixit Dominus Domino meo Anonymous 90v
Ps. 109: Dixit Dominus Domino meo Anonymous 91
Ps. 109: Dixit Dominus Domino meo Anonymous 91v
Ps. 109: Dixit Dominus Domino meo Anonymous 92
Ps. 109: Dixit Dominus Domino meo Anonymous 92v
Ps. 109: Dixit Dominus Domino meo Anonymous 93
Ps. 109: Dixit Dominus Domino meo Anonymous 93v
Ps. 109: Dixit Dominus Domino meo Anonymous 94
Regina caeli laetare (4vv)
Morales, Cristóbal de (ca. 1500–1553)
27v–29
Regina caeli laetare (5vv)
Morales, Cristóbal de (ca. 1500–1553)
25v–27
Salva nos stella maris tu que tenes
Morales, Cristóbal de (ca. 1500–1553)
31v–32
Sancta mater istud agas crucifixi 25.8
Despres, Josquin (ca. 1450–1521) (?)
Penalosa, Francisco de
62v–64
Tibi Christe splendor patris vita virtus
Torrentes, Andres de
96v–97
Tribularer si nescirem misericordias tuas
Penalosa, Francisco de
69v–71
Veni creator spiritus mentes tuorum
Torrentes, Andres de
42v–43
Versa est in lutum citara mea et organum
Penalosa, Francisco de
82v–84
Victimae paschali laudes immolent Christiani Agnus redemit oves
Morales, Cristóbal de (ca. 1500–1553)
23v–25
Vidi aquam Egredentiem de templo
Morales, Cristóbal de (ca. 1500–1553)
19v–23

‡ denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Hardie, Jane Morlet. 1983. The Motets of Francisco de Pehalosa and Their Manuscript Sources. University of Michigan, Unpublished Ph.D. dissertation. Pages: 99-102, 128ff, 285-93, 296-304. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); transcription (partial); texts (partial); mention of MS; discussion.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 38, 40-l, 56-61 II, #30, 48-9, 56, 58. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Stevenson, Robert. 1976. Josquin in the Music of Spain and Portugal. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 217-46. London, New York, and Toronto. Pages: 220-l. Notes: contents list (partial); mention of MS; discussion.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 92ff. Notes: contents list (partial).

Massenkeil, Günther. 1962-63. Eine spanische Choralmelodie in mehrstimmigen Lamentationskompositionen des 16. Jahrhunderts. Archiv für Musikwissenschaft, 230-7. Pages: 232. Notes: contents list (partial); transcription (partial).

Antonowycz, Myroslaw. 1962. The present state of Josquin research. Report of the eighth congress [of the International Musicological Society] New York 1961, 2 vols. Kassel. Notes: physical description; mention of MS; discussion.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: I, 231 II, 22, 59, Abb. 4. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 32, 106-9, 328. Notes: contents list (partial); mention of MS; discussion.

Stevenson, Robert. 1960. Spanish Music in the Age of Columbus.  The Hague. Pages: 151-2, 159-60, 172, 194. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: I, 130-1 XIII, 27ff, Facs. 12 XX, 19ff XXXIV, 22ff, Facs. 5. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: XXIII, xxix, 109-13. Notes: contents list (partial); transcription (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 42-4. Notes: physical description (partial); contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description