D-Sl Cod. mus. I 2° 36

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1548-50

Archive	Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl)
Shelfmark	Cod. mus. I 2° 36
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	430 x 300 mm
Other Identifiers	CCM: StuttL 36 olim (Former shelfmark): MS Musica folio I 36
Notations	black void mensural
Copyists	Peuschel, Nikolaus Music
Relationships	Ulrich (1487–1550) (patron)
External Links	catalogue images images
Provenance	court chapel of Ulrich, Duke of Württemberg (1487-1550 , Stuttgart, Bavaria, Germany
Contents	23 pieces from 18 composers

General Description

Copied mostly by Nikolaus Peuschel (GottH); new ff. 164'-182 copied by different, unidentified hand. Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550). Originally 242 folios or more.

DIAMM, 2017

Physical Description

Four original folios now missing between new ff. 148/149; one folio missing between ff. 163/164; five folios missing between ff. 182/183; ff. 68-69 now missing; f. 215 partly torn away, but some music still legible

DIAMM, 2017

Binding

Original covers of tooled leather over pasteboard, in poor condition.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Modern foliation, 1-232; new ff. 41-136 also bear original ink foliation, 51-146; new ff. 149-163 = original ff. 147-161; new ff. 183-232 = original ff. 1-50 (original sequence of folios disturbed by later rebinding of some gatherings)

DIAMM, 2017

Index

Original index of seven motets on new f. 41; index of five additional motets on new f. 183.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

17 motets (2 incomplete)

Brandt-1, Canis/(Appenzeller)-1, (Crecquillon)-1, Crecquillon/ (Clemens non Papa)-1, Gombert-2, (Gombert/Mouton/Verdelot) -1, (Jaquet of Mantua)-1, Josquin/(M. Forestier)-1, (Lhéritier)-1, Morales-1, Phinot-2, Senfl-1, Zirler-1, anon-2

i + 230 paper folios of an original 242 or more, 430 x 300. Four original folios now missing between new ff. 148/149; one folio missing between ff. 163/164; five folios missing between ff. 182/183. Modern foliation, 1-232 (ff. 68-69 now missing; f. 215 partly torn away, but some music still legible). New ff. 41-136 also bear original ink foliation, 51-146; new ff. 149-163 = original ff. 147-161; new ff. 183-232 = original ff. 1-50 (original sequence of folios disturbed by later rebinding of some gatherings). Blank folios, or blank staves only: new ff. 11'-12, 32'-40', 135'-136', 148', 163'-164, 182', 232'.

Original covers of tooled leather over pasteboard, in poor condition. Original index of seven motets on new f. 41; index of five additional motets on new f. 183. Copied mostly by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. New ff. 164'-182 copied by different, unidentified hand. No initials or decoration.

Ca. 1548-50 (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[iv]–11	Descendi in ortum meum ut viderem poma	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Descendi in ortum meum ut viderem poma Mantua, Jacquet de (1483–1559) Appears on: [iv]–11 Genres: Motet Source Attribution: [Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum nucum ut viderem poma
12v–23	Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte	Josquin/[M. Forestier]	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?) Appears on: 12v–23 Genres: Motet, Veni sancte spiritus Source Attribution: Josquin/[M. Forestier] Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte coelitus 26.17 II: O lux beatissima reple cordis
23v–32	Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis	-	Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?)
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?) Appears on: 23v–32
41v–55	Venite ad me omnes qui laboratis et onerati	Anon.	Anonymous
Venite ad me omnes qui laboratis et onerati Anonymous Appears on: 41v–55 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Venite ad me omnes qui laboratis et onerati
55v–66	Venite ad me omnes qui laboratis	Gomberth	Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Venite ad me omnes qui laboratis Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 55v–66 Genres: Motet Source Attribution: Gomberth Voice: [no designation] Languages: Latin Voice Text: Venite ad me omnes qui laboratis et onerati
66v–82	Ad te levavi oculos meos qui habitas in caelis	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Ad te levavi oculos meos qui habitas in caelis Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 66v–82 Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos meos qui habitas [incomplete due to lost ff. 68-69]
82v–89	Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	[Gombert/Mouton/Verdelot]	Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560)
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 82v–89 Genres: Motet Source Attribution: [Gombert/Mouton/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Surge Petre et indue te vestimentis tuis II: Angelus domini astitit et lumen
89v–98	Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	-	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?)
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?) Appears on: 89v–98 Genres: Motet
98v–105	Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari	[Phinot]	Phinot, Dominique
Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari Phinot, Dominique Appears on: 98v–105 Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: Videns dominus flentes sorores Lazari II: Et prodiit ligatis manibus et pedibus
105v–111	Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus	-	Phinot, Dominique
Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus Phinot, Dominique Appears on: 105v–111 Genres: Motet
111v–126	Oppressit reducem quam rexit Iasona navis	Jost von Brannt [= Brandt]	Brandt, Jobst vom
Oppressit reducem quam rexit Iasona navis Brandt, Jobst vom Appears on: 111v–126 Genres: Motet Source Attribution: Jost von Brannt [= Brandt] Voice: [no designation] Languages: Latin Voice Text: Oppressit reducem quam rexit Iasona navis
126v–135	Philippe qui videt me alleluia	Anon.	Anonymous
Philippe qui videt me alleluia Anonymous Appears on: 126v–135 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Philippe qui videt me halleluia
137v–148	Domine nonne bonum semen seminasti	Dominicus Phinot	Phinot, Dominique
Domine nonne bonum semen seminasti Phinot, Dominique Appears on: 137v–148 Genres: Motet Source Attribution: Dominicus Phinot Voice: [no designation] Languages: Latin Voice Text: Domine nonne bonum semen seminasti
149v–156	Tu es Petrus - 1a pars (of 2): Tu es Petrus	Morales/[Gombert/Moreau]	Moreau, Simon (?) Morales, Cristóbal de (ca. 1500–1553) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Tu es Petrus - 1a pars (of 2): Tu es Petrus Moreau, Simon (?) Morales, Cristóbal de (ca. 1500–1553) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: 149v–156 Genres: Motet Source Attribution: Morales/[Gombert/Moreau] Voice: [no designation] Languages: Latin Voice Text: Tu es Petrus et super hanc petram II: Quodcunque ligaveris super terram
156v–163	Tu es Petrus - 2a pars (of 2): Quodcunque legaveris	-	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Morales, Cristóbal de (ca. 1500–1553) Moreau, Simon (?)
Tu es Petrus - 2a pars (of 2): Quodcunque legaveris Gombert, Nicolas (ca. 1495–ca. 1560) (?) Morales, Cristóbal de (ca. 1500–1553) Moreau, Simon (?) Appears on: 156v–163 Genres: Motet
164v–182	Nisi Dominus sustineat domum frustra	Steff: Zirlerus	Zirler, Stephan (ca. 1518–1568)
Nisi Dominus sustineat domum frustra Zirler, Stephan (ca. 1518–1568) Appears on: 164v–182 Genres: Motet Source Attribution: Steff: Zirlerus Voice: [no designation] Languages: Latin Voice Text: Nisi dominus sustineat domum frustra
183v–189	Nunc Deus ad requiem servum finemque	Ludovicus Senflius	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc Deus ad requiem servum finemque Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 183v–189 Genres: Motet Source Attribution: Ludovicus Senflius Voice: [no designation] Languages: Latin Voice Text: Nunc deus ad requiem servum finemque
189v–198	Clama ne cesses quasi tuba exalta	Cornelius Canis/[Appenzeller]	Canis, Cornelius
Clama ne cesses quasi tuba exalta Canis, Cornelius Appears on: 189v–198 Genres: Motet Source Attribution: Cornelius Canis/[Appenzeller] Voice: [no designation] Languages: Latin Voice Text: Clama ne cesses quasi tuba exalta
198v–207	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Thomas Crequilon/[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 198v–207 Genres: Motet Source Attribution: Thomas Crequilon/[Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Surge illuminare Iherusalem quia venit II: Leva in circuitu oculos tuos et vide
207v–214	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 207v–214 Genres: Motet
214v–223	Sub tuum praesidium confugimus Domine	[Lhéritier]	Lheritier, Jean (ca. 1480–ca. 1551)
Sub tuum praesidium confugimus Domine Lheritier, Jean (ca. 1480–ca. 1551) Appears on: 214v–223 Genres: Motet Source Attribution: [Lhéritier] Voice: [no designation] Languages: Latin Voice Text: Sub tuum praesidium confugimus domine General Note incomplete: f.215(r/v) torn, losing 1v completely with some loss of another
223v–228	Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 223v–228 Genres: Motet Source Attribution: [Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Ingemuit Susanna et ait angustiae sunt II: Sed melius est mihi absque opere
228v–232	Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 228v–232 Genres: Motet

Composer	Compositions
Anonymous	Philippe qui videt me alleluia – 126v–135 Venite ad me omnes qui laboratis et onerati – 41v–55
Brandt, Jobst vom	Oppressit reducem quam rexit Iasona navis – 111v–126
Canis, Cornelius	Clama ne cesses quasi tuba exalta – 189v–198
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 198v–207 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 207v–214
Crecquillon, Thomas (ca. 1505–ca. 1557)	Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae – 223v–228 Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere – 228v–232
Despres, Josquin (ca. 1450–1521)	(?) Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte – 12v–23 Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis – 23v–32
Forestier, Mathurin	(?) Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte – 12v–23 (?) Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis – 23v–32
Gombert, Nicolas (ca. 1495–ca. 1560)	Ad te levavi oculos meos qui habitas in caelis – 66v–82 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 82v–89 Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 89v–98 (?) Tu es Petrus - 1a pars (of 2): Tu es Petrus – 149v–156 (?) Tu es Petrus - 2a pars (of 2): Quodcunque legaveris – 156v–163 (?) Venite ad me omnes qui laboratis – 55v–66
Lheritier, Jean (ca. 1480–ca. 1551)	Sub tuum praesidium confugimus Domine – 214v–223
Mantua, Jacquet de (1483–1559)	Descendi in ortum meum ut viderem poma – [iv]–11
Morales, Cristóbal de (ca. 1500–1553)	Tu es Petrus - 1a pars (of 2): Tu es Petrus – 149v–156 Tu es Petrus - 2a pars (of 2): Quodcunque legaveris – 156v–163
Moreau, Simon	(?) Tu es Petrus - 1a pars (of 2): Tu es Petrus – 149v–156 (?) Tu es Petrus - 2a pars (of 2): Quodcunque legaveris – 156v–163
Moulu, Pierre (ca. 1484–ca. 1550)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 82v–89 (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 89v–98
Mouton, Jean (ca. 1459–1522)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 82v–89 (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 89v–98
Phinot, Dominique	Domine nonne bonum semen seminasti – 137v–148 Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari – 98v–105 Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus – 105v–111
Senfl, Ludwig (ca. 1486–ca. 1543)	Nunc Deus ad requiem servum finemque – 183v–189
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis – 82v–89 (?) Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit – 89v–98
Zirler, Stephan (ca. 1518–1568)	Nisi Dominus sustineat domum frustra – 164v–182

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos qui habitas in caelis	Gombert, Nicolas (ca. 1495–ca. 1560)	66v–82
Clama ne cesses quasi tuba exalta	Canis, Cornelius	189v–198
Descendi in ortum meum ut viderem poma	Mantua, Jacquet de (1483–1559)	[iv]–11
Domine nonne bonum semen seminasti	Phinot, Dominique	137v–148
Ingemuit Susanna - 1a pars (of 2): Ingemuit Susanna et ait angustiae	Crecquillon, Thomas (ca. 1505–ca. 1557)	223v–228
Ingemuit Susanna - 2a pars (of 2): Sed melius est mihi absque opere	Crecquillon, Thomas (ca. 1505–ca. 1557)	228v–232
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	198v–207
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	207v–214
Nisi Dominus sustineat domum frustra	Zirler, Stephan (ca. 1518–1568)	164v–182
Nunc Deus ad requiem servum finemque	Senfl, Ludwig (ca. 1486–ca. 1543)	183v–189
Oppressit reducem quam rexit Iasona navis	Brandt, Jobst vom	111v–126
Philippe qui videt me alleluia	Anonymous	126v–135
Sub tuum praesidium confugimus Domine	Lheritier, Jean (ca. 1480–ca. 1551)	214v–223
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis	Mouton, Jean (ca. 1459–1522) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560)	82v–89
Surge Petre - 2a pars (of 2): Angelus Domini astitit et lumen refulsit	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Gombert, Nicolas (ca. 1495–ca. 1560) Mouton, Jean (ca. 1459–1522) (?)	89v–98
Tu es Petrus - 1a pars (of 2): Tu es Petrus	Moreau, Simon (?) Morales, Cristóbal de (ca. 1500–1553) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	149v–156
Tu es Petrus - 2a pars (of 2): Quodcunque legaveris	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Morales, Cristóbal de (ca. 1500–1553) Moreau, Simon (?)	156v–163
Veni sancte spiritus 26.17 - 1a pars (of 2): Veni sancte spiritus et emitte	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)	12v–23
Veni sancte spiritus 26.17 - 2a pars (of 2): O lux beatissima reple cordis	Despres, Josquin (ca. 1450–1521) Forestier, Mathurin (?)	23v–32
Venite ad me omnes qui laboratis	Gombert, Nicolas (ca. 1495–ca. 1560) (?)	55v–66
Venite ad me omnes qui laboratis et onerati	Anonymous	41v–55
Videns Dominus - 1a pars (of 2): Videns Dominus flentes sorores Lazari	Phinot, Dominique	98v–105
Videns Dominus - 2a pars (of 2): Et prodiit ligatis manibus et pedibus	Phinot, Dominique	105v–111

‡ denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 189, 208, 482, 549. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Beebe, Ellen Scott. 1976. Mode, Structure, and Text Expression in the Motets of Jacobus Clemens non Papa: A Study of Style in Sacred Music. Yale University, Unpublished Ph.D. dissertation. Pages: 75-6. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 138, 146. Notes: mention of MS; contents list (partial); concordances (partial).

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 99,102-3. Notes: contents list; discussion.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: I,16 II,vi-viii III.vii-viii IV, Plate XXXVI. Notes: contents list (partial); concordances (partial); facsimile (partial).

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xlv.lvi. Notes: physical description (partial); contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 65-7. Notes: physical description; contents list; concordances (partial).

Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 30-l, passim. Notes: physical description (partial); mention of MS; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: XII,xxii-xxiv. Notes: physical description; contents list (partial); concordances (partial).

Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, . Pages: 27-8. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Sl Cod. mus. I 2° 36

Württembergische Landesbibliothek, Stuttgart, Germany

manuscript of polyphony: c. 1548-50

General Description

Physical Description

Binding

Notation

Foliation

Index

Surface

Census Catalogue of Music Description

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017