Composite of two originally separate Magnificat collections: 'Primus Tomus' = ff. 1-103; 'Secundus Tomus' = ff. 104-165. 'Primus Tomus' apparently copied from the print RISM 1534/7; 'Secundus Tomus' copied from RISM 1534/8 and S2807 (GottH). Copied by Nikolaus Peuschel (GottH). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
D-Sl Cod. mus. I 2° 26
Württembergische Landesbibliothek, Stuttgart, Germany
manuscript of polyphony: Ca. 1538 (GottH); ca. 1540-5 (KirschQM).
| Archive | Württembergische Landesbibliothek, Stuttgart, Germany (D-Sl) |
|---|---|
| Shelfmark | Cod. mus. I 2° 26 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 520 x 390 mm |
| Other Identifiers |
|
| Notations |
|
| Copyists |
|
| Relationships |
|
| External Links | |
| Provenance |
|
| Contents | Contains 10 compositions from 9 composers. |
General Description
Binding
Original covers of tooled leather over pasteboard, restored
Notation
black void mensural
Foliation
Original ink foliation, 1-88 ('53' applied to two consecutive folios) + modern foliation, 89-165. 'Secundus Tomus' once had independent system of original foliation on lower right rectos, but most numbers obliterated by later trimming
Decoration
No initials or decoration
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
10 Magnificats
Cybot-1, Du Hamel-1, (A. Févin)-1, Hesdin-1, Jacotin-1, Lebrun -1, Lhéritier-1, Manchicourt-1, Senfl-2
166 paper folios, 520 x 390. Composite of two originally separate Magnificat collections: "Primus Tomus" = ff. 1-103; "Secundus Tomus" = ff. 104-165. Original ink foliation, 1-88 ("53" applied to two consecutive folios) + modern foliation, 89-165. "Secundus Tomus" once had independent system of original foliation on lower right rectos, but most numbers obliterated by later trimming. Original covers of tooled leather over pasteboard, restored. No index. Copied by Nikolaus Peuschel (GottH); see general index for other manuscripts copied by the same scribe. No initials or decoration. "Primus Tomus" apparently copied from the print RISM 1534/7; "Secundus Tomus" copied from RISM 1534/8 and S2807 (GottH).
Ca. 1538 (GottH); ca. 1540-5 (KirschQM). Copied in Stuttgart, for use by court chapel of Ulrich, Duke of Württemberg (1487-1550).
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliv, lii. Notes: physical description (partial); contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 164. Notes: contents list; concordances; incipits.
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 48-9. Notes: physical description; contents list; concordances (partial).
Marquardt, Hans. 1936. Die Stuttgarter Chorbücher unter besonderer Behandlung der Messen. Tübingen. Pages: 29, passim. Notes: physical description (partial); mention of MS; discussion.
Halm, A. 1902. Katalog über die Musik-Codices des 16. und 17. Jahrhunderts auf der Königlichen Landes-Bibliothek in Stuttgart. Monatshefte für Musikgeschichte, 34: . Pages: 21. Notes: physical description (partial); contents list.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description