E-Tc Ms. 13

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1553-4

Archive Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark Ms. 13
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 750 x 505 mm
Other Identifiers
  • CCM: ToleBC 13
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents 15 pieces from 13 composers
General Description

Copied by Martín Pérez (NooneT). Copied in Toledo, for use by cathedral choir.

DIAMM, 2017
Physical Description

Some folios mutilated due to removal of decorative initials.

DIAMM, 2017
Binding

Original covers of brown leather over wooden boards.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

1553-4 (dates in manuscript).

DIAMM, 2017
Foliation

Original ink foliation, i-cii.

DIAMM, 2017
Decoration

Painted initials and inked initials in various colours; voice designations and attributions appear within decorative scroll designs. Illuminated miniatures, borders, and initials on f. 1' contain coats of arms of Juan Martínez Silíceo, Archbishop of Toledo 1546-57, and Diego López de Ayala, canon at Toledo Cathedral. Decorations are work of Francisco de Buitrago (NooneT).

DIAMM, 2017
Index

Incomplete original index on f. 1 lists first seven motets only, in order of appearance.

DIAMM, 2017
Surface

parchment

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

15 motets

Clemens non Papa/(Manchicourt)-1, Conseil-1, (Crecquillon)-1, Escobedo-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-1, Jaquet of Mantua [lachet]-1, Jhan of Ferrara [Metre Iam]/(Jaquet of Mantua)-1, Josquin-1, Josquin/(Bruck)-1, Josquin/(Mouton)-1, Lhéritier-1, Morales-4

102 parchment folios, 750 x 505. Some folios mutilated due to removal of decorative initials. Original ink foliation, i-cii. Original covers of brown leather over wooden boards. Incomplete original index on f. 1 lists first seven motets only, in order of appearance.

Copied by Martín Pérez (NooneT); see general index for other manuscripts copied by the same scribe. Painted initials and inked initials in various colors; voice designations and attributions appear within decorative scroll designs. Illuminated miniatures, borders, and initials on f. 1' contain coats of arms of Juan Martínez Silíceo, Archbishop of Toledo 1546-57, and Diego López de Ayala, canon at Toledo Cathedral. Decorations are work of Francisco de Buitrago (NooneT).

1553-4 (dates in manuscript). Copied in Toledo, for use by cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–10 Sancti Dei omnes orate pro nobis 26.14 II: Christe audi nos sancta trinitas [Ius]quin/[Mouton]
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)

Sancti Dei omnes orate pro nobis 26.14 II: Christe audi nos sancta trinitas

Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Appears on: 1v–10
Genres: Motet
Source Attribution: [Ius]quin/[Mouton]
Voice: [no designation]
Languages: Latin
Voice Text: Sancti dei omnes orate pro nobis anime 26.13 II: Christe audi nos sancta trinitas
10v–16 Exurge quare obdormis Domine et ne repellas II: Quoniam humiliata est in pulvere Escobedo
Escobedo, Bartolome de (ca. 1505–1563)

Exurge quare obdormis Domine et ne repellas II: Quoniam humiliata est in pulvere

Escobedo, Bartolome de (ca. 1505–1563)
Appears on: 10v–16
Genres: Motet
Source Attribution: Escobedo
Voice: [no designation]
Languages: Latin
Voice Text: Exurge quare obdormis domine et ne repellas II: Quoniam humiliata est in pulvere
16v–21 Erravi sicut ovis quae periit require II: Delicta juventutis meae et ignorantias [Crecquillon]
Crecquillon, Thomas (ca. 1505–ca. 1557)

Erravi sicut ovis quae periit require II: Delicta juventutis meae et ignorantias

Crecquillon, Thomas (ca. 1505–ca. 1557)
Appears on: 16v–21
Genres: Motet
Source Attribution: [Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Erravi sicut ovis que periit require II: Delicta iuventutis mee et ignorantias
21v–25 Per tuam crucem salva nos Christe II: Miserere nostri Jesu benigne Morales
Morales, Cristóbal de (ca. 1500–1553)

Per tuam crucem salva nos Christe II: Miserere nostri Jesu benigne

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 21v–25
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Per tuam crucem salva nos Christe II: Miserere nostri Iesu benigne
25v–29 Sancta Trinitas unus Deus miserere nobis (4vv) Antonius Fevin/[Craen/C. Festa/Josquin/Morales]
Fevin, Antoine de (ca. 1470–ca. 1512)

Sancta Trinitas unus Deus miserere nobis (4vv)

Fevin, Antoine de (ca. 1470–ca. 1512)
Appears on: 25v–29
Genres: Motet
Source Attribution: Antonius Fevin/[Craen/C. Festa/Josquin/Morales]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus deus miserere nobis 26.12
General Note

Publ. Motetti de la Corona, libro primo, Venezia, Ottaviano Petrucci, 1514, no 13, fol. 9 (supremus), fol. 26 (tenor), fol. 42 (altus) et fol. 57 (bassus) – [RISM 15141]; Réédition : Rome, Giovanni Giacomo Pasoti et Valerio Dorico, 1526 – [RISM 15261]
29v–34 In illo tempore assumpsit Jesus duodecim 19.5 Iusquin/[Bruck]
Bruck, Arnold von (ca. 1500–1554) (?)
Despres, Josquin (ca. 1450–1521) (?)

In illo tempore assumpsit Jesus duodecim 19.5

Bruck, Arnold von (ca. 1500–1554) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 29v–34
Genres: Motet
Source Attribution: Iusquin/[Bruck]
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore assumpsit Iesus duodecim 19.4
34v–38 Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) Cleme[n]s non Papa/[Manchicourt]
Manchicourt, Pierre de (?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)

Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv)

Manchicourt, Pierre de (?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Appears on: 34v–38
Genres: Motet
Source Attribution: Cleme[n]s non Papa/[Manchicourt]
Voice: [no designation]
Languages: Latin
Voice Text: Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
38v–43 Antequam comedam suspiro et tanquam II: Nonne dissimulavi nonne quicui Morales
Morales, Cristóbal de (ca. 1500–1553)

Antequam comedam suspiro et tanquam II: Nonne dissimulavi nonne quicui

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 38v–43
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Antequam comedam suspiro et tanquam II: Nonne dissimulavi nonne quicui
43v–50 Dum complerentur dies pentecostes erant II: Spiritus Domini replevit orbem Lirithier
Lheritier, Jean (ca. 1480–ca. 1551)

Dum complerentur dies pentecostes erant II: Spiritus Domini replevit orbem

Lheritier, Jean (ca. 1480–ca. 1551)
Appears on: 43v–50
Genres: Motet
Source Attribution: Lirithier
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies penthecostes erant II: Spiritus domini replevit orbem
50v–64 Inclina Domine aurem tuam et exaudi me II: In die tribulationis mee clamavi III: Confitebor tibi Domine Deus meus Morales
Morales, Cristóbal de (ca. 1500–1553)

Inclina Domine aurem tuam et exaudi me II: In die tribulationis mee clamavi III: Confitebor tibi Domine Deus meus

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 50v–64
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Inclina domine aurem tuam et exaudi me II: In die tribulationis mee clamavi III: Confitebor tibi domine deus meus
65v–72 Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Morales
Morales, Cristóbal de (ca. 1500–1553)

Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)

Morales, Cristóbal de (ca. 1500–1553)
Appears on: 65v–72
Genres: Motet
Source Attribution: Morales
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Ecce sic benedicetur homo qui timet
72v–76 Da pacem Domine in diebus nostris Iachet [of Mantua]
Mantua, Jacquet de (1483–1559)

Da pacem Domine in diebus nostris

Mantua, Jacquet de (1483–1559)
Appears on: 72v–76
Genres: Motet
Source Attribution: Iachet [of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Da pacem domine in diebus nostris
76v–81 Tempus faciendi Domine disipaverunt legem Consilium [= Conseil]
Conseil, Jean (ca. 1498–1534)

Tempus faciendi Domine disipaverunt legem

Conseil, Jean (ca. 1498–1534)
Appears on: 76v–81
Genres: Motet
Source Attribution: Consilium [= Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Tempus faciendi domine disipaverunt legem
81v–89 Confiteor Deo Patri omnipotenti et beate II: Ideo precor virginem Mariam et omnes III: Misereatur nostri omnipotens Deus Metre Iam [= Jhan of Ferrara]/[Jaquet of Mantua]
Ferrara, Maistre Jhan of (ca. 1485–1538)

Confiteor Deo Patri omnipotenti et beate II: Ideo precor virginem Mariam et omnes III: Misereatur nostri omnipotens Deus

Ferrara, Maistre Jhan of (ca. 1485–1538)
Appears on: 81v–89
Genres: Motet
Source Attribution: Metre Iam [= Jhan of Ferrara]/[Jaquet of Mantua]
Voice: [no designation]
Languages: Latin
Voice Text: Confitebor deo patri omnipotenti et beate II: Ideo precor virginem Mariam et omnes III: Misereatur nostri omnipotens deus
89v–102 Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa) Iusquin
Despres, Josquin (ca. 1450–1521)

Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa)

Despres, Josquin (ca. 1450–1521)
Appears on: 89v–102
Genres: Motet
Source Attribution: Iusquin
Voice: [no designation]
Languages: Latin
Voice Text: Ave nobilissima creatura humilima virgo 23.11 II: Tibi domina gloriosa commendo hodie
Composer Compositions
Bruck, Arnold von (ca. 1500–1554)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Escobedo, Bartolome de (ca. 1505–1563)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Fevin, Antoine de (ca. 1470–ca. 1512)
Lheritier, Jean (ca. 1480–ca. 1551)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Composition Composers (? Uncertain) Folios / Pages
Antequam comedam suspiro et tanquam II: Nonne dissimulavi nonne quicui
Morales, Cristóbal de (ca. 1500–1553)
38v–43
Ave nobilissima creatura 23.11 (2p. Tibi domina gloriosa)
Despres, Josquin (ca. 1450–1521)
89v–102
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)
Morales, Cristóbal de (ca. 1500–1553)
65v–72
Confiteor Deo Patri omnipotenti et beate II: Ideo precor virginem Mariam et omnes III: Misereatur nostri omnipotens Deus
Ferrara, Maistre Jhan of (ca. 1485–1538)
81v–89
Da pacem Domine in diebus nostris
Mantua, Jacquet de (1483–1559)
72v–76
Dum complerentur dies pentecostes erant II: Spiritus Domini replevit orbem
Lheritier, Jean (ca. 1480–ca. 1551)
43v–50
Erravi sicut ovis quae periit require II: Delicta juventutis meae et ignorantias
Crecquillon, Thomas (ca. 1505–ca. 1557)
16v–21
Exurge quare obdormis Domine et ne repellas II: Quoniam humiliata est in pulvere
Escobedo, Bartolome de (ca. 1505–1563)
10v–16
In illo tempore assumpsit Jesus duodecim 19.5
Bruck, Arnold von (ca. 1500–1554) (?)
Despres, Josquin (ca. 1450–1521) (?)
29v–34
Inclina Domine aurem tuam et exaudi me II: In die tribulationis mee clamavi III: Confitebor tibi Domine Deus meus
Morales, Cristóbal de (ca. 1500–1553)
50v–64
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv)
Manchicourt, Pierre de (?)
Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
34v–38
Per tuam crucem salva nos Christe II: Miserere nostri Jesu benigne
Morales, Cristóbal de (ca. 1500–1553)
21v–25
Sancta Trinitas unus Deus miserere nobis (4vv)
Fevin, Antoine de (ca. 1470–ca. 1512)
25v–29
Sancti Dei omnes orate pro nobis 26.14 II: Christe audi nos sancta trinitas
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
1v–10
Tempus faciendi Domine disipaverunt legem
Conseil, Jean (ca. 1498–1534)
76v–81

‡ denotes primary source study

Reynaud, François. 1996. La Polyphonie Tolédane et son milieu des premiers témoignages aux environs de 1600.  Paris/Turnhout.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation. Pages: I, 38, 40. Notes: mention of MS.

Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 21, 87-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv, lii). Notes: physical description (partial); contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: 1, 155, 212. Notes: physical description (partial); contents list (partial); concordances (partial).

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 32 [erroneously referred to as MS 3], 293, 331, 333. Notes: contents list (partial); concordances (partial).

Lenaerts, René Bernard. 1952. Les Manuscrits Polyphoniques de la Bibliothèque Capitulaire de Tolède. International Musicological Society: Report of the 4th Congress, Utrech 1952, 276-81. Pages: 278-9. Notes: physical description (partial).

Rubio Piqueras, Felipe. 1925. Códices Polifónicos Toledanos.  Toledo. Pages: 28-9. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description