Copied by a single scribe, who also wrote ff. 87'-93' of StuttL 42; GottH identification of this scribe as Nikolaus Peuschel probably incorrect (Call). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
D-Sl Cod. mus. I 2° 43
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: c. 1540
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 43 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 450 x 320 mm |
| Other Identifiers |
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| Contents | Contains 15 compositions, 10 from 10 composers, 5 are anonymous. |
General Description
Binding
Original covers of tooled leather over pasteboard.
Notation
black void mensural
Date
Ca. 1540 (GottH).
Foliation
Modern foliation, 1-149; original foliation mostly obliterated by later trimming.
Decoration
Large inked calligraphic initial on f. 1'; inked initials in plain block style on ff. 25'-26, 29'-30, 35'-36, 42'-43, 53'-54.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
15 motets
(Gombert)-1, (Lhéritier/Willaert)-1, (Richafort/Verdelot)-1, (Senfl)-2, (Silva/Werrecore)-1, (Stoltzer/Werrecore)-1, (Unterholtzer)-1, (Walter)-1, (Willaert)-2, anon-4
149 paper folios, 450 x 320. Modern foliation, 1-149; original foliation mostly obliterated by later trimming. Original covers of tooled leather over pasteboard.
No index. Copied by a single scribe, who also wrote ff. 87'-93' of StuttL 42; GottH identification of this scribe as Nikolaus Peuschel probably incorrect (Call). Large inked calligraphic initial on f. 1'; inked initials in plain block style on ff. 25'-26, 29'-30, 35'-36, 42'-43, 53'-54.
Ca. 1540 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
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‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 349-51, 389-90, 514, 810. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1977. Die Motetten des Andreas de Silva: Studien zur Geschichte der Motette im 16. Jahrhundert. Frankfurter Beiträge zur Musikwissenschaft, vol. 2. Tutzing. Pages: 37, 82-5, 95, 435, 449-50. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv, lvii. Notes: physical description (partial); contents list (partial); concordances (partial).
Krautwurst, Franz. 1968. Review of GottH. Die Musikforschung, 21: 233-7. Notes: contents list (partial); concordances (partial).
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 76-8. Notes: physical description; contents list; concordances (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 107, 169, 182. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: XI, 123-5. Notes: physical description; contents list (partial); concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 32, passim. Notes: physical description (partial); mention of MS; discussion.
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 174ff. Notes: physical description (partial); contents list (partial); concordances (partial).
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 32. Notes: physical description (partial); contents list.
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Edward Tambling
Thursday, 13 April, 2023
First piece identified as the Willaert/Lheritier setting of Deus in nomine
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description