Copied mostly by Nikolaus Peuschel (GottH); new ff. 164'-182 copied by different, unidentified hand. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 242 folios or more.
D-Sl Cod. mus. I 2° 36
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: c. 1548-50
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 36 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 430 x 300 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Provenance |
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| Contents | Contains 23 compositions, 21 from 17 composers, 2 are anonymous. |
General Description
Physical Description
Four original folios now missing between new ff. 148/149; one folio missing between ff. 163/164; five folios missing between ff. 182/183; ff. 68-69 now missing; f. 215 partly torn away, but some music still legible
Binding
Original covers of tooled leather over pasteboard, in poor condition.
Notation
black void mensural
Foliation
Modern foliation, 1-232; new ff. 41-136 also bear original ink foliation, 51-146; new ff. 149-163 = original ff. 147-161; new ff. 183-232 = original ff. 1-50 (original sequence of folios disturbed by later rebinding of some gatherings)
Index
Original index of seven motets on new f. 41; index of five additional motets on new f. 183.
Surface
paper
Census Catalogue of Music Description
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17 motets (2 incomplete)
Brandt-1, Canis/(Appenzeller)-1, (Crecquillon)-1, Crecquillon/ (Clemens non Papa)-1, Gombert-2, (Gombert/Mouton/Verdelot) -1, (Jaquet of Mantua)-1, Josquin/(M. Forestier)-1, (Lhéritier)-1, Morales-1, Phinot-2, Senfl-1, Zirler-1, anon-2
i + 230 paper folios of an original 242 or more, 430 x 300. Four original folios now missing between new ff. 148/149; one folio missing between ff. 163/164; five folios missing between ff. 182/183. Modern foliation, 1-232 (ff. 68-69 now missing; f. 215 partly torn away, but some music still legible). New ff. 41-136 also bear original ink foliation, 51-146; new ff. 149-163 = original ff. 147-161; new ff. 183-232 = original ff. 1-50 (original sequence of folios disturbed by later rebinding of some gatherings). Blank folios, or blank staves only: new ff. 11'-12, 32'-40', 135'-136', 148', 163'-164, 182', 232'.
Original covers of tooled leather over pasteboard, in poor condition. Original index of seven motets on new f. 41; index of five additional motets on new f. 183. Copied mostly by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. New ff. 164'-182 copied by different, unidentified hand. No initials or decoration.
Ca. 1548-50 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
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‡ denotes primary source study
Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 189, 208, 482, 549. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 75-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 146. Notes: mention of MS; contents list (partial); concordances (partial).
Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99,102-3. Notes: contents list; discussion.
Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21. Brooklyn. Pages: I,16 II,vi-viii III.vii-viii IV, Plate XXXVI. Notes: contents list (partial); concordances (partial); facsimile (partial).
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv.lvi. Notes: physical description (partial); contents list (partial); concordances (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 65-7. Notes: physical description; contents list; concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 30-l, passim. Notes: physical description (partial); mention of MS; discussion.
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XII,xxii-xxiv. Notes: physical description; contents list (partial); concordances (partial).
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 27-8. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description